Sinkin’ in the Bathtub

“Hello, Bosko.”

The one that started it all!

It begins with Bosko taking a bath. (We’re off to a great start!) He plays the song “Singin’ in the Bathtub” in various creative ways. Even his tub joins in the fun. All clean, Bosko goes outside to get his car. It’s not in the garage, it was in the outhouse. (Remember in my second Space Jam article I mentioned the use of SUTBLE bathroom humor? Take notes people.) He now heads out for a date with his girlfriend, Honey. (Not before picking some tulips to the tune of “Tiptoe through the Tulips”)

He arrives to see Honey is still preparing, by taking her own bath. (Bosko! You perv!) She quickly gets dressed and Bosko plans to show her the flowers he got her. While he is not looking, a goat eats the flower heads, and Bosko cries. Honey assures him she still loves him and he happily serenades her with a saxophone. (The goat looks angry, was he trying to ruin their relationship?) Honey is not too pleased with Bosko’s music, so she empties her tub on him. He continues to play as the bathwater greatly improves his music ability. Honey dances on the bubbles to the song “I’m forever blowing bubbles.” They hop in the car and go for a ride.

After getting pass a stubborn cow, they slowly make their way up a steep incline. Bosko gets out to shove the car, and the next thing he knows its out of control going downhill. (Honey doesn’t sound too terrified.) While chasing her, Bosko ends up ahead of her. She crashes through a house (taking a bathtub with her) and they all fall down into a lake. Using the tub as a boat, they continue their date. This would only be the beginning for good ‘ole Termite Terrace.

Personal Rating: 3 (It’s a d*mn impressive start.)

Bosko the Talk-ink Kid

“Well here I is, and I’s feel good!”

This… is what started it all. When Harmon and Ising went to pitch their idea to make their own cartoons to Scheslinger, they brought along this beauty. It’s essentially the Looney Tunes pilot cartoon. It was made in 1929 and combined live action and animation well ahead of its time. (Warner Bros was good at that.)

It starts with Bosko being born. (Drawn.) The animator asks him to show us what he can do and Bosko starts doing some dances. (One is quite racist, but only by today’s standards.) He notices the audience and learns that he is supposed to make us laugh. The animator gives him a piano and some musical gags occur. Bosko sings (badly) and the animator sucks him back into the pen. Bosko pops out of the inkwell and promises us he will return. (Then he blows a raspberry at the animator.)

Happy Halloween!

Personal Rating: For most, I’d give this a 2, but if you can appreciate how good this early example of live action and animation coexisting is, I’ll bump it up to a 3.