Category: Cartoons from the 60’s

The last legs for Looney Tunes. They may have been getting tired by this point, but I still find them enjoyable.

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Nuts and Volts

“Sorry Senor pussycat, I can’t play with you no more.”

Directed by Friz Freleng. (Interesting note, this is the last of the golden era Looney Tunes to give him director credit.) Released in 1964.

During one of their many chases, (in which Speedy is laughing a little TOO hard. Is it that fun?) Sylvester gets tired. (At least all that exercise is good for him.) He decides to try using technology to catch the mouse. (Why not? It’s the 60’s. Time to upgrade.) He sets up an electric eye that will sound an alarm as soon as Speedy exits his hole. Sylvester will then be launched towards him. (He crashes into the wall.)

He builds a mouse disposal robot. Working the controls with a sonic viewer, he spots the mouse and sends out his droid. Speedy is still much faster, so Sylvester turns up the robot’s speed as high as it will go. It crashes into the wall like he did. Round 2. Whatever that viewer is connected to, Speedy is able to look through and see the cat. The robot is sent after him but Speedy leads him into the viewers screen which somehow ends up hitting Sylvester as well. (Toon logic may be less logical than ours, but it’s more fun.)

Third time’s the charm right? Sylvester warns the bot it is down to its last chance and unwinds its arm to place some dynamite in Speedy’s mouse hole. Speedy keeps moving back, and Sylvester somehow knows to keep the arm going. Speedy leads the arm back behind the cat who can’t escape even by hiding in the robot. He tosses the thing out and grabs a club. (Ah the caveman approach. Very nice.) Speedy in turn, has gotten into technology himself, and sends a robot dog after the cat.

Personal Rating: 3

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A Message to Gracias

“To cousin Speedy, everyway is the shorts-cut.”

Directed by Robert Mckimson. Released in 1964

This short has a most fitting title. Unlike a majority of shorts, this one does not get it’s name from some form of wordplay or song title, but rather it flat out tells what the short will be about.

It begins at the H.Q. of a mouse named El Supremo. I don’t really know what kind of power that entails, but he’s fat so we can assume he’s a tyrant. He needs a message delivered to his friend, General Gracias. (Interesting name) He sends out a mouse named Manuel who is denied the privilege of finishing his will. The runs out into the cruel, hungry world, and while the other mice think he will make it, we know full well that he is going to be food. The mice mark another one down.

As El ponders how to get this message through, one of his mice suggests Speedy. Supremo agrees that it’s a good idea and is glad he thought of it. I’m not a fan when characters do that. Better add him to my list of annoying people I want to hurt. (…Fools who say Disney and Nintendo are only for kids, A-holes who kill animals but don’t eat them, The cast of “The tenth kingdom”…) They send a message and Speedy arrives. El gives him his orders of how he must cross a desert, climb over mountains, and cut through a jungle to get to Alcapulco. Which probably means if you’re bored enough, you can figure out where this errand is starting. Then you can challenge yourself to traverse the same route. Speedy runs over the waiting Sylvester, leaving behind some flames, and runs along the road making it bend much like the Roadrunner does. (I wonder which of those two would win a race. And on that note, why do I suddenly have four shadows?)

Sylvester is smart enough to chase him in a car, but Speedy stops for lunch break and Sylvester crashes. Next, they’re in the jungle. (Either nothing interesting happened in the mountains, or Speedy ran around them.) Sylvester takes aim from a boat in the river, but hits his head on a branch and shoots the boat instead. He ends up running from Caimans. He sets up a snare trap and catches a…I’ll be honest; I have no idea what that is. It looks kind of like Sam Sheepdog, the Tasmanian Devil, some green paint and some periods were all thrown in a blender. Maybe it’s just a radioactive jaguar?

Sylvester is eventually able to lasso Speedy, but the mouse drags him into a tree and ties him up. Speedy delivers the message which turns out to be a simple birthday poem. What’s more, it looks like Supremo only needed someone to distract the cat so he could come over with cake. Speedy is rightfully annoyed and lets Sylvester go. The cat chases the two bass turds into the distance. Speedy makes no effort to hide the fact that they will soon be eaten. (Can’t be good for the heart.)

Personal Rating: 3

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Chili Weather

“All these foods and not a crumb to eat.”

Directed by Friz Freleng. Released in 1963.

There’s a food plant, and where there’s edible goods, you’re bound to attract mice. Good thing whoever owns the place has Sylvester on guard duty. Speedy almost immediately comes by and offers to help the mice get some grub. He actually manages to run in and out the first time, without Sylvester noticing. When he does become aware, he chases the mouse onto one of the conveyor belts. While Speedy compliments how much easier it is running this way, (and barely misses being chopped up) Sylvester is chopped up.

Speedy greases the floor and Sylvester slips into a vat of tobasco sauce. Sitting on ice cools him down somehow. (He’s not even licking it, not that it would help, but was the sauce being cooked? It didn’t look heated.) While Speedy looks at some soda bottles, (I don’t know what’s in there, but they say “es bueno” on the side. That’s good enough for me! *takes*) Sylvester comes back and actually grabs him. (2 posts in a row? New record!) But the bottle cap machine caps him and blinds him, simultaneously. (He must be really small.)

He manages to get it off with a bottle opener, but Speedy surprises him and he jumps back up into it. Speedy’s inner troll emerges and he takes it away. Sylvester blindly swings a bat around and doesn’t notice he’s running into the dehydrator. (It appears to belong to a someone named Gomez. Or maybe that’s the machine’s name?) He shrinks and is now able to get the cap off. Seeing Speedy, he runs off in fear. (After years of chasing Hippety Hopper, he’s finally found a real giant mouse.)

Personal Rating: 3

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Mexican Boarders

“When do we eat? I’m hungry.”

Directed by Friz Freleng. Released in 1962.

In this short Sylvester chases Speedy through the house of J. C. Mendelez. (Him again?)  Naturally, Speedy is too fast to catch, and Sylvester wears himself out just by climbing the stairs. There is a knock at the door. Why, it’s none other than Slowpoke Rodriguez! Haven’t seen him since “Mexicali Shmoes.” (If you translate his song, you find out he’s singing about a cockroach who lacks marijuana. Don’t you dare say he’s an evil stereotype. From what I hear, he’s very popular in Latin America.)

Turns out he’s Speedy’s cousin and the cat gleefully lets him in. Slowpoke lives up to his name and plods in. (I like his hat. It changes color with every step he takes.) Speedy grabs him in the nick of time and brings him back to his hole. Slowpoke wants food. (Also, he’s not voiced by Mel. It’s a man named Tom Holland. Who I’m 96% sure is not the same Tom Holland who directed “Childs Play.”) Speedy offers to get it as he is the faster of the two. He brings back some sustenance. He forgot the tobasco sauce though, and races back. While he’s getting the sauce, Sylvester puts some glue on the ground. Speedy comes back, and Sylvester’s trap actually works. He grabs the mouse, but really should have removed the sauce as it gets poured down his throat.

Slowpoke has enjoyed the food, and wonders about dessert. Sylvester has set up a net which Speedy rushes through. When the cat tries it, he is cubed. That night, Slowpoke is hungry again. I don’t know if he’s trying to let Speedy rest or if Speedy is refusing to go out, but Slowpoke decides to head out himself. Speedy tells him not to, but Slowpoke is fine admitting that he is slow. (Not that way. I meant speed wise.) Still, he is not helpless. (Remember his gun?) Sylvester grabs him but Slowpoke has a different tactic this time. (Perhaps Peta told him to stop shooting cats?)

Making a face that I will undoubtedly see in my nightmares, he hypnotizes the feline. (Unlike in the Pokemon games, this Slowpoke can learn hypnosis. Come to think of it, don’t girls have this power too?) Now under mouse control, Sylvester is forced to fan the mice as they have another feast.

Personal Rating: 4

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The Pied Piper of Guadalupe

“Don’t go Armando! No! Don’t go!”

Directed by Friz Freleng. Released in 1961

Another Academy nominee? Speedy sure got a few of those didn’t he? So what did it lose to? (*Google search*) “Ersatz”? That’s a darn, fine film to lose to.

Sylvester it seems, has really lost his touch. He can’t catch any mice. They’re fast and they carry demeaning signs and smack him with planks. Thinking in front of a book sale, (One of which is apparently written by story man Warren Foster. Which makes perfect sense.) he spies a copy of the Pied Piper. Surely, the same thing would work on mice as well as rats. After taking some lessons from the J.C. Mendelez, he gets dressed up to play the part and begins to play his flute. The mice laugh at his attempts, but soon stop when it works. They can’t help but dance over to him, where he knocks them out and places them in his jug. Even tying their tails to a stake can’t hold them back and soon they’re all captured. Save one.

Speedy is still there. (Did he not hear the music?) He asks for the gato to release his friends, or Speedy will just have to rescue them. Underestimating him again, (Sylvester! You have to stop doing that.) he opens the jug and Speedy makes good of his word. Sylvester plays the flute and Speedy dances over only to smack him with a mallet. Why is Speedy immune? It’s not fair or good story writing. You could have shown Speedy trying to sleep, plugging his ears to keep out the noise, and warning his friends that their teasing is dangerous.

Sylvester ditches his cute outfit and hides in a barrel with some dynamite. Speedy rolls the barrel along which ends up trapping Sylvester in the container with a lit explosive and a dog. He gets a motorcycle and chases the mouse, who stops short at a cliff and lets the cat careen over the edge. Sylvester eventually gets out, but Speedy next leads him into a collision with a bus. Sylvester has no choice but to go to the “El Gato Infirmary” and get some casts on his broken bones. Speedy points out he dropped his flute. (“Don’t you want heem?” “No, I don’t want ‘heem’.”) Sylvester tells Speedy he can have it. The mouse plays and Sylvester is forced to dance after him on his broken foot. (That’s harsh.)

Personal Rating: 3

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Cannery Woe

“I don’t he like us also, too.”

Directed by Robert McKimson. Released in 1961

In what I think is the mouse version of the slums, two mice wake up. As is typical of Speedy shorts, (Is that a spoiler?) they have the names of Manuel and Jose. They are hungry, and I guess there either is no food for them, or they are just lazy, because they list off a bunch of potential people they could mooch off of but don’t like them anymore instead of deciding on where/what to eat. But it appears to be their lucky day! Mayor Raton, (Spanish for mouse) is holding a fiesta to encourage others to reelect him. He’s even giving away free cheese for everyone.

Except our main characters. They are kicked out. (Hypocrite.) Despite the fact they are unwelcome, they watch from atop a wall and show their support anyway. The mayor calls for the cheese committee to bring out the goods. They look like they’ve been to war. It turns out there is a new addition to the store where they have always gotten cheese. Namely a cat. All is lost! (American mice would go on anyway. And then be eaten. Patriotic pride is no match for mother nature.) Jose and Manuel somehow get in without being thrown out and offer to help. Seems they know of a very fast mouse who left Jose with a whistle to blow if he is ever needed. (Speedy would turn 8 this year. He’s still not more well known in his country?) They will call him if they are granted their demands. Which are whispered, as if we didn’t already know what they want. The mayor (and his nose that turned tan for a slight second) agrees and Speedy is summoned.

Speedy goes to the store where Sylvester once again, underestimates him. Speedy runs through his legs and tears some fur off. (“Speedy was here!”) And again on his way out. (“Also here!”) Sylvester lays some tacks down. Speedy goes around and the cat runs through them after him. (Twice.) He gets stuck lighting a cannon, but Speedy helps by pulling the cord. The cannonball somehow doesn’t hit Sylvester as it is fired but lands on his head. Sylvester sets up many mousetraps inside, but ends up cornering himself. Speedy tosses a ping-pong ball at them which sets them all off.

Having brought back enough cheese, the Mayor is true to his word and grants Jose and Manuel their request. To be the official cheese judges. As for Speedy? He gets to be the chick inspector. What does that even mean? Does he judge the females on how attractive they are and refuses the ugly ones the right to stay? Who knows? Pfft, Men. (For the third time.)

Personal Rating: 3

We regret to inform those who come by, that there will not be a new update next week. I’ll be going on a trip. We will resume afterwards. Stay Looney.

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West of the Pesos

“Mio Speedito is muy loco.”

Directed by Robert McKimson.  Released in 1960

I just want to say that this place has been getting fairly popular lately. I want to thank everyone who stops by. Especially those leaving comments. They really make my day. Now on with the show.

Our story takes place in a village called “Veelage.” (That is probably the best name ever.) In a nearby lab, a one Sylvester J. Pussycat is guarding the entrance. Inside, several mice await their doom. And for anyone who is concerned that animal labs are hardly different from concentration camps, can rest easy. This one is okay because it says “Expieramento Scienteefic” on the front. (That’s reasonable) The other mice in town are worried and have set up a sign that lists the missing mice. (Two of which include Pablo Picasso and animator Manuel Perez, who ironically didn’t work on this short.)

They would like to go save everyone, but they are not fast enough. Why not Speedy? Well, he’s in Guadalajara at the moment. He’d need a pretty good reason to come down. A mouse-ette named Carmella might do the trick. She gives him a call and he’s there in no time. (Pfft, men.) He agrees to help and walks up to the gate. He tells “El Poosygato” about how he plans to come in and rescue his people. Chuckling, Sylvester opens up the gate. Speedy runs, and slips right through Sylvester’s paws. (Leaving a bad case of mouse-burn, I might add.) Slyvester works fast and quickly sets up a snare trap. Speedy ends up dragging him through the little knot hole it’s threaded through. He brings the mouse back where he is immediately hugged by his… wife? Maybe? Whoever she is, it’s nice not to have all the females lusting after Speedy this time.

Sylvester waits with a rock, but Speedy surprises him and he drops it on himself. After getting more mice, they run out under a can. They hide by two more. Sylvester checks them all. The last one contains a dynamite stick. (The second one had the mice.) On the next run out, the mice dress as a dog to keep the kitty away. It works until one trips out of the disguise, exposing the jig. Sylvester chases but still crashes into the wall. Speedy sets some train tracks that lead into the building, and runs out pulling the mice in cars. (Speedy uses a cigar to imitate smoke. He won’t be able to run so mast for much longer.) Sylvester hides behind a tunnel with his mouth open, but the train comes out through his tail. That’s the lot then. Carmella thanks Speedy with a kiss and that sends him rocketing into the sky. (Pfft, men.)

Personal Rating: 3

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To Beep or not to Beep

“Western Cookery”

Directed by Chuck Jones

A pretty late entry in the Roadrunner/Coyote series. (And the only one scored by Bill Lava.) The Coyote is looking at a cookbook and licking his chops at the thought of a Roadrunner dinner. His prey peeks at the book and also licks his li… beak. He “Beeps” the Coyote into a cliff. On to the gags!

Wile E sets up a snare, but misses and while pulling back on nothing, falls off a cliff. The rope grabs a rock and he ties it around his waist to be safe. He still hits the ground and then the rock lands on his head.  Then he just begins to chase. The Roadrunner puts on a burst of speed which uproots some cacti and makes a bridge recoil. The coyote falls and one of the cacti lands on him. He then attaches himself to a spring attached to a rock, in order to launch himself. The rock itself springs backwards and off a cliff. He holds on, and the rock recoils and he lands on a makeshift teeter-totter which then launches him again and he ends up trapped in between a narrow space. He unstraps himself and hits the ground. (Interestingly enough, Jones wanted to do a whole short based on this one gag.)

After failing with a wrecking ball, we get to the main gag of this short: a catapult that refuses to work. After five tries of launching a rock (and getting smashed by it) Wile E. pulls the string from inside a manhole. Nothing happens. He cautiously does more and more to the device but nothing happens. Not until he’s jumping on the rock does it finally launch. He realizes this a little too late and goes through a cliff face, lands in some telephone wires, gets launched back to the catapult, flung to the ground, and crushed under the rock. Why was it so faulty? We zoom in and see where it came from: The Roadrunner manufacturing Company.

Personal Rating: 3

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The Bear that Wasn’t

“You are a silly man, who needs a shave and wears a fur coat.”

This short isn’t a Looney Tune. It’s from MGM! (*Screams*, “Withcraft!” “It’s all over.”) Indeed. Why talk about it? It was directed by Chuck Jones and based on a book by Frank Tashlin. Good enough for me.

A bear takes note that the geese are migrating. He knows that this means it’s time to “hibernate.” (Bears don’t hibernate, they just sleep throughout most of winter. Hibernating means your body temperature drops as well.) While he snoozes, a factory is built over the cave he is in. Eventually, Spring arrives and the bear leaves the cave. He is shocked to find what has happened. A coffee/smoke break happens and the bear gets caught up in it. When it ends, the foreman scolds him for not going back to work. Luckily, the bear speaks English and tells him that he’s a bear. The foreman doesn’t believe him.

They keep going to higher authority to tell of the lazy/crazy “man” who thinks he’s a bear. Eventually they reach the president of the place. He tells him that he can’t be a bear, because bears don’t work at factories. He takes him to a zoo to confirm with the other bears. They agree that if he were a bear, he’d be in the enclosure with them. The bear goes back to work at the factory, and continues for quite some time. Eventually, Winter starts again and the bear is sad that he is a man, and therefore can’t go “hibernate.” Freezing, he decides to sleep in a cave anyway. Finally understanding that he is and always was all bear. Our moral is: Just because everyone say’s you are something, doesn’t mean it’s true. A very good moral in my opinion.

Personal Rating: 4

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The Last Hungry Cat

“Sardines and milk wouldn’t have done it, you had to commit murder.”

Parody Time! It looks like “Hitchcock Presents”, but instead of a person its a bear. (I guess? It could just be a very strange hairdo.) He tells us a story. In this strory a one Sylvester the cat is about to break into Granny’s house and eat Tweety. Once grabbing him, he loses his balance on the stack of furniture he is standing on and everything collapses. Tweety uses this time to escape. Sylvester comes to and seeing the feather in his mouth deduces that he ate Tweety. Hearing Granny he makes his leave happy to have escaped.

The narrator works his nerves up by calling it murder. It doesn’t help when Sylvester walks by a newspaper hunting a criminal known as “The Cat.” He hides in a building. (I assume it’s his house.) He tries to relax by listening to the radio and reading but both things just add to his guilt. So he resorts to smoking and coffee drinking. (To calm his nerves I guess? I don’t think coffee does this, anyone care to explain?) He stays awake all night. While taking a sleeping pill shower he breaks down sobbing. The narrator tells him to give himself up and Sylvester agrees.

Upon arriving back at the scene of the crime he finds Tweety alive and well. His happiness soon turns to hunger, when Granny whacks him for trying to eat her bird. The narrator ends his tale and Sylvester throws a brick at him.

Personal Rating: 3