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To Beep or not to Beep

“Western Cookery”

Directed by Chuck Jones

A pretty late entry in the Roadrunner/Coyote series. (And the only one scored by Bill Lava.) The Coyote is looking at a cookbook and licking his chops at the thought of a Roadrunner dinner. His prey peeks at the book and also licks his li… beak. He “Beeps” the Coyote into a cliff. On to the gags!

Wile E sets up a snare, but misses and while pulling back on nothing, falls off a cliff. The rope grabs a rock and he ties it around his waist to be safe. He still hits the ground and then the rock lands on his head.  Then he just begins to chase. The Roadrunner puts on a burst of speed which uproots some cacti and makes a bridge recoil. The coyote falls and one of the cacti lands on him. He then attaches himself to a spring attached to a rock, in order to launch himself. The rock itself springs backwards and off a cliff. He holds on, and the rock recoils and he lands on a makeshift teeter-totter which then launches him again and he ends up trapped in between a narrow space. He unstraps himself and hits the ground. (Interestingly enough, Jones wanted to do a whole short based on this one gag.)

After failing with a wrecking ball, we get to the main gag of this short: a catapult that refuses to work. After five tries of launching a rock (and getting smashed by it) Wile E. pulls the string from inside a manhole. Nothing happens. He cautiously does more and more to the device but nothing happens. Not until he’s jumping on the rock does it finally launch. He realizes this a little too late and goes through a cliff face, lands in some telephone wires, gets launched back to the catapult, flung to the ground, and crushed under the rock. Why was it so faulty? We zoom in and see where it came from: The Roadrunner manufacturing Company.

Personal Rating: 3

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Gonzales’ Tamales

“All the pretty girls in love with Speedy Gonzales. What’s left are chihuahuas.”

Directed by Friz Freleng

In Mexico, two mice named Pedro and Manuel are chatting. They’d like to go out and have fun with the ladies but they only have eyes for Speedy. Even the few who are willing to give the men a chance are seduced by Speedy. (Which I have to say is a dick move. Can’t he let the others have some fun? Some of us can’t afford to lose anymore self esteem.) So yeah, Speedy’s the villain in this short.

They hold a meeting to discuss what to do, and eventually decide that they will get the “greengo poosycat” to chase Speedy out of town. (Or just keep him busy.) They send a phony threat to Sylvester that proclaims Speedy will tear his tail out. Livid, Sylvester goes and dares him to do it. Speedy easily accomplishes the task, and Sylvester declares war. He ties to lure him with cheese. (Speedy is well aware of the lure.) Using his speed, Speedy easily gets the (surprisingly shrunk) cheese. Sylvester tries a gun, and Speedy dismantles it piece by piece, leaving a bullet in midair. Shocked, Sylvester pulls the “trigger” and it blows up in his face.

After losing a game of “Hot Potato: Grenade Edition!”, he sends in a wind-up female mouse. Speedy apparently buys it, as when Sylvester comes out chasing, Speedy takes “her” with him. He hides behind a box of chili peppers and tells Sylvester he’s hiding in one of them. Sylvester (rather moronically) buys this story and begins to eat. They are extremely spicy but he’s able to chug some water to keep cool. (Hey, in 1957, they probably didn’t know water does nothing to help.) The second time he tries it, he finds that Speedy switched the water with tobacco sauce. Sylvester launches into the air and we see P. and M. again. (I guess they’re done with the girls. Or they never tried. Maybe they never went to the meeting?) They don’t seem too surprised to see the “gringo poosycat” flying by.

Personal Rating: 3

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Walky Talky Hawky

“I’m a chickenhawk. I’m after my first chicken.”

Directed by Robert McKimson.

We start off at the home of three hawks. (The father of which, happens to read Looney Tune comics. My kind of reading buddy!) Their child is named Henrey and he tells his father that he craves something, but has no clue what. His father decides its time they had a talk. (“Okay pop. Whadyya wanna know?” Love that.) Dad tells him that he is a chicken hawk. And as such, he will crave chicken and everyone will hate and shun him for just being himself. Heavy.

All Henrey takes from this is what food he wants. So he heads off to a nearby farm. There we have the first appearance of Foghorn, who actually is minding his own business, when the first appearance of the Barnyard Dog shoves a watermelon on his head. Foggy can’t be one upped like this, so he paddles the dog with a board, and taunts him at the edge of his rope. (Foghorn sounds more like Yosemite Sam than anyone else in this picture. Give him time.)

Seeing Henrey, he asks what the kid is doing. After learning, Foghorn also tells him that he is a horse and the dog is a chicken. Henrey goes over and takes a bite. The dog chases him before his rope pulls him back. (Foghorn gleefully hits his head to win a croquet game.) He tells Henrey to go back and fight. Predators should not fear prey. (I could discuss that this is not entirely true…) Henrey proves to be very strong for his size and carries the doghouse away. B.D. catches on fairly quickly and gives chase again. And gets choked again. (Foghorn puts a helmet on him, and hits him with a hammer.)

He and Henrey decide to use a complex plan. Henrey sets it up and draws a doorbell on the house to ring with. When B.D. comes out he hears Henrey playing the piano and dances over. Henrey smacks him with a pan. Dazed, the dog stumbles onto a banana peel, which sends him onto a spring, which bounces him onto a skate, which Henrey begins to roll away. B.D. aks what he wants and after hearing of Foghorn’s lies explains that Foghorn is the chicken. Dog and rooster argue and Henrey sees this is going nowhere fast. He releases the dog who in turn pummels the rooster. Their tussle takes them into a stable where a real horse throws them out. They form a truce and go fight the equine. Henrey goes in and drags all three home with him. Figuring that at least one of them has to be a chicken.

Personal Rating: 4

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Henrey Hawk

Just like Beans before him, WB thought it would be this character that would become the star. First appearing in Chuck Jone’s “The Squaking Hawk” he was later used by Mckimson in the short “Walky Talky Hawky.” The short also starred a rooster who nobody expected to go anywhere beyond second banana. The short would actually go on to be nominated for the Acadamy award. It lost to “The Cat Concerto.” Dang Tom and Jerry! I love those guys and their shorts, but having the same plot constantly, doesn’t merit multiple awards!

This propelled the rooster (who was Foghorn,) to being the star. As for little Henrey? He stuck around, but he was never the main focus. He mostly appeared with Foghorn, but was also in Daffy’s “You never were Duckier” and “The Scarlet Pumpernickel“. (Although there, it was just a quick cameo.) And since I know a lot about animals, I will tell you: there is no such actual thing as a chicken hawk. The correct term is Red-tailed hawk. (Although I wouldn’t say no to “Buteo Jamaicencis“.

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Odor-able Kitty

“Come to my arms little pigeon. Do not be afraid of the love.”

Directed by Chuck Jones

A cat is staring longingly into a butcher shop. He is kicked away. A woman then hits him with her broom. (What was that for? I mean, yeah, I’d do the same thing to a cat.) He is also mauled by a bulldog. He sadly wishes he were a skunk. Nothing bothers those guys. So why not? Not only does he paint himself like one, but he is actually smart enough to rub Limburger, onions and garlic on himself. He goes around scaring his enemies and eating meat to his heart’s content.

Just when things are perfect and “syrene”, a real skunk appears. It’s Pepe’s first role! (His name is based on Pepe le Moko, a character played by Charles Boyer. His voice was what Mel used to base Pepe’s voice on.) He confuses the male cat for a female skunk and the chase begins. Formulaic? Yes. Boring? You insult me! The cat hides in a tree and is instantly found so he runs into town. Taking a stuffed skunk with him. (Okay, I’m pretty sure that people who wear furs, do not keep the whole body. I HOPE they don’t do that.) He hides on a silo and when Pepe comes, the cat (who I’m deciding to name Theodore) says that he will jump if Pepe comes closer. (I guess Theodore’s voice is feminine.)

He throws the decoy and tries to sneak away. Pepe only pretends to mourn and Theodore leaps into a dog’s arms in fright. He then leaps into Pepe’s arms. He hops back to the dog and the dog hops into Pepe’s arms before fainting. Pepe continues on his way and meets Bugs Bunny! Or rather Theodore in a disguise. (Pepe’s sharp.) Theodore runs and Pepe follows with his famous hops. Theodore is tired and passes out quickly. Pepe grabs his prize when he is tapped on his shoulder. It’s his REAL wife. Pepe is really Henry, (not the bear or hawk) and gets pounded by a rolling pin. Theodore sneaks away and washes away his disguise. He happily goes back to is old life of being abused.

Personal Rating: 3

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An Itch in Time

♪”Oh there’s food around the corner, food around the corner, food around the corner for me, (hallelujah brother.) food arund the corner, food around the corner, food around the corner for meee!”♪

Directed by Bob Clampett

Sorry for lack of update last week. (To the two people who visit this place, I was just on a family trip.)

Been awhile since we had a good old screwy Clampett short, eh? In Elmer’s home, Fudd is happily reading Looney Tunes comics. His dog (Willoughby) at his feet. (Or at least a very similar looking dog) Also in this house is a flea. (which some signs point out for us) His name is A. Flea. (A for amusing?) He’s excited because he’s found himself a feast of the grandest proportions: Dog Butt. He hurries over, makes sure the dog is asleep and goes to work. (Singing a song, that I DARE you to get out of your head.)

He gets some salt, ketchup, mustard and bread and puts it around some dog dermis. A bite causes the dog to yelp in pain and try to get the flea, but he only ends up biting himself. Elmer pours flea powder on him, (which A. treats as snow) and warns him that if he scratches once more, its a bath! The dog swears to not scratch. Which is near impossible with A. mining his meat. Elmer is keeping a close eye on him, and Willoughby turns different colors trying to stay strong. He kicks the cat (which A. didn’t want for some reason) who scratches for him. A glare from Elmer makes them both shrink into little masses.

A. sets off some explosives and the dog can’t take it anymore and he scoots around on the floor. (“Hey, I better cut this out. I may get to like it.”) Elmer comes to make good word of his promise, but A. moves onto him. (For the record: fleas rarely bite people, and I’m pretty sure they wouldn’t if there were two pets in the house.) Willoughby gleefully takes his master to the tub, and slips on a bar of soap landing them both in the water. A. puts them on a “blue plate special” and carries them off. (To eat I presume. If the cat wasn’t still there, I’d complain that parasites don’t try to kill their hosts as it destroys their home as well) Having seen all this, the Cat shoots himself.

This scene is of course censored today, because some people thought it’d be a bright idea to kill themselves. As such, everyone is too afraid to laugh at this. If you play it for laughs, (like here) it is FUNNY. I only care so much, because lets say you watch stuff like this all the time and make a suicide joke. Not aware that people’s sensibilities have changed, and now it makes you look like the evil one. Rant over.

Personal Rating: 4

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Rabbit Punch

“Hey, ya big palooka! Why don’tcha pick on somebody your own size?”

Directed by Charles M. Jones

Unlike “Bunny Hugged” which was about wrestling, this earlier short was about boxing. It’s the first appearance of the Crusher. (Although here he’s called “Battling Mcgook”) He is pounding his opponent with no effort whatsoever. However, watching from the edge of the stadium, (which was built outdoors, is that smart?) is Bugs, who objects to the cheers and demands “Mcgook” pick another fight.

The man chooses Bugs, and throws him into the ring. They both show off their muscles. Mcgook is so strong he has muscles on his muscles. Bugs has two tiny bumps for biceps. (For the record though, that’s way better than mine.) The champ punches Bugs around until Bugs gets one in by “fainting” his opponent. Next, the champ builds a brick wall around his fist and really knocks him one. Bugs grabs the microphone from the announcer and begins narrating his own idea of how the fight is going. Mcgook follows his lines exactly.

Later, they decide to wrestle (I guess) as they throw off their gloves. (Bugs was hiding horseshoes. Clever b*stard.) The champ… screw it, I’m calling him Crusher, easily puts him in a leghold. Bugs breaks a board and Crusher thinks he broke his leg. Bugs disguises himself as a doctor and wraps him up tight in bandages. During round 31, crusher pours grease in Bug’s resin. Bugs uses this to his advantage and skate/boxes. During round 48 Bugs gives Crusher some exploding popcorn. During round 73, he has Crusher hold a slingshot and fires something at his face. During round 98, (how long do these usually last?) Crusher and Bugs both launch themselves towards each other, in a cannon and bow respectively.

Finally, during round 110 Crusher has Bugs tied to railroad tracks and prepares to run a train over him. (He should wear that conductor outfit more.) Bugs seems to have run out of tricks as the train gets closer and closer and all he can do is sweat. Then the film breaks. Bugs comes out to apologize and (while holding scissors) mention that the film didn’t EXACTLY break.

Personal Rating: 3

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No Barking

“Rr-Ar-ar-arar-ar-ar-ar!”

Directed by Charles M. Jones

It’s sunrise at a beautiful landscape. (Or it’s a dump. Good trickery.) Claude Cat wakes up and whistles with a bluebird. Then he eats it. (If that’s too dark for you, two more birds drop a brick on him and eject their friend.) With that breakfast ruined, Claude sets his sights on a bone that a puppy has just buried. This is Frisky. I’m not giving him his own post, because he doesn’t fit my five appearance rule. Basically he’s a puppy, he’s frisky, and he sorta looks like Charlie, just with a shorter more dog like body, and longer ears.

As soon as Claude goes for the goods Frisky barks and sends the cat jumping out of fright. He gets tortured like this all through the picture. (At one point he does the run leaving things floating in midair gag. Just like Jones had done with Witch Hazel and the bull. Theirs being bobby pins and hooves,m Claude’s is paw prints.) Claude chases Frisky into a pipe but the dog’s bark has him jump and land out of the sewer. (The manhole lands on him.) After some typical puppy activities, (barking at a mirror, scratching, tugging on a rope) Frisky barks again and scares Claude into jumping in some lumber. Claude gives up trying to get even, and goes back to his hunting.

He hunts a bird which turns out to be Tweety. (A Freleng character in a Jones short? Freleng did something similar with a Jones character in “Dog Pounded”.) Frisky barks again and now Claude’s had enough. He stuffs a sock to make a decoy tail and Frisky goes for the bait. Claude grabs him, ties him up and gags him. Walking off he gets barked at by a bulldog, (I’ll just assume it’s Marc Antony) and jumps up onto a plane. Tweety watches as it flies off into the sunset.

Personal Rating: 3

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Birds Anonymous

“If you really want to beat this, look us up. We can help you.”

Directed by Friz Freleng

It’s another Oscar Winner! It’s the third time Sylvester’s been in one of those! This was Blanc’s favorite short he did voices for! (And if my research is correct, it was originally supposed to be called “Tweety-Totaler”. A more clever title, but a bit harder to take seriously.)

Inside a house, Sylvester carefully closes all the window blinds so there are no witnesses for what’s about to happen. He grabs Tweety quite easily. (Granny’s not in this short. Neither are any guard dogs.) He doesn’t eat him, as another cat (who would later be named Clarence) warns of the perils. Apparently, Birds are a cats alcohol and they have a group that can help break the habit. Sylvester attends a meeting and vows to do the same.

He returns home and cheerfully greets Tweety with a friendly pat on the head. (“Deaw Diawy, I know you won’t bewieve this but…”) Sylvester turns on the television. Surprise! It’s a cooking show describing how to make delicious poultry. (It never specifies WHAT bird it is. It could be a hoatzin.) Sylvester fights his urges and tries the radio. Of course, it’s only playing alliterative avian albums. (“Bye Bye Blackbird”, “Red Red Robin”, No, Hungry Hungry Heorn, unfortunately.)

He handcuffs himself to a radiator, (why were those cuffs in the kitchen?) but manages to break free after Tweety asks if he likes him anymore. Clarence arrives to shoot a plunger in his face. (“I was afraid you might be weakening.”) At night, Sylvester can’t sleep and runs to Tweety, planning to quit after just one more. Clarence pours alum into his mouth, thus making it impossible for him to shove Tweety in.. He breaks down, and Clarence tells him that it’s really easy to get along with your prey. He kisses Tweety and manages to get a taste of him as well. Clarence is now trying to eat the canary while Sylvester tries to stop him.

Personal Rating: 5 (For Mel’s godly voice acting.)

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Steal Wool

“Mornin’ Ralph.”

Directed by Chuck Jones

Good morning! Sam Sheepdog has just woken up and is on his way to work. On the way, he greets his good pal, Ralph Wolf. (Named after one of the story boarders at the time.) They walk together and wish each other luck and take up their positions. Sam begins to guard, Ralph prepares to steal (wool). He crawls under a sheep and carries it away, only to run into Sam, who pounds him. Digging underground, Ralph tries a lasso and unknowingly catches Sam.

He builds a TNT bridge and taunts Sam. Sam crosses and Ralph goes back the other way, lighting the fuse. Sam is already at the other end and demands the sheep Ralph has. Ralph gives and goes back to put out the fuse, unaware that Sam lit his end too. Ralph tries a seesaw to fling Sam away, but the dog is too heavy and Ralph flies into his arms. Sam flings Ralph.

Finally, Ralph gets a giant rubber band, attaches it to two boulders, and pulls back, aiming at Sam. Instead, the boulders come loose and fly after Ralph, who runs between a narrow cliff. The rocks catch on the sides and the band threatens to launch Ralph away. Ralph grabs onto a tree and the rocks finally squeeze through the opening, and Ralph ends up against another cliff, with all the debris smashing into him. Later, as the two pals walk home, (Ralph with a sling and black eye) Sam tells him to take the next day off. He’s been working too hard and Sam can handle both jobs. Ralph thanks his friend and stumbles home.

Personal Rating: 4