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Buddy’s Bearcats

“Shucks, I’m all balled up.”

Supervision by Jack King; Animation by Ben Clopton; Music by Norman Spencer. A Looney Tune released on June 23, 1934.

Me, I love mix ‘n match animals. With millions of species past and present, you have endless combinations. Some people are lazy and just make literal catfish and bullfrogs, while people like me make spidertoads, molaye molayes, and jellysaurish rexes. Buddy has bearcats. Is that really the extent of your imagination, pal? Heck, nature could do that.

You’re about 45,000,000 years late, Buddy.

Anyone buying my fake outrage? Anyone reading at all? I wouldn’t be shocked if what little attendance evaporates whenever I’m featuring a Buddy feature.

The bearcats is just the name of Buddy’s baseball team. That he plays one, rather than own. The apostrophe wasn’t my idea. They’re set to play against the Battling Bruisers today. And anybody who is anybody wants in. The ticket sellers are using this to their advantage, and charging husky-sized patrons for two seats. That’s just rude. I’m not surprised a few are getting in via underhanded means. Some are mere peekers, peeping through fence holes; others are sneakers, chicanery aids their goals.

The hot dogs are piping, the soda is sweet, and Buddy’s girlfriend is of course showing her support. You might not recognize Cookie today, as this was during that awkward phase where she was wearing a wig and thought nobody would notice. You know, there’s being polite by not bringing up the obvious, and there’s doing the right thing. Take it off. The game begins, and we’ve got commentary by celebrity guest, Joe E. Brown. Hope you like big mouths and loud noises. Hope you don’t mind if he eats your souls and joys.

Buddy pitches to the opponent with color-changing shoes. (His card is the most fun to collect.) Foul ball, I think. I don’t really know how baseball is played. And I bet you don’t either. When it’s Buddy’s turn to bat, he gets a good hit and manages to get to base by sliding with the roller skate on his tuckus. It’s okay is he cheats because he’s the hero. So maybe that’s just a different Cookie? Buddy also cheats while pitching. He uses a wind-up key to alter the ball’s trajectory. The batter slows it down with, I don’t know, whatever cartoon gardeners spray insects with. His pitch counts, but Buddy has Inspector Gadget on his team. Easy catch.

At the bottom of the ninth, it’s a tie game. If Buddy can hit this, he can win, and probably retire next year. That’s too much pressure, and he hides in the dugout until whichever Cookie that is coaxes him to grow some baseballs. There was never anything to fear, because the ball lets him hit it. Home run! The audience cheers by pelting Buddy and his gal with their chapeaus. Hats all, folks.

Favorite Part: One of the peekers is swaying back and forth at just the perfect height for a dachshund to stand beneath and get a literal butt scratch. Cure, creative, and maybe a little kinky. Congratulations if you discovered your new fetish.

Personal Rating: 2

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Racketeer Rabbit

Oohh, Rocky’s really mad now!”

“I sorta look like Eddie Robinson, don’t I?”

Directed by I. Freleng; Story by Michael Maltese; Animation by Gerry Chiniquy, Manny Perez, Ken Champin and Virgil Ross; Layouts and Backgrounds by Hawley Pratt and Paul Julian; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Looney Tune released on September 14, 1946.

Since it’s raining, Bugs is opting to hunker down in an abandoned house for the night. Still, rabbits is rabbits and he digs a hole in the middle of the floor for his room. (Adding a doorknob just so he has something to hang the ‘Do not disturb’ sign on is a great touch.) Things don’t stay so quiet for long, as a pair of gangsters are speeding this way on the run from a rival gang. Gunfire is exchanged, but Bugs hardly notices. Nonchalantly ducking the flying bullets as he gets a drink.

You might be calling the gangsters Edward and Peter. Stop that. Only I get to give characters names around here. Besides, they’re already supplied. The smallish one is Hugo and the bigger one is Rocky. Some say this is technically the first appearance of our usual Rocky. I don’t. Rocky is a typical tough-guy name for a gangster, so why not use it for more than one of them? Time to divide the loot. Though Rocky is being slightly underhanded about dividing equally, he does still believe in giving some to every party. When Bugs sleepily asks his usual ‘what’s up?’, Rocky hands him his share.

Bugs doesn’t miss a beat. Donning hats as fast as an animated rabbit can, he poses as six other people to clean Rocky out of the remaining clams. He tries to leave, but Rocky isn’t so fooled and marches him back at gunpoint. He’s gonna tell exactly where he put the loot, but Bugs plays hardball until gun violence is threatened. Now his blabbing can’t be stopped, and its hurting the crooks’ eardrums. Only one thing to do now: take the rabbit for a “little ride”. Bugs happily obliges, and he and Hugo drive away.

One returns. Rocky asks if he got rid of him, and Bugs says yes, he won’t be bothering them again. And that’s all Hugo wrote. We never see him again! 40’s Bugs is so awesome. Terrifying and merciless, but mostly awesome. Good thing Rocky has said his prayers. When made aware of his lost partner, Rocky threatens to end Bugs. Hilariously enough, asking Bugs to help him get dressed while doing so. He demands the dough, and Bugs finally gives in, stipulating that Rocky cover his eyes so the hiding place can remain secret.

Rocky agrees to ten seconds sightless, which is all Bugs needs to mix flour, milk and an egg and give him the dough as all Toons do. (Wait, wouldn’t it be a batter by this point?) Bugs next appears in guise as a gangster named “Mugsy”, and if you’re going to consider the caricature to be Rocky’s first appearance, then I see no reason why this can’t be Mugsy’s. He tells Rocky it’s curtains for him. And they are darling. But Bugs is already on to his next guise: the police demanding Rocky give up.

Bugs dashes back to Rocky who begs for a hiding place. Bugs sticks him in a trunk with orders to stay quiet while he handles things. He tells his cop persona that Rocky is most definitely NOT in the trunk, because he wouldn’t be sticking swords through it if he was. See my earlier merciless statement. The “cop” says he’s taking Rocky with him, and drags the trunk down the stairs. Bugs responds by dragging it back up. He promises to take the cop on bare-handed, asking Rocky hold a clock while he does so. Huh. Sorta looks like a bomb.

Explodes like one too. Bugs declares the danger gone, but Rocky has wisened up, see? Yeah, he runs after the faux popo pleading for safety from the terrifyingly merciless but mostly awesome bunny.

Favorite Part: The billboard the thugs drive by at first. Not the side advertising ‘Hotel Friz’ (where I vacation every year) but the opposite advertising ‘Krools smokes’. (Insert obligatory Donkey Kong reference.) What is the best slogan ever made for a product? ‘They’re awful but you can buy them’ Funny is always best when it’s true.

Personal Rating: 4.

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Bosko’s Holiday

“Oh, baby!”

Animation by Isadore Freleng and Paul Smith. A Looney Tune released in July of 1931.

Happy Holidays. That’s all I have to tie into today’s featured short.

We find Bosko doing what I always want to be constantly doing: sleeping. It’s clearly his calling and I don’t see why his phone can’t accept that like the alarm clock did. (I wish my clock sounded like a pig.) The indignant device coerces the clock into waking the kid, which takes some doing as he sleeps harder than a dormouse. It takes a prick from the clock’s pointy hands to finally rouse him. Groggily, he answers the phone. There had better be a significant other calling. Preferably, the “dreamboat” variety.

‘Tis so. Honey is calling to see if he’d like to join her for a picnic. The best excuse to pretty yourself up for. Why else is she in lipstick? And wow. Her VA is clearly having a heck of a time reading the script. It’s funny, but I don’t know if it’s intentionally so. Bosko is game, and leaps into his clothes and shoes, that hilariously enough, look no different than his feet. I think the phone is saying “Scram”, but I can’t tell if it means “Get going” or “Don’t waste your time with women.”

Bosko drives over, plucking his three stringed banjo along the way. (Disappearing steering wheel.) When a string breaks, he just rips the tail off of Mickey clone #561, who likes to pretend he’s a hood ornament. (He’s not hurting you, so let him have his fun.) When he arrives, Honey greets him in a familiar fashion. The two are set to go, but Bosko’s car has a bit of hard time going uphill. Bosko does his best to push, but is distracted by Honey’s dog who seems to think he’s invited as well.

While Bosko tries to get things going again, the dog realizes how delicious the rear right tire is. Surely they won’t mind if he just has a nibble, right? The dog inflates and Honey’s lipstick is back again. It must be that new kind that you only need to apply once. Your skin absorbs it, and secretes it back into place whenever you feel an intense emotion. Once Bosko (who gets layered under the wheel) gets the dog uninflated, he ties a knot in the punctured tire. Good progress they’ve made. Why not unpack here? (Was the basket in the car the whole time?)

Picnic time! Bosko starts things off by whispering Honey-knows-whats into his girlfriends ear. I’ll never know what he said precisely, but Honey turns haughty at the suggestion. Really now. If you don’t want him to constantly ask to cop a feel, put a shirt on once in a while. Bosko tries to get back in her good graces by eating a sandwich as noisefully (read obnoxiously) as possible. I don’t care if there’s no color. Seeing food get chewed into paste isn’t palatable. Why does Bosko have to do that every time he eats? Is he a kid, or something?

Since the sandwich he took is the infinite one, he could keep doing this all day. Luckily for him, it looks like the lady is coming around. Unluckily, the dog showed up too, and when nobody is looking, he gooses Honey with his tongue. Bosko is slapped, and Honey heads home. He sulks, probably because he really was planning to do the same thing. Just with his fingers.

Favorite Part: I like the dog’s eyes bulging out when he’s all puffy. Looks funny.

Personal Rating: 2. One of the more boring Bosko pictures.

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Slap Happy Pappy

“Heaven can wait.”

Supervision by Robert Clampett; Animation by John Carey and I. Ellis; Musical Direction by Carl W. Stalling. A Looney Tune released on April 13, 1940.

I can’t ever be a farmer. They have to get up before the sun, and everybody knows that A.M. stands for “anti-merriment”. Take it from me, any day you can, sleep until 10, then stay in bed for another hour just enjoying the fact that true happiness can only be found beneath your blankets. In other words, Porky is playing the farmer role today. Just plowing some fields, making small talk with the livestock, and letting his horse drive the plow every now and again.

Did you know that Easter Bunnies are also farm raised? It makes sense, as they can be in close proximity to the eggs they’re supposed to deliver. It also gives the animated world another “Jack Bunny”. Shake it up, guys! Put him underwater and call him “Jack Blenny.” Make him a garbage can called “Jack Binney.” Put him in Scotland as “Jack Bonny!” Sure, it’s a fine enough pun the first dozen times, but people other than me could get sick of it.

While he gets the eggs painted, (losing toes in the process) he also is sure to keep an eye out for the ones so rotten, that the yolk and albumen have ceased to be. (You should probably be checking more often.) And then a joke that bothers me. Another egg that looks bad. It’s black, and has visible odor lines. But before he can smash it to oblivion, it hatches into “Ro-chick-ster”. Don’t look at me like that, I’m sure that was the pun they expected us to make. Besides, don’t ignore the fact they made a joke about black species being mistakes before they’re even born.

Okay, enough of the bunny. Why was he here, again? We know you love your Disney parodies Bob. Did you want to take a crack at “Funny little Bunnies” but got stuck after one tasteless joke? Moving on. Porky gets today’s paper, with the front page news being about Mr. and Mrs. Cackler egg-specting. And 1, 2. That was the only two lines we can afford Porky to say this week. My inner fanboy is satiated. It’s also by this point that you’ve realized the majority of jokes today are the caricature kind.

For indeed, Eddie and Ida bare more than a passing resemblance to the Cantors. (Even down to the Mrs. having the occasional white wattle.) They’ve got five eggs ready to go, and Eddie is eagerly anticipating a boy. I mean, less of a chance they’ll get eaten, right? Him though, he probably just wants someone to go camping with. I know for a fact that all decent girls hate such activities. It’s in their D.N.A. Hatching time! Oh, who could have foreseen this? 5 daughters. You can tell because of the bow/skirt combo.

Any real parent would love their child regardless of their gender identity. Good thing this guy is fictional. He bemoans his fate, but then takes note of the singing outside. It’s Bing Crowsby (not that one) and his five sons. That could never happen by chance alone, what is the secret? Well, what else could it be? His golden pipes can not only make a hen fertile, but guarantee male heirs if the masculine labels on the shells can be trusted. You sing, right Eddie?

One song session later, Eddie gleefully prances around the barnyard giving cigars to farmers, parents, and children alike. Sure, Kay-pon Kyser doubts his chances, and Rhode Island Red Sparks can’t spare a smile, but he doesn’t care. He finishes his song and dance just in time, as the newest addition is being bor-… I’ve wondered, is it still accurate to say things are born when they’re hatched? This chick doesn’t have any feminine clothing, so the odds are slightly in Ed’s favor. A boy at last? “Eh, could be.”

Favorite Part: Eddie’s over the top reaction to seeing his quintuplets… born. Too bad he just lost the eggs that could go with that ham.

Personal Rating: 2. Not just because of that racist joke, but because I wonder if it’s right to laugh at a father being disappointed in his children just for having certain parts? Gender identity is a delicate topic anymore, and I could see someone being reminded of bad times with a douche-bag parent. I’m no expert, but I don’t want to encourage anyone to see something that could offend.

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A Street Cat named Sylvester

“I tawt I taw a tweety bird.”

Directed by I. Freleng; Story by Warren Foster; Animation by Virgil Ross, Arthur Davis, Manuel Perez, and Ken Champin; Layouts by Hawley Pratt; Backgrounds by Irv Wyner; Voice Characterization by Mel Blanc. Music: Carl W. Stalling. A Looney Tune released on September 5, 1953.

That title is a lie. Sylvester is very much a pet today. But the pun! Too tempting! And yet, Tweety still gets the star billing. He’s been around longer.

Things start off in the style of their first team-up: Tweety is taking note of how winter is the death of all joy and will to live in the world, and only barely managing to stay warm via the heat of a cigar butt. Fate’s wind blows him into a house, and he bangs on the door, pleading for sanctuary. He’s putting a lot of effort into his door pounding, but no human would be able to hear his little fist-wings over the howl of that gale. That door would need to be answered by a feline, but what, are we supposed to believe this is a cartoon?

Sylvester is delighted by what is on the other side of the door. You gotta take advantage when opportunity knocks, and take it he does. It always makes me laugh when he licks Tweety like a ice-pop. That’s as far as he gets before Granny is attracted by the noise. She’d probably try to interfere and keep him from eating something crawling with germs. Sylvester sticks his treat in a vase with books on top to prevent any escapes. Not noticing anything out of the ordinary, Granny takes him to the kitchen for supper.

As is expected of a cat, he turns his nose up at the canned stuff. See, cats were just never meant to be pets like pigs. Don’t ask me how humanity got their roles mixed up. All I can tell you youngin’s about is the glory of movie rental stores. There’s a third mammal in the house too: Hector the bulldog, but he’s tied up with a broken leg. Somehow got it from chasing Sylvester. He shouldn’t be an obstacle, but Sylvester is a black cat, and they’re like bad luck or something.

Granny takes notice of the oddly placed books, meaning Sylvester is going to have to act fast and cause a distraction. Anything that will further hurt the dog will be a plus. He makes Hector’s injured paw slam on the ground, and the dog howls. (The howls of pain in this short may sound familiar. I’ve heard them get reused in the films like “George of the Jungle” and games like “Frogger 2: Swampy’s Revenge”.) Properly distracted, Granny comes to give him medicine to ease the pain. Judging by the fear in his eyes and the green in his pallor, it’s nasty stuff.

When Sylvester finally gets back to his prize, he finds a TNT stick instead. The chase leads back over to Hector who gives the cat a bite. That sounded like a howl of pain! And that medicine isn’t the kind that you have to wait at least four hours between doses. Granny could make him chug the whole bottle if it wasn’t so expensive. Sylvester does a stupid thing in his panic, and hides Tweety in the dog’s mouth. Luckily, the medicine isn’t fatal to birds, as Tweety ends up taking the worst of it. But it’s a temporary victory, since when Hector smacks Sylvester with a club, his howls of pain summon Granny for a repeat performance.

Tweety decides to stick with Hector for protection, leading Sylvester to drastic measures. He hoists the fridge up via a rope, and aims to drop it on Hector. Even though the dog is for sure under its shadow, it ends up dropping on Sylvester. Black cats. Why aren’t there more cartoons where the bad luck they bring affects themselves? Sylvester is now laid up next to Hector and worse yet, will be subjected to the same toxic tonics. And worse than that? Tweety has been fiddling with the stuff and added whatever and so forth to the bottle. If Sylvester doesn’t die, the best case scenario will be like something out of Roald Dahl’s imagination.

Favorite Part: Hector saying Tweety will be taken over his dead body. (Which is surreal to hear him say after watching the entirety of “The Sylvester and Tweety Mysteries” and hearing him speak not but typical canine noises.) Sylvester says that condition can be arranged. It’s cliche, but its always cool when someone says they’ll take them up on it.

Personal Rating: 3

Oh, and here’s this:

I know if you read my blog that you’ll have already seen this, but I wouldn’t be a good fan if I didn’t put it up. I’m excited, but cautious.

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Bosko’s Party

“I got a present… for ya, Honey.”

Animation by Isadore Freleng and Larry Martin. A Looney Tune released on April 2, 1932.

It may rain, but Bosko has a sunny day in his heart on all days that have the letter ‘d’ in them. Even if that wasn’t the case, he has reason to feel glad when the sky feels gloomy: he’s going to a party! It’s not a party for him, despite how you interpret the title, it’s more like a party he threw together. That means it can legally be called his party as long as it’s not in honor of anybody else. So, what’s the occasion? It has to have a reason, even if it’s a “throwing a party for no reason” party. Actually it’s way better than that: it’s Honey’s birthday party! She’ll see him in court, but will probably lose as he’s the star around here.

While she gets ready for the day, Bosko and a whole bunch of her closest friends have already broken into her place to surprise her. Everybody is here! There’s that little dog that joins Bosko in the ending title cards; the only Oswald clone; Mickey clone #338; Wilber; and Pants Pig, second step-cousin to Piggy. And every one of them has got to hide if they want to surprise Honey, because here she comes! (Wilber? Please don’t take your pants off. It’s not one of those parties that needs the police involved.)

Wilber has a bit of trouble trying to find a good hiding spot; all his first choices are already taken. Since Bosko knows nobody will care if they can’t see him ever again, he sticks him under a flower pot. Once everyone is hid, Honey enters the room and… SURPRISE! Happy birthday Honey! Even though, you’re 2 1/2 max, we rounded up and got you a third candle for your cake. And we all chipped in an got you a present. Well, Bosko picked it out. Open it! Show us what it is!

Your dog? But you already have one of those. Bosko chases after the canine, but it ends up falling into the fancy aquarium. These are the kind of things that seeing will turn Honey’s stomach white. And there was never really any need to get mad at the dog, the present’s fine. It’s a ukulele! (Which means the five bucks I coughed up was wasted.) Might as well give it a test play, Bosko can accompany you on vocals. And Wilber is still stuck under the pot. Nobody has noticed he’s disappeared from the party, and I suddenly feel a kinship with the little guy.

He manages to escape, but immediately ends up caught in a mousetrap. Why would you have that set up when you invited mi-… oh wow. You guys are evil. He ends up falling into the cake, ensuring he now doesn’t have to share with the birthday girl. Wilber was the mastermind all along.

Favorite Part: Honey is about to get dressed, (Sexy negligee) when she breaks the fourth wall and sees us. She retreats behind a partition for privacy, but there’s a mirror in a perfect position. This is the most erotic cartoon of its day.

Rating: 2

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Goldilocks and the Jivin’ Bears

“Jitterbugs!”

Directed by I. Freleng; Story by Tedd Pierce; Animation by Ken Champin; Musical Direction by Carl W. Stalling. A Merrie Melody released on September 2, 1944.

Wasn’t “Coal Black” great? The answer is yes with an asterisk and a lengthy footnote. Wouldn’t it be great to do another parody of a Disney picture as an all black jazz number? Same answer as above. Too bad by this time in history Walt only had the one fairy tale feature film to his name, and those “Silly Symphonies” just wouldn’t do. (Although now there is a sickly curious part of me who wants to see what “The 3 Black Pigs” would have been like.) Guess we’ll just have to parody one of our shorts. Tex is no longer here. No permission needed to doctor “The Bears Tail.”

Like “C.B.” we have a narrator who only appears at the beginning, but his voice at least stays all the way through. Good thing. This story is so complex that I need his help. There are indeed three bears, and *sigh* the narrator specifically states that they are of the black species. Obvious joke is still hurtful. We’ll just call them what the picture does: Big Size, Middle Size, and Wee Small. Big has that Stepin Fetchit look, Middle is all Fats Waller, and Wee… I don’t know. I can tell he’s voiced by Mel, at least. The other two both sound like Fats because… I don’t know.

Now, because these are black bears, they are uneducated, have unflatteringly large lips, and are quite the talented musicians. At least that one is a positive stereotype? They got a good jam going, but they’re playing so hard that soon all their instruments get too hot. (Okay. That’s actually pretty clever.) Only thing to do now is take a walk and let them cool. While they do that, let’s check on their neighbors. They live just across the way from Grandma’s house, and the story there is also underway: there’s a wolf in the old lady’s bed waiting on the arrival of Red Riding Hood.

Aw, what the heck. Let’s explain the lack of Red with a callback to another short. Red is now the one doing her part for the war effort, as the telegram boy explains. Here’s where the Stepin voice went. I did get a chuckle at him obliging when the wolf says “Well kill me dead!” at hearing the news. The wolf managed to dodge the shot, and he soon sees Goldilocks entering the other house. Goldilocks in name only, or she’d probably look like this:

Guess it was really a jinx.

And just like So White, she doesn’t look that bad. At least if you can accept the opinion of a white guy. I can’t legally say she’s attractive though. Isn’t Goldilocks traditionally a minor? She may have been aged up, but I’ll bet she’s in her teens. Good thing the wolf has nothing sexual about his predatory ways. Since there’s no porridge in this tale, I guess Goldi just broke in to use the facilities and then, sure, why not take a nap? There’s always the possibility that this really is a BNB.

The majority of beds are either too hard, or too soft. The latter of which I never thought would suck sleeping in. The last one is just right, except for the wolf. Chase ensues, and it’s at that time that the bears return. The struggling two can be mistaken for dancers, and since the bears are uneducated, that’s what they see them as. They start the music, and the wolf plays along. Only problem is, Goldi isn’t afraid of him now and forces him to be her dance partner. And can that girl dance! It’s exhausting for an animal that was meant to walk on all four legs. He tries to leave, but can’t escape.

I lied. Once he boards up the doors and windows, he can retreat back to the safety of Grandma’s. Red finally does show up and… wow. I really thought the trend of making the black ladies in these cartoons look good would continue. No such luck. First of all, she has really long legs paired with a really short dress that is completely hidden by her hood in the back. Makes her look almost nude. And her face is reminiscent of Sunflower the centaurette. The only time comparing somebody to “Fantasia” isn’t the highest form of compliment.

The wolf is still too worn out to get after Red, and his problems increase when the bears find him again. Since Grandma has all the instruments they play on hand, the party can last as long as the bears can. And this isn’t one of those stories where the wolf ate Grandma. She comes out of the cupboard to force the wolf to dance some more. A perfect revenge.

Favorite Part: Big Size recommending the walk. The other two find the idea stupid, and refuse to take part. He’s got to show them the book takes his side to get them to agree.

Personal Rating: 2. And that’s a very low 2. Music is great, there’s a couple of decent jokes that don’t rely on the characters being black, and Goldi really does look good. But I don’t think any of those points are strong enough to cancel out the negative aspects. But as my scoring system states: if there’s a smidge of good that I think keeps it from being totally unviewable, it gets the 2. Still, it’s a good thing this was the last of the Censored 11 to get made. That’s 11 times too many to make cartoons we have to be ashamed of to this day.

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Daffy’s Southern Exposure

“Name your poison, kid.”

Supervision by Norman McCabe; Story by Don Christensen; Animation by Vive Risto; Musical Direction by Carl W. Stalling. A Looney Tune released on May 2, 1942.

Ducks fly south when winter starts to hit. And fly north again when summer returns to their original residence. As such, they live in a perpetual state of blissful warmth and never suffer from seasonal depression. How I envy them. But according to Daffy, it’s gotten old. He opts to stay behind this migration to see what winter is like. I can guarantee that the thrill will run out by the smallest fraction of time it took for you to somehow lose interest in the only time of the year worth living through.

Things start out great. With a full lake to himself, Daffy can splash, jump and “woo-hoo” to his heart’s content. (What’s with the fade-out?) Since he has an audience, he tries showing off his fancy dives. As it is wont to do, winter ruins everything with a jump cut. Daffy switches to skating. It couldn’t get worse than this, right? Hold my cold duck. The snow, snow, snow comes down, down, down, in crushing freezing pile-ups, and anyone with half a brain would be smart to cry. Yup. In fact, it snows so hard that even the captions describing the scene can’t find Daffy. Can’t say he wasn’t warned.

Daffy is able to poke his head out of the storm to scold any of us who might have been laughing at his starvation. See, as if winter wasn’t already evil and vile enough, it also destroys a majority of food that nature’s babies need to survive. If I haven’t made myself clear enough, I was always on Heat Miser’s team. I don’t want to set the world on fire, but I can’t lie that I’d die happy. I don’t know how long Daffy has been struggling by this point, but he’s starting to see trees as meat. Protein! Delicious, filling protein! You’re needed!

Then, a blessed aroma. Food! It is food, right? Surprisingly, there’s no ‘could be’ joke. The scent vapor just spells ‘yeah food’. Daffy doesn’t have a nose to follow wherever it goes, but nostrils are enough. The scent is coming from a cabin just yonder. Inside of which dwell a couple of natural duck predators: a fox and a weasel. The weasel will be called ‘Abigail’ later on, so that’s his canon name. The fox has none, so if I had more of a following, I’d allow readers to vote on the name he’ll receive. Instead, I’ma call him Jackson.

These two have food all right, but they’re not happy. It’s all beans. Sure, they’ve got all the protein and fiber you could ask for, but have you eaten canned beans recently? Not as a side dish, but a main course. They’re kinda bland, and very soft. Not satisfying to chew. No surprise, Jackson has reached his breaking point. He wants meat. Thick, juicy, plump, marbled, direct from a corpse, meat. And there’s a knock at his door. The two are pleased to find a duck, but he’s a starving duck. And if you’re going to have duck, you want it to have some fat. That is some delicious fat.

Good thing they have food. Donning lady disguises, they invite Daffy in to fill his belly, while they method act their way through “Arsenic and Old Lace”. Just, hold the arsenic. There’s even a musical number where they try to play up the beans as the best meal Daffy’s ever had in his life. What they don’t know is, if you’re starving any meal will be the best meal of your life. When Daffy is stuffed to their satisfaction, they reveal the charade. Really should have waited for him to fall asleep or something.

Daffy flees, with Jackson close behind. Abigail, being the dumb one of the duo, runs into a wall. It’s a fairly short chase; Daffy is able to lose the fox by treating a log spanning a chasm as a railroad switch that makes a second path. Jackson runs into oblivion. I hope they have meat in heaven. Daffy runs all the way to Brazil. He might accidentally burn off all the calories the beans bestowed upon him. Last I heard, he had taken residence in the headdress of the furry version of Carmen Miranda. As for Abigail, I think he’s still loyally waiting for his friend to return with the duck. So beautiful. So tragic. One of the two, anyway.

Favorite Part: During the chase, Daffy stops Jackson. “Hey, jusht a minute bub, jusht a minute.” Is he gonna follow up with ‘are you following me?’ Nope. He just hits his pursuer.

Personal Rating: 3. I really don’t like winter. It’s lucky to have scored so well.

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This is a Life?

“Easthy sthomach. Don’t turn over.”

Directed by I. Freleng; Story by Warren Foster; Animation by Ted Bonnicksen and Arthur Davis; Layouts by Hawley Pratt; Backgrounds by Irv Wyner; Voice Characterization by Mel Blanc; Music by Milt Franklyn. A Merrie Melody released on July 9, 1955.

That title is the title of my favorite show! It’s a program where they take someone from the audience, usually well known, and honor them by asking about their life story, showing some clips from their past, bringing on important people from their history, maybe even giving you a present at the end. Just in case it’s me this week, my guest stars will be named Richard, Megan, and Sabra. (The first two will not be pleased to interact with me again.) My gift can be every one of my characters as drawn by an animator I admire. Sally Cruikshank can do my self-insert, Tartakovsky can do the assassin, and Gooseworx can do the pogo-stick creature that has fingers coming out of its arms.

Drat my luck! Considering the celebs we got in the audience, I don’t fancy my chances. Granny, Bugs AND Daffy? I’ll be lucky to appear on the camera feed. Emcee Elmer says that our mystery guest is beloved in motion pictures, so that rules out me and Buddy. The person also is thoughtful of others, generous, charitable… Daffy is certain it’s none other than himself. Admitting that this constant praise would only be embarrassing if it wasn’t all true. And here comes Elmer now. Daffy happily introduces himself and tells Elmer that there’s much to tell. Don’t waste time talking to the rabbit next to him, just read out the name already!

So after Bugs is summoned to the stage, Elmer asks for him to start from the beginning. Bugs describes a scene he saw in “Fantasia” once. The Earth was young and tumultuous. Quakes and volcanoes abounded, but in a bit of water, life was starting out as microscopic blobs called protists. They probably used their flagella to kiss. That’s too far back for Elmer’s liking, so Bugs fast-forwards to 1947, when a hare was born in Manhattan.  We’re in a clip show after all. Shame Elmer cuts it after his first words. He wants to talk about the first time they met. Would that be “A Wild Hare” or “The Old Grey Hare“?

Guess I’m a pretty poor scholar. They first met in “Hare Do“. Duh! We just get to see Elmer lured over a cliff, before it’s time to move on. I love Bugs’s cheeky grin at remembering this. And Elmer’s book changes colors too. Elmer is a wizard. Time for a voice from Bugs’s past. It’s loud, gruff, rough, tough, devoid of fluff, buff, full of guff, a bit of huff, and that’s enough: it’s Yosemite Sam. Come to tell about the time Bugs was on his ship. Always a good idea to remember “Buccaneer Bunny“, but Sam never said it was a picture. Was he really a pirate in this continuity? Has he done hard prison time, then? Did he ever get another parrot?

Bugs is enjoying this trip through memory lane, but he’s the only one laughing. He even makes note of the time he threw lit matches in Sam’s powder room. Great callback! But the next two are total fabrications. Putting eels in their bed sounds kinda crass for Bugs, and covering them in cement is too dark. Elmer and Sam start plotting at this point, putting a lit bomb in a box for the bunny. Bugs takes it, but tries regifting once he hears it ticking. Do time bombs get lit fuses? A game of (extremely) hot potato erupts. Despite everything indicating the bomb was lit onstage and seen by everybody, Daffy decides to claim it for himself. Ah, but he probably had his eyes shut for most of it. Pleased to get what he claims is rightfully is, he explodes with happiness.

Favorite Part: Daffy complaining about his limelight being stolen by a nobody. While he rants, Granny starts looking for something. He correctly guess it’s her umbrella she wants, so he hands it to her. Glad to have it back, she smacks him. Almost makes me ignore the crazy eyes she has. Do the elderly enjoy crack?

Personal Rating: 3. I’m normally not so generous to the shorts that reuse clips, but the wrap around segment was enjoyable, took up most of the screen time, and showed a beautiful contrast of Bugs and Daffy’s egos.

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Gone Batty

“I don’t like you.”

Directed by Robert McKimson; Story by Sid Marcus, Ben Washam; Animation by Charles McKimson, Herman Cohen, Rod Scribner, and Phil DeLara; Layouts by Robert Givens; Backgrounds by Richard H. Thomas; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Looney Tune released on September 4, 1954.

Game day! Championship at that! Our home team is the Greenville Goons and their opponents, the Sweetwater Shnooks. (Sic.) The Goons are your typical Gashouse Gorillas style team. Big and oafish, permanent stubble, and smelling like trouble. The Shnooks (Sic.) take after the Tea Totallers in that they look like they’ll be eaten alive, chewed as cud, eaten again, and spat out like tobacco. But as the game gets going, we can see where the teams differ. The Shnooks (Sic.) can actually play. Sure, they’re a bit on the thin side and seem to dress like they think it’s still an age where they could play the mighty Casey, but they are capable!

The Goons also differ from their predecessors: They rely more on cheating. I had no doubt the gorillas weren’t good, albeit dirty, players, but I suppose since they were playing weaklings they just didn’t feel the need to break out the tricks until a silly rabbit entered the game. The Goons will run out of the stadium to catch home-runs, and aren’t afraid to use the bats on more than balls. The Shnooks (Sic.) could use a lucky rabbit to get the upper hand, seeing as its the final inning and they’re still yet to score any runs. This calls for a desperate measure.

They have a mascot, and due to their players getting knocked out, they’re going to use him. When I asked for a hint, they told me to think hyraxes and dugongs. No. It… it couldn’t be! But it is! My beloved baby! The bouncing, beautiful, bat boy himself, Bobo! Still as cute as I remember him! And finally gotten over his log carrying stigma. The Goons protest, but “There’s nothing in the rule book that says an elephant cannot pitch!” He looks a little nervous to actually be playing, but he gets the hang of things soon. Or should I say he gets the point? When a Shnook (Sic.) gives him a good poke, he can throw the ball far faster than human reflexes can hope to hit. And Bugs was also kind enough to teach him that slow ball trick. Still works.

But striking opponents out won’t get you any points. The real way to win at this game is to do the batting yourself. (Color changing bat.) Still a little unsure of himself, but he shouldn’t be. He’s packing more than wimpy horsepower! The balls he hits get enough kinetic energy to go through Goons hands. And as an elephant, he’s naturally smart. When he sees a ball is being loaded full of teeny T.N.T., he allows to catcher to live up to his profession. It’s time to bring out the big gun. A bazooka designed to fire more baseballs than the average player pitches in a standard baseball career. Do elephants have great reflexes?

Well this one does! He hits every ball right back, whence it came. No wonder the Goons resorted to cheating the whole game. They can’t catch a single ball out of the hundreds in the atmosphere? Actually, they can, but that single has enough force to force him underground. Reusing the “I got it gag” from “Baseball Bugs” but hardly near as funny. It all comes down to the final pitch. Thanks to that bazooka, the Shnooks (Sic.) are tied for first place. One more home run will net them the game! So how will the Goons try to prevent this?

Not as imaginatively as their bazooka. They resort to just tying Bobo to a stake. But simplicity often nets the best results and poor Bobo is stuck at home. If he loses, I’ll die! After the rest of my life occurs, of course. The Goons will die first. Time for another one of the incredible talents elephants naturally possess. Their trunks are quite stretchy, and creative liberties may have been taken, but I don’t care. Bobo’s trunk clears the bases, and since it’s a part of him, it counts! Shnooks (Sic.) win! Knew my precious Bobo was the best player that will ever exist, shut the game down now. Unfortunately, they couldn’t resist ending on the joke we all saw coming: he works for peanuts. Bleh. I hate peanuts.

Favorite Part: One of the Goons’ pitchers. Look at the literal arm cannon on Rodney Aran there! Reminds me of what you once saw in Fleischer cartoons and now see in “Cuphead”.

Personal: It can’t help but reuse gags from its superior predecessor, but there’s enough new here for it to stand on its own. And it has a cuter character! (Yeah, I said it!) 3 all around! What do you mean this was Bobo’s last appearance? Is he that similar to Dumbo? Disney’s lawyers are destroying any joy I had left in my sad, pathetic existence.