There Auto be a Law

“The automobile is the American’s prized possession.”

Directed by Robert McKimson; Story by Tedd Pierce; Animation by Phil DeLara, Charles McKimson, Herman Cohen, and Rod Scribner; Layouts by Robert Givens; Backgrounds by Richard H. Thomas; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Looney Tune released on June 6, 1953.

I don’t much care for cars. They pollute and are too difficult for me to control. I’d learn, but the rest of the world would need to slow down and have a little patience. It’d be much easier to eat my way out of a bowhead whale. In one sitting, yet. But yeah, cars is our focus today. Not the Pixar series that everyone hates too much. (No seriously, “2” is a pretty good film.) Car gags, car jokes, and a car toon. Now that I’ve made the most obvious and trite one, we can see what the professionals have come up with.

We begin with a brief history of the motorized land vehicle. They were originally invented to be a horse that didn’t eat plant-based food. The name ‘Horseless cariage’ seemed a good fit, so they were named thusly. You could whip them just like a horse, so it wasn’t a difficult adjustment. But some cars were more stubborn, and would require four hands to get it moving. (Shoving.) Speaking of, the animation gets really jerky. What happened, Bob? Should I blame Herman?

As is the way of the human, they would get bored with current designs and constantly feel a need to update what was well enough left alone. Okay, so the windshield was an improvement. And the heater. The cup holders too. Everything else was extraneous. The suckers never stopped being expensive, but everyone and their dead relatives wanted one and couldn’t be denied. This led to the invention of something totally unexpected, the traffic jam. Sometimes it’s because of a wreck, sometimes it’s just a manner of too many drivers. This time: it’s a woman reapplying her make-up. (Hey! We know you!)

To try and keep things moving smoothly and quickly, highways were invented. Basic ones with little imagination, to full on clover-leafs. Those are expansive enough to get lost in, and such is the fate of an unlucky driver I’m gonna call Preston. He pulls over at the convenient hamburger stand for directions. If he keeps to the right, he should get out okay. Awfully decent of that man. I’d have said directions only come free with a purchase of a combo meal.

Sometimes roads would need to be built across bodies of water, and tolls would be charged to cross. It’s half price today, because the bridge is half built. You know, I might have called this my favorite part in the narration didn’t explain the punchline. We can see the joke. I’d be willing to let it get as far as saying “Oh, that’s why!” But please, respect my intelligence, and acknowledge my existence. (You really need two people to believe anything before there’s a possibility of it being true.)

Intersections can be scary. Especially the one’s located in Wile E.’s desert. You get in a wreck here, you lose your car and become more closely acquainted with the elements than is comfortable. Our driver stops carefully, looks both ways, then proceeds at an appropriate speed level. One of those people who think they are above fair rules drives right through him. The elements get their prize this time. But the real problem here is: Did Preston get off the loop safely?

He has not. He asks the burger man again and he’s still happy to help. Though, he says to go a different direction and keep left this time. Something wrong here! Maybe it’s as simple as getting kicks from sending people the wrong way, maybe it’s a devious punishment for not buying a delicious burger. Those cows died for you, you know. You really want to tell their calves that mommy died for no reason? No, veal isn’t an option.

We have cars that are good enough for a daily drive about town, but if its speed you need, you’d do better to look into a hot rod. These cars get rid of the all the junk that was just slowing them down, and allows you to attempt a new speed record. 130 mph isn’t too bad, but better can be done. That horseless carriage that goes by whip power humbles you good! It was fast enough to go through time, so you don’t have a chance. Just an overbite.

Parking spaces are where cars go to nap when you have no need of them for the moment. Some people make a decent living placing your vehicle in them while you spend your time entering buildings, getting on subways, and switching cars to avoid the cops. It takes finesse and skill. And not letting the customer notice you can scrunch their car width-wise to make sure it would fit. But there’s some decent folks in the world too. Those who will actually let you siphon gas. Don’t swallow it. It gives you carpox.

Preston pulls over one more time to see if the third time is the charm. Finally, the burger man admits the truth: he never knew how to get off this loop and has been stuck here for a decade. That’s why he built this stand; to fend off starvation. You’ll notice he doesn’t advertise his burgers as  being made of beef. It’s a good thing Preston was the second person who got stuck here today. At least now he’ll have someone to talk to. With no other option, Preston opens a topping stand. When that time traveler’s whip arm wears out, they’ll be just what he needs.

Favorite Part: A man taking careful measurements to be absolutely certain his car will fit into a garage. (Owned by Ken Harris, no less.) This could go several ways: it still doesn’t fit, he puts two cars in, he crashes, or he could really throw a loop and drive away. The right answer: he drives through two trees that weren’t growing far apart enough to pass through.

Personal Rating: 3. I’d like to give it a four, as its one of the stronger gag shorts, but I feel like that’s being a bit too generous. Just pretend I use decimal points and call it a 3.5.

Porky the Giant Killer

“Everything s-seems to happen to me.”

If father wants another, there’s a place I know…

Supervision by Ben Hardaway and Cal Dalton; Story by Melvin Millar; Animation by Gil Turner; Musical Direction by Carl W. Stalling. A Looney Tune released on November 18, 1940.

It seems like a parade is passing through town, but Porky is ever the inquisitive type, so he won’t leave that possibility to chance. He joins the march to ask where they’re going and learns that this is a giant killing party. They’d normally send a tailor, but Porky’s name is in the title. He’s never killed a giant before, but he aims to ruin that perfect record. He’s coming along too, and I admit to feeling safer now. I’ll get a good night’s sleep knowing Porky is always looking out for me. He’s like God, but without all that “mysterious ways” bull.

But seriously, why do we want to kill the giant? Is he a bully? Or has he crushed somebody? Intentionally or not, that’s rather serious. Could it be that his mass is throwing the planet off its orbit and we’re doomed regardless but we’ll die happy knowing we made him bleed internally? No, his crime is even more despicable. He’s castle crashing. It’s never stated, but I’m kind of a smarty. The castle is not built with his scale in mind. This is no mistake on the background artists part; it was purposefully done. The giant has to sleep on various pieces of furniture. You don’t do that by choice.

Don’t be too mean, though. He may be a bad guy because our mob says so, but somebody loved him once. He’s a single parent, and a loving one too. Now me, I’m the type of oddity who thinks scorplings are adorable. With that said, his baby is ugly. But I’m not saying it to the kid’s face, so the figurative s.o.b. is nicer than the literal one. And come on now, any real parent doesn’t need the approval of guys they don’t know or like even like. If the parent thinks they have a cute kid, let them believe it.

The baby has just been put down for a nap and father tries to follow suit, but mobs aren’t designed for silence. Papa can tell there’s someone on the premises. He doesn’t sound too angry. Just a little annoyed that people are trespassing on property he called dibs on. Reminding us that mobs are cowards and wimps, everyone flees at his voice. Porky is stuck behind because they locked the door. Actually, how did the giant get in here? Crawling? You know, I think waiting for him to starve is a pretty sweet solution. Less effort is always awesome. That’s what the world’s been teaching most days.

Trapped with a monster in an enclosed space. Porky is like Theseus, but better. Pigs are always better. Even when a layering mix-up happens and Porky’s right leg appears to be superimposed on a pillar? Even then. Looking for a hiding place, Porky ends up in the baby’s cradle. Curious little creature, ain’t he? Instead of crying over being disturbed, he tries to grab Porky who switched to hiding underneath the cradle. Then he bites the kid’s hand. Gross, but awesome. Show him who’s boss!

It may have hurt, but sucking on the finger cures all. And exposes the baby to any diseases Porky might have been carrying. But that’s a long-term solution to this problem, so Porky has to babysit in the meanwhile. He plays games, gives bottles, and reminds the child that if he wasn’t an infant, Porky wouldn’t be showing mercy. Biting doesn’t count. All kids should get bitten by something before they turn five. Helps them realize that the world doesn’t care, life hurts, and I promised I wouldn’t talk like this again, didn’t I?

Now, do any longtime readers know what the worst aspect of children is? Do any longtime readers exist? Answers: 1. They are loud and not in a pleasant way. 2. If there are, they’re very shy. The kid will not shut up. Porky is able to calm him down by playing the baby’s piano and singing him the English alphabet. It’s a pretty catchy song disguised as a lesson. Why hasn’t anybody invented one for the numerical digits? Answer: 1. Because nobody really likes math. Anyone who says they do, are really just enjoying the fact they were able to conquer it.

As any good parent would, papa was attracted by his son’s cries. He’s pleased to see Porky entertaining his child and tries to get him to come talk. He doesn’t actually use words, and Porky is still afraid of him, so a chase through the castle begins. Porky ducks out a window, but the giant’s arms pull the same trick, leaving him stuck between the two. They make a grab, but Porky slips through the grasp and lands in the moat below. Too bad the panic is making him forget he’s a swim champion. Shore is just right there!

The giant appears and drinks the moat. With Porky high and dry – except he’s not really either, – the giant captures him. His plan? For Porky to sing him and his son to sleep. The downside is that he isn’t allowed to leave. Should’ve just talked when you had the chance, pal. You might have gotten paid. See you at visiting hours.

Favorite Part: Porky throwing a ball in the child’s face. I’m allowed to laugh because it happens after Porky tells the baby he won’t hurt him, and I’m pretty sure he was just trying to instigate a game of catch. That’s our loophole, your honor.

Personal Rating: 3. Some might argue it should be a two, but they don’t count.

Porky’s Cafe

“I’m eh s-sorry, we have no d-demitasse, sir.”

Supervision by Charles M. Jones; Animation by Rudolph Larriva; Musical Direction by Carl W. Stalling. A Looney Tune released on February 21, 1942. (Chuck’s final black ‘n white.)

Porky’s cafe? I’d eat there! You would too since I’d march you in at knife-point if you refused. (I don’t have a gun.) Seriously though, folks, this place is the best. The meals they serve are made from real ingredients that do what real ingredients do if you don’t eat them: rot. I’m sure the prices are reasonable, and the owner himself plays waiter so he can see his patron’s happy smiles. And he doesn’t even have Daffy on hand to potentially screw things up. No, the chef is played by Conrad of all characters.

Conrad makes such sumptuous pancakes. Fast, too. The secret is to work to a beat. Conrad would kick donkey at Rhythm Heaven. The downside to his quick style is that the ‘cakes don’t always land back on the griddle. They’re on his hat. He figures this, but in trying to grab them, only manages to get the hat. Guess he’ll have to make more. Fast, too, as they’ve got a customer. I’ve seen some reasonable facsimile of this guy before. He shouts for attention, but the animation doesn’t suggest that. Genuine funny, or humorous mistake?

He orders up some alphabet soup. I’ve never had that, but as long as it contains zero bananas, I’ll try it. Porky has the broth, but the alphabet will be provided right at the table. Just stick a pancake into a typewriter and hammer out some letters. Warning: consonant eating may result in vowel movements. It’s an odd cut to the patron though; looks like a scene was missing. As soon as he can blow the steam away, he can get to guzzling. Yet, the steam seems hesitant to leave. Almost as if it will die when separated from the bowl.

Conrad’s adding the sugar to his pancake batter, unaware that there’s an ant inside. It’s fun to believe this is the same ant Porky met in Africa, but wrong. And if I’m wrong once, why would you ever trust me to be right anymore? The insect tries her best to not get scooped, but fails and into the batter she goes. The patron now orders a sandwich with every available filling. Since he doesn’t like savoring the exquisite tastes that ballroom dance on your tongue here, he squishes it down, plate and all, and dines à la snakes. It springs back in shape in the stomach. See? Chewing is your friend!

And onto the griddle the ant goes. She hops about in pain while Conrad stares horrified at this unnatural creation. Leg of lamb? Fine dining. Turkey leg? Best part of Thanksgiving. Bacon and legs? Bad pun. Pancake legs? Ew. He grabs for it, and his palm kisses the griddle. Ow. And now the bottomless pit wants t-bone steak, a poached egg, and coffee. Not wanting to make more difficulties for his hardworking staff, Porky scoots off to prepare this meal himself.

Wanna know a secret? Porky doesn’t serve actual t-bones. They are delicious, but the bones of those always end up having scraps of meat stuck to them that you can’t get off without gnawing and being labeled as some type of ravenous shrewman. And if you aren’t eating every bite of the animal that died for your digestion, you’re disrespecting. Porky has a solution! Getting out a ‘T’ stencil, he cuts a delectable slice of rib-eye. (Better than getting a P-stake, right?) ‘T’ is for “Too bad the grill is too hot.” The cow muscle is charred into a teeny, charred, ‘t’. No charge.

He uses machinery to get the egg cooked. A Rube Goldberg style of contraption that sounds like a suffocating babirusa. (I love making you look up new animals.) The coffee is simple: just pour it out of the pot. It’s fresh, full-bodied, and has been percolating since they opened this morning. As the customer find out firsthand, this will make all your bodily fluids bubble along. Now, where the Tartarus are my pancakes? I can’t just have plain honey for breakfast. I’m not Winnie the Pooh. (But I often wish I was.)

Conrad is still trying to contain the horror he unleashed upon the culinary world. Ants already don’t have the best eyesight to begin with, so I don’t struggle to believe she can still manage to avoid capture while in the belly of the yeast. (I know pancakes don’t normally use that, but the pun couldn’t be ignored.) He swings his spatula wildly, and the ant chooses to escape. Conrad notices and chases after. The ant’s legs have gotten longer and stronger hauling the dough around, so she has quite the advantage.

The patron is still eating, and Porky brings out the dessert: a breath-taking, literally heart-stopping, four layer wedding cake; black-forest with cream cheese filling, decadent ganache, and more calories than there are people in China. I was saving it for my wedding, but I’ve finally come to accept that such an event will not occur, and was willing to pawn it off on the first schmoe who was willing to eat it all in one sitting. The cat and the ant bump into the pig, and everything comes together at the patron’s table.

Porky is at the bottom, an apple stuffed in his mouth; the patron comes next, still bubbling; Conrad’s above him, angry, and with pancakes still on his head, (Cat hairs? Double ew); and the ant ended up on top, happily taking the place of the groom. To be fair, my 5,063rd dream come true is put my arm around a woman of marzipan. How come the ants Porky encounters live the life I want to have? Envy of an insect is pathetic.

Favorite Part: You really cold blink and miss it. The moment before Conrad starts wildly swinging his spatula, look at his face.

Frustration at its finest.

Rating: 3.

It’s Nice to have a Mouse around the House

“Justh let resth a moment, mother.”

Directed by Friz Freleng; Co-Director: Hawley Pratt; Story by John Dunn; Animation by Don Williams, Bob Matz, and Norm McCabe; Layouts by Dick Ung; Backgrounds by Tom O’Loughlin; Film Editor: Lee Gunther; Voice Characterization by Mel Blanc and George Pearson; Musical Direction by Bill Lava. A Looney Tune released on January 16, 1965.

I don’t like that title. Too clunky. As opposed to ‘klunky’, which is something in the style of klunks. (A ‘klunk’ is someone or something that does something klunky.)

Speedy is the titular mouse and it feels odd to see him in a modern ’60’s American house. I’m so used to him dwelling in Mexico or a pizzeria. Sylvester gives chase like any cat would, but Speedy leads the chase onto the backyard pool’s diving board, and underneath. Sylvester can’t copycat that, giving Speedy the opportunity to sneak behind and “Yee-ha!” him into the pool. Granny, (marking the only time she encountered Speedy) decides that an exterminator will have to take things over from here.

Jet Age pest control sends over their best duck. Second, actually. The first best was delicious. Thus starting off the Daffy/Speedy match-ups. He’s a bit surprised to hear Granny is having problems with mouse, rather than mice, but she tells him to take a look at her cat and decide what the rodent is capable of. Sylvester is having a nervous breakdown, so Granny is going to take him out of the picture and to the vet. Neatly removing him from the series. (Barring three exceptions.)

Daffy uses a stethoscope to determine the beast’s location. Speedy shouts through it, and Daffy is sent through the ceiling. Found him, then? (A ceiling chunk disappears.) Time to lure the prey out via “Approach B”. Was “A” just reaching in with your hand and banking on the fact you could crush his skeleton? This approach is pretty straightforward: cheese. But Daffy goes the extra mile by setting up a candlelight dinner complete with hue altering chair. Speedy arrives, and Daffy nets him.

Sylvester left too soon! They could have compared notes! He could have told Daffy this method doesn’t work. Let’s approach ‘C’, shall we? Plan ‘C’, that is. (Why is this one a plan?) Glue traps work wonders. And there’s nothing sadistic about making an animal slowly starve to death. It’s adorable to see their strength fail, right? (If you’re reading this dad, I’m still upset about the spider traps you used to place in my room.) Before Daffy can get another cheese lure, Speedy “Yee-ha’s” him onto the ceiling. But not before Daffy can make the right side of his bill that looks like a cheek turn black.

Daffy returns to his manual, reading silently so we’ll never know if ‘D’ if an approach, plan, attack, or order. But the animators get to reuse some animation and cut another cost: poor Mel. The scheme is using vacuum power to slurp up Speedy. Daffy riding it, of all things. (I wish I could do that.) The mouse gets to reuse some of his animation as well, and Daffy rides into the pool. The suction takes all the water, which is more than the bag can handle. It explodes, and Daffy crashes into the now empty pool.

Time for a new tactic! This is the surefire one! A machine that will dispose of whatever you want. You just insert a photo of your target. The one Daffy has changes slightly based on how far the camera is. Going from Honeymouser to Mickey clone. Speedy is rightfully fearful, but he has an ace on him. It turns out Granny has a subscription to Daffy Duck Comics and the machine doesn’t need to eject a current photo to pursue a new target. Daffy is chased throughout town, while Speedy title drops. Do you think his line, or the title was written first?

Favorite Part: During this era, you really have to expect gags to be simpler. It makes a charming miracle when Daffy doesn’t just end up hanging from the ceiling, but falls onto the glue below, gets “Yee-ha’d” back to the ceiling, before he and the chunk he’s stuck to fall down again.

Personal Rating: 2. Who else would have feasibly fit the exterminator role? Elmer? Porky? I guess Daffy was the right choice. (Yes, I know Freleng’s studio was limited on which characters they were allowed to use.)

A Feather in his Hare

“Oh, Harriet! Here we go again!”

Them screwballs.

Directed by Charles M. Jones; Story by Michael Maltese and Tedd Pierce; Animation by Ken Harris, Phil Monroe, Ben Washam, and Lloyd Vaughan; Layouts by Robert Gribbroek; Backgrounds by Peter Alvarado; Voice Characterization by Mel Blanc. A Looney Tune released on February 7, 1948.

An unnamed human of the Native American variety is hunting rabbits. He lets us know this in mock sign language, and fittingly, the subtitles are equally mocking.  This picture isn’t the easiest to watch. Plenty of outdated stereotyping, mixed with an annoying nasally voice. He’s also wearing no shirt, but lacks nipples. Just thought I’d point that out.

And as is common of Bugs’s adversaries, he’s not the smartest. He can talk to a rabbit, face to face, and still be convinced that the rabbit he’s searching for can be found by following the labeled signs. One of which states that there’s also a hare down there. Always great to have options. The man runs all the way home to get his bow and arrows, (raising the question why he didn’t have those on hand already,) and begins his hunt anew. (Woah! Did you see his foot overlap the hole? Neat feet!)

Hiding in the quiver, Bugs keeps calling out his supposed whereabouts, and getting the man to waste his arrows. Have a heart! Those things are expensive! Bugs bends one to make it return to sender, and after the man gets appointed, Bugs says he’s right over there. Bugs himself becomes the next arrow fired, and manages to give a kiss before he’s released. He laughs at his good fortune, but flies right into a tree. Advantage: the man. Bugs finds himself tied to a stake, whilst the man starts cooking some vegetables. Bugs is gonna be force fed and like it!

Being tied up limits Bugs’s fleeing prowess, but he can still hop away. The man, being the agreeable sort, picks up the pot and hops after. Bugs hops away again, the man hops after again. Eventually, Bugs realizes that if he stops hopping, but the man doesn’t, he’ll still end up away from him and his pot. Now that he’s got space to think, Bugs can come up with a new trick. I do like how we don’t get to see how he got untied. We just expected he would be, and the creators ran with it.

Bugs chooses to pelt the man with snow. That’s just cold. Doing so in July, (which is one of the only 12 months worth living through) makes it all the worse. How does he sleep at night? Bugs has a very logical reason though: it’d be too cold to do this in winter. I can’t find fault with that. The man realizes that he’s going to need to use his brain to catch this rabbit, so he sets up a phony barber shop. Guaranteed to be the last scalp treatment you’ll ever need. Not at all fooled, Bugs enters.

And he reads the paper. The man tells him its his turn, but Bugs is also rather agreeable, and tells the man he can go first. He was there before Bugs after all, and Bugs is a fair hare. The man is grateful and takes his seat. Bugs takes the role of barber, and can’t help but think how much more fun this would be with an operatic overhaul. Some other time, perhaps. He knocks the man out with his pocket tomahawk, and sticks him outside the establishment with cigars. Okay. That was pretty funny. And wouldn’t be possible with Elmer.

The man is still on Bugs’s tail, so Bugs decides to use it as an outboard motor. He flies ahead, but stops at a nearby water pump. He’s got an idea! Mixing water with earth makes clay, and mixing clay with heat makes ceramics. (You ever play “Doodle God”? I liked that game.) He breaks his new vase on his pursuers head, claiming his victory over… over… say, who is this chap, anyhow? Just because I’ve been calling him ‘the man’ doesn’t mean his parents did. He identifies himself as you’d expect: the last of the Mohicans.

Bugs calls his b.s. by pointing to the sky. Storks abound with carbon copies of the Mohican. Who says you can’t be born with glasses? (I says: “Those bundles keep changing color.”) Not feeling he’s father material, the Mohican faints. Bugs laughs, but takes the leaf out of his book when he sees the storks aren’t limited to delivering Homo sapiens. What’s more is the amount of young rabbits have: a litter.

Favorite Part: Bugs removing a mousetrap from the Mohican’s hand and declaring that none of the bones are broken. The fingers are bent the opposite way, but they’re definitely not broken.

Personal Rating: I teeter on the edge of 1 and 2, but ultimately lean towards the former. It’s not just the racism, it’s the voice. It annoys me. The score might not be impartial, but it never has been. That’s why I label it as ‘personal’.

Buddy’s Lost World

“Oh boy, oh boy, oh boy!”

Supervision by Jack King; Animation by Rollin Hamilton and Sandy Walker; Music by Norman Spencer. A Looney Tune released on May 18, 1935.

Buddy and Bozo are setting off on an expedition to find a lost world. If you know it exists, is it really considered “lost”? I ask because I care. I’m not the only one. Look at those crowds seeing the two off! They’re either well wishers or scientists. Yep. Definitely none of them are just happy to see Buddy leave and hopefully never come back. That would be a shame. And where’s Cookie?

After traveling for hours I guess, the two explorers spot land. Good thing, as a dog can’t live of human meat for long. Pro tip: bring something to eat when you plan to travel somewhere that probably doesn’t have a 7-11. After getting back to the soil, Buddy checks his map to confirm this is a lost island. He has a map of this place? So, no, it isn’t “lost”. Buddy is just trying to take credit for something the vikings already did. Considering what tomorrow is, do you still wonder why I chose this short?

Bozo starts to sniff and immediately finds a new type of creature that camouflages itself as humanoid footprints. It works great when actual footprints are nearby. Bozo is lucky he found the last of them! While following the fauxprints (Podiprintus incognito) Bozo walks between some fascinating tree trunks. I know I saw a similar gag in the Mickey cartoon “The Moose Hunt”. I’d be happy to call it a coincidence, if the sauropod didn’t start sniffing along after. This is an homage! And a scientific breakthrough! An extant madeupasaurus! The only thing bigger would be finding a live coelacanth.

As Bozo flees, it happens to come across the real inhabitants of this land: humans. Humans that still display some animalistic characteristics, such as burying bones. I wasn’t entirely sure if it was supposed to be a dog with a human face or not, until it refused to get a whiff of Bozo’s scent glands. (Hey, it looked like that was where Mr. King was going with this.) Bozo isn’t a thief, and tries digging up something for himself. The bone he finds still has a majority of its friends with it, and he ends up trapped in a rib cage.

Buddy to the rescue. (He’s been documenting plants.) Help the poor puppy out, would ya? Those whines sound too authentic to be funny. Once he’s taken care of it, Buddy finally catches sight of the human. Forgetting any trepidation he had earlier, Bozo gives chase. Turns out, running on all fours was the most natural way these people could have evolved. It not only makes them twice as fast, but keeps them from developing tools. The first step towards war.

The chase leads to a… chamber. Maybe it’s a hollowed out tree? And the primitive door keeps Buddy out. Not really understanding how doors work all of a sudden, Buddy just calls for the canine to come out. He… he can’t hear you. And excess noise is just alerting predatoooooors. Here we see another marvel of nature. A type of plant that grows in front of these entrances, and feeds on the ones who don’t get shelter. One organism gets fed, and the other gets rid of competition for mates. Perfect mutualism! Buddy is plant food. I’m sure some people are glad he finally found his purpose.

Evolution hasn’t really perfected this plant yet. Instead of having a chamber in which the prey can drown and dissolve, they just go straight to the roots. This works great if the roots come out under ground and the victim has no alternative to inhaling sediment, but this plant has been growing awhile and its roots are starting to poke out of a cliff face. Buddy peers down and sees the sort of lifestyle these primitive humans have. It’s a male dominated society, because hayes code forbid we get to see sexy, stone-age sluts. The hierarchy is built on some kind of rules: you’re either the mount or the rider during croquet. (Or if that effeminate voice is any indication, this is just the village of homosexuals.)

Buddy tries to climb down a tree trunk to get a closer look, but its a sauropod again. Good thing they are vegetarian, and more importantly, friendly. I want one. Having fun feeding an animal, (which really is fun, if not ethical) he doesn’t notice some people have taken notice. … Of him. He’s too busy showing off his superpower: the ability to completely disappear for half a second. It astounds those who can’t blink. The men plan to capture Buddy, and they have just the bait to lure him in: Bozo! They set him on a human-sized mousetrap, a human trap, basically,  and let his cries do the rest.

Buddy falls for it. Oh, I’m sure he would have recognized it as a trap if was smaller and not effective. Not a trap, basically. With the two caught: it’s time to eat them. You know, why do natives always want to eat new people? They obviously don’t fear them, or they’d just kill them and leave them alone. No, it’s always got to be a soup. Maybe they’re just susceptible to colds? Buddy doesn’t try to climb out, because that would be rude. All he can do is call for help and hope one of the nonexistent ladies will find him cute. It may sound kinky, but I’d also choose being a pet over a dinner. (Unless their killing method was fast and painless, of course.)

His cries find the ears of his dinosaurian friend. He’s grown considerably, given the scale he is to the dwellings. And look at that neck! It wasn’t that thick before. And now look at the bottom of the screen. Where did that rock come from? Is it the source of Buddy’s invis-ability? With the natives gone, Buddy’s animal friends shower him with kisses. I bet when he gets back to his boat, he’ll find a different plant ate it.

Favorite Part: When Buddy leaves on his journey. He doesn’t notice his boat is still tied to the dock, and it falls apart dumping everyone into the water. Yes, by “accident” I’m sure.

Personal Rating: 2. You can’t do much wrong with a lost world idea, but why focus on the humans? Why would humans even be there? Apart from the fact it ages more tastefully, there’s no reason the land can’t be Africa and the helper, an elephant.

Bosko’s Dizzy Date

“Come on over, Bosko.”

Bosko and Bruno.

Animation by Rollin Hamilton and Bob McKimson. A Looney Tune released on February 6, 1933.

You know what’s funny? “Porky’s Preview.” You know what’s odd? This short’s history. From what I can gather, this cartoon was originally made under another title, “Bosko and Honey.” It was also meant to appear in 1932. Instead, it got held back due to a good sum of reused animation from older works. Strange, yet, the original print can still be viewed. There’s really no need in discussing the one theatergoers didn’t see. But maybe there’s a parallel universe where things are switched around and I’d be blogging a-

Bosko and Honey

“Make it snappy, Bosko.”

Directed by Hugh Harman; Drawn by Rollin Hamilton and Robert MacKimson; Music by Frank Marsales. A Looney Tune released in 1932.

You know what’s humorous? “Breakdowns of 1939.” You know what’s strange? This short’s history. From what I understand, this was the original print of  a short set to debut, but got the axe for reusing too much older footage. While still able to be seen today, the finished print was a different cartoon entirely. It was titled “Bosko’s Dizzy Date.” Both prints are near identical, but since this was the original version, I’ll only discuss it. They’re pretty much the same thin-

-ney is teaching Wilber the fine art of violining. He’s not enjoying himself, and since this is his final appearance, why not let him spend his time doing something pleasant? I know my eardrums would appreciate it. Besides, his white arm disease might be catching. Quarantine the kid! And are you his guardian? Honey decides she might as well not suffer alone, so she calls up her boyfriend. He’s sleeping, so it falls to Bruno to answer the pho-

-ney asks the dog to rouse the sleepy Bosko, and Bruno complies. He shambles over to the phone, more dead than alive. Just like everyone who wakes up before ten A.M. He perks right up upon hearing his sweet-voiced Honey, and agrees to come right over. Honey goes back to her music lesson, but finds Wilber dancing on the keys. Little brat. Are you his guardian? Spank him! It’s not like he could prove you beat him black and b-

-osko decides to give the atmosphere a bit of a breather today, and bikes over to his honey-voiced sweetie. Whenever he enters a pipe, he and Bruno switch roles. Bosko makes for a rather cute dog. But for Honey’s sake, I hope he’s been neut-

-sounds just like that dog who joins him on the end card. I had no idea he was so good at impres-

-ogress goes backwards a bit when Bruno ends up running in a bit of pipe with Bosko caught on top, but falling into a pit fixes everything. Upon arriving, Bosko hears the affront to music that is Wilber. He decides to demonstrate what tunes and melodies are supposed to sound like via his saxophone. Honey is grateful to hear something that doesn’t make her ears envious of the mouth’s ability to vomit. She sings along while Bosko shows off some classic dance moves. Angry at being put in his place, Wilber empties a tub of water on-

-ater doesn’t dampen Bosko’s spirits at all. In fact, he’s able to blow bubbles just like before. Honey dances down them so she can join her BF on an outing. Have fun teaching yourself Wilber. There are no refunds for your lessons. Honey accepts cash or c-

-aught off guard via the sudden drink, but his bathing suit always appears when he needs it, so none of his good clothes were ruined. Still, as punishment, Wilber is banned from the rest of the picture. Bosko takes Honey on his bike, and they pass through the local barnyard. Scaring chickens, and both entering a barn, but Honey exiting on a steer. That’s the pure essence of comedy: a lady riding a bovine against her free will. Tired and cliche it may be, but Bosko yuks it up. You really need to learn to laugh at yourself, beautif-

-aithful Bruno tags behind with the picnic basket, but those trees are calling to him. I’m lying. The tree he has his sights set on knows full well what he intends to do, and kicks him away. Seems its bark is worse than Bruno’s bark. I think that can be my favorite joke. Bosko and Honey, meanwhile, have made themselves comfortable on a log. Bosko then offends Honey agai

-fails to find the humor in her little mishap, but it’s more than just a figurative storm brewing. The two run for shelter while Bruno is left to get struck by the lightning. Poor little guy. Remember Bosko: dogs should always have priority over lady friends. If they don’t agree, they’re not a good match for you. They take refuge under a bridge, but a nearby pipe still catches Bosko in a deluge. There’s that laugh I wanted Honey to have. Don’t know what was so ‘dizzy’ about this date though. Wasn’t even a torn-

-hat’s where it ends. That was your outing? You really need to get Honey a present to make up for wasting her ti-

-orite Part: The fact that Honey didn’t find it at all odd that Bruno was the one answering the phone. Guess his breed is secretary. Now, the rating I’ll be giving can be applied to the other short as well. That’s-

-onal Rating: 1. Feels like two different cartoons were smushed together because they didn’t know how to end one, and finish the other. I don’t see why they were so afraid to release this one. It was barely changed for i-

-theatrical release. Hope you aren’t too disappointed that I’m not going to discuss both cartoons. The end of the summer season is upon me and I need at least one more dish of ice cream to help me survive eight more months of insufficient heat.

Westward Whoa

“Th-Th-Th-Th-Those k-k-kids must think we’re pr-pretty dumb.”

Supervision by Jack King; Animation by Paul Smith and Ben Clopton; Music by Norman Spencer. A Looney Tune released on April 25, 1936.

This picture opens up eerily similar to the Mickey short “Pioneer Days”. But that’s explainable. Jack worked on that picture too. And Mickey was all color by this point in time, so they probably figured nobody would even remember his old work anymore. Give anything enough time, and you can claim credit as the first human to create it. I think I just need two more years before I debut my novel: “Anna Karenina”.

A wagon train crosses the land. Beans and Kitty are the leaders of this outfit, and they’ve got the most bad@$$ crew available. There’s Porky Pig.

That’s all. But they might as well bring more along for the trip. You can’t make a whole settlement with only three pioneers. The only other ones I could name though are Ham and Ex, making their final appearance. Good for them. Kitty decides they will make camp in this area that has tall shady trees, comfortable rocks, and essential for life water. Everything you need when taking over somebody else’s home.

This calls for a hootenanny! Let the music and dancing commence! Proto-Petunia dances with the last of Goopy’s lineage. They don’t really care for one another, but they are the closest match for the dog and pig dancers from Mickey’s party. Strangely enough, no Mickey clones show up. You’re telling me those guys have dignity? While the adults have their fun, Ham and Ex tell Beans that they will be off playing “Indians” in the woods. People die on these kind of trails all the time, so Beans just reminds them to be wary of the real deal.

Almost immediately, the two think they spot the feathered headdress of what could be a chief. Wild turkey surprise! They change games and start playing ‘Cry Indians’. That’s a serious threat, and the rest of the train gets their firearms ready to defend. Beans takes a shot and the bird loses his biggest fan. What a disgrace to natural art. The pups laugh themselves silly and don’t think to do so where Beans won’t see. I mean, for all he knows, you could have made a genuine mistake. But not now. Dummies.

He warns that a real “Indian” could very well remove your head. Remembering Ex exists, he tells him he too, could also fall victim. (And if you need help remembering “X” exists, follow this link.) This threat doesn’t bother the kids too much, and they start doing “Indian” impressions next. Once again, panic ensues. The adults waste more bullets, and the brats decide this time to hide, so Beans can’t fail to scare them again. Since he can’t find them, he might as well go back to chopping color-changing wood.

Aw, shucks! Looks like the real deal has shown up. The two are able to get him stuck in a log, and beat him a bit, but their cries for aid aren’t taken seriously anymore. I’m all for children learning, so I don’t feel too bad. There are reinforcements around. Some are human, some are canine, and some are frightening combinations thereof. But the chief almost looks like a dhole, so he might legit be Indian. It feels weird not feeling weird to call him that.

Porky is the first to spot the natives. Poor guy is so scared that even his normal speech pattern is a luxury. He finally shouts things out when an arrow gets him in the rear. Even if this land is rightfully theirs, they have a problem with me now. Whoever shot him, come forward! I promise your death will be swift. Excruciatingly painful, yes, but its the best deal you’re going to get. The pioneers fight back.

Ham and Ex are able to still do some good smacking, (that’s a humorous scream their pursuer has,) but he gets a hold of them anyway. The duo’s screams are heard by Beans who I guess was actually too cowardly to fight and was hiding in the woods. Or nature called. They’d be equally funny. He redeems himself by throwing a bear trap like a hammer and pinching the threat’s cheeks.

Not aware that Beans saved their hides, the twins watch the native flee. With their backs turned, Beans seizes the opportunity to give them a taste of their own medicine. You like that guys? Karma’s your mom!

Favorite Part: One settler is getting chased by a native, and saves some time by handing over his wig. Another joke from Disney, but made funnier here by the native happily cheering.

Personal Rating: 3. I do think Mickey’s was better. Mostly because the natives are all rat/wolves or something. Makes them less offensive today.

Bosko and Bruno

“Scram, Bruno!”

Animation by Rollin Hamilton and Paul Smith. A Looney Tune released on April 30, 1932.

Times have been rough for “Bosko and Bruno”. Especially Bosko, but extra-especially and Bruno! Has he ever made one appearance in anything since the MGM shorts? I’ve just decided that I hope he gets a cameo in “Coyote vs Acme”. I’ll put him above Sniffles and the Minah Bird, but below Snafu and both of Chuck’s Ralphs. But in relevant talk, I just meant in the picture named after them. (Which, of course, was neither of their debuts.)

You see, the two are playing tramps in an era before you’d think it natural for a dog to be one. Luckily for us, they’re not miserable and Bosko isn’t one of those people who keeps a dog around for more pity points. They mostly just spend their days walking on the train tracks. Not beside them because there aren’t any sidewalks. It can’t be too healthy. I saw one of and Bruno’s spots change color. Pretty confident that’s carcinogenic. Good thing the trains only run on Sundays.

The two panic when the train approaches. But the shot of the train suggests they’re running towards it. I know you’ve got next to no future Mr. Sko, but leave the innocent dog out of this. Well, and Bruno’s run about all he can, because his foot is stuck in the tracks. Bosko tries to divert the tracks because it’s more ethically sound to inconvenience a train-ful of people than sacrifice a dog. No, really! You can kill like, three people before you’re condemned to Hell, but only one dog.

Since all train engineers have just resigned themselves to an eternity of torment and nightmares, they’ve made sure to lock up the track switch just in case they’re ever in such a situation as this. Despite Bosko’s best efforts, he is unable to change the track and and Bruno is run over. But he’s clever that one! He managed to get himself under the tracks and is no worse for wear. Upset that his dog would scare him like that, Bosko gives chase. But the shot of and Bruno suggests he’s running towards Bosko.

Once in a tunnel, they get scared at the approaching noises. It’s obviously of the bovine ilk, but you really shouldn’t take chances when its dark. Their tunnel vision convinces them it’s another train. Oh! It was just a steer! You guys must feel pretty dumb, and rightfully so. Just don’t screw-ups like that if you want respect. (Forgive me, I forget that they are lucky enough to not live in the real world. Please take me with you! I just want a place where I fit in!)

Bosko takes note of some tracks that aren’t of the train variety and he and and Bruno follow. They lead to a hen in a pen. Let me guess: she was playing Chicken on those tracks, right? Well, she is a chicken, the natural prey of mankind. Eat up. Except, Bosko is too nice of  a guy for that. He just wants her for eggs. But it’s so much fun to watch a dog chase after another animal with every intent to kill! He sends and Bruno after it, telling him not to hurt it. Guess what, you can’t have your chicken and and Bruno eat it too.

Then the hen runs into the lawn mower. I’d just like to remind you that those are feathers coating the yard, but the lack of color can’t prove it. The hen is pre-plucked and and Bruno has two kinds of pelts now. That makes him the peltimate dog, but not the ultimate. That title belongs to the owner of this farm. It’s one of those weird cartoons where half the canines are anthro. And anthro-animals carry guns. Farma’ Pup opens fire on the two tramps, forcing them to flee for their lives. Look on the bright side Bosko: the majority of Earth’s creatures produce eggs. Take your pick. I’ve heard the cicadas’ are lovely.

They hop onto a new train, but they got the last car, and that one is never attached very well to the rest. They careen down an adjacent track. Bosko finally got his wish, but it was granted by a monkey paw that was also a genie. If it was also one of the Greek gods it’d be the ultimate dick combo. (But not the peltimate. I’m going to keep trying to make that a real word.) Another steer gets chased by the two, but runs out of track because it ends at a tree. Curse that genie paw! The steer is flattened, but the other two are okay. Guess this is as good a spot to end things as any.

Favorite Part: And Bruno was pretty cute covered in feathers.

Personal Rating: 2

Bugsy and Mugsy

“Now you’re mad at me again.”

Directed by Friz Freleng; Story by Warren Foster; Animation by Virgil Ross, Gerry Chiniquy and Art Davis; Layouts by Hawley Pratt; Backgrounds by Boris Gorelick; Film Editor: Treg Brown; Voice Characterization by Mel Blanc; Musical Direction by Carl Stalling and Milt Franklyn. A Looney Tune released on August 31, 1957.

You may remember that I had problems with “S.4A.M.” But that’s okay because when Fred visited me back in 2011, I made sure to tell him to tell Friz that if he should ever direct a short like that, he should remake it seven years later. Thus, our current timeline. Sure, it changed history to make it so any attempts at saving Lonesome George were futile, but in the end wasn’t it worth it? No, but at least this picture fixed its predecessor’s problems.

Heavy rainfall has caused Bugs to take temporary leave of his burrow and relocate to the drier confines of an abandoned building. But only abandoned for so long, as Rocky and Mugsy decide to use this place as  a hideout while the cops hunt. All-around good guy and advocate for anybody suffering from karat theft, Bugs takes it upon himself to teach the scoundrels a thing or… actually, he’ll stick with that one thing. Crime doesn’t pay, buckos. Get ready for a hardcore teaching.

While the thieves sleep, Bugs places a phone speaker near Rocky and berates his naivety. Really? You’d leave all those jewels laying around with Mugsy right there on the couch? He may act dumb, but he can get ideas. Rocky slaps the big guy around for that, despite Mugsy’s claim that he doesn’t get ideas. His brain isn’t that developed. Rocky may act placated, but once you plant a doubt seed, it doesn’t die. I suppose you could send a doubt gopher after it, but those don’t move out.

To fertilize that seed, Bugs plants an axe in the sleeping Mugsy’s grasp and warns Rocky that falling asleep wouldn’t be very conducive to survival at this point. The boss gets the weapon and takes the first swipe. Good thing Mugsy gets this kind of abuse on a daily basis. He sees Rocky’s action as nothing more than a joke, but still needs to wear his replacement hat from now on. He’s also a little jumpy from here on out. (Good attention to detail keeping the couch still busted in the next scene.)

Bugs next begins to unscrew a chandelier over Rocky who I’m surprised could fall asleep by this point. Burglary must really take it out of you. (That would explain why the Hamburglar slept for about 20 years.) Mugsy notices this and rushes to get a screwdriver of his own. (Oh. The couch is repaired now. Never mind. This cartoon is ruined.) He gets in place just as Bugs finishes. What a terrible spot to be found in without context.

To put his mind at ease, Rocky hogties Mugsy, and throws him into a different room. Still, those nerves will be jumpy for the rest of the night I’d wager. He catches sight of the saw cutting through the floor at this feet, and Bugs puts the offending article in Mugsy’s grasp. There’s pretty much no way he could explain himself now. Not that’d he do a very articulate job, anyway. The damage is done, and Rocky refuses to sleep anymore. Time to finish things up.

Bugs fits Mugs with some skates, and controls him via horseshoe magnet. He tugs the big lug into Rocky’s mug, who punches him back. So Bugs keeps it up. So Rocky keeps it up. This creates a lot of noise, and it’s not long before the popo pulls up. On their way to jail/prison, Rocky wonders how they were ever found out. Noise, sure, but it was an abando building. Those things always have creepy unexplained noises lurking within. (My money’s on doubt gophers.) It wasn’t brilliant detective work; Bugs labeled the place as their hideout in light-up letters and neon trim. Very artsy.

Favorite Part: A good rule of comedy is to have a quiet character make a drastic shift in volume. Rocky does this when he catches Mugsy with the saw. “I don’t know how youse done it, but I know YOUSE DONE IT!”

Personal Rating: First, why I think this short improves on its forebear. First: The two made to break up are criminals, so they kind of deserve to be punished. Wait, no ‘kind of’. The real world should really adhere to that. Second: There’s no beautiful friendship that Bugs is ruining, despite what Mugsy thinks. Rocky does not see him as an equal. Third: In this short’s continuity, they haven’t met Bugs yet, so I’m not asking why they wouldn’t think he might be behind everything. Improvements across the board. 3.