“Dear Cat (Pal)…”
Directed by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam, Lloyd Vaughan, and Ken Harris; Layouts by Robert Gribbroek; Backgrounds by Philip DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling; Orchestrations by Milt Franklyn. A Looney Tune released on September 8, 1952.
I won’t lie; this cartoon is cute. Luckily, it’s balanced out quite nicely by some good comedy to keep you from losing your foot to diabetes.
Moving day is an exciting time in any young person’s life. Mice included. Mr. and Mrs. mouse have just moved into the neighborhood with their young daughter. (Who, for lack of a better name, I’ll call Alice.)
Shut up, it wasn’t my idea. (Although, it’s possible that this could be an origin story)
Moving into a new home, not only gives you new surroundings and the chance to make new friends, but also, new potential boyfriends! What luck! Here comes one now! He even has his own car. (The humans of the house don’t seem to mind sharing toys. In fact, they never feature in this picture.) Boy mouse, (who might have a name, but I couldn’t tell since he never speaks) is smitten by the cutie he sees in the window. Sure, they’re judging strictly by appearances, but maybe it’s pup love. (Mouse joke, there.)
Boy mouse intends to go right over and say hi. (Which will be hard, due to him being mute) He’s a bit shy though, so he pretends to be in need of sugar. (He appears to live alone, which makes him hitting on the teenager kinda creepy. But then, mice live by different standards than I.) He doesn’t make it too far before being intercepted by Claude. He manages to escape, but now there is a cat blocking the way to eternal happiness. (Something cats do that I’ve always been aware of.)
Claude begins to take note of how odd the male is acting, and sees why. It’s not only adorable, but it’s fodder for a very dastardly idea. Claude decides to write a love note to the boy. Setting up a fake rendezvous in the kitchen. The little mouse takes the bait, and arrives to find his dream girl waiting. (Actually a puppet. To be fair, she makes a cute puppet too.) Upon seeing the cat attached, he takes the girl and escapes. (He finds out off screen that she was fake, good thing as I don’t think I could stand to watch his teeny-weeny heart break. Or worse, living out some fantasies that a puppet can’t object to.)
Plan A obviously didn’t work. Claude tries another letter, but he’s not dumb enough to expect his target to fall for it a second time. No, this time he sends a letter to Alice’s father. Or rather, a threat that says the boy is coming over to steal their home. Father readies his human sized gun. (When protecting your family, you want to make sure the enemy stays dead.) To further mess things up, Claude puts up a sign asking for a boarder. The boy mouse falls for it again, (Love truly clouds judgements. I’m pretty sure the parents wouldn’t rent a room to someone who clearly just wants their daughter.) He flees for his life again. (Accidentally making a quick detour into Claude’s mouth. In turn, the cat gets the bullet)
The young mouse seems to have caught on to this chicanery, and he writes his own note to Claude. Rather than messing with one’s romantic feelings. (something only cats would be low enough to try) the mouse instead makes it from the dog outside who wishes to befriend the cat. In fact, why not he come over for a game of Canasta? Claude is all for it. In fact, he not only brings the table, but the refreshments. (Swell guy, that Claude.) The dog is confused, but still beats him up. And the lovebirds? They finally hooked up and went on a date to the coolest place around: the fridge. Aren’t they sweet? (I guess they straitened things out with the father already)
Favorite part: Definitely Claude’s first letter. Where he not only says that the girl is 16…months, (Which would make her middle-aged as a mouse) but according to her friends she’s “not unattractive.”