Category: Bosko

The first Looney Tune! He helped establish the series and for that, we are forever grateful.

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Bosko’s Picture Show

“Howdy, howdy, howdy folks!”

Animation by Isadore Freleng and Max Maxwell. A Looney Tune released on September 18, 1933.

Bosko is such a musical fellow, it only makes sense that he’d have a job supplying music for entire audiences. And in the era where silent movies were still in the public’s memory, (and a few were still around) we find him playing the organ for such a venue. And he invites us to sing along! So join in the fun! “We’re in the money!” is what we’ll sing.

Please tell me you sang. We love music around here. After such a fun opening number, we sadly have to tone it down a bit and see a news reel. A peace conference is in effect. Look at the pummeling! (Things must be getting better.) People still flock to California’s beaches despite the snow, and a boxer plans a comeback, even though he needs at least one arm to hold his walking stick.

We see footage from a dog race. (Which in itself is taken from “Bosko’s Dog Race”) with the Marx brothers playing a role as dogcatchers. (Odd. But at least they allowed Zeppo to join in the fun this time) And after being told that a famous screen lover is on a European vacation, we get a really weird joke about Hitler chasing Durante with an ax. (…wha?…) Back to the fun things! How about a Haurel and Lardy short? I think Haurel is the fat one, because it would be too obvious if he was Lardy. Today, they are going to steal a pie off a windowsill. But they get to arguing who will eat it, and Lardy smashes it in his friends face. In turn, he is smacked on the head. (And I don’t think his collar has a shirt attached to it, but that’s just me.)

Time for the feature film. A TNT picture called “He Done Her Dirt. (And How!)” Starring Bosko’s girl, Honey! And I just realized that I never gave her a proper post, so let’s do that now.

Honey was Bosko’s girlfriend. She was born to be a love interest and that is all she ever was.

What? What do you mean that doesn’t count? It’s my website! She fits my “five appearances rule” but she doesn’t have enough character to warrant description. She was made to be a love interest and that’s all she ever was. (part 2) She was just Bosko with a dress, high heels, eyelashes, and a bow. (Neither of them was known for wearing shirts.) But if you really need more Honey in your life, here’s a shot of her when she appeared on “Tiny Toons”

As you might have guessed, the “black person” angle wasn’t going to go over so well in the nineties, so he and Bosko were redesigned as generic dog creatures. (And they had the audacity to claim she was Warner Bros. “first female star.” There was no such thing. Sexist it may be, but people tend to freak out if a female receives slapstick.) Let’s return to our regular post, shall we?

Honey is riding a bike. (And the Marx’s are there again. They heard me say “generic dog creature” and needed to check it out for themselves.) The villain of the piece is called Dirty Dalton. Hey, wansn’t that also the name of a Hanna-Barberra character?

I already knew it was. You didn’t need to add that, me.

As I was saying, Bosko is not too keen to see the villain. I know what it sounds like, but I swear he says “The dirty fox.” (Whats this in the gutter? Why, it’s your mind! You should really keep it out of there) Bosko is loyal to his soulmate and is going to save her, whether it’s reality or not. He jumps through the screen to rescue her. Normally, that would result in him entering the movie, but real world rules are applied this time, and he just tears a hole in it. At least, that seemed to work.

Personal Rating: 2

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The Booze Hangs High

“Get back!”

Animation by Isadore Freleng and Paul Smith. A Looney Tune released in December, 1930.

Like all the best cartoons of the time, this one opens with a close up of a cow’s behind. (And you think I joke about that happening more than once. It’s how the Mickey’s first short “Plane Crazy” was introduced. Fitting, considering Harman and Ising came from Disney)

Bosko dances with the cow, and it seems like they might be best of friends. But when the cow’s pants fall… hide falls… when its underwear is shown, Bosko can’t help but laugh. The cow leaves in a huff. (Believe me, I’m tempted to write “hoof.”) A nearby horse found the scene funny and it seems as if Bosko will have a friend to play with after all. And I do mean “play with.” Bosko pulls the horse’s tail taught and uses it as a stringed instrument. (And despite the fact that the horse is pulling a wagon that Bosko is sitting on, the harness disappears. (Don’t worry. It comes back)

While Bosko continues to entertain himself and us, (playing air banjo with a pitchfork) a family of ducks are out for a merry stroll. I only bring this up because its another example of toilet humor being subtle in Looney Tunes. A duckling crosses its legs, so we can tell it’s uncomfortable. Its mother pulls a flap of its down down, like a pair of pants, so we can tell the problem is related to its hind quarters. And it walks off screen, so we can guess that whatever the problem is, it’s personal and we don’t need any direct mention of it. A million and more times better than how the feature length films did it. (No, I’m not ever letting that go.)

Back on topic, three pigs are hungry. Judging by their relative sizes, and the fact the biggest one has a deep voice, I’ll guess they’re father and sons. Bosko empties a trash can for them to eat. The piglets find a bottle of booze in the stuff. (Look at that! The title character finally showed up!) Are the piglets just curious about their find? Or are they excited? Considering prohibition was still in effect at the time, I choose the latter.

All three of the swine take a swig and the drink works its magic. They fling the bottle away, and it hits Bosko and he gets affected too. He goes to join the swine song. As they croon, the biggest pig accidentally coughs up  a corn cob. He puts it back where it belongs though. (That’s not a belly button. It’s a door knob.) Apparently regurgitating food is censor worthy as that scene was cut from TV airings. Quite stupid as the short ends after that. (And Bosko’s nose turns white)

Not the best of Bosko’s shorts, but still enjoyable. You can’t go wrong with drunk animals.

Personal Rating: 2

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Congo Jazz

“Hello.”

Animation by Max Maxwell and Paul Smith; Music by Frank Marsales. A Looney Tune released in October, 1930.

Only his second short and Bosko decides that he is capable of hunting. (Because he is just a bos like that) Killing is a lot more difficult than one may think, though. And Bosko certainly doesn’t look like he has the nerve. He can’t take more than two and a half steps without screaming. But he has good reason to be scared. Despite the title suggesting he is in Africa, there is a tiger behind him. And Bosko does look quite delicious. When Bosko does notice the cat (and his color changing claws) he tries to run. Tigers apparently run faster on two legs, as it chases him down.

Like most early cartoon characters, Bosko’s main ability is being able to generate music from whatever he may have on hand. In this case, it is an actual musical instrument. (Heck if I know what it is. It’s no animal.) As is well known, music soothes the savage beast, and Bosko is able to save himself. Even playing a quick round of patty-cake with the feline. But, it is still a wild and potentially dangerous animal, so he has no other choice but to kick it off a cliff. Hunting clearly is not his strong point. So he seems to settle for just admiring the wonders of nature. And there are a pair of adorable monkeys that warm his heart playing leapfrog nearby. (They look like new-world monkeys. I thought he was in the part of India called the Congo for some reason.)

Bosko gets closer. One of the simians sees him and bolts, but the other one ends up in Bosko’s hands. In reality, Bosko would probably suffer many nasty bites, but this monkey is a bit more tame. But he still doesn’t like Bosko petting him, so he spits in his eye. Angered, Bosko spanks the monkey. (Literally. I hope nobody thought that I was being figurative.) That wasn’t the smartest choice though, there is an angry gorilla behind him. (So, he IS in Africa?) He doesn’t appreciate Bosko disciplining his… well, not kids. But I guess they are still closely related. Or it could be that Bosko is catching wild animals. Regardless of the reason, he looks pissed. Bosko offers him some chewing gum. Despite being one of the most disgusting things one can play with, Bosko and the ape do just that. Making music again. (It really helps soothe angry animals)

Heck, the music is so good, that lots of animals come to listen and join in. (One of which is a kangaroo. In Afrindiamerica. Is Bosko just in a zoo? Did he just release all the animals to play with them?) Even the plants can’t help but join in. One tree in particular does a sexy dance. (You can tell its female, because male trees don’t have breasts. Plants have the same rules as animals, right?) “Her” dance is a bit too wild though, and one of her fruits snaps free. (Even if fruit are meant to do that, it still looked painful) The coconut hits Bosko on the head, to the amusement of some hyenas. Luckily, Bosko is a good sport, and he laughs along with them.

Personal Rating: 3

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Bosko the Doughboy

“I’ll get you!”

Animation by Rollin Hamilton and Max Maxwell. A Looney Tune released in 1931.

Heh, no one even uses the term “doughboy” anymore. Regardless, after the title is blown up, we see a war at hand. Not quite on time to be part of WWI, and still too early to be part of WWII. It’s just a nondescript battle with no clear answers. Even we in the audience aren’t safe, as we get shot in the face! A cannon goes through rigor mortis after being shot, and a bird has to take a long clear look at his gaping wound that cuts right through him, before realizing he’s dead. And where’s our main character? In his foxhole eating beans. (Close your mouth when you chew, Bosko. We don’t need to see that. Sometimes, it’s good that animation was not yet in color) His lunch is also shot and he has to make do with stealing cheese from a mousetrap. But he’s not going to let that get him down, he has a woman waiting for him after all! He happily kisses his picture of Honey, before that is shot too. A horse on his side tries to cheer him up with some harmonica playing. While they dance, a dog is in agony because of a flea (I think. It might be a tick) attacking him. Bosko solves this problem by getting the dog’s helmet riddled with bullet holes. This leaves a nice and jagged scratching device. (That would tear through a human’s skin. Isn’t being a toon wonderful?) Then, a fresh wave of firing comes down upon them. Bosko is attacked by a bomb dropping pelican. He fights back by sticking a bomb in the dog’s mouth, pulling on his hindquarters whilst he hangs from a tree, and firing at the bird and its mouse pilot. (The victory is short lived as the dog’s body is torn apart by the enemies fire, leaving him much shorter than before.) Bosko charges forward, ducking into another hole with a hippo to avoid the shots. (Which are primarily coming from some birds in their nest.) The hippo tries to fight back, but a cannon launches a ball down his throat. Bosko sets up a surrender flag made of some long underwear, but the cannon fires anyway. Upon noticing it now has a cannonball inside it, the underwear runs to the cannon and returns it. Thus, destroying the thing. With his path now cleared, Bosko runs over to help his ally. He’s no doctor, but he knows how to save the brave hippo’s life: just unzip him and pull the ball out. They laugh, but the cannonball explodes. (They don’t do that right? I’m no expert.) This sadly leaves Bosko in blackface.

Personal Rating: 3

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Sinkin’ in the Bathtub

“Hello, Bosko.”

The one that started it all!

It begins with Bosko taking a bath. (We’re off to a great start!) He plays the song “Singin’ in the Bathtub” in various creative ways. Even his tub joins in the fun. All clean, Bosko goes outside to get his car. It’s not in the garage, it was in the outhouse. (Remember in my second Space Jam article I mentioned the use of SUTBLE bathroom humor? Take notes people.) He now heads out for a date with his girlfriend, Honey. (Not before picking some tulips to the tune of “Tiptoe through the Tulips”)

He arrives to see Honey is still preparing, by taking her own bath. (Bosko! You perv!) She quickly gets dressed and Bosko plans to show her the flowers he got her. While he is not looking, a goat eats the flower heads, and Bosko cries. Honey assures him she still loves him and he happily serenades her with a saxophone. (The goat looks angry, was he trying to ruin their relationship?) Honey is not too pleased with Bosko’s music, so she empties her tub on him. He continues to play as the bathwater greatly improves his music ability. Honey dances on the bubbles to the song “I’m forever blowing bubbles.” They hop in the car and go for a ride.

After getting pass a stubborn cow, they slowly make their way up a steep incline. Bosko gets out to shove the car, and the next thing he knows its out of control going downhill. (Honey doesn’t sound too terrified.) While chasing her, Bosko ends up ahead of her. She crashes through a house (taking a bathtub with her) and they all fall down into a lake. Using the tub as a boat, they continue their date. This would only be the beginning for good ‘ole Termite Terrace.

Personal Rating: 3 (It’s a d*mn impressive start.)

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Bosko the Talk-ink Kid

“Well here I is, and I’s feel good!”

This… is what started it all. When Harmon and Ising went to pitch their idea to make their own cartoons to Scheslinger, they brought along this beauty. It’s essentially the Looney Tunes pilot cartoon. It was made in 1929 and combined live action and animation well ahead of its time. (Warner Bros was good at that.)

It starts with Bosko being born. (Drawn.) The animator asks him to show us what he can do and Bosko starts doing some dances. (One is quite racist, but only by today’s standards.) He notices the audience and learns that he is supposed to make us laugh. The animator gives him a piano and some musical gags occur. Bosko sings (badly) and the animator sucks him back into the pen. Bosko pops out of the inkwell and promises us he will return. (Then he blows a raspberry at the animator.)

Happy Halloween!

Personal Rating: For most, I’d give this a 2, but if you can appreciate how good this early example of live action and animation coexisting is, I’ll bump it up to a 3.