“Monte will do no such thing!”
Directed by Robert McKimson; Story by Warren Foster; Animation by Emery Hawkins, Charles McKimson, Phil DeLara, Rod Scribner, and J.C. Melendez; Layouts by Cornett Wood; Backgrounds by Richard H. Thomas; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released on April 1, 1950.
You know, I’m disappointed. You see, my Mother was happily showing me something on “Instagram” the other day. Someone had posted “The Lion’s Busy,” there, and judging by the comments, everyone was enjoying it as they should. But get this, they were all referring to Beaky as “Buzzy Buzzard.” And really, this could have been avoided if YOU bothered to tell anyone about this place.
Okay, that was rude, and I apologize. Why don’t we honor BEAKY the right way, by discussing his final picture?
Late at night when diurnal birds slumber, a mysterious figure leaves something on the doorstep of a pair of English Sparrows. Come the morn, Monte, (the male) finds it is an egg with a note imploring him and his wife, Gwendolyn, raise the baby known as Beaky. (Whoever that shadow was, they’re not coming back, and their name was apparently “Big Beaky.”) Monte has no interest in adoption, but the Mrs. is taken with the egg, and so they will keep it.
When the hatching occurs, Monte is none too pleased. Only a mouse would grow to love the adopted son he never wanted. But Gwendolyn won’t let him dispose of it, for you see, if “The Ugly Duckling” has taught her anything, this chick will grow up to be beautiful. Isn’t that swee-did she just admit that she thinks the kid is ugly? Et tu, mama? I think I’ll have to beg to differ. Can we get a picture please?
Yeah, no. I’m right, BEAKY must be adorable.
And yet, the narration doesn’t seem to agree with me, stating that he grows up to still be ugly. What’s worse is that BEAKY is now at that age where he really needs to be eating meat. Monte still hates the kid, but loves his mate and promises to help catch the lad a chicken. BEAKY however, isn’t too keen on flying, so Monte has to saw off the limb he’s sitting on to get him to the ground. Now, on to the chicken farm.
Monte’s plan is to go inside and throw the hens out to BEAKY. But wouldn’t you know it, chickens are much larger than sparrows, and he doesn’t succeed. So, he has a new plan: he’ll willingly get a chicken to chase him, and BEAKY can smash it with a mallet. As you’d expect, Monte ends up smashed. But a gentleman never raises his voice in anger, and he keeps the calm demeanor he has throughout the picture. (It’s actually quite funny how calm he talks. Speaking of voices, his wife barely emotes, and BEAKY sounds more like Goofy than Mortimer Snerd, here.)
Monte (who’s wing/hand actually disappears at the 5:38 mark. See if you can catch it.) resorts to using a grenade. BEAKY has never seen one of those before, and tries to give his father what he believes is an egg. Monte makes it quite clear that he doesn’t want it, and unlike I’m pretty sure every cartoon that’s done something like this before ever, BEAKY actually gets the hint. Still thinks it’s an egg though, and decides he’ll hand it over to his mom.
She does know what a grenade is though, and throws it out of the house and right into the returning Monte. Thus, endeth BEAKY’S movie career. Sad really, I like the little fella. Though I will admit this is my least favorite of the shorts he starred in. In fact, the later the date, the less I think its great. There you go, ranked all his cartoons.
Favorite Part: Monte asking how BEAKY could be so stupid, and the buzzard replying that “I get around.” I like this line not for what is said, but what it entails. BEAKY knows he isn’t the sharpest thing around, but he knows enough to get by, and he’s content with that. It really makes me want to dive into this psyche more.
Personal Rating: 3