Category: First Appearances

Cartoons that were the debut of recurring characters. I.E., those that appeared at least twice.

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A couple more Private Snafu shorts: Coming Snafu/Gripes

Coming!! SNAFU

“This…is Snafu.”

Directed by Chuck Jones. Released in 1943.

It’s the first short with Snafu! The goofiest soldier in the army. He’ll walk right off a dock if he’s not paying attention. It’s really more of a trailer than anything else, but we are told of what we can expect from Snafu. (Who has freckles in this short and his voice is slightly different. Still Mel though.) You can find him in the infantry; tying his pack the wrong way, or in the air corp towing a plane to its location. But he thinks about a stripper the whole time and doesn’t notice all the trouble the plane is being dragged into. Don’t worry though, his imaginary girlfriend’s breasts are censored, as is her naval. (Was my brother a part of this?) Naturally, his actions land him in jail. We are told of some of his coming attractions before we end, like “Spies”, “The Goldbrick”, and also…

Personal Rating: 2. (It really is just a trailer, but it at least makes one garner interest.)

Gripes

“If I ran this army, boy, I’m telling you. I’d make a few changes. That’s just what I’d do.”

Directed by I. Freleng. Released in 1943.

Poor Snafu. He joined the army for fun and what does he end up doing? K.P. Specifically, scrubbing pans, peeling potatoes, and sweeping the floor. All at the same time! And there’s so many vaccinations. Even his tattoo is poked in the butt. He’s unhappy and wishes he could be in charge of things. Enter Technical Fairy First Class making his debut here. He uses his magic to promote Snafu to the highest position and Snafu couldn’t be happier. He spoils the men there and lets them have anything they want and lets them hang out with their girlfriends whenever they want. It’s a pretty nice life for awhile. But there is a war going on and the Axis is being a bit more serious. They are coming our way with bombs!

Snafu tries to rally his troops, but they don’t listen to him anymore and he is left to fend for himself. Since he can’t win, he digs a hole and hides himself, but the bombs are equipped with shovels and end up finding their target. Luckily for Snafu, it was all a dream. And luckily for America, he’s now happy to go back to his work.

Personal Rating: 3

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A Tale of Two Kitties

“HEY, BABBIT!”

Supervision by Robert Clampett; Story by Warren Foster; Animation by Rod Scribner; Musical Direction by Carl W. stalling. Released in 1942.

This short was supposed to introduce the world to new characters who would be stars for Warner Bros. But someone else stole the spotlight. The two supposed stars are two kitties. (This is their tale.)

The taller one is named Babbit (Tedd Pierce) and the stout one is Catstello. (Mel) His name is never mentioned in the short, but come on. He’s a cat and if you have any idea who Abbot and Costello are, then you know who these two are based on and you’ve made the pun yourself. (That and the studio model sheets labeled him as such.) It’s time to eat and Babbit tells his comrade to go get a bird out of a nest so they can eat. Catstello is reluctant even after he’s told of how small it is. (I guess they’d each get a mouthful, but I have a feeling Babbit would hog it all.) Turns out hes got “Heightrophobia” and it takes a pin to his backside to finally get him up the ladder.

Scared sightless as his partner is, Babbit has to angrily demand that he gives him the bird. (Catstello laments that the Hayes office is what is keeping him from fulfilling that desire. I just didn’t know the term existed in the forties.) He makes a swipe at a sleeping bird but misses. This is the birthplace of Tweety. (Inspired by nude baby photos that Clampett’s mother had and he resented.) The ladder breaks and Catstello begs to be rescued from atop the remainging pole. So scared is he that he doesn’t notice Babbit saving him until he is in his arms.

For the next attempt, Babbit shoves his pal into a box against said pals protests. He’s also afraid of the dark. Babbit lets him out and the springs on his feet bounce him up to the nest. Here, our little baby Tweety (model sheets had him labeled as Orson) utters his first words: “I tawt I taw a putty tat.” Seeing as he did taw a putty tat, Tweety has no choice but to defend himself. And does he ever! Using an arsenal of guns, clubs and even TNT sticks, he continues to beat the crap out of the poor putty tat. Catstello cries over his failure while unbeknownst to him, he sits on an explosive. When Babbit detonates it he flies up towards the nest again. But he flies past it. (Tweety helps himself to Catstello’s apple. Or rather, the worm that was inside.)

When gravity kicks in, the cat falls and is able to cling onto a telephone wire. Tweety comes over to play “This ittle piddy.” A sequence that would be reused, essentially verbatim, in “Roger Rabbit“. Even down to Tweety resembling his old design.  The bird isn’t totally heartless, as he throws the cat a rope. It’s attached to an anvil, though. Said anvil crushes the cat into the ground and drags all the surroundings towards it. This includes Babbit and his victory garden. (I really like how concerned he sounds for his friend. Turns out he really does care.) The final attempt is launching Castello with wooden wings strapped on. Wouldn’t you know it, it works. (Human beings have been trying to fly for years, and it took a simpler mind to figure it out.)

Tweety calls the “fourt interceptor tommand” to report the disturbance and the cat is blasted out of the sky. He manages to avoid landing on a pitchfork in favor of his partner. (While they didn’t become the stars, they did appear in a couple more shorts after this. But they were mice. How humiliating.) Tweety is now on the ground and initiates a blackout. Seeing their chance, the two cats stalk their prey with faces that haunted my childhood.  Tweety doesn’t freak out, though. He yells at the two to turn out the lights like he told them too. Their glowing eyes instantly dim. (As does the moon.)

Personal Rating: 4

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Farm Frolics

“♪There’s no place like home!♪”

Supervision by Robert Clampett. Released in 1941.

A beautiful farm is drawn in by a realistic hand. (That windmill doesn’t look finished, you fraud!) It’s time for some farm jokes! A horse has been trained very well. He trots when you say trot. He gallops when you say gallop. When you say canter, he imitates Eddie Cantor. (We’re still working on that one) The farmer’s dog may be old, but he is still dependable. He still fetches the paper every morning. (Gotta get his Dick Tracy fix) And we also see some piglets watching a clock. If you’re visiting this place for the first time, you should know that pigs are my favorite animal ever, and piglets are the cutest cutes that ever dared to cute. They’re the origin point of the word. It is odd that they choose to watch a clock, but I’m not going to spoil their fun.

A mother hen leaves her eggs. Not smart. They are being watched by a hungry weasel. He sneaks up to feast, when the chicks hatch and nearly give him a heart attack. In the nearby forest, there are lots more animals to have fun with. (You didn’t think we’d stay on the farm for all of our frolics did you?) There we see a field mouse with abnormally large ears, who keeps hearing things. Believe it or not, he has a name. His name is Rosebud. And even though he only appeared in one other short besides this one, we got some merchandise of him.

Let sleeping statues lie.

Even though they are small, even ants care for their young by calling them home. For the sake of not boring you, I will refrain from pointing out all the misleading ant facts that are shown here. Except for the ant butt crack. (What is up with that?) As we head back to the farm, we see the pigs still at the clock. They refuse to go play. I guess that clock is more entertaining than we will ever know.

A more bizarre sight is that of a cat and a mouse in a loving embrace. Apparently the cat loves that mouse and takes good care of him. This doesn’t stop the mouse from begging for help and trying to escape. The cat catches him and happily goes back to sleep. Before the day is over though, we stop by the piglets one more time. Seems they were watching the clock to know when it was their favorite time of day: Dinnertime. They happily run home to their mother’s teat and began suckling. (“Every day it’s the same thing.”)

Personal Rating: 3

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Bewitched Bunny

“She is a witch, and means to eat you for her supper.”

Directed by Charles M. Jones; Story by Michael Maltese; Animation by Lloyd Vaughan, Ken Harris, and Ben Washam; Layouts by Maurice Noble; Backgrounds by Philip DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. Released in 1954.

Chuck Jones must’ve really enjoyed the Disney character, Witch Hazel from the 1952 short “Trick or Treat”, and so he would create his own, and this was her first appearance. (Let’s be honest. His has way more personality)

Bugs is reading the story of Hansel and Gretel. Much to his surprise, he finds he’s become part of the story and has just come to the part where the witch invites the kids into her gingerbread house. (It doesn’t look like gingerbread, but let’s be fair: it wouldn’t last long if it really was.) The kids are your stereotypical German kids, and as such they have thick accents and hefty appetites. They accept her offer for more food and follow her inside. This looks like a job for the masked Avenger! (Iron man?) But since he’s not around, Bugs’ll have to do.

Inside, the kids are chowing down and are oblivious to the fact they are sitting in a large pan. Hazel (who is not voice by June Foray in this short, but rather Bea Bennederet) is glancing over the various dishes she can make with the kids. (Urchin Pie is a great delicacy, speaking personally.) Bugs arrives dressed as a truant officer and finds the kids. (He also realizes what a weird name Hansel is.) He warns them of their impending fate and they waste no time believing him and hightail it out of there. Personally, I’d stick around. This house is cool! Look at that decor! The window curtains are painted on, and there’s a picture of a boat labeled: witchcraft. (Genius!)

Bugs takes off his disguise as he accomplished his mission. But it might have been better to wait until he was outside as Hazel decides to have a rabbit dinner instead. She mounts her broom (that channels the spirit of Charlie Chaplin) but crashes. Good thing she is a witch. Magic works wonders! And she happens to have several sleeping potions on standby. (Did you know that worm sweat residue is one?) She cooks up a brew and fills up a carrot with it. (She has a jar of nice on the shelf. If she only wasn’t out of sugar and spice. She could make her own girls from scratch.) Bugs catching a whiff of food cooking comes in and delivers my favorite line he has ever said: “I get to lick the po-ot! I get to lick the po-ot!” Hysterical.

Hazel shoos him out while she finishes. She then finishes. Bugs sits down to dine while she prepares a bed for him. Bet you didn’t know that Rabbits sleep in piles of root vegetables. Upon learning the carrot he ate was poisoned, he falls asleep. (No it wasn’t. Drugged maybe, but not poisoned. Hazel doesn’t want to die.) Hazel goes to get some relish. (You can’t eat rabbit without relish. It’d be like eating urchin pie without gravy.) And then a handsome prince arrives. Or at least what many girls consider handsome. I’m heterosexual so I’m not sure. He awakes Bugs with a kiss. The rabbit is grateful, but points out he should be looking for Snow White. (The prince for the record also realizes what a weird name Hansel is.)

Hazel resumes the chase and Bugs appears to be trapped. Finding some magic powder that is to only be used in emergencies, he hurls it at her. She turns into a rabbit doe, and the hallway gets a romantic makeover. Bugs immediately falls head over heels for her. As they walk away, Bugs take note of our obviously skeptical faces. He knows it may be a little creepy, but then, aren’t all women witches inside? (Please note: The views expressed by Mister Bugs Bunny do not accurately reflect the opinions of the author of this blog. Only some women are truly witches. However one thing we all can agree on is this: Hansel is a weird name.)

Personal Rating: 3

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Kiddin’ the Kitten

“Here comes trouble for Dodsworth.”

Directed by Robert McKimson. Released in 1952.

This short begins with a lady freaking out over some mice. (Come on, really? I still refuse that any woman in the history of ever has freaked out like this over a mouse.) The mice mock her, and rightfully so. If she’s going to act like this, she deserves to be ridiculed. Of course, maybe if her cat actually caught mice, she might be a little more sane. The cat, Dodsworth, (Interesting name.) would rather just lie about eating sardines. The mice don’t fear him in the slightest and take one of his snacks for their own. The woman tells the cat to cat-ch them, (heh-heh) or he’s out of the family.

Work is not something he’s too keen on. Apparently no one in his family had to stoop to such lows. What he really needs is someone to do it for him. With that idea in mind, he puts a sign outside claiming it’s a school of mousing. (M.U. we’ll call it.) Almost right away, he’s got someone interested. A little kitten that actually is pretty cute. (Maybe in part, because I think it looks more like a dog than anything.) Despite the bow, Dodsworth refers to it as a male, so I guess I have no choice but to do likewise. (But I’m still going to give it the genderly ambiguous name of Riley.)

His teaching method states that experience is all you need. He hooks Riley to a fishing hook and tells him to tug when he’s caught a rodent. The kitten is cast into the kitchen. The mice are not scared. (Why should they be? In a house where potential dangers either laze about or act hysterical…) but Riley gives chase regardless, cornering one into a hole. He puts some cheese on his middle finger and the now dazed mouse takes it. Riley then flicks his finger, (or toe I suppose) on to the mouse’s head knocking him out. Now back with the teacher, he learns that getting one mouse at a time is not good enough, and he’s cast out again. So he gets a big wheel of cheese and fills it with ball bearings. (Why were they in the fridge?) The mice either don’t chew their food, or they just possess the strongest teeth of all rodents and gobble it down.

Riley tugs back on the line and when he’s pulled back, uses a magnet to attract them all to him. Hearing his lady approaching, Dodsworth quickly gives him a diploma and shoos him out. Walking to the cage of mice, he takes credit for the work. I guess Riley figured it was weird to be rushed out so fast, as he came back to witness the whole thing. In retaliation, he lets all the mice go. The woman acts pathetic again, and Dodsworth is bound and gagged. Riley then chases them all out saving the day. Later, Dodsworth has apparently been kicked to the curb as Riley now occupies his bed and had his name crossed out. But I think he should have kept the name. It suits him now that he has adopted Dodsworth’s habits. Seeing this, the mice come back and pick up where they left off. Riley-sworth quotes the original, “One of these day’s I’m going to have to buy myself a mousetrap.”

Personal Rating: 3

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The Aristo-cat

“Good grief, I’m all alone!”

Directed by Charles M. Jones. Released in 1943.

Why am I doing a post a day earlier than I usually do? Well, my dear readers, tomorrow happens to be White Wednesday. The last day where you should remember November. Since come Thanksgiving, people seem to recall that there actually are 11 months. It’s also a great day to be miserable, since society demands you be “merry” and “bright” for the Christmas season. Besides, I’m going to the movies tomorrow, and I can’t promise I’ll have time.

Don’t worry about that title, you are at the right place. I didn’t go all Disney on you. This short came out 27 years earlier. Besides, I think “The Aristocats” is my least favorite Disney film anyway. No way I’d be wasting a blog post on it.

A cat named Pussy (No immature jokes, please. None of them will be clever.) has got it made. He’s the pet of a rich lady and therefore gets a comfy bed, breakfast brought to him in it, and complete control of Meadows the butler. He’s a bit of a dick though. Squirting grapefruit juice into Meadow’s eye and letting him slip on bars of soap. It’s no surprise that Meadows quits. The cat panics as he realizes that as a pet, he has no clue how to fend for himself. (Look at those backgrounds courtesy of a one John McGrew, they are a beautiful abstract masterpiece. Best part of the picture, no question.)

In his panic, he finds a book about cats. (Written by a one F.E. Line.) To his luck, it opens up to the chapter that details the eating habits of the cat. It says that they feed on mice. Sounds easy enough, but never having seen an actual mouse, the cat runs in terror when he finds one. The mouse in question is Hubie, making his debut here. (You could say this cat is Claude, but the appearance is all wrong and his bed says Pussy remember? Although he does have a similar voice.) Hubie calls his friend Bertie, (just called Bert here) and shows him that the cat is no threat to them. The mice (whose colors will switch for later appearances) happily feast on cheese.

They refuse to share with the cat, telling him he should eat mice. He admits he doesn’t know what they look like, and the two point him out to a nice large one named Rover. Pussy tries to make a sandwich out of him, but that goes about as well as you’d expect. (One should never try to eat something alive that can open it’s mouth wider than you.) The cat is thrown back into the house, where he slides into the book again. Conveniently, he finds himself looking at the part of the book that clearly labels the cat’s prey and enemies. With his new knowledge, he chases the mice. They run into Rover’s dog house just as the dog comes home and pounds them. Pussy wakes up back in his bed, as it was just a horrible dream. Rover agrees. (Keep your gay jokes to yourself please. They’re not funny.)

Personal Rating: 4 Those backgrounds are an abstract masterpiece, and are worth a point on their own.

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Mexicali Shmoes

“I’m too young to go kaboom!”

Directed by Friz Freleng. Released in 1959

Another Academy Nominee! (It lost to a short called “Moonbird.” Nothing should have ever lost to that short.)

Our story begins with two cats. The slightly chubby one is Jose, and the lanky one is Manuel. Speedy runs by pretty much just to taunt them, and Manuel pounces. Speedy naturally, escapes. Jose tells him there’s no point to chasing him, you need brains. Manuel is lacking in that department, but it’s fine. Jose has enough for both of them, and they set out to get some supper. Arriving at Speedy’s place, they invite him out to join their fiesta. Speedy does so, and easily outmaneuvers them when they start trying to take a whack at him. He hides on Manuel and Jose crushes his compadre while missing the mouse.

Plan B. Trying something that he saw “That gringo Bugs Bunny” do in a moving picture, Jose baits a fishing pole with cheese. (I’ve seen every Bugs short at least once, and I don’t recall that. Liar.) Speedy takes the bait, and drags Jose to L.A. Much later, he returns telling Manuel that his sister said hello. (Manuel: “Hello, sister.”) They stuff some dynamite in the hole and wait for the explosion. Speedy sneaks behind them and blows up a bag. They rush off, where Jose shows his true colors. He meant to eat Speedy all by himself. (I think this would have been better as the last gag, but whatever. It’s a good one) They tussle, but Jose wins. Peeking in, he sees they’ve been tricked. He goes back to Manuel to apologize… and tell him that Speedy is rightfully his. Manuel gets a face full of explosive.

They plant some land mines, but end up chasing Speedy through it. Jose is terrified, but Manuel apparently knows where they buried them all, (Under those dirt mounds?) and carries his pal to safety. (I guess I’m wrong. He stepped on one.) Getting out, he accidentally sets Jose down on one of them. Jose returns the favor. They give up. Manuel suggests they go after the slowest mouse in all Mexico, Slowpoke Rodriguez. Jose excitedly goes to the place and grabs the pokey rodent. Manuel tries to tell him something else, but its too late. Slowpoke may be slow, but he’s not defenseless. He packs a gun. And he uses it too.

Personal Rating: 3

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Cat-Tails for Two

“Why did you hit yourself on the head for, George?”

Directed by Robert Mckimson. Released in 1953

It’s night at a wharf. The moon is bright, the water is green, and two cats are going hunting. The little one is named George and the hippo in a cat suit is named Benny. ( “Of Mice and Men” reference) They are played by Blanc and Freberg respectively. (To be fair, this is one of Freberg’s funniest roles. Don’t take my hippo quote the wrong way. I love Benny.) Benny actually appeared the year before in a short with Sylvester and Hippity Hopper called “Hoppy Go Lucky.”

Back to our featured short. Benny wants to come hunting with George who agrees on account that Benny not do stupid things like he always does. He points out a ship in from Mexico and comments on their Mexican feast they will have. Benny loves Mexican food! It gives him the heartburn that he loves! He agrees to throw George aboard and tosses him into the side. He doesn’t notice until he’s hopped over himself and scolds George for disobeying the “No Fishing”  sign. (No Swimming.) He pulls him up and George brings out the trap he brought. He sets it up, but a blur runs over and steals all the cheese. The blur leaves a card behind that identifies him as the fastest mouse in all Mexico: Speedy Gonzales! Making his film debut! Let’s take a look at him.

Wh-what is this unholy terror?

Yes, in his debut Speedy had ragged fur, a red shirt, NO PANTS, huge eyes, oversized teeth, (one in gold) and only wore his sombrero in his very first scene. After this short, Speedy wouldn’t be used again until Freleng sort of adopted him two years later. It’s like when McKimson did that with Chuck Jone’s Henery Hawk, and Freleng previously did with Bob Clampett’s Tweety. Only McKimson made some more pictures with the mouse as well. I’m getting off topic.

George has Benny hoist a crate of anvils into the air while he sets some more cheese down. Speedy in turn blows up a bag near Benny and he drops the trap on George. (Of course, Speedy is fast enough to grab the cheese first.) Next George sets up many pieces of cheese near firecrackers. All he needs is a match. Speedy has one and runs to each cheese wedge, grabs it, and lights the fuse. George who is chasing him keeps getting caught in the explosions. (You know, if Speedy didn’t run so much, he’d be fat.) Benny goes to get some water to cool his friend down, but remarks that “P-e-t-r-o-l” is a funny way to spell water.

They set up a free casino that advertises lots of free girls but is really a hidden pipe. (Good thing all men share the same sexual orientation.) George then tells Benny to wait at the other end. Speedy naturally saw all this, but plays along. As he runs in, George pointlessly lights a rocket to chase the mouse, but gets launched alongside it. Benny ends up smacking him on the head. Getting a new pipe, George leads it into Speedy’s mouse hole, unaware that the rodent is bending it with a wrench. He stuffs lots of dynamite into the pipe  also oblivious to the fact it’s all piling up behind him. He lights the fuse and the resulting explosion launches the cats off the ship. No Mexican meal tonight.

Personal Rating: 3

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Mississippi Hare

♪Camptown races sing this song, doo-dah, doo-dah…♪

Directed by Charles M. Jones

This short gets censored a lot because of scenes that apparently scream racism. It starts in a cotton field where Bugs is napping. Apparently this is bad, because those are African Americans harvesting it. Well, we don’t see any definitive proof that they aren’t being paid, so it might be relatively harmless, but I digress. He gets packed with the cotton on a riverboat and he climbs out of the hold to see where he is.

He notices that this boat throws off stowaways. Dashing into a cabin, Bugs dresses as a gentleman and shows off the ticket, that I guess was in the room. Secure, he takes a look around. He comes across a gentleman named Colonel Shuffle. (Jone’s take at directing a Yosemite Sam character.) He is voiced by Billy Bletcher and demands for someone to try and beat him in poker. Bugs takes the challenge and bets $100.00 in chips. (Which is half a chip. Ha) Fade out.

Fade in, and see that Bugs has all the chips, and Shuffle has the half chip. With A’s in his eyes, he shows his hand, but Bugs’s is better and he wins it all. He flat out calls Shuffle a jack@$$, (Well, Shuffle did ask for it) and the colonel declares a duel. Bugs walks with him and misses the shots. He shoves an exploding cigar in his mouth, and gives him a banjo to play. (“Racist” part 2. That is apparently blackface on Shuffle. Or you know, ASHface.) Bugs has him dance off the boat and he comes back up with the wheel.

He tries to fire his gun but liquid comes out. It must be a *dons shades* water pistol. Anyways, Bugs disguises as a barker and gets him to enter a show, which is really just a one way trip back into the drink. When he aims again Bugs tells him it’s still full of water and Shuffle checks by shooting himself. Bugs tricks him into the boiler and Shuffle desperately tries to buy a cup of water to put out the fire. He asks Bugs for change and Bugs takes his sweet time. Finally giving it, Shuffle gets the water, and begins firing again immdiately. (Smart. Elmer would’ve walked off before remembering his task at hand.)

Bugs relies on his drag routine and beats Shuffle with a parasol. His wig briefly comes off and Shuffle chases again. Bugs pleads with a much taller man to help him, and Shuffle is tossed off the boat for good. The man comes back to flirt with Bugs and sees his tail. He throws himself off too.

Personal Rating: 3

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Walky Talky Hawky

“I’m a chickenhawk. I’m after my first chicken.”

Directed by Robert McKimson.

We start off at the home of three hawks. (The father of which, happens to read Looney Tune comics. My kind of reading buddy!) Their child is named Henrey and he tells his father that he craves something, but has no clue what. His father decides its time they had a talk. (“Okay pop. Whadyya wanna know?” Love that.) Dad tells him that he is a chicken hawk. And as such, he will crave chicken and everyone will hate and shun him for just being himself. Heavy.

All Henrey takes from this is what food he wants. So he heads off to a nearby farm. There we have the first appearance of Foghorn, who actually is minding his own business, when the first appearance of the Barnyard Dog shoves a watermelon on his head. Foggy can’t be one upped like this, so he paddles the dog with a board, and taunts him at the edge of his rope. (Foghorn sounds more like Yosemite Sam than anyone else in this picture. Give him time.)

Seeing Henrey, he asks what the kid is doing. After learning, Foghorn also tells him that he is a horse and the dog is a chicken. Henrey goes over and takes a bite. The dog chases him before his rope pulls him back. (Foghorn gleefully hits his head to win a croquet game.) He tells Henrey to go back and fight. Predators should not fear prey. (I could discuss that this is not entirely true…) Henrey proves to be very strong for his size and carries the doghouse away. B.D. catches on fairly quickly and gives chase again. And gets choked again. (Foghorn puts a helmet on him, and hits him with a hammer.)

He and Henrey decide to use a complex plan. Henrey sets it up and draws a doorbell on the house to ring with. When B.D. comes out he hears Henrey playing the piano and dances over. Henrey smacks him with a pan. Dazed, the dog stumbles onto a banana peel, which sends him onto a spring, which bounces him onto a skate, which Henrey begins to roll away. B.D. aks what he wants and after hearing of Foghorn’s lies explains that Foghorn is the chicken. Dog and rooster argue and Henrey sees this is going nowhere fast. He releases the dog who in turn pummels the rooster. Their tussle takes them into a stable where a real horse throws them out. They form a truce and go fight the equine. Henrey goes in and drags all three home with him. Figuring that at least one of them has to be a chicken.

Personal Rating: 4