Hollywood Canine Canteen

“I’m a baaad bowwow.”

Directed by Robert McKimson; Story by Warren Foster; Animation by Cal Dalton, Don Williams, and Richard Bickenbach; Backgrounds by Richard H. Thomas; Musical Direction by Carl W. Stalling. A Merrie Melody released on April 20, 1946.

TADA! Welcome to the new and improved Wackyland2! When I said I was cancelling the blog, I just meant that I was giving Squarespace the boot. That place sucked. Here is a lot more space for me to stretch my creative wings. It’s the same great taste, but with a whole new package! With still hundreds of shorts left to address, we’d better get started!

Dogs are some of the greatest animals on the planet! Hollywood seems to think so too. As all the biggest stars (at least of the 1940s) all seem to own one. What’s more, they look a lot like their owners too, making it easy to tell who is who. So what do these dogs do when their owners are out being caricatured in Warner Bros. cartoons? They decide to start a nightclub all their own! And everyone of the canine type is invited! Upon entering, patrons can drop their (fur) coats at the entrance. And one doesn’t need to worry about filling your belly: Dogwood himself is on hand making some tasty bone sandwiches, and cleanup is nothing to worry about. We’ve got Laurel and Hardy’s dogs on cleanup duty. (Our dishes wind up extra clean. Seeing as how Laurel’s pooch, keeps accidentally dropping what he just dried back into the sink.) A young dog tries to call home, but has to wait as there are quite a number ahead of him. Not to worry, there is plenty of entertainment to keep one occupied. Why not listen to Leopold Bowwosky conduct? His musicians are playing the Hungarian Dances. (Taking reading breaks when waiting for their part, and breaking violins when performing their part) But some aren’t taking things too seriously. Lou Costello’s dog can’t be bothered to stay with his instrument and will leave in the middle of a performance to get a drink. (And more amusing than that, acting like a jerk when people tell him to get back to work) He just might ruin the song too, as he’ll mistake any flies on his sheet music for actual notes. And our young friend is still waiting to call. But there’s only one ahead of him now! Some dog’s try to make connections. Bing Crosby’s dog is serenading the pet of Dorothy Lamour. But he can’t quite compete with Frank Sinatra’s dog. (Mostly because the latter’s singing is too irresistible for Bing’s pooch to try and top) With a fresh batch of music (and the occasional box of fleas) everyone is really getting into the dancing groove. Well, almost everyone. Our young friend is finally allowed to call home. Hope his voice is strong enough. Since dog’s can’t use telephones, he has to make do with a megaphone.

Personal Rating: 2

Fifth Column Mouse

“Did you ever have a feeling that you a-wanted something?”

Supervision by I. Freleng, Musical Direction by Carl W. Stalling. A Merrie Melody released on March 6th, 1943.

Seeing as there’s no cat around, a large gathering of mice are having a grand old time. Singing, skiing, (fake snow) and lounging around. But a cat could come, and it does. (Rubbing his paw on the window to see better, leaves a couple of smudges that make a distinctive hair and mustache) I’m calling him: Dolph. When he enters, most of the rodents flee. But one is captured. (Seeing as how he is larger and gray rather than brown, I think he’s a rat. And with all the symbolism this short provides, that sounds about right.) Seems Dolph has a plan, but he needs the rats help. (His name shall henceforth be: Columbus) Said rat, is initially against the idea, but is easily bribed with cheese. He tells the mice, that the cat simply wants to help. They treat him like a god, and in turn he will keep them safe and well fed. Sounds like a good deal. Can’t possibly see anything backfiring here. The mice agree and appease their new master. But all too soon, Dolph shows his true colors and has a hankering for some mouse. And that does not exclude a rat either. They are all fair game in his eyes. They escape though, and begin a plan to fight back, building a secret weapon in the process. But I’m not above spilling the occasional secret: it’s a mechanical bulldog with extendable teeth. And it works too! Dolph flees and the mice cheer. Columbus tries to play it cool, but still has cheese thrown in his face.

Personal Rating: 3

The Weakly Reporter

“We love California”

 Supervision by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1944. Supervision by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1944.

With that said, who wants more topical humor from the forties? Hopefully, everyone did because that’s what you’re getting. While Wacky Blackout demonstrated how the country life reacts to the war, now we look at the urban side. (With bridging sequences done in a simple stick figure style, predating UPA by a good six years) With such a large war, automobiles are becoming more scarce. Those still around are frightened at the sight of  a horse-drawn cart. With such few cars, some people take to sharing a vehicle. Some go a “step” further and share shoes. Certain foods are really valuable and are delivered in an armored vehicle. (You laugh, but butter is precious to us Americans. It’s our favorite food!) Speaking of food, that’s a luxury now too. Lovely meat for sale. Only $1.19 for a sniff. (Smells like cow blood. So worth the investment) During these times, hoarders are looked upon with disdain. Unless you’re hoarding bonds. But in all seriousness, many men are now in service. What are the ladies doing? They’re still buying the latest styles. (That welder’s mask is you!) And girdles are now used to help win. The only downside is you can see the difference it makes without them. (Oh, you thought I was talking about a woman wearing it and not a man? That’s the short’s best joke) Ladies are now taking on more jobs. (And the men who are still around love to watch them.) But women fight in the war too. Putting lipstick over their gas masks, and training for fights by brawling over nylon. (How accurate.) Sexist jokes aside, they know what they are doing. When the factories stop, it’s a lady to the rescue! (The machine just needed her to insert a new bobby pin) Yes, we are doing a fine job of producing weapons really fast. So fast in fact, we can get a ship delivered before the champagne bottle finishes its swing.

Personal Rating: 1. So, unless you’re a WWII buff or Looney-tic, I wouldn’t reccomend this one. But if you’re reading this, I figure you’ve got to be one or the other.

The Draft Horse

“Raise left foreleg!”

Supervision by Charles M. Jones; Story by Ted Pierce; Animation by Robert Cannon; Musical Supervision by Carl W. Stalling. A Merrie Melody released in 1942.

A short very important in the history of Mr. Jones, as it was the first time he wasn’t trying to be Disney.

A horse (Not named like we’ve come to expect. I’m calling him Stallone. It’s a clever name for a stallion) is happily plowing a field. But he then sees a poster asking for horses for the war. Feeling fully patriotic, he bids the farmer farewell, and heads to the recruitment office. (The plow still attached and driving a gap through the countryside) There, he shows off how great he’d be on the battlefield to the major. He imitates guns firing, bombs dropping and even his own heroic death. The Major even tears up before remembering that the horse is still alive. He orders it to strip. Stallone  does so as sexily as he can. (Which to another male, isn’t any. But plenty funny) He is scrubbed down by a soldier… Well I’ll be! It’s Private Snafu! Making his first appearance! Stallone is ticklish though, and doesn’t stand still. When getting a physical,he screams when told to say, “ah.” When told to lift various limbs, he does so without putting any of the previous down. He doesn’t fall until he’s told he can’t float. (Except, as a toon, he definitely can.) When all is said and done, the poor horse is rejected. As he mopes, he accidentally wanders onto a sham battlefield where a sham war is being held. (What a sham pain.) He runs around in fear from the cannons, tanks and bombs. He agrees that he is not quite ready to be drafted. So back to plowing? Hardly! Still as patriotic as ever, he takes to knitting sweaters for the troops. (And it takes a lot of patriotism to knit with hooves.)

Personal Rating: 3

Rookie Revue

“I’m a baaad general.”

Supervision by I. Freleng; Story by Dave Monahan; Animation by Richard Bickenback; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1941.

For today, we’re going to see how the army lives, so get ready for army related gags! The soldiers snore “You’re in the army now,” but it is time to get up. The guy who is supposed to do that, has a jukebox play it for him. The soldiers fall in. (One of whom looks an awful lot like Elmer.) Of course, being woken up so early, the troops are still asleep even as they march in step. They do perk up once they are supposed to sound off. Mess call is their favorite thing to hear. The infantry eats very sloppily, until they notice they are on camera, they then remember their manners. (They are caricatures of Tex Avery, and executives Henry Binder and Ray Katz.) The machine gunners shovel food into their mouths at high speed, bombers toss food into their mouths, and the suicide squad eat with huge frowns. (If i had to watch that movie, I would frown too.) The calvary’s horses march in step, and the camouflage experts are near invisible. (I can see their guns) Speaking of guns, the soldiers used to be trained by pretending a plank of wood was gun. It was a simpler time. So simple in fact, paratroopers didn’t even get parachutes, and had to settle for a label that said “parachute.” (It’s one of the few times I’m happy with how huge the human population is. We would lose so many soldiers that way) Test pilots amuse themselves, by playing tic-tac-toe with their planes. But the general has no time for such tomfoolery. He is very busy planning coordinates for some gunners to follow. He takes his time calculating before is is ready for them to fire. They do and we find out exactly where those coordinates are: his headquarters. D’oh!

Personal Rating: 3

Russian Rhapsody

“Silly, isn’t he?”

 Supervision by Robert Clampett; Story by Lou Lilly; Animation by Rod Scribner; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1944. Supervision by Robert Clampett; Story by Lou Lilly; Animation by Rod Scribner; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1944.

One of the hundred greatest Looney Tunes and well worth that title!

Germany isn’t doing so hot these days. (These 1941 days to be precise) All of the planes they send to bomb Moscow are being destroyed mysteriously. Could it possibly be gremlins? It couldn’t be! Not with Disney refusing to allow any cartoons about them being made at the time. Hitler is furious. (And let’s be real here, this is the funniest Hitler to ever exist. He screams, he speaks in random words with a bad German accent, and he moves like a spaz! It’s the only time I can say: “I love this guy!”) He finally decides to just send the finest person Germany has to offer: himself. As he flies to Moscow, (which, did you know, borders Berlin?) it appears that he is not alone. Several gremlins are on board and they sing a hauntingly catchy song. What’s more, they appear to be caricatures of various looney people. Tedd Pierce, Friz Freleng, Chuck Jones, Leon Schleshinger, and the man himself, Bob Clampett. They set to work destroying the plane. A “Tubby” gremlin tries to stab Hitler in the butt, one saws the plane and just barely misses his pal, a adorable teeny one smashes the dials with a hammer, and one unleashes a termiteski to devour the plane. (Unlike termites which eat wood, termiteskis subsist on only the finest of messerschmidts.) One joke that is kinda dated is replacing Hitler’s C card with an A card. (Gas rationing. C is more.) The “Millar” gremlin finally gets Adolf and the fuhrer finally realizes he has company. (Also the little one he talks to is holding a feather, that magically morphs into a hammer) They put his nose in an electrical socket, and the resulting shock turns him into a glowing swastika, skunk, and donkey in that order. He pulls a knife on them, but they scare him with a Stalin mask. (And then the short immediately jumps to him on the floor. I can’t help but wonder if a scene was cut) With him taken care of, the gremlins cut around him and he falls to earth with the plane crushing him. He pops out of the ground to comment on how “Nutzis is the cwaziest peoples.” The gremlins pound him back under his grave where he belongs.

Personal Rating: 4

Herr Meets Hare

“Watch your blood pressure, Chubby!”

Ain’t Hitler a stinker?

Directed by I. Freleng; Story by Michael Maltese; Animation by Gerry Chiniquy; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1945.

Hitler’s pet, Hermann Göring, (or as the short affectionately calls him, Fatso) is taking a break from being part of the worst kind of people in the world, (or as no one calls them affectionately, the Nazis) and is off on a hunting trip in the Black Forest. Bugs is tunneling nearby, and for the first time ever, makes a wrong turn at Albuquerque. The tubby one sets his gun sights on the rabbit. While Bugs asks Hermann for directions to Las Vegas. Hermann muses out loud about Vegas, and Bugs, ever the helpful sort, gives him the directions and sends him on his way.

But as much as it pains me to admit, Göring was not that dumb and soon remembers that such a city does not exist in Germany. Bugs admires the medals the man has, but proves them all to be nothing but tin. Angry, Hermann starts insulting Hitler. Bugs uses this opportunity to disguise himself as the führer to really mess with Göring. (You ask why there is a mirror in the woods? I ask, “Why does it teleport to a different tree?”) He begs for forgiveness. He even gives a kiss. (♪ Right in the führers face! ♪) This causes some of Bugs fake mustache to come off on Hermann’s lips and upon heiling himself, he wises up.

Chasing again, he hears something to his right. (Although Bugs comes from his left. Whoops.) It’s Bugs dressed as Brunhilde. (A good seventeen before “What’s Opera Doc?“) Hermann dresses as Sigfried and they dance. (Bugs getting the Nazi to crash into his shield.) Hermann tries to set a falcon on him, but the bird can’t understand his commands through his accent. Bugs explains he is supposed to catch a rabbit. The bird grabs Bugs…and nods to show he understands. He takes off.

Bugs wonders if the bird can actually catch him, but Hermann has no doubts. Bugs tickles him and dives back into his hole. Unbelievably, the bird is at the bottom and catches Bugs in a sack. Yes, Bugs was actually caught! Gleeful over his prize, Hermann rushes to show Hitler. Hitler is happy and takes a peek into the bag. He freaks out and runs away with Hermann doing the same. Turns out Bugs was able to scare them off with his Josef Stalin cosplay.

Personal Rating: 3

Boyhood Daze

“Dr. Living-son, I presume.”

It was either this, or join the army.

Directed by Chuck Jones; Story by Michael Maltese; Animation by Abe Levitow, Richard Thompson, and Ken Harris; Effects by Maurice Noble; Backgrounds by Philip DeGuard; Film Editor; Treg Brown; Direction by Milt Franklyn. A Merrie Melody released in 1957.

Tomorrow is Christmas, the epitome of childlike wonder. So which short to discuss better than one with Ralph Phillips? The little lad has just broken a window and is sent to his room to await what his father will say about things. Left alone, he begins daydreaming. Like most kids in trouble, he daydreams about his parents getting into a situation. Specifically, with them captured by cannibals.

Ralph comes to the rescue. (Love that goatee.) The natives are clearly afraid of him, but still try to fight him off as best as they can. Ralph has no choice but to kill them all. (Off screen naturally.) Coming back, he scolds his father for being out in the jungle in the first place. His dad walks off sulking as Ralph returns to reality. He figures besides saving their lives, another way he’d never be punished is if he did something fantastic with his life. Like being part of the Air Forse. (sic) He flies a ship that looks a bit like a paper airplane, through a sea of areas that look like his bedroom. He best be on the look out for Martians. Not only do they hate Earthlings, but they all got A’s in arithmetic!

They shoot him down, but Ralph is a skilled pilot and manages to come back at them with his secret weapon, a lasso. He catches them all, (and his ship can hold all of that weight? Of course! It’s imaginary!) And he is honored by the President himself, as his parents watch in awe. (His dad’s hair is now red. Why was it black earlier? Imagination still needs consistency, Ralph.)

Speaking of, his father has just gotten home and is making his way towards him. Ralph imagines himself in prison awaiting his sentence. But he needn’t have worried, his father is a fair man who has a fair punishment. Ralph will have to pay for the window out of his allowance, but as long as he is more careful with his play, he’s free to go. Ralph happily rushes outside. But his imagination starts to run away again. He sees a young tree, and an axe that is just a little too tempting…

Personal Rating: 3

Hippety Hopper

“A mouse as big as me!”

Directed by Robert McKimson; Story by Warren Foster; Animation by Pete Burness, John Carey, Charles McKimson, and Phil DeLara; Layouts by Cornett Wood; Backgrounds by Richard H. Thomas; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1949.

I just love how many shorts titles were just a characters name. It wasn’t even their first appearance when it happened.

Anyway, a mouse is about to commit suicide. Since it’s not being treated as a joke, it’s not funny. Luckily for him, he is saved. Hippety may be young, but he knows that ending yourself is never the answer. The mouse (Who needs a name. I’ll call him Mini. Mini the mouse. Completely origina.l) asks his new friend (who he thinks is a giant mouse) to help him get even with the one who caused his depression in the first place: Sylvester the cat. Hippety agrees.

Mini wakes Sylvester up and threatens to take vitamins and grow to match his size. Sylvester laughs at this, but soon sees the joey and freaks out. Mini kind of ruins things by coming back to say he warned him. I guess mice just fluctuate in size? Is that what rats really are? Whatever. Sylvester tries to fight off the “mouse” anyway and it goes about as well as you’d expect. A bulldog witnesses this and refuses to let Sylvester be treated as such. If the dog has a job of protecting the house, the cat has to do his job of mousing. Sylvester is thrown back in.

He tackles Hippety and goes for a bumpy ride before once again ending up outside. He tries to explain that a giant mouse is doing this to him. The dog sends him back with some glasses to prove he’s seeing things. Besides, no one hits a guy with glasses on. Oh wait, Australians have no qualms about such things. (Or at least babies don’t.) The dog finally decides to take care of things himself. He sees Sylvester wasn’t kidding, but refuses to let a “mouse” kick him out. Hippety tries, but the dog has some great upper body strength and doesn’t budge. It takes a bite from Mini to get him to lose his footing and become kick-able.

Mini threatens to pin his ears back if he comes back in. Despite what just happened, the dog calls his bluff and says he’ll take up ballet the day a mouse pins his ears back. And then he ends up with pinned ears. He does keep his word, but the jerk is so insecure that he forces Sylvester to do it with him. The two dance off into the distance.

Personal Rating: 3

Sniffles Takes a Trip

“Gee willikers! This is the life!”

Supervision by Charles M. Jones; Story by Dave Monahan; Animation by Phil Monroe; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1940.

As the title suggests, this short is about Sniffles taking a vacation. He is off for a relaxing time in the country. He’s got his bindle and follows the train tracks out of the city. He knows he’s made it by the sound of the singing robins. (A crow.) He happily enters Country Meadows. A lovely place that boasts having fresh air, babbling brooks, and pretty flowers. Sniffles takes in the splendors of nature (the flora, the fauna, the fungi) and pulls out a pair of binoculars to look around. Getting a rather close up look of a fly in the process.

Well, time for the real reason anyone goes on a vacation: to sleep. He sets up a hammock and nods off. It’s not long before he is woken up by a woodpecker. Rather than fight, the mouse simply moves his hammock to another location. He ends up tying it to the legs of a… stork? Swan? Whooping Crane? It looks like some sort of wader, but the beak is rounded and the crest doesn’t look like it belongs there. But I digress. The bird walks into some water, taking Sniffles along with it. He realizes rather quickly that he is underwater. He climbs out and onto the bill of the curlew/egret/albino flamingo with a Mohawk.

Scared, he falls into the water and swims away from what he believes to be an alligator. (Considering he just leaped off of a spoonbill/ibis, I wouldn’t doubt that he’s in the everglades.) It’s just a cute widdle froggie, though. (No really. It’s adorable and I want it.) Sniffles heads back to camp. That night, he huddles near his campfire and reflects on how dark it has gotten. The nearby quail, grasshoppers, and moths look much more threatening in the P.M. But the scariest thing in the woods is the various eyes that watch you. I have no doubt that this is scarier than Disney’s “Snow White.” That shows the forest creepies to be her imagination making trees look more evil than usual, and the eyes are just simply the animals that live there. We never will find out exactly what is watching him. Having had enough of the “peaceful” life, Sniffles flees back home.

Personal Rating: 3