Cartoon All-Stars to the Rescue

“Fasten you seat belts! It’s gonna be a bumpy ride!”

Written by Duane Poole, Tom Swale; Directed by Milton Gray, Marsh Lamore, Bob Shellhorn, Mike Svayko, Karen Peterson (supervising); Starring the voices of Ross Bagdasarian, Jeff Bergman, Townsend Coleman, Wayne Collins, Jim Cummings, Jody Dedio, Paul Fusco, Danny Goldman, Georgi Irene, Janice Karman, Aaron Lohr, Jason Marsden, Don Messick, Lorenzo Music, Laurie O’Brien, Lindsay Parker, George C. Scott, Russi Taylor, and Frank Welker. Theme music composed by Richard Kosinski, Sam Winans, Paul Buckmaster, Bill Reichenbach, Bob Mann, Guy Moon, and Alan Menken. A TV special aired on April 21, 1990.

How dare I discuss this when so many others with notoriety have before me? Well, unlike them, I actually LIKE this. Unironically even. Since the plot is relatively well known, I’ll keep that part to a minimum and just give my overall opinion on it.

Many find this special disappointing. With its title, you’d think it’s some kind of action-packed thrill ride with the greatest heroes animation has to offer. I can see why most would feel let down, but I wasn’t one of them. I wasn’t born when this special aired. In fact, I wasn’t aware of the thing until 2007. I happened to catch a glimpse of it during a cartoon music video, and wondered what it was. My best guess was that it was some promotional ad for a TV network. I mean, why else would all these toons owned by different companies all be here?

Luckily, someone in the comments also was clueless and asked what the source was. Now with title in hand, I looked it up. So I knew it was an anti-drug thing the whole time.  While I agree that it would have been so much cooler as that aforementioned thrill ride, I think this is still a work of genius. Aren’t kids much more likely to listen to cartoons? And we’ve got a good mix of characters. Let’s run through them.

The Smurfs: never really saw them. (Especially not those horrific life action films. Don’t people know that cartoons are drawn because they look horrifying in realistic styles?) Considering how profitable they had been around the time, I think they were a good choice.

Alf: Can’t say this was a smart choice. You really wanted Alf as part of your anti drug squad? His live action series had just barely ended, and I’m guessing his popularity was ending. If this had come out a few years earlier, I’d have less problems. But it’s hard for me to hate a guy who munchs cats. And yes, I do get a kick out of him threatening to eat…

Garfield: I love this guy! Have ever since I was a kid. Garfield and Friends was something I watched every morning before school. He deserves to be here.

The Chipmunks: I was also rather fond of these guys as a child. Mostly because of “The Chipmunk Adventure” (I rented that movie every time I visited the local video rental place. Those were good times.) Not as big a fan as I once was, but I’m glad they’re here.

Winnie the Pooh and Tigger: Pooh is my favorite Disney character. I’m pleased as punch to find him in this. Tigger is also great. Another two solid picks.

Baby Kermit, Piggy, and Gonzo: I’m also quite the Muppets fan. Sadly, their adult counterparts wouldn’t fit in, being live action and all. I’ll settle for this version of them. At least it allows Kermit the frog to share the screen with Garfield and Pooh.

Slimer: I’m not really a Ghostbusters fan. Granted, I’ve yet to see the animated series they’re borrowing from. I have seen the movie. It’s not bad, but I don’t find it funny or really all that entertaining. But the franchise was still doing great at the time, it’d be idiotic to NOT include anyone from it.

Bugs Bunny and Daffy Duck: The reason we are discussing this. With a title like “Cartoon ALL-STARS” you darn well better have at least one Looney Tune. Two is better than that. They had to pick the two most popular,  and they did. (Wile E is also mentioned. Too bad he didn’t show his face)

Michelangelo: Also not much of a TMNT fan. I’d like to watch the 80’s series. Someday. Again, being the profitable series it was, they made a good choice of picking a turtle. They chose the kids favorite too.

Huey, Dewey, and Louie: It would have been cooler if Mickey, Donald and Goofy had been chosen, like they were originally intended to be, but these three are a good second choice. I like Ducktales.

So, that’s the lot. (Despite the fact Smurfette appears on the VHS cover) Overall, I like the selection. However, the special is definitely not perfect. The toons seem to keep changing size without explanation, and the majority of the characters feel very underutilized. Slimer disappears after everybody leaves the house. (At least he got one line) And Daffy doesn’t show up until the final few minutes. Also, most of them don’t contribute much to the problem at hand. It’s a good thing they all join in the song. (Most of them anyway. As stated, Slimer is gone by this point and most of the smurfs are too. He was probably eating them. And Alf steals Bugs’ line. Prick)

It doesn’t flow too naturally, either. The “human” characters disappear and warp around the world as needed. I guess it simulates how one feels on drugs? (“How’d I get back to my room? My weed must’ve given me super powers.”) Everything just seems to end too fast. It’s a shame they only got a half hour to tell their story. This would’ve been much more informative at twice the length.

Despite these complaints, there are some good parts to be had. Our villain isn’t terrible. He may just be a cloud of smoke named Smoke (despite no name being given during the run time) but he’s evil enough to suit his purpose. Does a good job of not giving a crap about anyone or caring. Just like real drugs! Also, this is the first time Bugs and Daffy aren’t being voiced by the voice god, Mel. Jeff Bergman is a good replacement. (Not a great one. There is no such person aside from Noel. Even then, he wouldn’t  be perfect. No offense Mr. Blanc.)

All in all, this wasn’t the best it could be, but I think it came out fairly decent. I’m sure it was hard enough just getting everyone to agree to let their characters join in the fun. (It’s odd that the parents can’t get along as well as the children. Bugs and Mickey visit each other every Christmas and birthday.) If they had been given more time, I’m sure this could have been remembered more fondly. Anti-drug message and all.

Favorite part: I’m tempted to choose the few scenes showing our main character has a Looney Tunes poster in his room, but unfortunately, it’s too blurry to make out. ( I think it contains Bugs, Daffy, Sylvester, Tweety, Taz and Porky) If only I could SEE IT! Instead, my pick goes to the song. It’s catchy and brings everyone together. (Just what every crossover gourmand wants.)

Bugs Bunny’s Howl-oween Special

“Beware! Beware!”

Producer: Hal Geer; Directed by David Detiege, Abe Levitow and Maurice Noble; Story by Cliff Roberts; Music by Harper McKay. A TV special aired on CBS on October 26, 1978.

Halloween is such a fun time of year. You can be as macabre as you want and nobody bats an eye. Having any excuse to eat nothing but chocolate is also a bonus. And unlike other holidays, this one doesn’t have any deeper meaning anymore, and is used solely as a fun excuse. And naturally, there are plenty of cartoon treats on the side.

This special consist of clips from other “spooky” themed Looney Tunes and edited together with some new footage. (Sort of like Frankenstein’s monster.) Even if you aren’t the expert on these shorts, like I am, it’s not hard to tell where edits were made. Voices sounding different and animation not syncing up properly.

We start with a bit of “A-haunting we will go.” Right after Daffy’s nephew warns of the real witch, and his uncle drags him out to prove him wrong, we cut to a snippet of “Broom Stick Bunny.” Hazel still invites Bugs in, but doesn’t explain why she is giving him a tea designed to un-uglify someone. Even more confusing, after Bugs reveals himself to be a rabbit, she still wants him to drink, as she sees “that witch” as a threat. (You’ve lost me. Can a rabbit be a witch? And if the two are combined, will that spell the end of all witches?)

Bugs refuses to drink her tea, saying that he only will drink the kind his doctor makes. So, now we jump to a “Hyde and Hare” clip. While Bugs is chased by Hyde, his screams wake up a sleeping Sylvester, and we next jump to an abridged “Hyde and go Tweet.” After that, Bugs has somehow managed to escape Hyde and samples his formula. Now properly scary, he leaves to try and frighten Hazel. She is immune, turns him back to normal, and that makes him fall asleep. Next up: “A witch’s tangled hare.”

After all that, we finally catch up to Daffy arriving at her place, with most of that short being played. It cuts right after Daffy leaves. (Here’s an omission I never noticed before: when Speedy tries to make Daffy drink, the table is gone. But there is still a chunk of Speedy’s clothes missing that is table shaped.)

After all this, Bugs is still not impressed with Hazel’s attempts at being scary. She decides to show him, by frightening the cat that is accompanying Porky who is coming to stay at her house, since she put up a vacancy sign. (She now lives amongst some other buildings? Magic works fast!) So now, we get a mishmash of “Claws for alarm” and “Scaredy Cat” playing. And despite Hazel saying SHE is going to be the one scaring the cat, he runs off when Porky orders him to get out. (Not to mention, was she doing anything? Were all those mice under her control?)

I guess Bugs is convinced, as he offers to team up with her to frighten people, and proposes a toast. Upon drinking she turns into Count Bloodcount and “Transylvania 6-5000” plays. To be fair, they put in some new dialogue here, with Bugs wondering where the witch went, and Hazel speaking instead of the vampire. (But they don’t explain why Bugs is dressed as an umpire suddenly. Unless you’ve seen the original, you’re going to be confused.)

Once back to her self, she chases Bugs as she has had enough of him. (I do love the face he makes as he runs away from her.) This leads to our last clip from “Bewitched Bunny.” This time, once Hazel is transformed, Bugs doesn’t make a sexist remark, and just notes that no one wants to be alone on Halloween. The two then go to share Hazel’s brew.

This special is kind of a mess. The cartoons don’t always flow together neatly, and will probably confuse anyone over the age of five. I’m sure little kids will love it through and through, but that doesn’t include me. Here’s wishing any of you REAL people who read this, a happy Halloween. (Seriously though people. Stop leaving your spam on my website. You’re just wasting your time.)

Daffy Duck’s Easter Egg-citement

“You ain’t laid a good egg in months.”

Executive Producer: Hal Geer; Produced by DePatie-Freleng; Sequence Directors: Tony Benedict, Gerry Chinquy, Art Davis and David Detiege. A TV special released on April 1, 1980.

Happy Easter! My favorite holiday! And what does Easter make one think of? Eggs, Chocolate and animals returning from migrations. You didn’t say rabbits, did you? We’re discussing Daffy’s special today. We’ll get to Bugs’ another time. What does Daffy have over Bugs? Original content! Three new shorts that had been yet to be shown to the world.

Our title screen looks pretty good to me, but Daffy is not satisfied. Besides the Easter egg, there isn’t much of the spectrum being used here. (Personally, brown is my favorite Easter color) We never see the animator here. (So if you want to think it’s Bugs, go ahead.) Daffy wants to be part of an Easter parade. All he needs is an outfit. After getting painted into a scuba suit, he gets a dapper tux. He is then stampeded by hens. Foghorn shows up and sends Daffy away with a script, saying that he’ll show up in scene 49. Time for the first short!

The Yolks on You

First on our plate, a cartoon about eggs. How do you think Easter eggs are made? I’m sure you believe the old myth about dyeing them yourself. (What really happens, the vinegar causes you to pass out and you just THINK you did all the work.) They come from hens of course. Foghorn is the boss, and assigns each of the hens in his care a color to lay. Prissy is also there. She is actually able to lay eggs in this one, but they come out shaped like… I don’t know. Some kind of teeth? Her anxiety only gets worse, as she is assigned the hardest color you can make an egg: Turquoise! (Unless you are an American Robin. Those showoffs! They figured out the secret ages ago, and continue to lay that color just to spite other birds.) Prissy tries her best, but the egg comes out gold. (The short never specifies that it is solid gold, or just colored that way, but it seems to go through more abuse than an egg should, so I guess it’s real.) Not wanting to be found with this mistake, she throws it away. It rolls down the hill. At the bottom, Sylvester is picking through the trash. Tough as things are, he at least has a friend: Daffy. (Scene 49 came quick!) Daffy is not quite the friend you want sharing your food though. He helps himself to Sylvester’s fish skeletons. Daffy is first to spot the egg, and tries to keep it to himself. Sylvester isn’t fooled and they chase for it. Daffy eventually gets in a taxi, but can’t relax due to his paranoia. (Read: Sylvester tapping on the window repeatedly.) The cat gets the egg back again, and Daffy tickles him to release it. This isn’t getting them anywhere. Daffy has an idea to keep it hidden so other’s won’t find it. Paint it white, and stick it in a hen house. No one would suspect it’s valuable. And no one does. A truck takes all the eggs away thinking they’re all food. The duo chase after it. Later that night, they’re still looking through all the eggs. Cracking each one, hoping to eventually find their treasure.

During the intermission, Daffy complains to the artist again. He demands an Easter basket. The artist complies. Daffy also wants a chicken on it. He gets a chick outfit painted on him. Not finding it funny, he refuses to move. A lever is painted under him, and a rock launches him into the sky. While he’s gone, the ground is replaced with water. And with a torpedo headed for him, Daffy has no choice but to use the basket as a boat.

The Chocolate Chase

Daffy has a new job. He is to guard a chocolate factory. (Said owner is a pig in a sombrero. I’d give him a name, but he disappears after telling Daffy to keep kids out.) A nearby village of mice, is hoping to get some chocolate rabbits for their kids. They are poor, but they gather all the money they can to buy some from Daffy. He takes it all, declares it not enough and sends them away. Geez! That’s evil! (And possibly racist, seeing as they are all Mexican.) Seeing as they are all Mexican, it seems quite obvious that Speedy would be related to one of the villagers. It just so happens that Speedy is related to one of the villagers, and agrees to help out. He gets one easily, and hands it to a grateful child. (Those rabbits are tiny! I get that they are mice, but does the factory really make such small chocolate molds? On another note,) I really do like that the kids thank Speedy. He is really making their Easter special. (Don’t try and tell me that Easter is more about the religious aspects. In a poor village, the chocolate is the only thing making it different than a normal Sunday.) Daffy has pretty good reflexes, as he is able to get Speedy in a net. (Doesn’t slow him down though. And Daffy is yanked through a fence’s knothole.) And a motorcycle isn’t any help. (Not only is Speedy faster, Daffy crashes and flies into a telephone pole.) Daffy tries to corner the mouse by chasing him into the factory. He chases him onto the machinery and winds up falling into the molten chocolate. Now encased in the confection, he can’t stop the mice from taking what is rightfully theirs. They even bring Daffy’s frozen body to their fiesta. Daffy manages to break his head free, but he isn’t mad. Chocolate has magical calming powers, and his attitude has adjusted. He’s just happy to be there.

Another intermission! What does Daffy want this time? Flowers! Cue the paintbrush. Now a “Daffy-dil,” (Which looks like a daisy with Daffy’s head. Or rather, Daisy Duck!) Daffy figures things couldn’t get worse. Then a giant bee is added. (And if you’ve played “Conker’s Bad Fur Day” you know why this is bad. That bee isn’t going to eat Daffy, that’s a different kind of hunger in his eyes.)

Daffy Flies North

Well, that’s a boring title. But it is what he is doing. But he’s not enjoying himself. He decides to forgo on the whole instinct thing, and find another way to get north. Heading down to the ground he makes a three point landing! (If the pitchfork only had more prongs, he could have set a new world record.) Could hitchhiking work? Kind of. The car in question is full of hunters and hounds. How about sneaking onto a chair that is being towed by a car? Again, it kinda works. Daffy still ends up in a lake. But there is still hope! A horse! He could ride it! But it’s not willing. (A horse can drink, but you can’t lead him away from water. Or something like that.) Daffy can’t really get on the horse, and besides he really does need a saddle. He does get one on the equine, and ties it (and himself) on so they can’t be ejected. It works at first, but since he can’t hold on, he slides under the animal and repeatedly hits his head on the ground. And I guess the horse would rather die than be used as a mount, as he heads into a lake. (Daffy is forced to carry the beast out. And I guess it was really cold as he is blue upon exiting. I suppose it could be due to lack of oxygen, but that is a little too dark. Either way doesn’t explain why the horse looks no worse for the wear) His next try lands him on a bull. (Sadly not THE bull from Bully for Bugs That would have been such a cool cameo! Daffy is chased onto an airplane. He kicks back, happy to have found an easy alternative to flying, which was flying. Except, it was headed back to South America. Right back to winter. (Since I don’t live in the southern hemisphere, I guess I can’t fathom it being cold. Even in winter, won’t it be at least seventy degrees?)

Well, that’s all for the new shorts. Daffy tries to get even with the paintbrush by shaving its bristles, but it shaves him instead. He is then painted inside an Easter egg. The brush is nice enough to paint a door on it. (Despite the fact it painted a sign to not open until next Easter.) Daffy tries to escape, but seeing the brush outside, he decides its better to just wait. (Being a bird, living in an egg is probably very soothing.)

A Connecticut Rabbit in King Arthur’s Court (A.K.A. Bugs Bunny in King Arthur’s Court)

Never again do I take directions from Ray Bradbury.

Produced, Directed, and “Plagerized” by Chuck Jones; Music by Dean Elliot. A TV special released in 1978.

Bugs is on his way to Georgia for a peanut festival. But somehow, he has burrowed his way into medieval England. (Which he mistakes for Pittsburgh, due to all the smoke.) Said smoke is coming from a dragon which is being chased by Elmer as a knight. Finding the tracks leading to Bugs, he concludes that the dragon is a shapeshifter. He takes Bugs as a prisoner. They ride: to Camelot! But there aren’t any jovial singing knights here. Just the king and his knights. The king in fact looks a lot like Daffy. And Merlin looks an awful lot like Yosemite Sam. (Also, I think he stole Yen Sid’s hat and dyed it black.) Elmer offers up his catch to the king. Merlin suggests they kill the “dragon.” Not really caring about any of this, the king permits it. Bugs is set to be roasted, when he realizes that this all seems like some kind of Mark Twain story. He asks the varlet, (played by my pal Porky, who for some reason is having an even more difficult time speaking than usual) what day it is and finds that its the day that a solar eclipse happened. He demands to be set free, or he’ll blot out the sun. And boy is it ever an eclipse. One can even see the stars. The king is horrified and offers half his kingdom to the rabbit to undo his work. Bugs complies. Once gone, the king thanks Bugs and offers him something even better than half of his kingdom. A whole 32nd of it! Bugs declines and only asks that he be given a dragon. The king complies, Merlin is angry, and Fudd is convinced this was all a trick. So what did Bugs want with a dragon? He decided to open up his own armory, and uses the dragon’s flame to create steam, which in turn he uses to make electricity. Turns out Bugs was way ahead of all those types who needed to know how to train their dragons. They act just like any other animal. Feed them, and they’ll spend most of their time sleeping. (Yes, he alludes them to cats, but that sounds like pretty much every animal ever to me.) Being a rabbit, he specializes in armor for animals. Foxes, (why not?) Deer, (which he says can be outfitted for moose and elk as well. I should hope so. Since those ARE deer. Also antelope.) Tweety birds, (pratical) Mice, (it even has a little “S” on the chest. Wonder what that stands for) Cats, (to not play favorites, and besides it offers protection from dogs) Flies, (which Porky does point out is going to hamper the animal’s flying skills. Which will leave it as nothing more than a walk.) Roosters, (to prevent people from chopping off their heads. Everyone loves eating rooster meat) Rattlesnakes, (which don’t need armor, but hate being left out) and Porcupines. (Because it’s not like they have quills or anything. Also, he struggles to say it, while Porky has absolutely no problems) But his practice is put on hold, as Elmer finds his dragon and attacks. When Bugs goes to confront him, Elmer assumes Bugs is just in his rabbit form again and challenges him to a duel. Bugs and Porky versus Elmer and Merlin. And the king is loving every minute of it. They start off jousting. Bug’s lance is so long that he pole vaults over Elmer and chases Merlin into a moat. Charging again, he uses a magnet to remove Fudd’s armor, and he ends up chasing Merlin into the moat. Elmer fires an arrow, but Bug redirects it and it chases Elmer and Merlin into the moat. Then the two use a catapult, but Bugs launches the rock back with a spring and the two end up in the moat once more. (And Bugs calls Merlin out on using a cannon, seeing as gunpowder is yet to be invented.) As he leaves for a coffee break, he finds what he believes to be a carrot peeler. It’s really Excalibur and Bugs is recognized as the true king. Porky bows. Elmer and Merlin also bow to the true cartoon king. And the current king even willingly hands over his crown. (A duck as king really is ridiculous.) And so Bugs just adapts to living in a different century. All hail King Art-Hare! (The pun IS mightier than the sword!) 

Bugs Bunny’s Bustin’ out all over

Naughty, you might like to know, is natural for little kids.

 Written, Produced, and Directed by Chuck Jones; Co-Director: Phil Monroe; Music by Dean Elliot. A T.V. special released in 1980.
Written, Produced, and Directed by Chuck Jones; Co-Director: Phil Monroe; Music by Dean Elliot. A T.V. special released in 1980.

With the summer solstice tomorrow, it seems like a perfect time to talk about this special. There are three new shorts never before seen in theaters!

“Portrait of the artist as a young Bunny”

It starts with school being let out for the summer. Bugs is as excited as the children, before remembering that he hasn’t been in school for years. Distracted by this, he crashes into a tree and has a flashback to his youth. Sort of like a sequel to “The old grey Hare.” (Or prequel if you prefer.) A young Bugs is excited for summer and so is a young Elmer Fudd. He asks for us to be very quiet, and Bugs asks why he should. What is in it for him? Flustered, Elmer tries to bribe him for his silence, which Bugs uses as a great segue to start asking us viewers for money. Later, Elmer ends up walking off a cliff. (Look at those flowers behind them. They are either at the top of a beanstalk or are really tiny) Bugs points out that gravity will be his undoing, but Elmer is immune. He hasn’t studied gravity yet. Bugs leaves a book about said subject out for him, and like all children during summer vacation, Elmer happily jumps into some learning fun. Now fully understanding the “gravity” of said situation, he falls through the air now when he walks off a cliff. Wile E. makes a cameo telling him to let an expert fall first. (I don’t know what he’s doing in this time period.) Bugs isn’t about to let a kid fall to his death though, and leaves a spring for Elmer to land on and propel him back to safety. While grateful, Elmer isn’t going to let that stand in his way of being a great hunter. But all too soon, Bugs has reduced him to tears. He decides that he has no other choice but to quit cold turkey. Bugs acts as an enabler and gets him to break his fast almost as fast as he started. Elmer returns with a rapid fire model of his pop gun and fires rounds upon rounds into Bugs. This crashes him into a tree again and he comes out of his stupor. Bugs figures that he and Elmer were the first to start chasing each other, wherupon he sees a baby coyote chasing a very fast egg.

“Spaced Out Bunny”

Bugs loves nature, but it doesn’t seem to love him. Flowers wilt, rocks roll, and a butterfly is ready to start something. Even the trees bark at him. (Dogwood) Luckily, Bugs’ luck changes when he spies a carrot just waiting to be eaten. He takes the bait, unaware that it was a tranquilizer carrot that was part of a trap concocted by a one Marvin the Martian. He is pleased with his capture saying that Hugo will love Bugs. (Hugo? Where have I heard that name before?) When Bugs comes to, he finds that he is no longer on Earth, and that he is not going back, lest he upset Hugo. Marvin caught him in the Himalaya’s. He is that very same abominable snowman Bugs and Daffy met. (Despite the fact he melted.) Bug’s is not happy to be in such a situation again, and tells Hugo that he doesn’t want a rabbit. He wants a robot. Marvin is a robot right? Not really. But Bugs has another idea of what he could be used for, and soon Hugo has a “Mickey Martian” watch all his own. (What a way to go. Marvin has no air, and is forced to be in pretty uncomfortable situation.) Bugs then asks Hugo if he is any good at throwing a Frisbee and challenges him to throw one to Earth. Hugo takes Marvin’s ship and gives it a good hurl towards the blue planet. Bugs is along for the ride, and makes it back home safely.

“Soup or Sonic”

To finish up our special, we have the continuing exploits of the Coyote and the Roadrunner. Wile E.’s schemes this time include riding many firecrackers, (the middle flies without him, he lights his tail, it flies off without him) throwing a Frisbee, (from Freleng Manufactures. That’s a really good joke.) using a giant sheet of flypaper, (and catching a giant fly-squito with teeth who wraps him up in it) and throwing an explosive tennis ball. (Which doesn’t seem clear on when it blows up, seeing as it hits several things and doesn’t go off. He is forced to hit several times to keep it away, but it ultimately lands next to the rest of them. Then it goes off.) Eventually, he chases the bird into a pipe that gets smaller as it goes along, and the two end up shrunk. He alerts his prey to this and the two run back to get bigger. The Roadrunner is soon back to normal. Wile E. isn’t so lucky. He doesn’t notice things are amiss, until he tries to dig into the giant bird’s leg. Unsure what to do next he holds up a sign, “You always wanted me to catch him, now what do I do?” (Can’t help but think this would be funnier if he hadn’t already pulled out the dining utensils. As if to suggest, he was only chasing the bird this whole time because we wanted him to.) 

Bugs and Daffy’s Carnival of the Animals

Wait’ll you hear MY arpeggios!

Produced, written, and directed by Chuck Jones; Production Design by Herbert Klynn. A TV special released in 1976.

The first television special for the Looney Tunes! Bugs and Daffy are going to play parts from Camille Saint-Saëns’ “Carnival of the Animals,” And quote the poems Odgen Nash wrote about said music. I love animals, I love animation, and I love music. Throw chocolate and video games in there, and you’ve got my nirvana. Things start rather rocky as Bugs and Daffy argue on the pronunciation of the man’s name. Bugs says it correctly, while Daffy insists it be pronounced phonetically. Porky (making a quick cameo) arrives to tell that the show is starting and Bugs walks out on stage, getting tons of applause. Daffy gets none as he enters. The conductor begins and the two take their places each playing a piano. (Not all of the pieces are here, but they got a good number of them. Besides, pianists don’t belong at a carnival of animals anyway.)

Lions: This part is drawn in a simplified style as we see a pride of lions heading off into a cave. Inside, only their eyes and roaring mouths can be seen. (Kinda creepy to be honest.) These are also some pretty lively lions. You’d think they’d be sleeping in the day.

Roosters and Hens: Daffy and Bugs introduce this part by wearing gloves as combs. (Daffy still not get any any love) It’s a shame Foghorn couldn’t have made a cameo at this part. The chickens peck and crow.

Wild Jackass: (Daffy throws in the the mule couplet Ogden wrote as well. Which is kind of weird. Camille made a part about donkeys AND mules? Why not include horses, ponies, quaggas, zebras, hinnies, zedonks, zorses and unicorns as wells? Carnival of the equines.) Instead of showing any animals at this part, we just see a carousel with color changing donkeys. (Did you know that female donkeys are called Jennys? When I first heard that, I told the only Jenny I knew. Luckily, she wasn’t really offended, and years later, she gave me a ride home from school.)

(Passing by the elephant for now and skipping the tortoise altogether)

Kangaroos: (I should mention that Bugs and Daffy don’t admit they are quoting Mr. Nash and instead act like they are making up the rhymes on the spot. Daffy challenges the rabbit to rhyme boomerang. It’s a good thing Australians enjoy kangaroo-meringues.) Represented by a couple of kangaroo silhouettes jumping to the music. (They have to jump because they are incapable of walking)

(More skipping around to…)

Birds: (Wait, we already had chickens. Which by the way, are BIRDS! Luckily Bugs and Daffy don’t play the parts of the cuckoo and the swan. I guess Camille just meant Passerines. Songbirds to you commoners) Daffy likes this part, as he himself is a bird. (His neck stripe is orange in this special) The birds sing in a piece that looks like it came from “Yellow Submarine”

(Backing up a bit)

Aquarium: Bugs and Daffy seem to be having fun together now. (Bugs is speaking with Daffy’s voice for some reason) The music perfectly conveys the idea of submerging under the sea. (For the longest time I thought this was the “Harry Potter” theme. I’m glad I never told anyone they were the same.) Since they didn’t claim to only be fish, we are also treated to an image of a (demon) whale, a sea star, and a jellyfish.

(Now we get to the…)

Elephant: (What’s with Nash’s words here? How are the elephants teeth upside down? Teeth can grow upwards) This part looks like it came from a schoolhouse rock video. (For some reason, a few of the elephants have purple eyes that stare into my soul. More creepyness)

(Back in order…)

Fossils: How nice of Camille to include extinct animals as well. No reason they should be left out of a carnival saluting them. Nash’s poetry is actually kinda scary here. Imagine being alone in a museum at midnight, and suddenly all the fossils start to sing and make music with their bodies. (Even Daffy is hiding during this part) The animation here is just some rough images of dead things. Not just dinosaurs either. I spy a hominid skull, a mastodon, and a plant fossil. (Why is that there? Carnival of the ANIMALS! The botany parade is next week.)

Finale: My favorite part! Something one can dance to! (Still my favorite part of “Fantasia 2000” Heck, I’d like a whole movie set to this music. But I suppose that would take a lot of the fun out of things. The music here kind of outright tells you what to picture, as opposed to letting you come to your own conclusions.) It’s like a Rhythm Heaven Remix with the animals of the previous pieces returning to strut their stuff one more time.

The two pianists finish and leave. Daffy is still not getting any of the attention he deserves. Why ever not? Seems the audience is comprised of nothing but rabbits. (Who better to perform “The carnival of the Animals” to, than animals?)

Bugs Bunny’s Looney Christmas Tales

Merry Christmas to all!

 Executive Producer: Hal Geer; Bugs Bunny sequences Produced and Directed by Friz Freleng; Road Runner sequence Produced and Directed by Chuck Jones; Written by Friz Freleng, Chuck Jones, John Dunn, and Tony Benedict; Sequence Directors: Tony Benedict, Bill Perez, David Detiege, and Art Vitello; Voices by Mel Blanc and June Foray; Music by Doug Goodwin. Released in 1979
Executive Producer: Hal Geer; Bugs Bunny sequences Produced and Directed by Friz Freleng; Road Runner sequence Produced and Directed by Chuck Jones; Written by Friz Freleng, Chuck Jones, John Dunn, and Tony Benedict; Sequence Directors: Tony Benedict, Bill Perez, David Detiege, and Art Vitello; Voices by Mel Blanc and June Foray; Music by Doug Goodwin. Released in 1979

Happy Holidays! Here’s a Christmas special that stars all your favorites! (Except Daffy.) It starts with Bugs having some problems with his carolers. Besides Ehlmuh’s obvious speech pwobwems, we h-have P-P-P-Porky s-st-st-s-st-having problems spitting out the words, Fog-ah say, Foghorn getting off the beat. Music that is! Et Pepe chante “Alouette” à la place. The only one who wouldn’t have a problem is Sam, but for whatever reason, he declines to sing. (Why though? We clearly saw him singing a few seconds ago.) Well, whatever. We’ve got three new shorts made specifically for this program to enjoy. 

“Bugs Bunny’s Christmas Carol” Not as good as “Bah, Humduck!” in my opinion, but enjoyable nonetheless. Scrooge is played by Sam with Porky as Bob Cratchit. Bugs is playing Fred. Kind of. He comes in to the establishment and annoys Sam with mistletoe. He also gives Porky some much needed coal to warm himself with. But Sam’s cat, Sylvester sees the pig warming himself, (Although it looks like Porky is smacking his butt at the cat.) and alerts his master. Sam angrily takes it back. Bugs next comes in with Elmer, Foghorn, and Pepe to sing but Sam has reached his breaking point. He throws them all out and fires Porky. (Don’t make me leave Red Hot Ryder’s head in your bed, Sam.) Grateful for Bug’s efforts regardless, Porky invites him to dinner. Porky naturally has a family of his own. (A stud like him? It was easy!) His wife is Petunia of course. (You know, according to Walt, Mickey and Minnie are married. I’m going to say that Porky and Petunia are too. It’s canon now.) They have three children. (‘Atta boy, Porky!) One I’m going to guess is played by his nephew, Cicero, from the comics, the girl is most likely Priscilla, from “Bah, Humduck”, and the last is Tiny Tim. Played by Tweety. Apparently, he’s so small because he is fed birdseed. (Porky!) But Sam’s evil deeds are not over, as he forecloses the mortgage on Porky’s house. Since I’m not born yet to let Porky’s family move in with me, it’s up to Bugs to save the day. He tries the kind way first with more carols, but Sam chases them away. Well, that was the diplomatic approach, guess there’s no other choice but the hard way. Now that he’s awake, Sam tries to relax with a hot bath. Not wanting him to burn himself, Bugs thoughtfully fills the bath up with snow. Later, Bugs dresses as a ghost to scare Sam. (Seeing as how he probably never had a partner, he doesn’t pretend to be anyone Sam knew.) While searching for the source of the noise, Sam trips over Sylvester and they both end up outside. Returning back to his warm bed, Sam agrees to let Sylvester stay with him. That’s sweet. But Sylvester and his color-changing nose, beat it when Bugs appears before them. He tells Sam that he is taking him to see the man in the red suit. (Although it’s not Santa, that guess was only one letter off) Fearing for his soul, (although I do wonder what would have happened if Sam called Bug’s bluff,) he dresses as Santa and gives money to everyone he sees. He even makes Porky his partner! A Christmas feast is enjoyed by all! (Sam still doesn’t like kisses though)

After the commercial break, Bugs compliments Sam on his acting. Sam admits that his acting was just that, and starts demanding his stuff back. Meanwhile, the feast is being watched by two sets of hungry eyes. Them belonging to Wile E. and the Roadrunner. Seeing as they’re not invited, Wile E. chases the bird into our next short.

“Freeze Frame” Wile E. is reading a fascinating book: “Everything you’ve wanted to know about roadrunners but were afraid to ask” (That’s on my Christmas list.) Turns out, being a desert animal, the Roadrunner (Semper Food-Ellus) can’t function in cold climates. So Wile E. (Grotesques Appetitus) orders a machine that can make snow. It only lands on the coyote, so he just switches some signs around. Even though the short “Beep, Beep” said that roadrunners can’t read, the bird follows the sign pointing to the desert and ends up on top of a mountain. He really is out of his element, and ends up stranded on some ice. Wile E. skates over, but ends up sawing a hole around the bird. Seeing as this a cartoon, everything surrounding the cut part sinks, and the bird surfs back to shore. He next orders some sled dogs to help him chase down his prey. The poor things are kept in a crate with no air holes! So naturally, they’re a little cranky. (That, and it appears that they love Coyote meat.) Riding a rocking horse with a lasso only gets himself tied up and landing on some train tracks, and trying to crush the bird with a snowball had him get caught in it and soaring off a cliff. He wishes us a Merry Christmas before the short ends.

Back with Bugs he has his carolers hold a note. It’s then that his nephew, Clyde, reminds him of his promise to tell him a story. (Clyde really was a character in a couple of shorts. But there he was voiced by Blanc, and here I think he is voiced by Ms. Foray, seeing as he sounds a lot like Rocket J. Squirrel.) Seeing that his carolers are gasping for breath, Bugs dismisses them and decides now is a great time to go tell said story.

“Fright before Christmas” Up at the North Pole, Santa is waiting for his suit to finish drying. (Since it is air-drying, I think he’s not going to be too happy to wear it.) Meanwhile some pilots are flying their cargo over the North Pole. Contents: One Tasmanian Devil. (Aside from the plot, for what reason are they flying this animal over the Pole? Where is he being delivered to?) He breaks free and jumps out of the plane. (Don’t worry, he grabbed a parachute) he lands in his Santa’s suit and launched into his sleigh. Scared, the deer try to run off taking Taz along for the ride. Meanwhile in an actual house, (I guess it belongs to Clyde’s parents. Or Bugs just prefers a roof over his head in Winter) Bugs is reading Clyde “The night before Christmas” Everything seems to be just like in the poem. Except there is a mouse stirring: Speedy with his cocoa. When they hear “Santa” up on the roof, Bugs sends his nephew to bed. Taz comes down the chimney, and Bugs offers him plenty of food. By sheer coincidence, he has deviled ham, deviled eggs, and devils food cake. Not really. He just has milk and cookies. Taz takes them anyway, and begins to eat just about everything else in the house, while Bugs reads him Clyde’s outrageous Christmas list. (Which among other things, contains a solid gold football, and a little brother. You’d think as a rabbit, he’d already have both. Aren’t rabbits well known to be associated with their young and karats?) Seeing as “Santa” is still hungry, Bugs offers to make him some popcorn. Impatient as he is, Taz eats it before its popped. (Probably shouldn’t have done so in front of a roaring fireplace) He then makes to open a gift that is clearly not for him. Bugs sets up a holiday gift exchange and offers him to trade for a much bigger gift. He unwraps it outside at Bug’s suggestion and finds just what he wanted: more food. (Well, it’s really a self inflating raft, but Taz has a strong imagination) He floats away and Clyde, (who I guess was secretly witnessing the whole thing) bemoans the fact that “Santa” left without giving him anything. (I hate when kids act that way. From now on, he only gets birdseed to eat.) Bugs and him then decide to return his sleigh. Not only is it the right thing to do, Santa just might let Clyde get first pick at the presents.

We end with Bugs and his carolers (Foghorn’s head is white for some reason) getting a sleigh ride from Taz. (It’s kinda weird seeing him being used by Friz, but poor Bob had been dead by two years at this point, so he couldn’t really help out) It’s a nice gesture but it still ends with Taz eating the sleigh. (My favorite part is how they didn’t notice it happening.)

Merry Christmas from your own, Dr. Foolio! I’ll be checking in one more time before the year ends! Enjoy those holidays!

What’s up, Doc? A salute to Bugs Bunny (part 2)

“And dats the end.”

Alright! Whose been waiting for this? *cricket chirping* I don’t mind that most of my fans are crickets. When we last left Bugs, he was now the #1 cartoon star in America. Chuck Jones says he was always concerned with his character. He established the fact that Bugs is a pretty easy going guy. Get him angry and it’s your funeral however. Fiz says that even with that, they still needed him to be fun to watch and listen to. After showing “Hair raising Hare” Friz tells about how he thought Elmer was an idiot. That’s why he created Yosemite Sam. We are then shown Sam’s debut cartoon “Hare Trigger.” We also are told that one thing that makes Looney Tunes so great is that they are fun to hear as well watch. After mentioning the not talked about enough Treg Brown and Carl Stalling, we learn that many live action stars helped model for Bugs. It also sings praise to some of Treg’s greatest sound effects. From the *Zrp* of a character running off, to the *fwefwefweefwefwe* of a character spinnig, to the *hubbida hubbida* of something going up and down fast. No doubt that his most famous was the *Bay Whoop* for iris-ing in and out. We also learn that Mike Maltese, Ted Pierce, and Warren Foster were the shilouettes that appeared in many shorts. Then we learn of the man himself, Mel Blanc. His debut in “Picador Porky” and Clampett telling us of his carrot allergy. They say that he was almost every main character. Except Elmer, played by Arthur Q. Brian. They even mention how Elmer was modeled after Bryan for a few shorts. (not the only time it’s happened. Remember “Wackiki Wabbit?” the castaways were caricatures of Mike and Ted. Thanks to SuperJNG18 for this tidbit) Finally we are left to wonder Bug’s future. Personally, I think he will continue to be the king of cartoons. For as long as the human race shall live.

What’s up, Doc? A salute to Bugs Bunny (part 1)

Our documentary begins with Friz Freleng telling us of the first Looney tune character, Bosko. Bob Clampett tells us how they ended up in termite terrace and why they named it that. Tex Avery tells what it was like working for Leon Scheslinger. The narrator says that altough the cartoons were great, they wouldn’t touch Disney until they created our favorite bunny of all time, Bugs. It then plays “A Wild Hare.” We are told about what inspired Bug’s habits of chewing on a carrot and declaring war. It’s also discussed that proto-Bugs was very different from the one we know today. ( By that i mean Classic Bugs) He was extremly hyper, and pretty much was a Daffy Duck in a bunny suit. Mel Blanc explains how he came up with a voice for Bugs, and we are also told that it took awhile to give Bugs his name. “A Corny Concerto” is talked about being a Fantasia parody, and how Tex was the anti-Disney. “The Heckling Hare” is shown next and we learn that Clampett took over Avery’s unit when he left for MGM. We end our first half, by seeing Clampett’s last short with WB, “The Big Snooze.”

Bugs Bunny Looney Tunes All Star 50th Aniversary pt. 2

sorry for the wait. it was an expierament to see if anyone came here and would ask for it to continue. fun fact: no one did. so screw it. David Bowie gives reasons why he will not work with bugs and the great Mel Blanc explains how he created a voice for bugs to use. Steve Martin makes note that all comedy has been influenced by bugs and Chuck Yeager points out bugs doesn’t get hurt. Quincy Jones tells that bugs can get girls but he doesn’t want to, and Billy Dee Williams shows some of Carl Stallings talent with sound effects. This may be a weak entry but i doubt anyone will comment on it anyway.