A 1975 documentary, narrated by Orson Welles of all people. It begins by showing us many of our country’s greatest landmarks. (The U.S.A. for anyone foreign visiting) One of which, is the studio that we know as Termite Terrace. The birthplace of the greatest cartoon character ever, (Porky may be my favorite, but based on greatness I can’t argue) Bugs Bunny. After showing us the short “What’s Cookin Doc?” Clampett tells us that the cartoons were made primarily for adults. (And yet, Watch mojo didn’t know this, putting Looney Tunes as the number one cartoon series made for kids that adults watch. morons) We see alot of awesome merchandise too. I want most of it. Okay, I want all of it. We learn that they were the only animation studio in the WB lot and as such, they were close to the greats. Clampett actually recalls seeing Jolson put on his make-up for the Jazz Singer. (Isn’t it a shame that the first talking film had racsism in it?) Being so close, meant that the stars would freqeuntly poke their heads in, to see what was being drawn. Doing this so often, of course meant that they would be caricatured. Clampett was teamed up with Tex Avery and they named their new HQ Termite Terrace. (So named, because of the dilapidated state of the place) They had good times as Tex and Friz Freleng tell us that they basically did waht they wanted. We’re then shown the short “A wild hare.” (Which for some reason is called THE wild hare here.) From the mid depression to the end of WWII was what they considered their golden age. A time when most of their characters were born. Back then, they had to be their own models for their drawings, so they could sketch the faces just right. We’re also told, tht despite the fact Bug’s carrot looks like Groucho’s cigar, the bit is actually based on Clark Gable eating a carrot in “It happened one night.” Saying that watching that scene, they didn’t see Gable, only a giant rabbit. They also acted out the scenes too, as we see Avery pretend to be a scarecrow. Mentioning Carl Stalling, we actually see some of his scores. But it’s more fun to listen to, and we are shown “A Corny Concerto.” (Finally. A short I talked about) But of course, Bugs wasn’t the only star there, as Clampett explains that Tweety was based on his own nude baby photos. He also mentions that the censors complained about Tweety being naked, and yet, they never noticed that Porky had no pants. (Porky is too cool for that) To end off part 1, we are shown the short, “I taw a putty tat.”
Part two will come someday. If you’re reading this in the futrure, then it may already be here. Go check it out.