Boyhood Daze

“Dr. Living-son, I presume.”

 Directed by Chuck Jones; Story by Michael Maltese; Animation by Abe Levitow, Richard Thompson, and Ken Harris; Effects by Maurice Noble; Backgrounds by Philip DeGuard; Film Editor; Treg Brown; Direction by Milt Franklyn. A Merrie Melody released in 1957. Directed by Chuck Jones; Story by Michael Maltese; Animation by Abe Levitow, Richard Thompson, and Ken Harris; Effects by Maurice Noble; Backgrounds by Philip DeGuard; Film Editor; Treg Brown; Direction by Milt Franklyn. A Merrie Melody released in 1957.

Tomorrow is Christmas, the epitome of childlike wonder. So which short to discuss better than one with Ralph Phillips? The little lad has just broken a window and is sent to his room to await what his father will say about things. Left alone, he begins daydreaming. Like most kids in trouble, he daydreams about his parents getting into a situation. Specifically, with them captured by cannibals. Ralph comes to the rescue. (Love that goatee) The natives are clearly afraid of him, but still try to fight him off as best as they can. Ralph has no choice but to kill them all. (Off screen naturally.) Coming back, he scolds his father for being out in the jungle in the first place. His dad walks off sulking as Ralph returns to reality. He figures besides saving their lives, another way he’d never be punished is if he did something fantastic with his life. Like being part of the Air Forse. (sic) He flies a ship that looks a bit like a paper airplane, through a sea of areas that look like his bedroom. He best be on the look out for Martians. Not only do they hate Earthlings, but they all got A’s in arithmetic. They shoot him down, but Ralph is a skilled pilot and manages to come back at them with his secret weapon, a lasso. He catches them all, (and his ship can hold all of them? Of course! It’s imaginary!) And he is honored by the President himself, as his parents watch in awe. (His dad’s hair is now red. Why was it black earlier? Imagination still needs consistency, Ralph.) Speaking of, his father has just gotten home and is making his way towards him. Ralph imagines himself in prison awaiting his sentence. But he needn’t have worried, his father is a fair man who has a fair punishment. Ralph will have to pay for the window out of his allowance, but as long as he is more careful with his play, he’s free to go. Ralph happily rushes outside. But his imagination starts to run away again. He sees a young tree, and an axe that is just a little too tempting…

Personal Rating: 3

Rabbit Rampage

“All right, you’ve made your point. You’re the boss.”

Directed by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam; Layouts by Ernest Nordli; Backgrounds by Philip DeGuard; Voice Characterization by Mel Blanc; Music by Milt Franklyn. A Looney Tune released in 1955.

Do you remember “Duck Amuck?” It was a pretty well loved short. When someone creates something that the world loves, they can either leave it alone, satisfied that they made something wonderful and let fans cry for more, or they can try to capture lightning in a bottle twice and risk the chance of failing. I wouldn’t say this was a failure, but it really doens’t work with Bugs. But I’m getting ahead of myself. The script tells us we are to start in a classic woodland scene. The animator paints one, but adds Bugs’ hole in the sky. When Bugs sees just who is at the controls for this picture, he refuses to play along. (Don’t blink! When Bugs hits the ground, his leg disappears for a fraction of a second.) The artist stars putting picket signs in his hands. Bugs agrees to work with the artist, but now they are painting various hats on Bugs. (Making the top hat too big is quite clever.) Well, Bugs tried to be nice. Now to leave. But his hole is now upside down in the sky and he can’t get into it, as an anvil is tied to his tail. While he grumbles, his head is replaced with a jack o’ lantern. He requests a rabbit head. It’s tiny. Once it’s back to normal size though, it is without ears. Asking for some gets him human ears. He is given a horse’s tail next. When asking for it to be fixed, he is drawn as a horse. His contract states he is to be a rabbit. So the artist draws him as some fan’s Looney Tune OC. (Though to be fair, he looks better than anything I could draw) Then he is given some clones. His originality challenged, he puts his foot down. He refuses to move until the boss is notified of the artists shenanigans. Said artist calls his bluff, by drawing a train. With no other alternative, Bugs pulls out the “The End” card. Luckily the artist wasn’t Daffy. (That would have made this short bad.) It was Elmer, pleased to have finally gotten even.

Personal Rating: 3

Hippety Hopper

“A mouse as big as me!”

Directed by Robert McKimson; Story by Warren Foster; Animation by Pete Burness, John Carey, Charles McKimson, and Phil DeLara; Layouts by Cornett Wood; Backgrounds by Richard H. Thomas; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1949.

I just love how many shorts titles were just a characters name. It wasn’t even their first appearance when it happened. Anyway, a mouse is about to commit suicide. Since it’s not being treated as a joke, it’s not funny. Luckily for him, he is saved. Hippety may be young, but he knows that ending yourself is never the answer. The mouse (Who needs a name. I’ll call him Mini. Mini the mouse. Completely original) asks his new friend (who he thinks is a giant mouse)  to help him get even with the one who caused his depression in the first place. Sylvester the cat. Hippety agrees. Mini wakes Sylvester up and threatens to take vitamins and grow to match his size. Sylvester laughs at this, but soon sees the joey and freaks out. Mini kind of ruins things by coming back to say he warned him. (I guess mice just fluctuate in size? Is that what rats really are?) Whatever. Sylvester tries to fight off the “mouse” anyway and it goes about as well as you’d expect. A bulldog witnesses this and refuses to let Sylvester be treated as such. If the dog has a job of protecting the house, the cat has to do his job of mousing. Sylvester is thrown back in. He tackles Hippety and goes for a bumpy ride before once again ending up outside. He tries to explain that a giant mouse is doing this to him. The dog sends him back with some glasses to prove he’s seeing things. Besides, no one hits a guy with glasses on. Oh wait, Australians have no qualms about such things. (Or at least babies don’t) The dog finally decides to take care of things himself. He sees Sylvester wasn’t kidding, but refuses to let a “mouse” kick him out. Hippety tries, but the dog has some great upper body strength and doesn’t budge. It takes a bite from Mini to get him to lose his footing and become kick-able. Mini threatens to pin his ears back if he comes back in. Despite what just happened, the dog calls his bluff and says he’ll take ballet up the day a mouse pins his ears back. And then he ends up with pinned ears. He does keep his word, but the jerk is so insecure that he forces Sylvester to do it with him. The two dance off into the distance.

Personal Rating: 3

Hippety Hopper

 First appearance: Hop, Look and Listen
First appearance: Hop, Look and Listen

Kangaroos are interesting animals. They are marsupials which means that the females lack a placenta or womb. This means that they have really small gestation periods and the young are born in a near unrecognizable state. The young then crawl into a pouch that their mother has where they will latch onto a nipple and suckle constantly. As the young gets bigger, it starts to resemble its parent more. Eventually, it can venture out of the pouch. But will continue to visit and once it gets too big, at least poke its head in for a quick suckle. Adult kangaroos feed on grass and other vegetation. They have to hop everywhere as they are incapable of walking. They live only on Australia along with the majority of the worlds marsupials. They have long ears much like a rabbits, and thick supple tails.

Now why am I discussing the natural aspects of a kangaroo on a blog about animation? Well, based on that description I just gave you, would you ever look at one of these things and go “Wow. That’s a big mouse.”? And yet, that’s how this guys shorts play out. Sylvester will catch sight of him and try to hunt him, under the assumption that he is a rodent of unusual size. (Although if Sylvester is a normal house cat, and Hippity is as tall as him, then capybaras are larger still.) His reasons for catching him aren’t even food based. (Just like in nature. Predators aren’t likely to waste their time hunting something large that can fight back unless there is a number of themselves) Most of the time, its a matter of pride. He wants to prove to his son that he can catch said mouse as he has just spent the first part of the short bragging about his skills. Other times, he wants nothing to do with the “mouse” but other characters refuse to believe in a giant mouse’s existence and demand he face his fear. Hippity himself doesn’t talk as he is a baby. What’s more, since he comes from a species who is known to practice kick boxing as young, he doesn’t know that his repeated pummelings of Sylvester are hurting him. So, yeah, his shorts aren’t big on story. It’s just McKimson trying his own version of a chase cartoon. Jones had his coyote/roadrunner and wolf/sheepdog, Freleng had Sylvester with Tweety or Speedy, and McKimson had a baby kangaroo. (Who for the sake of the joke is always drawn with rounded ears to look more mouselike.)

Sniffles Takes a Trip

“Gee willikers! This is the life!”

Supervision by Charles M. Jones; Story by Dave Monahan; Animation by Phil Monroe; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1940.

As the title suggests, this short is about Sniffles taking a vacation. He is off for a relaxing time in the country. He’s got his bindle and follows the train tracks out of the city. He knows he’s made it by the sound of the singing robins. (A crow.) He happily enters Country Meadows. A lovely place that boasts having fresh air, babbling brooks, and pretty flowers. Sniffles takes in the splendors of nature (the flora, the fauna, the fungi) and pulls out a pair of binoculars to look around. Getting a rather close up look of a fly in the process. Well, time for the real reason anyone goes on a vacation: to sleep. He sets up a hammock and nods off. It’s not long before he is woken up by a woodpecker. Rather than fight, the mouse simply moves his hammock to another location. He ends up tying it to the legs of a… stork? Swan? Whooping Crane? It looks like some sort of wader, but the beak is rounded and the crest doesn’t look like it belongs there. But I digress. The bird walks into some water, taking Sniffles along with it. He realizes rather quickly that he is underwater. He climbs out and onto the bill of the curlew/egret/albino flamingo with a Mohawk. Scared, he falls into the water and swims away from what he believes to be an alligator. (Considering he just leaped off of a spoonbill/ibis, I wouldn’t doubt that he’s in the everglades.) It’s just a cute widdle froggie though. (No really. It’s adorable and I want it.) Sniffles heads back to camp. That night, he huddles near his campfire and reflects on how dark it has gotten. The nearby quail, grasshoppers, and moths look much more threatening in the P.M. But the scariest thing in the woods is the various eyes that watch you. (I have no doubt that this is scarier than Disney’s “Snow White.” That shows the forest creepies to be her imagination making trees look more evil than usual, and the eyes are just simply the animals that live there.) We never get to find out exactly what is watching him. Having had enough of the “peaceful” life, Sniffles flees back home.

Personal Rating: 3

Sniffles

 First Appearance:
First Appearance: “Naughty but Mice”  

When Chuck Jones started directing his own shorts, this was his first character. As you can tell, Sniffles was a mouse. (Mice were quite popular in animation for a while there.) His name came about from his first appearance, wherein he had a cold. Seeing as he came around at the beginning of Jone’s directing career, Sniffles acted towards his problems much differently than the other Looney Tunes. (And he wasn’t voiced by Mel. But Bernice Hansen. I think the voice suits him)  His first instinct was to run away. While this didn’t make for especially funny shorts, they were still entertaining. Showing how one might live if you were the size of a mouse. By the end of his theatrical career, Sniffles got more of a personality. He became quite the chatterbox. And this is how he is remembered to this day. But the poor guy just couldn’t compete with other characters like Daffy and Bugs, and by 1946, he had his final short. But the little guy wasn’t completely forgotten. He played quite the prominent role in the early Looney Tunes comic books. There he was the friend of a girl named Mary Jane. She could shrink down to his size and join him on his adventures.

 They were just friends. Don't get any ideas.
They were just friends. Don’t get any ideas.

He got his own apprentice on Tiny Toons. (Known as Lil Sneezer.)

 Voiced by Kath Soucie
Voiced by Kath Soucie

And he played for the Tune Squad in “Space Jam.” He is promptly squished after annoying one of the Monstars with his chatter. (Which kind of annoys me. I wish his opponent would have covered his ears or something, allowing Sniffles to take the ball.) And he got a shout out in the direct to DVD movie “Leroy and Stitch.” One of the experiments is given the name “Squeak” and he is designed to annoy people with his endless chatter. And he wears a suspiciously similar hat. 

 Voiced by Rob Paulsen
Voiced by Rob Paulsen

And Sniffles was meant to appear in “The Looney Tunes Show.” But sadly it was cancelled before he could make more of an appearance besides the intro. But what really makes me sad, is that he was set to be voiced by Tara Strong. She’s a master at voicing cute characters. It would have been great to see how she would have made him sound. It’s sad that the little fella never got as popular as his co-stars, but he at least made enough of an impact to be absorbed by everyone subconsciousness. And I take great pride in having seen every one of his shorts. This Sniffles is one I am always happy to see every flu season. (Sorry, was that too cheesy?)

A Connecticut Rabbit in King Arthur’s Court (A.K.A. Bugs Bunny in King Arthur’s Court)

“Never again do I take directions from Ray Bradbury.”

Produced, Directed, and “Plagerized” by Chuck Jones; Music by Dean Elliot. A TV special released in 1978.

Bugs is on his way to Georgia for a peanut festival. But somehow, he has burrowed his way into medieval England. (Which he mistakes for Pittsburgh, due to all the smoke.) Said smoke is coming from a dragon which is being chased by Elmer as a knight. Finding the tracks leading to Bugs, he concludes that the dragon is a shapeshifter. He takes Bugs as a prisoner. They ride: to Camelot! But there aren’t any jovial singing knights here. Just the king and his knights. The king in fact looks a lot like Daffy. And Merlin looks an awful lot like Yosemite Sam. (Also, I think he stole Yen Sid’s hat and dyed it black.) Elmer offers up his catch to the king. Merlin suggests they kill the “dragon.” Not really caring about any of this, the king permits it. Bugs is set to be roasted, when he realizes that this all seems like some kind of Mark Twain story. He asks the varlet, (played by my pal Porky, who for some reason is having an even more difficult time speaking than usual) what day it is and finds that its the day that a solar eclipse happened. He demands to be set free, or he’ll blot out the sun. And boy is it ever an eclipse. One can even see the stars. The king is horrified and offers half his kingdom to the rabbit to undo his work. Bugs complies. Once gone, the king thanks Bugs and offers him something even better than half of his kingdom. A whole 32nd of it! Bugs declines and only asks that he be given a dragon. The king complies, Merlin is angry, and Fudd is convinced this was all a trick. So what did Bugs want with a dragon? He decided to open up his own armory, and uses the dragon’s flame to create steam, which in turn he uses to make electricity. Turns out Bugs was way ahead of all those types who needed to know how to train their dragons. They act just like any other animal. Feed them, and they’ll spend most of their time sleeping. (Yes, he alludes them to cats, but that sounds like pretty much every animal ever to me.) Being a rabbit, he specializes in armor for animals. Foxes, (why not?) Deer, (which he says can be outfitted for moose and elk as well. I should hope so. Since those ARE deer. Also antelope.) Tweety birds, (pratical) Mice, (it even has a little “S” on the chest. Wonder what that stands for) Cats, (to not play favorites, and besides it offers protection from dogs) Flies, (which Porky does point out is going to hamper the animal’s flying skills. Which will leave it as nothing more than a walk.) Roosters, (to prevent people from chopping off their heads. Everyone loves eating rooster meat) Rattlesnakes, (which don’t need armor, but hate being left out) and Porcupines. (Because it’s not like they have quills or anything. Also, he struggles to say it, while Porky has absolutely no problems) But his practice is put on hold, as Elmer finds his dragon and attacks. When Bugs goes to confront him, Elmer assumes Bugs is just in his rabbit form again and challenges him to a duel. Bugs and Porky versus Elmer and Merlin. And the king is loving every minute of it. They start off jousting. Bug’s lance is so long that he pole vaults over Elmer and chases Merlin into a moat. Charging again, he uses a magnet to remove Fudd’s armor, and he ends up chasing Merlin into the moat. Elmer fires an arrow, but Bug redirects it and it chases Elmer and Merlin into the moat. Then the two use a catapult, but Bugs launches the rock back with a spring and the two end up in the moat once more. (And Bugs calls Merlin out on using a cannon, seeing as gunpowder is yet to be invented.) As he leaves for a coffee break, he finds what he believes to be a carrot peeler. It’s really Excalibur and Bugs is recognized as the true king. Porky bows. Elmer and Merlin also bow to the true cartoon king. And the current king even willingly hands over his crown. (A duck as king really is ridiculous.) And so Bugs just adapts to living in a different century. All hail King Art-Hare! (The pun IS mightier than the sword!)

Personal Rating: 3

Often an Orphan

“Everybody wants a dog!”

Directed by Charles M. Jones; Story by Michael Maltese; Animation by Lloyd Vaughan, Ken Harris, Phil Monroe, and Ben Washam; Layouts by Robert Gribbroek; Backgrounds by Peter Alvarado. A Looney Tune released in 1949.

A man is going on a picnic with his dog, Charlie. Starting a game of fetch, the man drives off leaving Charlie behind. Seems like the norm. Charlie is a little annoyed that he let himself fall for the ole’ “Let’s go on a picnic.” ploy. But doesn’t dwell on it long and begins searching for a new master. Despite his cute eyes, and charming tricks, none seems interested. He then overhears farmer Porky. A farm is a great place for a dog, and Charlie offers himself up. Porky is not interested. But Charlie is a dream come true of mixed breeds! He’s 50% of pointer, boxer, setter, spitz, and pincher. (With accompanying gags for each) And he’s also 100% Labrador Retriever. When Porky calls his bluff, he offers to prove it by retrieving Porky’s Lab. Since Porky doesn’t have one, they got nothing more to say to each other. And so, Porky kicks the dog back to the street. Upon reaching home, he finds Charlie requesting ham and eggs. (Porky? Why are you raising pigs on your farm? This disturbs me greatly.) He once more makes to throw him out, but there is a man from the Humane Society out there watching him. (Probably got some calls about a farmer selling his own kind as a food source. No, I’m not dropping that. That was a strange joke, Chuck.) Porky shifts his tone until the man is gone, then once more orders Charlie to leave. Charlie delivers a sob story about how he always wanted to live in the country. He is weak and needs wholesome food to regain his strength. And his observations of city life sound pretty legit. (I’ve yet to see one person smile in one of those.) Porky agrees to let him stay. He even has a sleeping bag for Charlie. (Looks a little like a mail sack to me, but who cares? Charlie looks so cute with just his head poking out!) Turns out it was a mail sack, and Porky mails the dog to Scotland. He finds the Scottish Terr…Mixed breed back at home. Admitting defeat, he concedes to being Charlie’s owner, and suggests they go on a picnic. Charlie apparently didn’t learn his lesson the first time, and happily agrees. As soon as they arrive, Porky throws a stick for the dog to fetch. Charlie in turn, takes the car and leaves Porky stranded. (Guess he did learn his lesson after all. You can’t trick an old dog new teach. Wait…) Porky snaps, and begins acting like a dog. He does the cute eye routine, and is apparently better at it than Charlie, as someone does indeed pick him up. A dog catcher.

Personal Rating: 3

A Ham in a Role

“Temper, hasn’t he?”

https://www.b98.tv/video/ham-role/

Directed by Robert McKimson; Story by Sid Marcus; Animation by Charles McKimson, Phil DeLara, J.C. Melendez, and Emery Hawkins; Layouts by Cornett Wood; Backgrounds by Richard H. Thomas; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Looney Tune released in 1949.

And here we are with another of the 100 greatest. And the only one starring the Goofy Gophers. Good thing too, those guys are so underrated.

Our story begins with the ending of your classic Warner Bros. cartoon. A dog (who has no name, so let’s call him Hammy) is hit with a pie and flaps his lips. The end. It’s the brevity of this short that makes it work so well. It’s the soul of wit. All right, I’m done pretending you’re actually falling for this. In reality, he is fed up with cartoons. He thinks it’s degrading. (He is clearly an idiot. Well read, but still an idiot.) He decides to quit. (Before doing so, he is subjected to gags without even leaving the room. You’re making so many of us smile. Why would you want to quit?) He decides to pursue more “noble” acting and heads off to his country house to recite some Shakespeare. (Yeah, the man was talented, but animation is entertaining. To everyone.) It’s been awhile since he’s been here it seems, as there are gopher holes everywhere. But I suppose Mac and Tosh realized the house was empty at some point and decided to move in. Hammy finds them asleep in one of his books. He throws them out and gets to work. Not taking kindly to their forced exit, the two began planning some pranks to get back at him. And cleverly enough, they will all allude to what line the dog is reading. Mentioning “tormenting flames” results in a hotfoot. Asking to “drink the joy of life” gets him a tub of water poured on him. And when commenting on how “a rose by any other name would smell as sweet,” he finds Limburger cheese dropped on his head. But these are annoyances at best, the gophers next dress one of them (I can’t tell them apart. I’ll just guess it’s Mac) as a skeleton just as Hammy is lamenting on “poor Yorrick.” (Poor Hammy.) While reciting some lines from “King George and the Dragon” he dresses as a knight. Now covered in metal, the gophers have the chance to fling him around with magnets. And for their grand finale? “A horse! A horse!” Hammy is kicked out of the house and flies all the way back to the studio. They appear to have been waiting for him, as they are ready to start shooting. He opens with his best “To be…” but is silenced by a pie in the face. Welcome back to the fun side. We’ve missed you.

Okay to be fair, I don’t hate Shakespeare. Those are some really well written stories. I just don’t think it fair for Hammy to call animation “degrading.” It’s art. That’s not up for debate.

Personal Rating: 4

Dog Gone South

“I’ll take care of ya.”

 Directed by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam, Lloyd Vaughn, Ken Harris, Phil Monroe, and Emery Hawkins; Layouts by Robert Gribbroek; Backgrounds by Phil DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1950. Directed by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam, Lloyd Vaughn, Ken Harris, Phil Monroe, and Emery Hawkins; Layouts by Robert Gribbroek; Backgrounds by Phil DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1950.

Another of the “100 greatest! (I’m talking about these a lot this year, huh? And I’m planning on doing it again next week.) This is Charlie Dog’s sole inclusion on this list, and I’m glad. I love this guy. And of his five appearances, this is probably his best. You probably thought I’d choose one of the his times with Porky huh? Speaking of Porky, this is the first time Charlie appeared without him. We see the hound being kicked off of a train. He is in the south as the title suggests. Acting like most dogs would, he sets about to finding himself an owner. Colonel Shuffle is a nice pick. Really, Colonel Shuffle from “Mississippi Hare” is also in this short. (Though never mentioned by name) He’s not interested in Charlie, not because Charlie is kind of annoying, (and I mean that in the best possible way) but because he already has a dog. Belvedere, a Marc Antony styled bulldog who is so top heavy, his hind legs raise in the air when he runs. That, and Shuffle is full of Southern pride. He is not too happy to hear Charlie sing “Yankee Doodle” on his property. Keeping quiet on the Northern front? That’s simple. Getting rid of Belvedere is the hard part. Charlie starts by dressing him up in a Yankee style hat, and giving him a “North Forever” banner. Shuffle chases after him in a Confederate outfit. Seeing his chance, Charlie does the same and acts wounded. Shuffle agrees to take him in, but Charlie ruins things by suggesting a meal of Yankee Pot Roast. I guess Belvedere is forgiven then. Seeing as the Colonel hasn’t beaten him to death yet. Charlie then dresses him up in a New York Yankee’s uniform. (Which looks cute on him) Belvedere notices this and grabs a club to hit Charlie with. He hits Shuffle. Seeing Belvedere coming for him still, Charlie gets Shuffle again, who is once more beaten. That does it, and Belvedere is kicked off the plantation. Seeing as he now has no dog, Shuffle agrees to take Charlie in. Just then, another man walks by. He would like a dog, and would treat him like a king. Charlie, (proving all he really wants is a home, and could care less about who owns it) takes him up on that offer and leaps into his arms. The man in turn throws him onto a leaving train. Turns out it was Belvedere. He happily goes back to Shuffle. (Poor Charlie. Guys named Charlie are always being rejected despite being really great guys. Charlie Brown just wants love. Charlie Tuna just wants people to eat his delicious flesh. Charlie Horse just wants plastic surgery so his face will stop giving me nightmares.)

(Okay, maybe not that last one.)

Personal Rating: 3