Author: Dr. Foolio

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Porky and Daffy

“I’m so crazy, I don’t know this is impossible.”

https://www.dailymotion.com/video/x7w1q9n

Supervision by Robert Clampett; Animation by Robert Cannon and John Carey; Musical Direction by Carl W. Stalling. A Looney Tune released on August 6, 1938.

After slapstick, there’s no truer sense of comedy, then the kind you find in the straight man/ funny man duo. Laurel and Hardy. Abbot and Costello. Or maybe my favorite: Daffy and Porky. (Bet you thought I was going to title drop today’s short, didn’t ya?)

They’re living together in this picture, because Daffy is a boxer and Porky is his manager. (So naturally, Porky gets the better mailbox. Helps hold his fan mail. Only 99% is from me.) The paper delivers some decent news. (Wouldn’t that be a nice change? Aren’t cartoons the best?) Looks like there’s a champion boxer who is willing to take on anyone who’s willing to get in the ring with him. This is the break “Porky and Daffy” (Supervision by Robert Clampett) have been waiting for!

Porky rushes to deliver the news to his client, but Daffy is asleep. Quite the heavy sleeper at that. Porky knows what to do! (I love his little idea face. I’ve been copying it ever since I first saw this cartoon back in 2010.) Using only a pan lid and a spoon, Porky wakes his champion fighter up. Let’s skip to the match, shall we? I doubt the training could be half as fun as the fight. Seeing as that’s our next scene, I think Clampett’s team agrees with me. (What’s that white shape in the crowd shot? It’s so conspicuous.)

Who is this champ anyway? That scrawny, skinny, nothing of a rooster? He’s struggling to breathe! Anyone could take this guy. I could take this guy. (To Popeye’s, preferably. The chicken shack, not the sailor man.) Porky puts his pugilistic pal in the ring. This should be a short… uh-oh. Seems the champ was struggling to breath, because his robe was too tight. It had a lot of muscles to cover up. Well, we might as well get started. In this corner: the champ. In the other: Daffy. In the middle: our pelican referee.

Now, this fight might look pretty one sided, but don’t forget: Daffy is a nut. He doesn’t take anything seriously, so he has no fear. (His neck stripe also seems a bit more jaggedy today. Must be mating season.) Okay, I lied. He has plenty of fear and tries to flee. What’s a good manager to do? Talk to your fighter. Use words he can understand. Porky suggests that Daffy get on his bicycle. Being Daffy, he is able to mime one that is fast enough to outpace the terrifying champ. Even run him over. That’s one point! (Boxing uses points, right?)

Wait. Daffy is gone! I may be wrong about the points, but I do know that you can’t leave the ring mid-match. Is Daffy disqualified? Oh, he’s still in the ring. In fact, he’s in something else. The pelican’s bill. This means the poor ref gets some of the punches that were aimed at Daffy. Daffy manages to get away, still avoiding the wrath of the champ. Time to exploit the weakness that every living being, human or toon shares: candy. He offers Daffy a generously sized candy cane. (Daffy: “How’d you know I like lollipops?”)

It’s a trap! A trick! A tricky trap! However you say it, the champ beans Daffy with the confection and this keeps him from escaping once more. He censors his actions, (Awww! Now where will I get my bloodshed fix? Happy Tree Friends hasn’t been entertaining for at least a decade now) and it looks like Daffy’s out for the count. Good thing the ref takes his sweet time counting out the seconds. (I haven’t been this anxious for the count to reach ten, since I last played “Punch Out!!”) Porky begs, pleads, a third synonym for his fighter to reawaken. Oh, look it’s the return of his idea face!

He runs home, as fast as his trotters can carry him. He grabs the secret weapon and hurries back. The count has just passed nine when Porky once more bangs the lid over his duck’s head. Daffy is up and raring to go! The poor champ doesn’t stand a chance now! (As the ref is passed, the speed gets him stuck in his own bill. A joke we would later see shot for shot again in “Porky’s Hotel.” The pelican even looks exactly the same, save for a hat. Must have been his  ex-wife.)

A frantic fight follows, but the champion loses his title. Daffy is our new winner, and by extension, Porky is, since the manager always walks away with accolades. (Just like in that famous movie about boxing, “Mickey.”) I think Daffy must have hit the poor ex-champ a little too hard, because now he is suffering from a nasty case of “Daffy-itis.” (I don’t care if that’s not the correct suffix. It is on my site.)

Favorite Part: The referee asking who wants to fight. Seeing as how he didn’t clarify, he gets no end of thugs wishing to thrash him.

Personal Rating: 4

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Strangled Eggs

“Some pretty posies picked for a pretty pippin.”

https://www.dailymotion.com/video/x3ut5pt

Directed by Robert McKimson; Story by Tedd Pierce; Animation by George Grandpre, Ted Bonnicksen, Warren Batchelder, and Tom Ray; Layouts by Robert Gribborek; Backgrounds by Bob Singer; Film Editor: Treg Brown; Voice Characterization by Mel Blanc; Musical Direction by Milt Franklyn. A Merrie Melody released on March 18, 1961.

Foghorn and me, we agree on a number of things. Most notably, cold weather is a miserable experience that no living thing should have to live through. Especially if you’re living in squalor the way Foghorn is. But, you know, Prissy has a pretty nice place, and she is always pining for a husband, maybe pretending to be into her could allow Foggy to crash at her coop for the worst season nature ever spawned?

Not much is needed for the plan to go off hitchless. Foghorn gets in quite easily, and it looks like his cold problem is solved. (Not like Prissy would say much if given the chance. Her dialogue in this picture is nothing but her trademark “Yes.” and a few “No’s.” What a sad way to make your final film appearance.) Hark! A knock at the door. And an abandoned child. We know him as Henery Hawk, but Foghorn is convinced he is food. (Eating children left on our property. Another trait we share)

You might think Foghorn is just trying to adhere to the rule of “eat or be eaten” but he really does think Henery is a squab. The little hawk is quick to correct him, and Foghorn immediately tries to kill him for being a predator. (Who is also making his final appearance on the silver screen.) Prissy may not have a variable vocabulary, but she is smitten with the chick nonetheless. He is staying as her own. So, let’s see: Foghorn can either choose to die by beak, or die by sleet. (After which, I’m sure Henery would still eat him.) Neither sounds very pleasant.

Alternative time! What if Foghorn took the kid outside, under the pretense that he is teaching the child about how to be a chicken? Then they’d be out of Prissy’s sight, and she wouldn’t have to know if anything bad were to befall her foundling. She allows it, and Foggy takes Henery out for some training. And at first, his efforts seem sincere. He takes Henery up high for some crowing practice, and despite having an opportunity to push Henery off, and die via gravity’s hand, (because if he’s young enough to be left on doorstep, he’s also too young to fly) he actually tries to pull if off without a trick. Henery uses the height to try and hang the rooster.

Too dark? Henery quickly transfers the chicken to a cauldron, and prepares to make a meal. Foghorn escapes and berates the kid. Leading to some interesting thoughts from his tormentor. He’s not trying to kill the ones he is being raised by, but the scent of chicken is awakening his primal instincts. (And really, is it his fault that chickens are so dang delicious?) Enough philosophy, back to the original plan of trying to kill the bird. Foghorn tries to pass off sitting on grenades, and finding landmines as sitting on eggs and scratching for food, respectively. (They backfire of course.)

Well, if Henery is going to be a chicken, (which it looks like he has accepted) Foghorn is going to be the hawk. (Even managing to glide on thermals! Where was this guy in “Chicken Run?” Oh yeah, a different continent.) Henery flees to his mother, and the two take shelter, leaving Foghorn to crash face first into the coop he so desperately wanted to live in at the beginning.

Favorite Part: When Henery reveals that he is a hawk. Foghorn immediately grabs a gun.

Personal Rating: 3

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Porky’s Garden

“That’s a some-a nice garden.”

Supervision by Fred Avery; Animation by Sid Sutherland and Elmer Wait; Musical Direction by Carl W. Stalling. A Looney Tune released on September 11, 1937.

Big prize at the fair! If you’ve got a home-grown product, and it’s big enough, then you could be the lucky recipient of $2,000.00! (And we have to adjust for tax. You’ll still get to keep a buck.) Porky has plans to win with his produce. His Italian neighbor, (who I get to name Carlo because nobody else has in 83 years) also plans to win  with his chickens. There can only be one winner, who do you think will take it?

The two rush home. Porky does something I’ve never seen him do before: use his tail to poke holes in the ground. It looks… unnatural. (Does he ever make use of that appendage again?) His neighbor already has most of his work done, as his chickens have reached the adult stage. It couldn’t hurt to give them a bit more nutrients. Mixing up a mess of vitamins and minerals, he expects the birds to gobble it down. However, even though they have less than 500 taste buds, they still hate the stuff.

Porky has a secret weapon. A substance that can cause living things to grow really big, really fast: hair tonic. It works all right. The plants immediately age from seeds to full grown seed producing plants of their own. Just like that! Porky’s earned his rest. He goes inside. Luckily for him, Carlo didn’t see his growing methods. Unluckily, he does see a bounty of food that his hens could feed upon. Logically, anything that grows that big has got to be good for you. Should promote bone growth, muscle strengthening, and probably more of a sex drive.

The birds dive in. Food gags! (And yes, sometimes, food, gags.) One chicken sucks the juice out of all the tomatoes. Another squeezes peas right out of the pod. A third isn’t interested in salad, and just pries a worm out of an apple. (She knows what happens to chickens that go to fairs.) Porky becomes aware and tries to chase the birds off his property. (I notice one seems to disappear before my eyes. It must be a poultrygeist. I don’t care how many people have made that joke before me.)

(It’s a million, isn’t it?)

Porky, rightfully so, asks his fat neighbor (yes, I went there) to collect his birds. He asks them to come back. They don’t. Clearly, he’s done all he can do. (He’s also not too sad. Contests are more fun if your victory is assured, you know.) Porky mopes. Wait, what could be on the end of this vine? *Gasp* A pumpkin!  Granted, I’ve seen larger, but as long as they aren’t at the fair, Porky could still win! The chickens aren’t satisfied, and try to eat this last gourd too. Good thing Porky played football in high school. He makes it past the chickens, and runs off to the fair because I guess the contest is today. (He’s so excited that he phases to the right for a millisecond.)

Carlo calls the birds back proving that he was screwing with Porky earlier. (That fat b@$$turd! Yes, I went there!) The fair seems really popular this year, they’re even playing “The Merry go round broke down.” (Because it’s a funfair.) Since they are free range, the chickens just walk behind Carlo as he strolls to the contest. They pass a barker who has an interesting product. Reducing pills. His sign promises they will make you thin, but his demonstration is a bit more confusing. He gives one to an elephant, and granted, it shrinks. Into a mouse. Wait.

Okay, I looked at the taxonomic chart my species has created. That doesn’t add up, it’s just Avery having fun. Oops! A bottle has spilled open and the pills are spilling in front of the chickens. They still have room to spare, and gobble the pills. (Except one that fades away. So many goof-ups today!) Porky is just about to win, when Carlo shows up. (His hens look much more large than they did half a second ago.) The judge takes Porky’s prize away. (Yeah, um, the contest was clearly over if you were handing  out the prize, and why such a large bag for one dollar? Is it given in pennies? Jerk.)

Oops! The pills kick in. The birds shrink. Back to pullets, back to chicks, back to eggs! Iris out.

Oh wait, things need to be set right. Porky is on top of things, and reverses the ending a bit to grab what is rightfully his.

Favorite Part: Even though the chickens are supposed to be a team, one refuses to share a watermelon with a chick. The little one sobs, but finds some spinach. Not only does this make him stronger, but actually turns him into a Popeye caricature! Speech style included!

Personal Rating: 3

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Road to Andaly

“You crazy sthtupid bird!”

Directed by Friz Freleng; Co-Director: Hawley Pratt; Story by John Dunn; Animation by Norm McCabe, Don Williams, and Bob Matz; Assistant Layout: Homer Jones; Backgrounds by Tom O’Loughlin; Film Editor: Lee Gunther; Voice Characterization by Mel Blanc; Musical Direction by Bill Lava. A Merrie Melody released on December 26, 1964.

Apparently, this short’s working title was “Tequila Mockingbird.” I won’t lie, I like that one better.

It’s a well known rule of the universe: Sylvester can’t catch Speedy. He certainly does try, but the mouse is too fast, and his “Yee-Haw”‘s are liable to scare one over a cliff. Still, there’s gotta be some way, right? Otherwise, Sylvester is going to lose all respect for himself. Oh, what to do, oh, what to do?

Luckily, it’s not too weird if Sylvester just walks into a pet shop with intent to purchase one of the animals within. (Now that I think about it, is there any rule that says pets can’t own pets?) Sylvester opts for a falcon. (Because this pet shop has those. They’re kept right between the okapi’s and the tuataras.) The bird’s name is Malcom. This should definitely tip the scales, as the peregrine falcon is the world’s fastest animal. (Although, looking at his plumage I’d say that Malcom is really a merlin.)

Sylvester sics the raptor on the rodent, and Malcom does seem to have an easier time keeping pace with Speedy. However, he is currently keeping a rather tight grip on Sylvester, and the putty tat gets dragged into a cactus. New rule! When Sylvester says “Let Go!” Malcom should do just that. He’s a quick learner too, as the next chase goes very similar to the first, and just like it, Sylvester demands to be let go. (Once he realizes how high they really are, he asks to be caught. Too bad Malcom hasn’t learned that command yet.)

As Sylvester whispers to Malcom, Speedy, naturally wants to know what its all about. Sylvester won’t share, so Speedy tries to play it cool by saying he has his own secret. Better than theirs, and he keeps it under his sombrero. He asks the two to not peek while he naps. Sylvester is angry at the suggestion He would never go over there, peek under the hat, and learn what is under it. That’s why he has a falcon to get it for him. (He’s also abashed at how dumb Speedy was to trust him with his hat.) The secret: a firecracker.

Malcom is ready to call it quits as any non-anthropomorphic predator would. Sylvester can’t let him do that. It’s an insult to his species. Surely the next chase will be a success! Actually, Speedy has a trick ready. Pouring salt on the bird’s tail feathers. As the legend typically goes, this should immobilize the bird. Malcom looks scared, but Sylvester pours some of the seasoning on his own tail to prove the claim as false. Although, as  mammal, it should have no effect anyway. (Would that trick work on any and all birds from choughs to tinamous? Science should look into this.)

According to Speedy, as soon as they wiggle their rear ends, their tails will fall off. (Oh. That wasn’t what I was expecting) They give it a try, and it works! They are officially tailless! (From Malcom, this is really just an embarrassing inconvenience. Sylvester just lost a limb.) The two have no choice, but to head back to town for glue. As for Speedy? He really should have kept that salt in a safer location. It pours on his tail, works its magic, and he has no choice but to follow his pursuers back to town.

Favorite Part: The ending. It’s refreshing to see Speedy fall victim to his own scheme for once.

Personal Rating: 2

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Nelly’s Folly

“The world’s fist singin’ gyraffe!”

Directed by Chuck Jones; Co-Directors: Maurice Noble and Abe Levitow; Story by Dave Detiege and Chuck Jones; Animation by Richard Thompson, Ben Washam, Tom Ray, and Ken Harris; Backgrounds by Philip DeGuard; Film Editor: Treg Brown; Voice Characterization by Mel Blanc, Gloria Wood; Musical Direction by Milt Franklyn. A Merrie Melody released on December 30, 1961.

This tale begins in Africa. Precisely, in one of its jungles. Mistake number 1: there’s a lion. Mistake number 2: there’s a warthog. Mistake number 3: there’s our titular star, Nelly. She’s a giraffe. Now that we’ve got the mistakes named, let’s move on to the rest, because it really is sensational.

Nelly isn’t like your normal giraffes. Chewing cud, and splaying her forelegs out to drink. Well, okay. She probably does those things too, but she has a more unusual talent too: singing! Yes, she can sing! In fact, she attracts quite a crowd from the other animals. They love her voice. And because she has the longest neck in the animal kingdom, her voice can carry for miles around and attract all kinds of public. Including a human. It looks like he came here to hunt, but a member of the Artiodactyla Order that is capable of producing music? That’s even more valuable than some taxidermy trophy!

He offers to help her get discovered. I guess he is a talent scout on the side, because he already has a contract on him. (Even more incredible: Nelly knows how to sign it!) It is with tears in her eyes that she leaves the continent she has known all her life, but she has a gift, and must share it with the world. (Hey, why is a tiger seeing her off?) Next stop: New York City! Her first role: a commercial jingle for some cure-all tonic that probably does jack all. You may think she got scammed, but this is pretty accurate. Even for a giraffe. You have to start at the bottom, gain some notoriety, and then you move on to the big stuff.

It pays off. Her commercial gig leads to lead roles in musicals. Then comes the merchandise. Clothing inspired by her, and albums. Lots of albums. Soon, she is attracting bigger crowds than ever before. (Usually consisting of background of people, with images of clapping hands pasted over it. Stylistic.) She has fame, good looks, and is known the world over! (Probably.) Why is she so unhappy? Well, I’m no giraffe psychiatrist, (at least, not anymore) but I’d wager that these people may love the idea of her, but they don’t love “HER her.” Life is lonely. (That I can attest to.) She can’t enjoy success without someone to share it. (Agents don’t count.)

As she mopes, she finds herself in the zoo. And just look at that fetching bull giraffe! She may have just laid eyes on him, but she knows what she likes. Wait, he’s already in a relationship? That’s a bit of a turn-off, but loneliness is powerful. (Again, I know this well.) She begins to see him, but does this ever cause problems. Of course it makes headlines! The biggest, tallest star getting involved in such a scandal? The public won’t hear of it! It’s well documented that they will accept anything starlets do, except infidelity. In fact, at her next performance, she finds an empty house. Everyone has abandoned her. Her fans, her agent, could her boyfriend be next?

Yep. Now that she’s lost her notoriety, he wants nothing to do with her. (Luckily for him, his original cow easily forgives. I guess if he can be so shallow, so can his mate.) Here’s where the cartoon gets dark. As the narrator explains, “those who remember Nelly, like to think she went back to Africa.” Notice that? They like to THINK that. Seeing how its being said as she lingers on a bridge, could it be that Nelly actually jumped? (No wonder this cartoon was an Academy nominee. I mean, I guess Maurice Noble’s brilliant backgrounds played a part in that. And there’s no shame to losing to “Ersatz” That film deserved to win.)

Even if it never really happened, we see how things would turn out if Nelly did return home. She’d be sad, but at least surrounded by her old friends. They too feel bad for her, because they are true friends. But wait! Another giraffe! Another male giraffe! Another SINGING giraffe! But the absolute best part? He looks faithful. The other animals feel the love in the air, so I’d wager he’s for real. (I love the warthog taking an aside glance to realize he is hugging his predators. He probably has just realized that they have no intention of letting go.) I hope this is the canon ending. It’s a great reward for Nelly, the world’s only singing giraffe. (As far as humanity knows.)

P.S. There’s no “That’s all Folks!” end card. That doesn’t happen often.

Favorite Part: The reveal of Nelly’s true love. You’ll first think it’s just another shot of her, since only the legs are shown. But then his baritone joins her song, the color comes back to her life, and everything looks like it will be all right after all.

Personal Rating: 4

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I was a Teenage Thumb

“Oh boo-hoo, oh hoo.”

Directed by Chuck Jones; Co-Director: Maurice Noble; Story by John Dunn and Chuck Jones; Animation by Bob Brnasford, Tom Ray, Ken Harris, and Richard Thompson; Layouts by Bob Givens; Backgrounds by Philip DeGuard; Film Editor: Treg Brown; Voice Characterization by Mel Blanc, Julie Bennet, Ben Frommer, and Richard Peel; Musical Direction by Bill Lava. A Merrie Melody released on January 19, 1963.

This post would not have been possible, without contributions from Mr./Mrs./It’es AX. I thank you for your help.

Once upon a time, there was a couple. (But a couple of what, I couldn’t tell you. I think they’re humans.) George and Prunehilda Thumb are their names. George is quite content with the way his life has turned out, but the Mrs. doesn’t share those sentiments. She wants a child, and subtly hints this to her husband by knitting enough booties for all the infants in the world of 1963. Even then, George refuses to put out, (okay, so maybe she’s just impotent.) so she has to contend with making the local animals wear the garments.

Once upon a later time, a magician walks by their place. His name is Ralph K. Merlin, Jr. (He has that name because his mother married a Merlin, and he couldn’t be more creative when naming his child.) He’s actually quite skilled. His hiccups have the extraordinary ability to transform himself into other things. Dragons, cows, prams, babes, and cars, all with two legs! But he can do intentional magic too. He just so happens to hear Pruney making her umpteenth wish for a child, even willing to settle for one that’s the size of her thumb. Mr. Merlin decides to help out, and impregnates her with magic. (So, does that make him the father then? Or did he magically transfer some George juice into the lady? Am I ruining this picture for you? I’m sorry.)

She knows. She immediately knows. The cartoon has proved my theory that females always know the instant they are expecting. (One of the many superpowers I’m convinced they have.) She tells her husband she believes her dreams are going to come true, as the magician leaves. (Still hiccuping, still changing.) Some time later, her son is born, and he is indeed, small enough to warrant his last name. (I’m not sure a baby that size would require nine months to cook, but I’m also not entirely sure how magical insemination works.) George may be a bit shocked, but he’s good father, regardless and helps raise the child.

But you know what is the hardest part of having such a small child? Cats love to eat babies. It’s a well known fact, but most of them are so big, that the feline can’t get much more than a bite before the child’s screams alert the parents. It’s not everyday a cat is able to locate a child that requires only a swallow. The cat sneaks outside where witnesses are near zero, and attempts a snack. Swoop! Grasp! A bird takes the child for itself. Birds love babies, and loathe cats, but are known to drop the former. As long as there’s no water below, I’m pretty sure, Tom will survive.

Water? On this planet? What are the odds? Well, as long as there’s no fish-Oh no! A fish! Fish love babies even more than cats do, but eat them less because of the whole “most of them can’t breathe out of water” thing. (Someone really should wake a horror movie about walking catfish. It’d scare me.) Tom looks like a goner, but that fish just so happens to be the same fish that was caught for the local king. And either the king likes them raw, or the oven’s flames couldn’t harm Tom through all that flesh. Tom is alive and is found by the king.

The king decides to shower this child in luxuries. I guess he’s swayed by how cute Tom is? (Mr. Jones is well known for drawing cute infants.) Eventually, Tom is made a knight and is capturing dragons and defeating giants with the best of them. (Small dragons, you understand.) Eventually, Tom marries, and he and his wife have a child of their own. (I’m glad the stork is always a viable option in cartoons. I shudder to think how things would pan out otherwise.) Ironically, Tom’s child is the size of HIS thumb. And this continues down the line, with each following child being the size of the parents opposable digit. (Might want to stop, guys. Things could go too far.)

But whatever happened to Tom’s parents? Well, I guess Prunehilda is still unintentionally cheating on her husband with magicians, because she’s taken to knitting again. This time though, the booty is bigger than she is. (She’s probably just messing with George.)

(Right?)

Favorite Part: When the king decides he’s going to give Tom the good life. Knowing that his decision is random at best, he sternly declares that nobody argue with him.

Personal Rating:3

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Buddy’s Showboat

“Hello sweetheart!”

Supervision by Earl Duvall; Animation by Jack King and James Pabian; Music by Bernard Brown. A Looney Tune released on December 9, 1933.

Yippee. Joy. Another Buddy short. And? It just might be the worst one. My verdict is still out, but it’s in the running.

Look at that boat maneuvering. That, combined with Buddy’s obnoxious smile tells me that the guy is high as a cirrus cloud. I mean, you know you’ve got a goofy look on your face when even I want to beat you up. Just a little. Buddy’s the captain, which means his lady must have a pretty important job as well. I mean, a potato peeler? That’s got Nobel Prize written all over it. Rounding out our crew, is that fattish guy we saw in “Buddy’s Beer Garden.” (Or it could be one of his identical sextuplets. Probably the most successful one.)

Actually, I don’t know if he works on the boat or is just some free (wide) loader. I don’t know, do employees normally cut their toenails with knives? Looks uncomfortable to me. Do you ever get tired of the constant racist jokes found in early cartoons? Well, here’s something different to feel uncomfortable about: a gay joke! See the smaller boat next to Buddy’s? You know how we know it’s homosexual? Because it’s a ferry! Ha! That’s… not really all that funny. I usually enjoy puns to some capacity, but that was just weak. I guess giving it wings would have been too obvious?

Okay, Buddy. What’s your plan? Oh, you’re docking to show off your entertainment. A parade full of oddballs and weirdos, playing music, making fools of themselves, and other ways one advertises your showmanship. Seems like the crowds have bought the pitch, as they come by the ferry-load to attend the show. As one would expect, Cookie is our main selling point. But before any of you horny, lonely, nobodies think you might have a chance with her, remember that she is already dating the captain. They even send kisses over the phone! (It’s rather nauseating. One of the few times I’m ecstatic to be single.)

Let’s see this entertainment! The couple doing a song and dance with a chorus line behind them. That’s it? I’m still not sure I’ve gotten my money’s worth. (Also, those other women are either several feet in the distance, or I’ve once again forgotten how short Buddy and Cookie really are. Maybe both? I like it when the answer is both.) Next up, more racist imagery! Chief Saucer-Lip. Yes, really. *Heavy sigh* That’s degrading. Buddy, you degrade people. At least he can do a fairly decent Maurice Chavalier impression. (He might still be able to get a career after the last of his dignity is used up.)

Cookie watches from backstage. Finally, this cartoon gets  a bit sexy! Panty shot! What won’t we do to offend? I hope it’s worth it for when the Haye’s code serves our heads on squeaky clean platters! Blimpy uses this opportunity to nab her. He doesn’t make it too far before the captain catches on. Surprisingly, the big lug doesn’t stand much of a chance. He lands a decent punch, but Buddy flies right back and sends his puncher into the ships power switch, giving him a shock.

Buddy knows he can’t punch worth a dime, so he swings a boat into the man. This sends him into the trained walrus cage, who treats the man as a toy. (Um, everyone knows that a walrus doesn’t have six flippers, right? We all know? Good. I was worried.) With the big guy pretty much defeated, Buddy uses the boat’s crane to lift the villain onto the paddle-wheels. A great many spankings is just what he needed.

Favorite Part: Blimpy tries sending a kiss to Cookie via phone, like Buddy. She sends him back a punch.

Personal Rating: 1

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The Goofy Gophers

“Commando tactics.”

Directed by Arthur Davis*; Animation by Don Williams, Manny Gould, J.C. Melendez, and Cal Dalton. A Looney Tune released on January 25, 1947.

*It was started by Clampett, but the man left the studio, leaving his animation unit to fend for themselves. When they were handed off to Mr. Davis, they finished the short under his supervision.

What’s this? A short named after its title characters, that also happens to be their debut? That doesn’t happen! Not here! And yet, here we are. Who would have thought?

It is indeed the first appearance by Mac and Tosh, but I’m getting ahead of myself. First, I must set the scene. Picture a vegetable garden. A lovely, pristine vegetable garden, full to bursting with mouth watering goodies. Crisp, crunchy carrots. Leafy, green spinach. Plump, dirt-covered potatoes. It’s enough to make you hunger for a Sizzler.

With such a bounty of edible treasures, you can expect thieves. Whoever owns this place has thought of that, and has a watchdog on standby. He’s a thespian. (The dogs in these cartoons usually are.) He also would like to sleep, but he hears munching in the fields. Yep. Gophers. Goofy Gophers. They’re gray and white, their eyes tend to melt into their fur, and Blanc and Freberg seem to no be entirely sure which one of the two they’re voicing. Humble beginnings, indeed.

The dog, (who will also get a name. So we’ll call him…) Ian, tries to get close to them disguised as a tomato plant. They aren’t easily fooled, and smash him with a pumpkin and a shovel, before diving back into their hiding places. Safely underground, they continue their produce pilfering. Ian lies in wait as the scarecrow, and gets dragged under too. He is returned almost immediately, as they aren’t quite privy to dog food.

As the rodents continue to munch, Ian’s paw walks over to them disguised as a rather fetching gophette. Proof that Mac and Tosh aren’t gay! (Unless they’re bi, but really, who cares? Only losers spend time considering animated characters sexualities.) The two each get a dance with the “girl.” Ever the polite ones, they don’t get jealous of the other and happily trade off between rounds.

I don’t think they were ever fooled, as they rip the puppet off to reveal what was hiding underneath. Such rude behavior, to play with their emotions like that. That deserves a mousetrap. Okay, Ian has taken about all he can. Time to blow those two to kingdom come! Disguising the explosive as a carrot is a great way to avoid suspicion. Ever the clever pair, they halt the kaboom, and supply their own with a paper bag. It’s enough to fool the dog, who feels he has finally succeeded in his task. Time for a well earned nap.

Well, if Mac and Tosh want to eat without him breathing down their pelts, they’ll simply have to get rid of him. Since he’s a heavy sleeper, it’s not too hard to load him into a rocket launcher and send him off to the moon. (It’s the always the most polite who are the most savage.) Well, now the place is all theirs, right? Not if Bugs has any say in it. Now, they’ve met their match. (His voice sounds a little too high pitched. What is in those veggies?)

Favorite Part: The gophers wearing bonnets made out of the food they’re stealing. Referring to each other as “Carmen” and “Amber” is the carrot icing on the carrot cake.

Rating: 4

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Hop, Look and Listen

“I never thought just being a pussthycat could get stho complicated.”

https://www.dailymotion.com/video/x3dx3ip

Directed by Robert McKimson; Story by Warren Foster; Animation by Charles McKimson, Manny Gould, and I. Ellis; Layouts by Cornett Wood; Backgrounds by Richard Thomas; Voice Characterization by Mel Blanc. A Looney Tune released on April 17, 1948.

At the zoo, most of the animals are sleeping. The only one who isn’t is the kangaroo joey. Seeing as how all children think sleep is boring, he hops out of his mother’s pouch, out of the cage they share, out of the zoo they live in, and begins looking around. If you haven’t guessed yet, this kangaroo is Hippety. Making his film debut.

His exploration leads him to Sylvester’s house. The cat is doing some fishing. Er, I think you can call it that if you aren’t going after fish. His method is baiting hooks with cheese, and throwing it into a mouse-hole. He manages to get a bite, and he reels it in, but the poor little thing is just that: little. Not worthy of being of meal. He is spared today, but Sylvester still laments the lack of larger mice.

Hippety enters and gets himself in walls. (I’m honestly surprised that he can fit back there.) He gives Sylvester’s line a tug, and the cat ends up pulling out the marsupial, meeting him for the first time. He measures his catch. Yep. That’s what we in the business like to call a “bigg’un.” He runs from the house, screaming. In the yard, he blabbers to the bulldog about what he has just witnessed. The pooch isn’t pleased to hear this, and sends the cat back in to face what he fears.

Sylvester tries catching the joey in a bag. He manages to cover Hippety, but still ends up going for a wild ride. He is thrown out again. The dog, believes he is doing what is best for the cat, and sends him back in. (At least arming him with an axe as well.) Sylvester still fails, but starts thinking. If this really is a mouse, (which is definitely is. I mean, mice are well known for being at least three feet tall.) then that means, as a cat, he should be able to win. Time for a montage!

It’s brief, but it’s a montage. Sylvester does some exercises to get himself in fighting shape. Maybe he didn’t train enough. Maybe cats just can’t stand up to the awesome power of Osphranter rufus. Whatever the reason, he is thrown out once more. Looks like Hippety’s fun will end though, as his mother has come to claim him. Just then, the dog enters to take on the mouse himself. He freaks out upon seeing a “mouse” that is even larger than Sylvester saw, with two heads to boot!

He packs his things, takes Sylvester with him, and leaves. As he puts it, when you see mice that size, it’s time to get on the water wagon. (Which they literally do. Beats walking.)

Favorite Part: The final time Hippety throws Sylvester out. The background artists actually took the time to be consistent, and draw the windows from the previous throw-outs, still broken. That’s pride in your craft, it is.

Personal Rating: 3

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Daffy Dilly

“Sthufferin’ sthuccotash, what am I waiting for!”

https://www.dailymotion.com/video/x26r55g

Directed by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam, Lloyd Vaughan, Ken Harris, and Phil Monroe; Layouts by Robert Gribbroek; Backgrounds by Peter Alvarado; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released on October 21, 1948.

It sucks to be a novelty salesman. Despite having all manner of wondrous ways to chase away doldrums, nobody bats an eye at your wares. They never do. They never will. Yet, Daffy continues to try and peddle the wares he was given to peddle. Squirting flowers, joke books, rib ticklers, and chicken inspector pins. (Hey. Those are guaranteed to attract the ladies. Not like rubber chickens. I’m speaking from experience.)

It’s getting so the only way one can make an honest living is to save a millionaire’s life. But what are the odds- it’s then that Daffy hears a very interesting new bulletin. Seems there is a very rich type, a millio-somehting or other, who isn’t doing so well these days. Like every rich person ever born, ever going to be born, he is joyless. In fact, he hasn’t laughed in fifty years. He’d give a million bucks for just one laugh. (Wow. What are the odds?) Daffy has heard all he needs, so he sets off for this J.P. Cubish’s mansion.

Daffy makes it to the premises, but that was the easy part. He’s now gotta get past… the butler. Actually, that might not be too hard, as after a sampling of Daffy’s merchandise, he admits the duck permission to see his master. Or not. The door he has Daffy enter leads right back outside. Daffy tries alternate entrance methods. (A grappling hook. A rope swing. The ole chimney entrance.) Each ones fails. (Catches the butler’s teeth. The butler cuts it. The ole fake chimney gag.)

He may be a tough nut to crack, but every butler has a weakness. This one’s is alcohol. Upon finding what appears to be a package of champagne on the steps, he sneakily plans to chug it all. He doesn’t notice that the bottle was Daffy until the duck is already in the house. A chase ensues, and when it looks like Daffy is caught, he changes tactics. Playing like Bogart, he begins asking some pretty good questions. Why would the butler try and get rid of someone who wants to save his master’s life?

Maybe the butler is just get flustered because of the angry duck accusing him of devious, dastardly doings, but really, why? I think Daffy is on to something. If Cubish never recovers- Heck, if nobody even makes an attempt to cheer him up, why wouldn’t he leave all his money to his manservant? Maybe the butler has done all this before? There’s nobody else trying to make money off of the millionaire in this picture. Maybe they already met their match? With no other competition, it’s just a matter of waiting until the butler will be well off enough to hide out in Cancun for the rest of his days. (Besides, he doesn’t have an answer for where he was on April 16. That’s not a random date. That’s my birthday. You’re always forgetting my birthday.)

The mind games work, and Daffy even offers the butler a head start on his fleeing. Once he’s gone, Daffy enters J.P.’s room. Yep, the old guy don’t look too well. Looks like Daffy will have to use every joke, gag, and novelty in his repertoire if he wants to make this guy laugh. However, as I’m sure we all feel, the simplest things are the funniest, and that may be why J.P. laughs when Daffy trips into the dessert tray. No, laughing is putting it mildly. He chortles. He chuckles. He guffaws. He bellows. He giggles. He. Is! CURED!

In fact, it seems like he enjoys laughter so much, that he has Daffy stand still and be pelted with pastries all day long. I hope Daffy is well paid for sacrificing his dignity like that. Sometimes, the smile of the elderly isn’t reward enough.

Favorite Part: Daffy’s arrival at the mansion. After asking to be let in, the butler responds with a deadpan: “Begone.” (Note to self. Start saying that in the exact same way.)

Personal Rating: 3