Racketeer Rabbit

Oohh, Rocky’s really mad now!”

“I sorta look like Eddie Robinson, don’t I?”

Directed by I. Freleng; Story by Michael Maltese; Animation by Gerry Chiniquy, Manny Perez, Ken Champin and Virgil Ross; Layouts and Backgrounds by Hawley Pratt and Paul Julian; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Looney Tune released on September 14, 1946.

Since it’s raining, Bugs is opting to hunker down in an abandoned house for the night. Still, rabbits is rabbits and he digs a hole in the middle of the floor for his room. (Adding a doorknob just so he has something to hang the ‘Do not disturb’ sign on is a great touch.) Things don’t stay so quiet for long, as a pair of gangsters are speeding this way on the run from a rival gang. Gunfire is exchanged, but Bugs hardly notices. Nonchalantly ducking the flying bullets as he gets a drink.

You might be calling the gangsters Edward and Peter. Stop that. Only I get to give characters names around here. Besides, they’re already supplied. The smallish one is Hugo and the bigger one is Rocky. Some say this is technically the first appearance of our usual Rocky. I don’t. Rocky is a typical tough-guy name for a gangster, so why not use it for more than one of them? Time to divide the loot. Though Rocky is being slightly underhanded about dividing equally, he does still believe in giving some to every party. When Bugs sleepily asks his usual ‘what’s up?’, Rocky hands him his share.

Bugs doesn’t miss a beat. Donning hats as fast as an animated rabbit can, he poses as six other people to clean Rocky out of the remaining clams. He tries to leave, but Rocky isn’t so fooled and marches him back at gunpoint. He’s gonna tell exactly where he put the loot, but Bugs plays hardball until gun violence is threatened. Now his blabbing can’t be stopped, and its hurting the crooks’ eardrums. Only one thing to do now: take the rabbit for a “little ride”. Bugs happily obliges, and he and Hugo drive away.

One returns. Rocky asks if he got rid of him, and Bugs says yes, he won’t be bothering them again. And that’s all Hugo wrote. We never see him again! 40’s Bugs is so awesome. Terrifying and merciless, but mostly awesome. Good thing Rocky has said his prayers. When made aware of his lost partner, Rocky threatens to end Bugs. Hilariously enough, asking Bugs to help him get dressed while doing so. He demands the dough, and Bugs finally gives in, stipulating that Rocky cover his eyes so the hiding place can remain secret.

Rocky agrees to ten seconds sightless, which is all Bugs needs to mix flour, milk and an egg and give him the dough as all Toons do. (Wait, wouldn’t it be a batter by this point?) Bugs next appears in guise as a gangster named “Mugsy”, and if you’re going to consider the caricature to be Rocky’s first appearance, then I see no reason why this can’t be Mugsy’s. He tells Rocky it’s curtains for him. And they are darling. But Bugs is already on to his next guise: the police demanding Rocky give up.

Bugs dashes back to Rocky who begs for a hiding place. Bugs sticks him in a trunk with orders to stay quiet while he handles things. He tells his cop persona that Rocky is most definitely NOT in the trunk, because he wouldn’t be sticking swords through it if he was. See my earlier merciless statement. The “cop” says he’s taking Rocky with him, and drags the trunk down the stairs. Bugs responds by dragging it back up. He promises to take the cop on bare-handed, asking Rocky hold a clock while he does so. Huh. Sorta looks like a bomb.

Explodes like one too. Bugs declares the danger gone, but Rocky has wisened up, see? Yeah, he runs after the faux popo pleading for safety from the terrifyingly merciless but mostly awesome bunny.

Favorite Part: The billboard the thugs drive by at first. Not the side advertising ‘Hotel Friz’ (where I vacation every year) but the opposite advertising ‘Krools smokes’. (Insert obligatory Donkey Kong reference.) What is the best slogan ever made for a product? ‘They’re awful but you can buy them’ Funny is always best when it’s true.

Personal Rating: 4.

Slap Happy Pappy

“Heaven can wait.”

Supervision by Robert Clampett; Animation by John Carey and I. Ellis; Musical Direction by Carl W. Stalling. A Looney Tune released on April 13, 1940.

I can’t ever be a farmer. They have to get up before the sun, and everybody knows that A.M. stands for “anti-merriment”. Take it from me, any day you can, sleep until 10, then stay in bed for another hour just enjoying the fact that true happiness can only be found beneath your blankets. In other words, Porky is playing the farmer role today. Just plowing some fields, making small talk with the livestock, and letting his horse drive the plow every now and again.

Did you know that Easter Bunnies are also farm raised? It makes sense, as they can be in close proximity to the eggs they’re supposed to deliver. It also gives the animated world another “Jack Bunny”. Shake it up, guys! Put him underwater and call him “Jack Blenny.” Make him a garbage can called “Jack Binney.” Put him in Scotland as “Jack Bonny!” Sure, it’s a fine enough pun the first dozen times, but people other than me could get sick of it.

While he gets the eggs painted, (losing toes in the process) he also is sure to keep an eye out for the ones so rotten, that the yolk and albumen have ceased to be. (You should probably be checking more often.) And then a joke that bothers me. Another egg that looks bad. It’s black, and has visible odor lines. But before he can smash it to oblivion, it hatches into “Ro-chick-ster”. Don’t look at me like that, I’m sure that was the pun they expected us to make. Besides, don’t ignore the fact they made a joke about black species being mistakes before they’re even born.

Okay, enough of the bunny. Why was he here, again? We know you love your Disney parodies Bob. Did you want to take a crack at “Funny little Bunnies” but got stuck after one tasteless joke? Moving on. Porky gets today’s paper, with the front page news being about Mr. and Mrs. Cackler egg-specting. And 1, 2. That was the only two lines we can afford Porky to say this week. My inner fanboy is satiated. It’s also by this point that you’ve realized the majority of jokes today are the caricature kind.

For indeed, Eddie and Ida bare more than a passing resemblance to the Cantors. (Even down to the Mrs. having the occasional white wattle.) They’ve got five eggs ready to go, and Eddie is eagerly anticipating a boy. I mean, less of a chance they’ll get eaten, right? Him though, he probably just wants someone to go camping with. I know for a fact that all decent girls hate such activities. It’s in their D.N.A. Hatching time! Oh, who could have foreseen this? 5 daughters. You can tell because of the bow/skirt combo.

Any real parent would love their child regardless of their gender identity. Good thing this guy is fictional. He bemoans his fate, but then takes note of the singing outside. It’s Bing Crowsby (not that one) and his five sons. That could never happen by chance alone, what is the secret? Well, what else could it be? His golden pipes can not only make a hen fertile, but guarantee male heirs if the masculine labels on the shells can be trusted. You sing, right Eddie?

One song session later, Eddie gleefully prances around the barnyard giving cigars to farmers, parents, and children alike. Sure, Kay-pon Kyser doubts his chances, and Rhode Island Red Sparks can’t spare a smile, but he doesn’t care. He finishes his song and dance just in time, as the newest addition is being bor-… I’ve wondered, is it still accurate to say things are born when they’re hatched? This chick doesn’t have any feminine clothing, so the odds are slightly in Ed’s favor. A boy at last? “Eh, could be.”

Favorite Part: Eddie’s over the top reaction to seeing his quintuplets… born. Too bad he just lost the eggs that could go with that ham.

Personal Rating: 2. Not just because of that racist joke, but because I wonder if it’s right to laugh at a father being disappointed in his children just for having certain parts? Gender identity is a delicate topic anymore, and I could see someone being reminded of bad times with a douche-bag parent. I’m no expert, but I don’t want to encourage anyone to see something that could offend.

Goldilocks and the Jivin’ Bears

“Jitterbugs!”

Directed by I. Freleng; Story by Tedd Pierce; Animation by Ken Champin; Musical Direction by Carl W. Stalling. A Merrie Melody released on September 2, 1944.

Wasn’t “Coal Black” great? The answer is yes with an asterisk and a lengthy footnote. Wouldn’t it be great to do another parody of a Disney picture as an all black jazz number? Same answer as above. Too bad by this time in history Walt only had the one fairy tale feature film to his name, and those “Silly Symphonies” just wouldn’t do. (Although now there is a sickly curious part of me who wants to see what “The 3 Black Pigs” would have been like.) Guess we’ll just have to parody one of our shorts. Tex is no longer here. No permission needed to doctor “The Bears Tail.”

Like “C.B.” we have a narrator who only appears at the beginning, but his voice at least stays all the way through. Good thing. This story is so complex that I need his help. There are indeed three bears, and *sigh* the narrator specifically states that they are of the black species. Obvious joke is still hurtful. We’ll just call them what the picture does: Big Size, Middle Size, and Wee Small. Big has that Stepin Fetchit look, Middle is all Fats Waller, and Wee… I don’t know. I can tell he’s voiced by Mel, at least. The other two both sound like Fats because… I don’t know.

Now, because these are black bears, they are uneducated, have unflatteringly large lips, and are quite the talented musicians. At least that one is a positive stereotype? They got a good jam going, but they’re playing so hard that soon all their instruments get too hot. (Okay. That’s actually pretty clever.) Only thing to do now is take a walk and let them cool. While they do that, let’s check on their neighbors. They live just across the way from Grandma’s house, and the story there is also underway: there’s a wolf in the old lady’s bed waiting on the arrival of Red Riding Hood.

Aw, what the heck. Let’s explain the lack of Red with a callback to another short. Red is now the one doing her part for the war effort, as the telegram boy explains. Here’s where the Stepin voice went. I did get a chuckle at him obliging when the wolf says “Well kill me dead!” at hearing the news. The wolf managed to dodge the shot, and he soon sees Goldilocks entering the other house. Goldilocks in name only, or she’d probably look like this:

Guess it was really a jinx.

And just like So White, she doesn’t look that bad. At least if you can accept the opinion of a white guy. I can’t legally say she’s attractive though. Isn’t Goldilocks traditionally a minor? She may have been aged up, but I’ll bet she’s in her teens. Good thing the wolf has nothing sexual about his predatory ways. Since there’s no porridge in this tale, I guess Goldi just broke in to use the facilities and then, sure, why not take a nap? There’s always the possibility that this really is a BNB.

The majority of beds are either too hard, or too soft. The latter of which I never thought would suck sleeping in. The last one is just right, except for the wolf. Chase ensues, and it’s at that time that the bears return. The struggling two can be mistaken for dancers, and since the bears are uneducated, that’s what they see them as. They start the music, and the wolf plays along. Only problem is, Goldi isn’t afraid of him now and forces him to be her dance partner. And can that girl dance! It’s exhausting for an animal that was meant to walk on all four legs. He tries to leave, but can’t escape.

I lied. Once he boards up the doors and windows, he can retreat back to the safety of Grandma’s. Red finally does show up and… wow. I really thought the trend of making the black ladies in these cartoons look good would continue. No such luck. First of all, she has really long legs paired with a really short dress that is completely hidden by her hood in the back. Makes her look almost nude. And her face is reminiscent of Sunflower the centaurette. The only time comparing somebody to “Fantasia” isn’t the highest form of compliment.

The wolf is still too worn out to get after Red, and his problems increase when the bears find him again. Since Grandma has all the instruments they play on hand, the party can last as long as the bears can. And this isn’t one of those stories where the wolf ate Grandma. She comes out of the cupboard to force the wolf to dance some more. A perfect revenge.

Favorite Part: Big Size recommending the walk. The other two find the idea stupid, and refuse to take part. He’s got to show them the book takes his side to get them to agree.

Personal Rating: 2. And that’s a very low 2. Music is great, there’s a couple of decent jokes that don’t rely on the characters being black, and Goldi really does look good. But I don’t think any of those points are strong enough to cancel out the negative aspects. But as my scoring system states: if there’s a smidge of good that I think keeps it from being totally unviewable, it gets the 2. Still, it’s a good thing this was the last of the Censored 11 to get made. That’s 11 times too many to make cartoons we have to be ashamed of to this day.

Daffy’s Southern Exposure

“Name your poison, kid.”

Supervision by Norman McCabe; Story by Don Christensen; Animation by Vive Risto; Musical Direction by Carl W. Stalling. A Looney Tune released on May 2, 1942.

Ducks fly south when winter starts to hit. And fly north again when summer returns to their original residence. As such, they live in a perpetual state of blissful warmth and never suffer from seasonal depression. How I envy them. But according to Daffy, it’s gotten old. He opts to stay behind this migration to see what winter is like. I can guarantee that the thrill will run out by the smallest fraction of time it took for you to somehow lose interest in the only time of the year worth living through.

Things start out great. With a full lake to himself, Daffy can splash, jump and “woo-hoo” to his heart’s content. (What’s with the fade-out?) Since he has an audience, he tries showing off his fancy dives. As it is wont to do, winter ruins everything with a jump cut. Daffy switches to skating. It couldn’t get worse than this, right? Hold my cold duck. The snow, snow, snow comes down, down, down, in crushing freezing pile-ups, and anyone with half a brain would be smart to cry. Yup. In fact, it snows so hard that even the captions describing the scene can’t find Daffy. Can’t say he wasn’t warned.

Daffy is able to poke his head out of the storm to scold any of us who might have been laughing at his starvation. See, as if winter wasn’t already evil and vile enough, it also destroys a majority of food that nature’s babies need to survive. If I haven’t made myself clear enough, I was always on Heat Miser’s team. I don’t want to set the world on fire, but I can’t lie that I’d die happy. I don’t know how long Daffy has been struggling by this point, but he’s starting to see trees as meat. Protein! Delicious, filling protein! You’re needed!

Then, a blessed aroma. Food! It is food, right? Surprisingly, there’s no ‘could be’ joke. The scent vapor just spells ‘yeah food’. Daffy doesn’t have a nose to follow wherever it goes, but nostrils are enough. The scent is coming from a cabin just yonder. Inside of which dwell a couple of natural duck predators: a fox and a weasel. The weasel will be called ‘Abigail’ later on, so that’s his canon name. The fox has none, so if I had more of a following, I’d allow readers to vote on the name he’ll receive. Instead, I’ma call him Jackson.

These two have food all right, but they’re not happy. It’s all beans. Sure, they’ve got all the protein and fiber you could ask for, but have you eaten canned beans recently? Not as a side dish, but a main course. They’re kinda bland, and very soft. Not satisfying to chew. No surprise, Jackson has reached his breaking point. He wants meat. Thick, juicy, plump, marbled, direct from a corpse, meat. And there’s a knock at his door. The two are pleased to find a duck, but he’s a starving duck. And if you’re going to have duck, you want it to have some fat. That is some delicious fat.

Good thing they have food. Donning lady disguises, they invite Daffy in to fill his belly, while they method act their way through “Arsenic and Old Lace”. Just, hold the arsenic. There’s even a musical number where they try to play up the beans as the best meal Daffy’s ever had in his life. What they don’t know is, if you’re starving any meal will be the best meal of your life. When Daffy is stuffed to their satisfaction, they reveal the charade. Really should have waited for him to fall asleep or something.

Daffy flees, with Jackson close behind. Abigail, being the dumb one of the duo, runs into a wall. It’s a fairly short chase; Daffy is able to lose the fox by treating a log spanning a chasm as a railroad switch that makes a second path. Jackson runs into oblivion. I hope they have meat in heaven. Daffy runs all the way to Brazil. He might accidentally burn off all the calories the beans bestowed upon him. Last I heard, he had taken residence in the headdress of the furry version of Carmen Miranda. As for Abigail, I think he’s still loyally waiting for his friend to return with the duck. So beautiful. So tragic. One of the two, anyway.

Favorite Part: During the chase, Daffy stops Jackson. “Hey, jusht a minute bub, jusht a minute.” Is he gonna follow up with ‘are you following me?’ Nope. He just hits his pursuer.

Personal Rating: 3. I really don’t like winter. It’s lucky to have scored so well.

The Crackpot Quail

“Good morning, neighbor!”

Supervision by Fred Avery; Story by Rich Hogan; Animation by Robert McKimson; Musical Direction by Carl W. Stalling. A Merrie Melody released on February 15, 1941. (Can anyone tell me why searching for this cartoon brings up “The Haunted Mouse” as the first result? I admit it would be quite useful if I really meant to search for that one but typed in this one because I’m drunk on poster paint.)

Willoughby is inspired! It was that fateful billboard for Barko dog food that did it. That proud picture of a perfectly poised pointer will persuade any pooch to pick up pointing as a pastime. (Good thing, as the food sucks.) Willoughy is go going to track a quail. It’s not oddly specific because the title promised us one. I see it as a waste of time though. On the list of birds I’ve eaten, quail ranked at the bottom. Granted, the list is only five birds long, but it’s six if we can count turducken as a species.

He takes off and almost instantly crashes into a tree. Caught unawares, the camera keeps panning without him for three seconds. When hound and camera are reunited, a sound is heard! It’s a whistle if ever I’ve heard one. And not just any whistle; the whistle of a Odoltophoridae averyius, or the crackpot quail, to you. The males of this species have the topknot you’d expect a quail to have, but they don’t improve their status with the ladies much. In fact, the birds see them as a prime source of irritation, mainly because the feathers aren’t rigid, and droop into their faces. The whistling call they make is from their fruitless efforts in trying to blow it away.

Willoughby asks this little bird is he heard a sound that sounded like a whistle, but looks like a raspberry. You think there’s chicanery afoot? You’re very astute. Censorship aired its head in a unique fashion, that really insults everybody’s intelligence. For you see, the bird originally made raspberry-esque noises to keep the topknot up top. Observe.

The problem? I really don’t know. I mean, it doesn’t sound like flatulence to me. Maybe if you were horribly constipated, and had marshmallows crammed up your colon. I get more of a broken kazoo vibe. Maybe it’s because Willoughby’s sounds so much more proper? But if we changed that one, we’d have to edit them all? Personally, I think it should have been left alone. You want a rude noise? A phlegm snort will satisfy that disturbing craving.

The quail is Cracky! Naming characters is why anyone comes here. There is someone on this planet who saw this short in theaters and wished someone would christen the quail. I’m here for you. He’s kind of a Bugs wannabe, what with being another woodland creature and calling the dog “doc”. He’s just not very screwy if I’m being honest. He doesn’t have a wacky laugh, or manic tendencies, or anything that suggests he’d bother you if you didn’t bother him first. Shouting that he is a quail in the dog’s ear after he accused him of such is the craziest he goes. It’s a good thing there’s good jokes here. And hey, why not a quail? Quail is fun to say!

And when Willoughby tries to give chase, he crashes into “Another tree.” What’s an Avery flick without a running gag? “Page Miss Glory!” (Feet discoloration.) The tracking leads into a pond where the bird is found swimming amongst the fish. He makes good gag use of his plume, using it as both a periscope and a windshield wiper upon exiting the water. (Why does Tex like having his dog chase prey underwater? Is he confusing him with a freshwater dogfish again?)

When Cracky looks to be in an inescapable situation, he gets rid of Willoughby by starting a game of fetch. I love that dog’s run cycle. Notice how his hing legs stretch over his head with every bound? I could watch a two hour loop of that. When he realizes he’s been had, he makes his maddest, most furious dash yet. Cracky makes a sharp turn, and the longest skid in animation history takes place. (Go ahead and disprove me if you can. I won’t be too upset.) We don’t really see the skid in action, but we do see all the damage it caused. Ending up with a pile of “lots of trees.”

Favorite Part: Willoughby’s angry barks are funny enough, what with being gruff readings of ‘ruff’ but it gets even better when he asides to us “That means that I’m getting pretty sore.”

Personal Rating: 3. Maybe if Cracky had a more developed personality he could have been remembered as one of the great one shots.

The Bug Parade

“This is hard to believe, isn’t it?”

Supervision by Fred Avery; Story by Dave Monahan; Animation by Rod Scribner; Musical Direction by Carl W. Stalling. A Merrie Melody released on October 11, 1941.

You’re gonna make me say it, aren’t you? My reputation as a zoologist precedes me by this, my 762nd post. You expect it. You demand it. You’re holding my keyboard at gunpoint until I comply. *groan* I hate doing predictable jokes. All right! ALL RIGHT! *sigh*………………………………..

That title bugs me. Happy? There’s actually zero bugs featured in today’s short, despite what the title promises. At least the narrator uses the more appropriate term, “insects.” But I still don’t trust him. You’re lucky you have a friend like me who suffers from correctile dysfunction. If it’s not an insect, I won’t let you ignore the slip up.

So, spot gags again. Like a children’s joke book got animated to life, and the first chapter was about houseflies. Or as the cartoon correctly refers to, Musca domestica. I’m already being lulled into a false sense of security. Makes me willing to laugh at the weak joke about the fly’s feet being literal suction cups. Or…

………………………………………………………..

*sigh* The scariest freaking thing I’ve ever seen in my life.

Yes, I’ve alwsys suffered from a mild case of ommetaphobia. It wasn’t the pink elephants making it hard for me to watch “Dumbo”! So, while I appreciate the short finding a way to illustrate that a housefly eye is more akin to many smaller eyes, why do they have to be drawn in a semi-realistic style? Giving the usually toothless insect a mouth of teeth is just making the uncanny levels higher. I think… I think I’ll go have a bit of a lie down.

Let’s move away from flies. (Heh. As if we could.) Let’s make a joke about wasps. Ooh, so close with the Latin. It’s Vespula, not Vespa. Notice her slim figure. A very narrow abdomen that pinches off of her thorax. It’s really quite sexy. Until her girdle bursts of course, revealing her as either a cute bee, or an obese wasp. (Vespula girthica. The only insect species with breasts.) Then, speaking of bees, they act like a queen bee is its own species. But yes, she would be the one laying the eggs. You’ve earned a treat.

Then, what I was dreading this whole time: a gag about a spider. An animal that never was, and never will be an insect. Oh, it has six legs? Then I guess they have me on a technicality. Too bad they’ve given up with the scientific names by this point; devolving into pure jokes. Makes me wonder if the earlier mistakes were actually intentional. They probably were, and I’m just too uptight about these things. Or, much more likely, I’m a misunderstood genius who doesn’t get his @$$ kissed enough. Not sure which one I prefer.

We get our usual fireflies looking nothing like actual fireflies bit, a moth being attracted to a flame because he wants to prevent fires, and another sentence that makes no sense to anyone majoring in zoology. Did he really just say that a myriapod is an insect? Ow, my every cubic inch of my centipede loving heart! It really burns. And I know I’m not revealing many punchlines. I’ll make it up to you with another coloring error: the centipede’s mouth. Oh, and I do have to give more credit to their depiction of a lou- I’m sorry, cootie. Yeah, bet you didn’t know that they were real, did you? I like how its legs look like the grasping claws it should have.

Hmmm… Nope! I don’t see a snail appearing in a short that was named after bugs, but then was mentioned it would be about insects, and now has been showing other arthropods. Clearly, we’re meant to see the parasitic fly larvae that resemble buck teeth. As for the silkworms, I don’t see why they are so butt-hurt about humans switching to nylon. Don’t they know that we kill them when we harvest their silk? Priorities, kids. As for their ant jokes, I’m lost on the one where a red and black ant politely say hello to one another. Is the joke that they didn’t fight to the death? Is it that they have male voices when the lack of wings suggests they’re female? Is it just a subversion of our expectations since they aren’t speaking in stereotypical African American and Native American voices?

Our last gag is probably the best one. It’s about the marbled orb weaver spider; an arachnid that comes complete with villain mustache and Billy Bletcher voice. He announces that he loves little flies, and lowers himself down to one. And can you really blame him? She is a rather fetching fly, at that. Only two eyes, pouty kissable lips, luscious lashes… Almost makes it hard to notice the spider grew another four limbs. I guess he was really a spider crab the whole time.

Favorite Part: There was real effort in those scientific names. Even if they were unintentional mistakes, people were clearly doing research. I have to commend them.

Personal Rating: Well, it’s a 1 for me because I can’t turn my zoologist mindset off. You probably don’t have this problem, but I can’t rate it higher than a 2. Maybe Avery should stick to phony travelogues for his gag pictures. And… HEY! FRED? WHERE ARE YOU FLEEING TO? You’re not leaving forever… are you? I swear I was just jesting!

The Hardship of Miles Standish

“Well, the injuns were getting the best of the ordeal. Until one of them: pulled a boner.”

Supervision by I. Freleng; Animation by Gil Turner; Story by Jack Miller; Musical Direction by Carl W. Stalling. A Merrie Melody released on April 27, 1940.

A radio broadcast has just finished reciting “The Courtship of Miles Standish” but one listener calls the whole thing a lie. It’s the male counterpart of Granny, I’ve decided. Now named Gramps. He tells his grandson he knows what REALLY transpired, even though it predates his lifetime. I for one, am usually entertained by grandfather stories, but that could be because mine has never shown signs of senility in the 29 years I’ve known him. Let’s hear what Gramps has to say.

In the year 1621.5, (where a guy in stocks disappears after the screen pans to the left.) two of the pilgrims colonizing this brave new world, were Priscilla Mullins and Miles Standish. Ancestors of Edna Mae Oliver and Hugh Herbert, respectively. There’s a bit of a romance just waiting to blossom between the two, but Miles is just too darn shy to pursue it. (Which means I’m also a descendant of his.) He tries to write poetry for her, but is having a difficult time. Writing is hard, and some of us make it look even harder. (At least I’m having fun.) He needs inspiration, or a better idea. And I don’t think inspiration existed during his time.

His calendar has the answer, just like calendars always do. (In case you’re wondering, the answer mine gave me was August 1.) It just takes him a while to read it because he’s constantly distracted by the sexy picture. Hey, a man can be attracted to actual girls and print ones. Heck, a guy can be attracted to another guy or nobody at all even, because this is America! Or, it will be in 154.5 years. The idea that was granted comes from the makers of this fine timepiece, John Alden Messenger service.

And I won’t keep you in suspense if you’re reading before watching. It suggests the service of a singing telegram. It’ll attract the girls better than blood attracts a shark. That’s a great saying I just made up. Feel free to spread it around. Standish calls the man himself, John Alden who looks to be the ancestor of Elmer Fudd. And if you already know about this short’s source material, then you can easily deduce that Edna and Elmer share the same great, great, great, great, great, great, great, great, grandparents. But I’m getting ahead of myself.

Alden comes to Priscilla’s house to deliver the musical message. “You must’ve been a beautiful baby”‘s origins revealed. Unless plagiarism was still rampant back then. Oh wait, this IS future-America they’re living in. The song is doing wonders, but a bigger problem arrives: natives colloquially referred to as Indians. Alden has to take shelter with Priscilla. The shot of the Injunatives rushing the place is similar to one seen in “Scalp Trouble“, just with everyone looking in better spirits. (I’d be frowning if I was ordered to kill Porky Pig. I’d also be taking my own life in front of him so he knew I thought higher of him than myself.)

There’s some pretty decent gags considering the stereotyping taking place. Some natives are in uniforms because they are from Cleveland, and another one accidentally shoots one of his allies. You’ll laugh if you can read lips, because the shootee is saying, without a doubt, “God damn son of a bitch.” Eat it, Hayes Code! Oh, and Alden hat’s are frequently shot off. You know, that bowler hat looks great on him. I hope if he survives, it becomes a family heirloom/tradition.

As the featured quote says, it just took one mistake on the attack to turn the tide. One of them ends up shooting a window, breaking the glass. Oh geeze, that’s like 77 years bad luck or something. Or worse yet, Alden coming out to ask who did that and who is going to be paying for it. They’re fleeing. And not one molecule of blood had to be dropped. Of course, as was always suspected, the surefire way to woo a woman is to plagiarize a song for her, before saving her life from redskins. And I mean that in the most fair, inclusive way. Keep her from eating a Strawberry Poison-dart Frog; it’ll get the same results.

Gramps finishes his story before the controversial ending where Standish declared war on Alden and demanded a duel at ten paces, forgetting the fact he was standing on a dock at the time. The old man does the ole “if it ain’t true, God has permission to smote me.” and lightning demolishes the house. Don’t worry. The little boy wasn’t a casualty.

Favorite Part: I hate choosing a part you already heard me mention, but it was the Natives freaking out after the window smashed. And it would have been equally funny with any race. Even Caucasian.

Personal Rating: Again, it depends on how offensive you find these kind of pictures. I think it has enough decent gags to make anyone laugh at least once through their guilt, so a 2 for them, a 3 for us.

Holiday for Drumsticks

‘YOU WILL SOON BE SURROUNDED BY FRIENDS AND CRANBERRIES!’

Directed by Arthur Davis; Animation by Emery Hawkings, Basil Davidovich, J.C. Melendez, and Don Williams; Story by Lloyd Turner; Backgrounds by Philip DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released on January 22, 1949.

That’s a wonderful date to have a thanksgiving picture! No sarcasm here! I could probably handle seasonal depression easier with such a glorious feast! Please don’t leave me, summer! Life’s not worth living when it’s not you. And as for the actual plot…

Pa and Ma are hill folk, so they’re used to having some neighbor trying to kill them on a daily basis. Or even sooner. They’ve learned to make the best of it. Using the shots fired to open pouring holes in the coffee pot, light matches; the mundane things we all hate doing. Once they’ve gotten their use, they’re sure to plug ’em right back. Otherwise sleep would be awful difficult. Since Thanksgiving is approaching, Pa has brought home a turkey. Once he’s fattened up a bit, there will be plenty for me. I’m willing to share the cartilage.

Daffy isn’t at all pleased with his new roomie. (Yardie? Coopie?) According to him, there’s barely enough to eat as it is, and now most of that is going to the turk. Daffy stops him though, pointing out what’s going on here: they feed the turkey, in turn, he will feed them. Sounds fair to me, but Thomas is kinda selfish. Per Daffy’s coaching, he exercises as hard as he can. Faster! Stronger! Better! With all that lovely food going to waste, Daffy makes sure it goes to waist. Wait, confusion alert!

Does Daffy know about the actual plans? He kinda acts like he’s trying to pull a fast one. Has he really seen this happen before? Why all the hamming then? (Look who I’m talking about.) Why not be straight with the bird? “Hey fatstho! They’re gonna take a knife to ya! Why not let me eat the mostht to keep you trim? Nobody eatsth duck on Thanksthgiving!” Does he think Thomas won’t believe him otherwise? Why doesn’t Daffy encourage him to slim? I’ve seen a duck eat turkey meat. He really seemed to be enjoying it.

When the fated day arrives, the results are extreme. Thomas is basically spine and feathers. And a head and limbs of course. Daffy is a meatball. (What bird skeleton is on his munching table? Did Daffy stop any potential chance of turducken?) Pa takes one look at the turkey and deduces that he’s not healthy, and unlike other predators, humans only want the meat with the strength to fight back. As long as it’s tipping the scale of course. Daffy matches that description, and worse, I checked the rules; there actually isn’t anything saying you can’t have a different kind of fowl to celebrate the glory of the fourth Thursday. And duck is almost as tasty as turkey.

Daffy does his best to slim himself down, but it’s harder for him. He lacks Thomas’s discipline, and determination. Read: Pa keeps shooting all the exercise equipment. Daffy begs Thomas for help in hiding, which leads to what usually happens whenever Daffy asks for a turkey’s help, as evidenced in “Tom Turk and Daffy”. I’ve yet to actually discuss that one, and that’s probably why I have few visitors and fewer feedback. Ah, me. In case, you don’t know what I’m talking about, Thomas consonantly puts Daffy in painful hiding locations, deciding each one isn’t good. Wait, confusion alert!

Why is Thomas messing with Daffy? Even if Daffy hogged all the food for himself, the Thanksgiving threat was real. He helped saved you. Is he just trying to make sure the people don’t have to settle for turkey skeleton? Are turkeys just pricks by nature and I don’t have to feel guilty for enjoying their delectable muscles? Because as an animal lover, I have to. Thomas does have an actually sound solution: flee the country. The odds of death by Thanksgiving china, turkey and grease reduce significantly in places like China, Turkey and Greece. (I’m not proud of that one.)

Now that Daffy is dazed from the extreme hide and seek, he is happily wiling to waltz into the stove Thomas is calling a boat. (Hilariously, Ma and Pa are getting in on the action too, dressed as sailors.) If you think this ending is too dark, that’s just cause Ma can’t get a match lit. Daffy blows them out one by one. I guess he’s too fat to just leave the oven? He’s gotta Winnie-the-Pooh his way out now.

Favorite Part: As immature as it may be to say a funny face made me laugh as much as I did, the face Pa makes when he realizes how juicy Daffy is did me in.

Personal Rating: Well, it’s tough to say. A few confusing character moments didn’t help my scoring, and it was pretty much a weaker version of the previously mentioned “T.T.A.D.”. I’m feeling generous though. It is now officially recognized as a member of the 3 club. Welcome, and here’s your club robe.

The Rattled Rooster

“Merci beaucoup.”

Directed by Arthur Davis; Animation by Don Williams, John Carey, Basil Davidovich, and J.C. Melendez; Story by Dave Monahan; Layouts by Don Smith; Backgrounds by Philip DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Looney Tune released on June 26, 1948.

Early birds get worms. Scholars have stated this for centuries. It makes sense too. Worms like it dark so as not to harm their delicate skin. Therefore, you want worms; you don’t sleep. Our titular rooster aims to follow this rule. He’s not only going to hunt at 5 A.M., but he’s also going to make it so the clock doesn’t wake his coopmates. All is according to plan, except for the creaking of the door. The bachelor flock stampedes him going out, and coming back. All having had a wonderful breakfast. Rich in protein and water. The perfect way to start the day. (I’ve become too accustomed to Foghorn scale. It’s surreal to see roosters the size of roosters.)

Rattles, as I’m going to call him and I’m honestly surprised if you weren’t, decides to go out anyway. I’ve found worms in the P.M. hours before. I’m sure he can too. But it looks like other cockerels have nabbed them all but one. A worm in a turtleneck and sailor cap. Which means we have to call him Seaman Fishhook. He’s not easily caught. I bet it’s the arms. Worms could rule this Earth if they all had arms. When Rattles tries reaching for him underground, the worm does a little finger painting that leads to Rattles hammering his own digit at Fishhook’s suggestion.

Fishhook makes use of other objects resemblance to worms to get Rattles on a chase of the wild goose variety, instead. Toothpaste leads to a beakful of hygiene, and a balloon to a gizzard of air. After a record flight by chicken standards, Rattles is gasping for air in a pond. The line Fishhook throws to him is a telephone wire. I prefer original, but extra-crispy is pretty good too. And the grilled was also quite tasty. Are there any locations still selling that as an option? And there. Now I’ve filled enough space to warrant another paragraph break.

Fishhook finds a neat little toy amongst a rubbish pile: a rattle. Just attach it to the posterior and he’s disguised as an animal that no animal wants to mess with, sans Steve Irwin: a rattlesnake. And Rattles is deceived. He faints, screaming so loud in his head doing so, that I can hear his thoughts. Wait, were you saying that out loud? You should move your beak then. That way I can tell. He’s not the only one fooled, as along comes a lady snake, hopping like she’s Rattly’s mother. She probably is. And it does take two rattlesnakes to rumba, so she warps him up in a hug.

She’s a cutie. Usually I find rattlesnakes beautiful, majestic, maybe a little imposing, charismatic, and not that tasty. (If I’ve actually eaten one, which I doubt.) Fishhook isn’t in the same boat, as he does his best to escape her coils. I’m sure there are some viewers who are enjoying this scene a little too much. I’m not one to shame other’s kinks. Unless it’s this one. Shame on you. Be like me and just wish you could adopt her. I think Kaa has finally been dethroned as my favorite serpent. He can still be my favorite constrictor, though.

Rattles by this point, has figured out that what he saw was just a worm in disguise. But what he yanks out of the hole has scales, so she probably isn’t an eel. Definitely not a worm either. And caecilian is right out. She’s either friendly or hungry, as she begins chasing Rattles too. Come on guys! She’s not bothering me, so leave her alone! But no, they’ve got to get rid of her in the most cruel fashion. They hit a golf ball down her throat, knocking her off her bounce and getting her front half caught in a fence knothole. Then another and now she’s stuck until she starves. Cowards. Bullies. Cads. But I guess you’re not thieves.

Satisfied, they shake hands and go separate ways. Rattles’s brain suddenly remembers that Fishhook is a worm, and they equal breakfast. While chasing, he gets his head caught in another knothole and is also put there for keeps thanks to another golf ball. The vivacious viper seems quite glad for the company.

Favorite Part: During the chase, Rattles is caught in a pipe, and gets blasted out due to Fishhook giving him a hotfoot. He assumes the worm wouldn’t dare do that again, but he does. However, it doesn’t play out like copy and paste footage. See Speedy? This is how you should always do it.

Personal Rating: 3. Really folks, I can’t recall a more adorable reptile. Now if you’ll excuse me, I need to snort some onions so I can make myself cry. I was really looking forward to “Bye, Bye Bunny.” It’s a good thing I still have a couple hundred cartoons to discuss, because my reasons to live seem to get smaller every month.

A-lad-in his Lamp

“It’s too good to be true, but I’m here.”

Directed by Robert McKimson; Story by Warren Foster; Animation by Phil DeLara, Manny Gould, John Carey, and Charles McKimson; Layouts by Cornett Wood; Backgrounds by Richard H. Thomas; Effects Animation by A.C. Gamer; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Looney Tune released on October 23, 1948.

We human beings tend to be rather slobby. Throwing our trash wherever we please, not bothering to recycle, or in today’s rather specific case, burying garbage. While Bugs works on building a new home, he finds a lamp. Having never read even one of the 1001 tales, Bugs doesn’t immediately realize what power he now wields. Still, some use could be made out of it. Just needs a good shining.

Since, genies (or djinn if you prefer) usually exist in a liquid state, heating their vessels with your friction allows them to evaporate and escape. There. I just gave you a viable and logical explanation for why the rubbing always must be done. And, beating Disney to the punch by 46 years, the genie here is voiced by a celebrity: Jim Backus. He is grateful for the service and offers Bugs a wish. Just one, but that’s more than you got. You may think you’ve got Bugs figured out well enough that you can guess, but with the genie constantly interrupting him, he could be wishing for anything. You know, for fun, I’ll guess.

Hmmm… “much too small”… lessee here… Got it. Bugs originally was wishing for carrot seeds. It’d be smart to start his own garden if he’s going to be living in this new area. Next. “too delicate and ‘saunsitive'”… that’s a bit tougher, but I’m sure a college-dropout like me can solve this mystery. I’ll bet he was wishing for a gross of mini-Elmer’s to mess with. The genie is right, those poor guys wouldn’t last an hour. As for that last one, Bugs was probably wishing to be able to share screen time with Mickey Mouse and not have the multiverse blow up. I’m smart and you can applaud now.

Bugs finally gets a wish made. Not one, but TWO carrots! I don’t care if you think that’s a waste of a wish. I admire those who make simple wishes. That’s why if I ever had 3 wishes I’d want: 1. to lose the ichthiophobia, 2. get my children’s book published, 3. have a bunch of friends who’d want to make an animated series with me. Basic stuff. But why am I talking about 3 wishes? The genie never offered that. In fact, now that he gave Bugs what he asked for, Smokey (as Bugs refers to him) is planning to go home to Bagdad. (Sic.) Bugs wishes that he could visit that place, but that could never happ- hey wait a minute!

The two fly off. Since Bugs didn’t specify where he wanted to go, I’m assuming Smokey is just going to take him to his place. Either it’s changed since however many years has passed, or Smokey was just the family pet. (How did he get to America anyhow? Tectonic plates?) The person occupying the palace is a caliph known as Hassen (Sic.) Pheffer. He’s a little miffed about having a rabbit just fall out of the sky, but he’s the exact opposite about a certain lamp doing the same thing. Bugs claims it as his own, and a chase begins. You’d chase too. Admit it.

I don’t know why Bugs doesn’t think he can take this guy, but he wants some assistance. Smokey, though, is in no mood. Not helped by the fact that Bugs is summoning him during bath time and meal time. Bugs tries to make an escape via magic carpet, but those things are impossible to control. He zigs, he zags, he messes with the perspective. Look, there are clearly towers in the foreground, but Bugs doesn’t stay a relative size compared to them. It bothers me because if Bugs really was that giant, he wouldn’t have to run from Mr. Pheffer. He could go Caerbannog on the guy and not get any blood around his mouth.

And Smokey still isn’t any help. When Bugs tries a third time to get some aid, the genie was trying to score with one of those rare female genies that barely exist out of sitcoms. Pissed, he tells Bugs that there is going to be hell to pay should he be disturbed once more. And I’ve heard people get mad at him treating Bugs like that. Why? Unlike other genies, he’s not calling Bugs his master, so Bugs can’t really order him around. For that matter, genies are just natural pricks. Even the Robin Williams one tended to take very little seriously, even when ordered to do evil bidding, he makes like Chernabog. Entertaining, but could grate on your nerves if you’re not in a happy mood.

When Bugs crashes back down, the lamp falls into the caliphs eager hands. One rub-a-dub and he’ll get eternal happiness! That what he thinks. Smokey wasn’t making idle threats and we never see what he does exactly, but I have a feeling he crammed the man into the lamp. Breaking his bones into gelatin, his organs to offal butter, and his blood spraying through the spigot in the process. Pleased that he got to kill someone, he offers Bugs another wish. Which means he doesn’t care that an innocent man is dead now. Natural prick. Bugs, now aware of just how powerful the genie is, gets himself a hare-rem.

Favorite Part: During the chase, Bugs accidentally peeks into a room containing what he believes to be a harem. Hearing this, Smokey gleefully takes a peek to confirm the suspicions. These are the moments he wishes that everything below the belt wasn’t vapor. (And wishes that genies could grant their own wishes.)

Well, I’m getting pretty bored of life. Reckon I should visit Comic Con one more time. If you’ve ever wanted to meet me in person, this might be it because I can’t promise I’ll attend another one afterwards. Yes, I’ll really be cosplaying as the last of the dodos.

Personal Rating: 3