Congo Jazz

“Hello.”

Animation by Max Maxwell and Paul Smith; Music by Frank Marsales. A Looney Tune released in October, 1930.

Only his second short and Bosko decides that he is capable of hunting. (Because he is just a bos like that) Killing is a lot more difficult than one may think, though. And Bosko certainly doesn’t look like he has the nerve. He can’t take more than two and a half steps without screaming. But he has good reason to be scared. Despite the title suggesting he is in Africa, there is a tiger behind him. And Bosko does look quite delicious. When Bosko does notice the cat (and his color changing claws) he tries to run. Tigers apparently run faster on two legs, as it chases him down.

Like most early cartoon characters, Bosko’s main ability is being able to generate music from whatever he may have on hand. In this case, it is an actual musical instrument. (Heck if I know what it is. It’s no animal.) As is well known, music soothes the savage beast, and Bosko is able to save himself. Even playing a quick round of patty-cake with the feline. But, it is still a wild and potentially dangerous animal, so he has no other choice but to kick it off a cliff. Hunting clearly is not his strong point. So he seems to settle for just admiring the wonders of nature. And there are a pair of adorable monkeys that warm his heart playing leapfrog nearby. (They look like new-world monkeys. I thought he was in the part of India called the Congo for some reason.)

Bosko gets closer. One of the simians sees him and bolts, but the other one ends up in Bosko’s hands. In reality, Bosko would probably suffer many nasty bites, but this monkey is a bit more tame. But he still doesn’t like Bosko petting him, so he spits in his eye. Angered, Bosko spanks the monkey. (Literally. I hope nobody thought that I was being figurative.) That wasn’t the smartest choice though, there is an angry gorilla behind him. (So, he IS in Africa?) He doesn’t appreciate Bosko disciplining his… well, not kids. But I guess they are still closely related. Or it could be that Bosko is catching wild animals. Regardless of the reason, he looks pissed. Bosko offers him some chewing gum. Despite being one of the most disgusting things one can play with, Bosko and the ape do just that. Making music again. (It really helps soothe angry animals)

Heck, the music is so good, that lots of animals come to listen and join in. (One of which is a kangaroo. In Afrindiamerica. Is Bosko just in a zoo? Did he just release all the animals to play with them?) Even the plants can’t help but join in. One tree in particular does a sexy dance. (You can tell its female, because male trees don’t have breasts. Plants have the same rules as animals, right?) “Her” dance is a bit too wild though, and one of her fruits snaps free. (Even if fruit are meant to do that, it still looked painful) The coconut hits Bosko on the head, to the amusement of some hyenas. Luckily, Bosko is a good sport, and he laughs along with them.

Personal Rating: 3

Bosko the Doughboy

“I’ll get you!”

Animation by Rollin Hamilton and Max Maxwell. A Looney Tune released in 1931.

Heh, no one even uses the term “doughboy” anymore. Regardless, after the title is blown up, we see a war at hand. Not quite on time to be part of WWI, and still too early to be part of WWII. It’s just a nondescript battle with no clear answers. Even we in the audience aren’t safe, as we get shot in the face! A cannon goes through rigor mortis after being shot, and a bird has to take a long clear look at his gaping wound that cuts right through him, before realizing he’s dead. And where’s our main character? In his foxhole eating beans. (Close your mouth when you chew, Bosko. We don’t need to see that. Sometimes, it’s good that animation was not yet in color) His lunch is also shot and he has to make do with stealing cheese from a mousetrap. But he’s not going to let that get him down, he has a woman waiting for him after all! He happily kisses his picture of Honey, before that is shot too. A horse on his side tries to cheer him up with some harmonica playing. While they dance, a dog is in agony because of a flea (I think. It might be a tick) attacking him. Bosko solves this problem by getting the dog’s helmet riddled with bullet holes. This leaves a nice and jagged scratching device. (That would tear through a human’s skin. Isn’t being a toon wonderful?) Then, a fresh wave of firing comes down upon them. Bosko is attacked by a bomb dropping pelican. He fights back by sticking a bomb in the dog’s mouth, pulling on his hindquarters whilst he hangs from a tree, and firing at the bird and its mouse pilot. (The victory is short lived as the dog’s body is torn apart by the enemies fire, leaving him much shorter than before.) Bosko charges forward, ducking into another hole with a hippo to avoid the shots. (Which are primarily coming from some birds in their nest.) The hippo tries to fight back, but a cannon launches a ball down his throat. Bosko sets up a surrender flag made of some long underwear, but the cannon fires anyway. Upon noticing it now has a cannonball inside it, the underwear runs to the cannon and returns it. Thus, destroying the thing. With his path now cleared, Bosko runs over to help his ally. He’s no doctor, but he knows how to save the brave hippo’s life: just unzip him and pull the ball out. They laugh, but the cannonball explodes. (They don’t do that right? I’m no expert.) This sadly leaves Bosko in blackface.

Personal Rating: 3

It’s Got me Again!

“Oh, Mr. Cat please let me go! Oh Mr. Cat, don’t tease me so!”

It’s the first Warner Bros. short to be nominated for an Oscar! (It lost to “Flowers and Trees.” Don’t feel bad, Disney was tough to beat, even with it being the first time animation was being recognized. Just being nominated should be a huge honor.)

In the after hours at a music shop, the mice come out to play with the instruments. They make some lovely music and soon it grows into a party. Turning on a record they begin to dance to the title song. As they play the most threatening cat in all animation, (at least to me) watches with hungry eyes. After we witness the mice dance on a piano, (I think they were describing domestic abuse!) the cat sneaks in through the chimney.

He eats the cuckoo out of the clock, which unfortunately alerts the mice to his presence. Most of the mice escape but one is trapped. He pleads for help and his friends fire drumsticks and needles at the cat. (Dang. They mean business.) The cat runs away and the mice cheer. The short is ended by… Piggy? What’s he doing here? One of the mice couldn’t end the short?

Personal Rating: 2

Sinkin’ in the Bathtub

“Hello, Bosko.”

The one that started it all!

It begins with Bosko taking a bath. (We’re off to a great start!) He plays the song “Singin’ in the Bathtub” in various creative ways. Even his tub joins in the fun. All clean, Bosko goes outside to get his car. It’s not in the garage, it was in the outhouse. (Remember in my second Space Jam article I mentioned the use of SUTBLE bathroom humor? Take notes people.) He now heads out for a date with his girlfriend, Honey. (Not before picking some tulips to the tune of “Tiptoe through the Tulips”)

He arrives to see Honey is still preparing, by taking her own bath. (Bosko! You perv!) She quickly gets dressed and Bosko plans to show her the flowers he got her. While he is not looking, a goat eats the flower heads, and Bosko cries. Honey assures him she still loves him and he happily serenades her with a saxophone. (The goat looks angry, was he trying to ruin their relationship?) Honey is not too pleased with Bosko’s music, so she empties her tub on him. He continues to play as the bathwater greatly improves his music ability. Honey dances on the bubbles to the song “I’m forever blowing bubbles.” They hop in the car and go for a ride.

After getting pass a stubborn cow, they slowly make their way up a steep incline. Bosko gets out to shove the car, and the next thing he knows its out of control going downhill. (Honey doesn’t sound too terrified.) While chasing her, Bosko ends up ahead of her. She crashes through a house (taking a bathtub with her) and they all fall down into a lake. Using the tub as a boat, they continue their date. This would only be the beginning for good ‘ole Termite Terrace.

Personal Rating: 3 (It’s a d*mn impressive start.)

Bosko the Talk-ink Kid

“Well here I is, and I’s feel good!”

This… is what started it all. When Harmon and Ising went to pitch their idea to make their own cartoons to Scheslinger, they brought along this beauty. It’s essentially the Looney Tunes pilot cartoon. It was made in 1929 and combined live action and animation well ahead of its time. (Warner Bros was good at that.)

It starts with Bosko being born. (Drawn.) The animator asks him to show us what he can do and Bosko starts doing some dances. (One is quite racist, but only by today’s standards.) He notices the audience and learns that he is supposed to make us laugh. The animator gives him a piano and some musical gags occur. Bosko sings (badly) and the animator sucks him back into the pen. Bosko pops out of the inkwell and promises us he will return. (Then he blows a raspberry at the animator.)

Happy Halloween!

Personal Rating: For most, I’d give this a 2, but if you can appreciate how good this early example of live action and animation coexisting is, I’ll bump it up to a 3.