Buddy’s Lost World

“Oh boy, oh boy, oh boy!”

Supervision by Jack King; Animation by Rollin Hamilton and Sandy Walker; Music by Norman Spencer. A Looney Tune released on May 18, 1935.

Buddy and Bozo are setting off on an expedition to find a lost world. If you know it exists, is it really considered “lost”? I ask because I care. I’m not the only one. Look at those crowds seeing the two off! They’re either well wishers or scientists. Yep. Definitely none of them are just happy to see Buddy leave and hopefully never come back. That would be a shame. And where’s Cookie?

After traveling for hours I guess, the two explorers spot land. Good thing, as a dog can’t live of human meat for long. Pro tip: bring something to eat when you plan to travel somewhere that probably doesn’t have a 7-11. After getting back to the soil, Buddy checks his map to confirm this is a lost island. He has a map of this place? So, no, it isn’t lost. Buddy is just trying to take credit for something the vikings already did. Considering what tomorrow is, do you still wonder why I chose this short?

Bozo starts to sniff and immediately finds a new type of creature that camouflages itself as humanoid footprints. It works great when actual footprints are nearby. Bozo is lucky he found the last of them! While following the fauxprints (Podiprintus incognito) Bozo walks between some fascinating tree trunks. I know I saw a similar gag in the Mickey cartoon “The Moose Hunt”. I’d be happy to call it a coincidence, if the sauropod didn’t start sniffing along after. This is an homage! And a scientific breakthrough! An extant madeupasaurus! The only thing bigger would be finding a live coelacanth.

As Bozo flees, it happens to come across the real inhabitants of this land: humans. Humans that still display some animalistic characteristics, such as burying bones. I wasn’t entirely sure if it was supposed to be a dog with a human face or not, until it refused to get a whiff of Bozo’s scent glands. (Hey, it looked like that was where Mr. King was going with this.) Bozo isn’t a thief, and tries digging up something for himself. The bone he finds still has a majority of its friends with it, and he ends up trapped under the rib-cage.

Buddy to the rescue. (He’s been documenting plants.) Help the poor puppy out, would ya? Those whines sound too authentic to be funny. Once he’s taken care of it, Buddy finally catches sight of the human. Forgetting any trepidation he had earlier, Bozo gives chase. Turns out, running on all fours was the most natural way these people could have evolved. It not only makes them twice as fast, but keeps them from developing tools. The first step towards war.

The chase leads to a… chamber. Maybe it’s a hollowed out tree? And the primitive door keeps Buddy out. Not really understanding how doors work all of a sudden, Buddy just calls for the canine to come out. He… he can’t hear you. And excess noise is just alerting predatoooooors. Here we see another marvel of nature. A type of plant that grows in front of these entrances, and feeds on the ones who don’t get shelter. One organism gets fed, and the other gets rid of competition for mates. Perfect mutualism! Buddy is plant food. I’m sure some people are glad he finally found his purpose.

Evolution hasn’t really perfected this plant yet. Instead of having a chamber in which the prey can drown and dissolve, they just go straight to the roots. This works great if the roots come out under ground and the victim has no alternative to inhaling sediment, but this plant has been growing awhile and its roots are starting to poke out of a cliff face. Buddy peers down and sees the sort of lifestyle these primitive humans have. It’s a male dominated society, because hayes code forbid we get to see sexy, stone-age sluts. The hierarchy is built on some kind of rules: you’re either the mount or the rider during croquet. (Or if that effeminate voice is any indication, this is just the village of homosexuals.)

Buddy tries to climb down a tree trunk to get a closer look, but its a sauropod again. Good thing they are vegetarian, and more importantly, friendly. I want one. Having fun feeding an animal, (which really is fun, if not ethical) he doesn’t notice some people have taken notice. … Of him. He’s too busy showing off his superpower: the ability to completely disappear for half a second. It astounds those who can’t blink. The men plan to capture Buddy, and they have just the bait to lure him in: Bozo! They set him on a human-sized mousetrap, a human trap, basically,  and let his cries do the rest.

Buddy falls for it. Oh, I’m sure he would have recognized it as a trap if was smaller and not effective. Not a trap, basically. With the two caught: it’s time to eat them. You know, why do natives always want to eat new people? They obviously don’t fear them, or they’d just kill them and leave them alone. No, it’s always got to be a soup. Maybe they’re just susceptible to colds? Buddy doesn’t try to climb out, because that would be rude. All he can do is call for help and hope one of the nonexistent ladies will find him cute. It may sound kinky, but I’d also choose being a pet over a dinner. (Unless their killing method was fast and painless, of course.)

His cries find the ears of his dinosaurian friend. He’s grown considerably, given the scale he is to the dwellings. And look at that neck! It wasn’t that thick before. And now look at the bottom of the screen. Where did that rock come from? Is it the source of Buddy’s invisibility ability? With the natives gone, Buddy’s animal friends shower him with kisses. I bet when he gets back to his boat, he’ll find a different plant ate it.

Favorite Part: When Buddy leaves on his journey. He doesn’t notice his boat is still tied to the dock, and it falls apart dumping everyone into the water. Yes, by “accident” I’m sure.

Personal Rating: 2. You can’t do much wrong with a lost world idea, but why focus on the humans? Why would humans even be there? Apart from the fact it ages more tastefully, there’s no reason the land can’t be Africa and the helper, an elephant.

 

 

Person to Bunny

“It ain’t much of a hutch, but it’s home.”

Bugsy pal! There’s a friend here to see ya!

Directed by Friz Freleng; Story by Michael Maltese; Animation by Art Davis, Gerry Chiniquy, and Virgil Ross; Layouts by Hawley Pratt; Backgrounds by Tom O’Loughlin; Film Editor: Treg Brown; Voice Characterization by Mel Blanc; Musical Direction by Milt Franklyn. A Merrie Melody released on April 1, 1960.

(Not gonna lie. I always get this one confused with “People are Bunny“.)

Person to Person with Edward Murrow will not be airing today. His poor, unloved brother, Edward Burrows, really wanted a chance to host a show and we couldn’t say no to his face. He looks like a quoll, and they can get away with anything. (In case you’re wondering, his last name is different because he’s adopted.) It might not be a good idea from a business standpoint, but he knows how to do it: interview somebody that is known the world over. How about the biggest rabbit in show biz, Bugs?

Bugs accepts, and his hole is now littered with studio lights and cameras. Two-way cameras, it seems. Bugs can see his interviewer even if we can’t. (Well, you can’t. I already described what he looks like.) The interview has barely started when Daffy comes knocking at the door. He seems to have been unaware of Bugs’s day, but, no, he’s probably just being coy. This is being broadcast live, isn’t it? And he tells Burrows that he watches the show. It all adds up.

Surprisingly, Bugs isn’t having it today. He almost never loses his cool with Daffy. Least not so early in the cartoon. Perhaps because the duck is footage-bombing this time? He drags him out, much to Daffy’s chagrin. First question for Bugs: how is he able to outwit someone as intelligent; as brainy; as genius as Elmer J. Fudd? Bugs is blunt. He claims that Fudd is none of those things. In fact, his exact words are that “His I.Q. is P.U.” That’s a really good jab. If my autistic brain would let me say “P.U.” out loud, I’d be using it.

Daffy isn’t the only fan of the show. Elmer saw and heard the whole thing and isn’t happy. He arrives as Bugs’s place calling him to appear, or be labeled a coward. Sounds serious. Bugs puts things on hold to handle this, giving Daffy a chance to go ham in Burrow’s off screen face. Elmer demands an apology. And, yeah, he kind of deserves it. Isn’t this short suggesting that they are aware they are co-stars making pictures together? Is Bugs always so hostile off the set? I used to look up to you, man. Er, lagomorph.

Bugs sticks to his guns by plugging Elmer’s with his carrot. Going back down, he finds what Daffy has been up to. With Elmer right outside the door, Bugs attempts to kill one bird with one stone by suggesting Daffy perform in front of the zoom-r lens. Being Fudd’s rifle, Daffy gets his beak bent for the umpteenth time. Unamused, Daffy claims that Bugs isn’t special. Anyone could do his shtick if they have a rabbit outfit and a carrot. He demonstrates, and Elmer mistakes him for the real thing.

Daffy corrects the mistake, and Bugs leads Elmer off his property in a chase. Once again, Daffy takes the spotlight. This time to reuse some footage from “Show Biz Bugs”. Bugs gets rid of Elmer with one of his best gags that we haven’t seen since “The Big Snooze“. The one where Elmer chases him through a log, and Bugs pushes one of its ends over a cliff. Sadly, they don’t go all the way. Elmer just sits in the log confused after the second attempt. That’s not nearly as funny. And the opposite of comedy is tragedy, so I guess you better start crying.

Back home, Bugs once again finds Daffy was actually calling the kettle black when he called Bugs a camera hog. Bugs decides that the only way to get rid of him is to let him perform. Daffy is delighted and asks if his friends will see him. What friends? Porky? Or….

Do you mean Porky?

Bugs lets him know that his friends are just a fraction of a fraction of a fraction of a fraction of a fraction of a fraction of a fraction of a fraction of a fraction of the people who will be watching. The normal viewing audience for this show is at minimum four million. Since Bugs gets to act different today, Daffy demands he get to as well. He faints upon hearing that number. Too bad we’re out of time. I didn’t get to ask Bugs my question. (Do you have any footage for “Bye, Bye, Bunny” that I can view?)

Favorite Part: When Daffy’s bill is bent upward. Not only does he look super pissed, but his voice sounds all muffly. And speaking of voices…

Personal Rating: 3

Actually, I was going to ask that you take off your hats in reverence for the last time we would hear Arthur Q. Bryan’s perform as Fudd. He was sadly dead by the time this one came out, and we’ve never had a better performance. (Though, I always thought Billy West came the closest.)

Yankee Doodle Bugs

“You’d better hop along, Cassidy.”

There’s no use changing the history books for little ole him.

Directed by I. Freleng; Story by Warren Foster; Animatin by Art Davis, Manuel Perez, and Virgil Ross; Layouts by Hawley Pratt; Backgrounds by Irv Wyner; Voice Characterization by Mel Blanc; Musical Direction by Milt Franklyn. A Looney Tune released on August 28, 1954.

As animated series like “School House Rock”, “The Magic School Bus”, and “Animaland” can attest, learning doesn’t have to suck. Therefore, I for one propose that Bugs teach us about American History. Because the country’s birthiversary is this upcoming week, and if you don’t know anything about who/what you’re celebrating, then brother, you’re hardly celebrating at all.

It starts when his nephew, Clyde is struggling to learn about the past. (I’ve discussed Clyde before, but this is his final theatrical appearance.) Wouldn’t be that much of a big deal, if it weren’t for the fact that he’s going to have a test on the subject later today. (That and his books blend into the carpet.) Bugs offers to help. (Clyde: “Do you *half a second pause* know about American history, Uncle Bugs?”) Turns out history is loaded with rabbits. They’ve been involved with Columbus, Napoleon, Nazi Germany, The 1943 Oscars, and the invention of gunpowder. You can quote me on this because I’m a valuable resource.

Bugs starts when the Dutch bought New York for a song. And I mean that in the punniest fashion. The Native Chief got a really good deal. Then pretty much nothing happened for over a hundred years until Benjamin Franklin *clears throat* “discovered” electricity. It was all thanks to the rabbit who held his kite just as lightning struck it. Ben took the credit, because taking the credit is mankind’s greatest invention.

Then a war was set to happen because The King put tacks on the tea. (Punniest. Way.) This could not be stood for, so an army was drafted. The backgrounds have a U.P.A. minimalistic design that goes all the way when we get to George Washington. They’re so minimal, that they cease to exist! Don’t walk into the void, George! It’s probably dangerous! I don’t see any food, for one thing. Wait. He’s fine. It’ll be a bit of a struggle to leave his candy shop, but his wife will just have to handle it herself until he wins independence.

If this is going to be its own country, it’s going to need a flag. A woman named Betsy Ross was assigned the task of sewing it up. She’s got six red stripes that represents all the blood that will be spillt, five white ones that represent the skin tone of the generals, and a blue section that is supposed to be the ocean, which the country will be surrounded by, some day. A rabbit gave her the idea for a finishing touch after he stepped on a rake and saw ten stars. Never having learned to count, she added thirteen.

It was a bitter fight. Cold winters made ice cream men enemies of the sate. What have we become? War truly changes a man. Eventually though, the enemy fleet was bottled up. (Pun. Knee. Est.) Once Washington crossed the Delaware River, victory was won. Simple as that. And that was pretty much everything that happened between then and 1954. This is a very boring country. The next thing worth noting would be Disneyland opening the following year.

Perfect timing! The school bell is chiming and Clyde’s got a test to ace. Bugs is such a good uncle. A guncle, if you will. When school lets out, Clyde comes back angrily glaring. It’s quite funny. Bugs can’t figure out why he’d be scowling like this, so Clyde spells it out for him: D-U-N-C-E C-A-P. I’m sorry kid, but penmanship counts.

Favorite Part: The king is really getting his jollies when he puts tacks on the tea. It’s good to see leaders put the riot in dictator.

Personal Rating: 2. I did say punniest, rather than funniest. I just don’t feel like the jokes were powerful enough. They could have gone farther, but then I guess it would have ended with Clyde getting sent to Special Ed. (Because that’s how they’d handle it at the time, thank you.)

Cross Country Detours

“I don’t care what you say; I’m cold.”

Supervision by Fred Avery; Story by Rich Hogan; Animation by Paul Smith; Musical Direction by Carl W. Stalling. A Merrie Melody released on March 16, 1940.

Ready for another dose of Avery gags? We’re giving you all we can this week as this short is just over nine minutes long! Egad! You’ll be gagging on such a gaggle of gags! That we can guarantee. What we can’t, is actually showing any animal life/scenic wonders of the U.S.A. But we will attempt, and that’s really all you should ask of anybody. What all of this means is: its not entirely “cross-country.” We’ll just stick to the west.

Starting off in California, at Yosemite National Park. (And just five years too early for a Sam cameo.) The daunting task of almost ten minutes of gags is already too scary, so we get a repeat of the human trying to feed an animal they shouldn’t. I think it was better before. Not just because I’d seen that one first, but I think a monkey violently throwing a bag of peanuts at a woman is more humorous than a bear hitting a man on the head. Check my math if you want, I’m correct.

There’s also a “shy deer” who flirts, (Somebody is in to that.) and a forest ranger always on the lookout for startings of fires. (Insert a joke about California and its fires here, but only if it’s tasteful.) He catches a scumhole tossing out a cigar and rushes to save both the forest and the smoke. He can’t afford better on his salary. Then, to Utah’s Bryce Canyon to see a natural bridge. It’s so gross when Nature doesn’t put her gums in a proper receptacle.

At the time of release, going to Alaska is technically leaving the country. Even though Fred already made a picture here, it wasn’t over nine minutes, so he had to cram some of its leftover jokes in. The “running” joke is a Husky seeing a road sign pointing out the miles to California. He sets out. We’d give him a ride, but we’ve already been there. And did anyone else see that smudge in the sky? That’s the beginning of climate change, I’m sure.

Back in the generic states, (which doesn’t mean boring; just the opposite of specific) we are shown footage of a bobcat stalking a baby quail. With adult plumage so the dumb audience won’t say something stupid like “That don’t look like a quail. Where’s the topknot?”  (I’ve held baby quail. I would know what they look like.) The narrator tries his darnedest to make us feel bad that Nature is hardcore survival all the time. If the chick isn’t eaten, the cat could die of starvation. Not everyone can be saved. But don’t worry, the Bob’ can’t go through with it. (Let’s give Mel an Oscar for this role. There really should be a “Best Voice Actor” category.)

Down to New Mexico. We see that dog again. Must’ve gotten lost, as getting here on a trip to Cali is a serious cross country detour. (Is that what the title meant?) But tell me narrator, why would his master be in Cali? What kind of a sicko just abandons a dog in Alaska? I need a real good gag to wash the taste out of my mouth. (Ironic choice of words, I know.) And the short delivers. Taking a very natural basic thing like a lizard shedding its skin, and making her sexy so she can do a strip-tease. (What are you censoring? She has no breasts!) It’s a great joke, but it makes me sad to know there are now people in this world who first saw it in “Rubberhose Rampage.” Probably the most creative, laziest-made game, I’ll admit, but give Avery’s unit the credit! All of it!

Speaking of lizards, the next bit is so scary, that the screen will be split into different age ranges. Adults can watch the gila monster on the left, while the children can watch Goldilocks‘s sister recite poetry on the right. Because heaven forbid we treat kids like people, and prepare them for a dangerous world full of reptiles that could possibly hurt you. Goldenrodlocks’s parents knew better, and she scares the beast away. Poor little guy.

Now on to Arizona and the Grand Canyon. A tourist tries to get an echo here, but fails. Good thing there’s always an operator on standby. And beavers build dams. Not beaver dams, but human dams. And they work great! See all that water? They dam it all. And the dog finally reaches California. He’s exhausted, but still makes the final stretch up to the northern part of it to finally reach paradise. Large, LARGE trees. And they’re all his. So if you know anything about dogs, then you know he’s gonna be bored very soon. Worth the trip?

Favorite Part: A frog croaking the hard way. Darkly funny on its own, but made better by the cartoon apologizing…

For the pun!

Personal Rating: 3

A Day at the Zoo

“I want to see the D.A.!”

Supervision by Fred Avery; Story by Melvin Millar; Animation by Rollin Hamilton; Musical Direction by Carl W. Stalling. A Merrie Melody released on March 11, 1939.

I’ve been eager to discuss this one as this was my favorite short film as a child. If you don’t already know why, then you probably don’t care. ANIMALS! My special interest! My first love! My closest thing I have to a talent! And since a zoo is just a bunch of animals in one convenient location, the nearest one was always my preferred field trip. Of course, many people really hate zoos. Calling them nothing more than prisons.  As someone who has worked in one, I can tell you that you’re wrong. And I’m glad that I can and you can’t. It’s just not how it works.

(Skip this paragraph if you want the cartoon synopsis.) First of, any real zoo isn’t allowed to just go capture animals out of their native habitat. That’s illegal. That was done in the past. If they get a new exhibit, it was either bred or transferred. With that said, they’re not really 100% wild animals anymore. Nor are they domestic. They’re in the middle. Fairly accustomed to humans, but not tame. So they need enrichment to keep their minds active. Any real zoo will make sure the animals have a spacious enclosure, and the aforementioned enrichment. And they’re meant to educate, so I see downside. Not my fault most people go to zoos for food.

High point of childhood time! Man, was I lucky that my grandfather had this short on VHS. Man, was I upset when the tape was lost. It’s Tex Avery spot gags at their finest! Maybe I’m nostalgia blind, but maybe I’m totally correct. Why wasn’t that your first guess? You know you’re in for a good time just by the the title of the zoo: Kalama. (And they respect your intelligence by not saying it aloud.) We start off with some jokes that I was too young to understand at first. To whit:

  • A wolf at his natural habitat: a door. (As a kid, I just figured this was in reference to the three little pigs.)
  • A pack of camels and the animals that smoke them. (I did get this one. And I loved it.)
  • A north American greyhound. (Can’t think of a better way to use fossil fuels!)
  • 2 bucks and five scents. (Cervine and mephitidae.)
  • 2 friendly elks. (Totally lost as a child. Not helped by the fact I thought the narrator said “elves.” I figured elves in a zoo was a kind of a joke.)

Okay, discussing the gags verbatim is not my style. Let’s see what kind of jokes are happening at the primate pavilion.

It’s a shame they haven’t put up that “Do not feed the humans” sign, but really how can the monkeys say ‘no’ when the little guys stand on their hind legs like that? They also need to fix their “Bonobo” sign. That is not a baboon. But what he is, is very intelligent. He’s figured out that human beings are a close relative of his. Putting some doubt in the zookeeper’s mind allows him to switch cage sides. Look how much happier he is! And one lady deliberately ignores the sign forbidding her to feed monkeys. (With bars that wide, the little guy can feed himself just fine.) He flings her offering back in her face asking the twit if she’s illiterate.

Egghead is playing running gag again, as he will later. Specifically, he’s teasing a lion. That’s just mean. That lion already has a crappy cage to call home (figuratively and most likely literally), is underfed, (those bones have no meat on them) and now has to deal with a little punk who dares to laugh at the king of the beasts? The narrator agrees with me and reprimands the squirt. Egghead stops while we’re focusing on him, but keeps coming back as it’s fun and not hurting himself. That should be good enough for everyone.

Now let’s take a peek at bird gags at the Tex Aviary. (You have no idea how long I’ve been waiting to type that pun.) An owl who doesn’t seem aware that he’s supposed to be wise; (smarter than the idiots who put him in a cage of natural prey), and a parrot who turns down the offer of a cracker, requesting a beer. This is the funniest joke ever to a seven-year old. Parrots asking for beer really should be in every animated work. It really would have brightened up “Grave of the Fireflies.” And don’t forget your daily reminder that female ostriches have BROWN plumage. Their eggs containing a dozen chicken eggs; that’s accurate.

The zoo has just got an elephant in, but the express company that sent him still has his trunk. It’s horrifically funny. And speaking of, the next cage has some horrors from New Year’s inside. Seriously, why are pink elephants always so scary?

Horrifying!
A literal nightmare!
Actually don’t bother me until they become a highly detailed eye.
Not you. You’re one of the good ones.

Back in the day, I was immune because my grandfather’s copy was pretty poor quality. But I knew what they were! And I was wary!

There’s also a random bit where we see a guy who used to perform at a circus. He put his head in lion’s mouths. I guess he’s a keeper now? I mean, you could take him anywhere and he wouldn’t know where he was. Nothing from the shoulders up survived! Speaking of lions…

The old guy is napping peacefully. The narrator is pleased to see that Egghead must have finally gone home. The lion denies this, but taking a peek down his throat shows Eggy is going to be called there very soon. He still doesn’t sound remorseful.

Favorite Part: That ending. How can you doubt I love animals when I get immense pleasure from seeing them get back at the humans who wronged them? Egghead got what he deserved.

Personal Rating: 3. I don’t care if I am biased, I do think these are some quality jokes.

Mr. and Mrs. is the Name

♫”Mr. and Mrs. is the name!”

Supervision by  Isadore Freleng; Animation by Ben Clopton and Cal Dalton; Music by Bernard Brown. A Merrie Melody released on January 19, 1935.

There’s an island that none of humanity knows about where merpeople live. A predominately female species, that doesn’t have the same rules of modesty that we have. That is awesome for people who are attracted to things like this, but it makes perfect sense, too. Are those actually mammary glands? Are they egg sacs? We’re not given an answer because it’s not important. Though, someone really should put together concrete merperson (or merson) anatomy rules.

From other observations, it’s clear that if they are related to fish, it would the be the lobe-finned kind. They can stand on their fins most comfortably. Sure, they have a narrow stance, and waddle, but this means merfolk are actually amphibians. The larvae probably have no hands when they hatch, and feathery gills. Or not, seeing as our short is going to focus on two of the young ones, and they look the opposite of what I described. Let’s all agree with me and call the more “endowed” ones their mothers, and they are using siren songs to crash ships and get some sailor meat for dinner.

Our two leads are basically Buddy and one of the myriad Cookie designs. (The blonde one.) They’re great friends and love a good game of tag that can be played in three dimensions. I call them Mercer and May, and you can do likewise. Otherwise, you can write your own blog. Mercer tags May really hard on her rump. I won’t deny that probably hurts, but, the merson anatomy still boggles and confounds. Would the anus be located there? Or closer to the fins? What I’m saying is: if he was older, could she claim sexual harassment, or just plain violence?

I’m not joking about overreacting, as May stomps off in a huff. Male mersons are just too rough, and that’s why they’re driven away from the schools upon reaching sexual maturity. Mercer is able to get her to come back when he finds one of the ships his mom helped sink is still laden with material goods. Females are females, and May is smitten with the chest of jewels. Mercer is more interested in the old clothes and makes a costume with which to do a Chaplin impression. He knows who that is because when you eat a human, you gain everything in their brain. Don’t try it yourself.

While they have their fun, the ocean continues to be a dangerous place. Today’s featured threat is named Otto. He grabs May and I know what we’re all equating this to. Tentacles and a minor do not lend themselves to any pleasant ideas. But, I’ve got a crazy idea, maybe he just wants to eat her? I mean, he is a predator, right? Wow. Digging myself deeper is way easier than I imagined. Mercer is on his way, and Otto speeds up when he remembers he has a siphon. Like in a lot of cartoons, it and his mouth have switched places. It being acknowledged at all is still impressive.

While Mercer plays catch-up by tying an electric fan to himself, May does her part by hitting Otto with a fish skeleton. She doesn’t actually try to escape, or fight back more, but she does get grabbed again. That was all very pointless, but it filled up some run-time. Mercer arrives shortly after, but the octopus reminds him why they call him One-punch Otto. He reminds him more than 24 times, but I can’t count the correct amount. Nor am I even sure I can count that high. He then traps the young merson underneath him. If his mouth was down there, he could win. Instead, Mercer pokes him in his siphon.

The maddened moullusk chases him into a pipe, but since his mouth is bigger than it, he struggles to get through. Mercer traps him by tying his tentacles in knots. I spot one changing color, but that’s scientifically accurate. Now, they can torture him. There’s a piece of ship mast in here tied to something I’m sure, that the two kids can swing into his head until he starves or rips his limbs off. In the meantime, May rewards her hero with a kiss. The title was prophetic.

Favorite Part: A new twist on an old pun. In the ship, you can see Davy Jones’ FOOT locker.

Personal Rating: 2

Bosko’s Knight-mare

♪”I’m young and healthy…”♪

He don’t fear dragons. Dragons is so stupid!

Animation by Bob McKimson and Robert Stokes. A Looney Tune released on June 8, 1933.

Once again, it’s the greatest day of the year! The day I get to blog for the benefit of everyone who is too bashful to leave any kind of feedback. It really is adorable.

Bosko is reading about the days of yore. That’s what we called the time period during which King Arthur reined. If you weren’t him; you were the next best thing: a knight. But I’m getting ahead of myself. Bosko lives in the 1930’s and can only hope to be a knight at night whilst he sleeps. Still ahead. Right now, he’s still reading. He tries to share his interest with Bruno, but the dog couldn’t care any less if he cared enough to try. It really does suck having an obsession all to yourself.

When Bosko turns the radio station to some music, he starts to drift to dreamland. Unlike nightmares, which tend to scare you, knight-mares are horses that practice gallantry. But we’re not talking about them. Bosko is finally as knight as they come. And at last, in his dreams, Bruno shares in the joy. They’re off to generic castle to party with the other knights. They’re some of Bosko’s pals from showbiz. You’ve got all four Earls of Marx, Sir Durante, Lord Wynn, Duke Hardy, and Gandhi, because I’m sure these are the kind of people he wants to serve. (Good luck finding a print that includes him without an animation historian talking over it. I couldn’t.)

It’s ‘no girls allowed day’, which is everyday, so Honey remains in her chamber. Enter our villain, I guess we could call him the Black Knight, but that’s so overdone. The Sable Knight approaches and sings to Honey. She isn’t interested in a guy who is, and I quote, a meanie. (Insert reference to “Yellow Submarine” here, because I love that film.) He’s going to get her, and that’s that. As he climbs her stairs, she screams for help as all the best princesses are trained to do.

Bosko has to put his dancing on hold. No big loss. I’ve seen those moves before. His small stature allows him to run under Sable’s legs and meet him up there, but it also means he’s the kind of runt Sable uses as a lighter. I never knew Bosko could expel flame if squeezed hard enough. That’s a skill I’d never shut up about. Leaping out the window, Sable flees with the damsel to his own castle: Castle Ditto. Bosko follows on donkey rather than his horse he had earlier. Dreams never are consistent.

Bosko’s on his tail like a remora’s tail is on a shark’s belly. Even though Sable hides himself and Honey in his bedroom, Bosko is already there with a machine gun. Historical accuracy is neat! Sable can take it, and after making a pretty intimidating face, rolls up his armor and punches Bosko out cold. This might be pretty suspenseful if we weren’t aware it was a knight-mare nightmare! Honey trying to wake him up is really Bruno trying to wake him up. He succeeds. Well, as long as Bosko’s awake, he might as well go to bed. Wish I could be so lucky.

Favorite Part: When Bosko’s donkey throws him into some water, Bosko’s armor instantly becomes a submarine. Why haven’t I been able to do that in a video game yet?

Personal Rating: 2

Why do I Dream those Dreams?

“Go lay down!”

Supervision by Isadore Freleng; Animation by Rollin Hamilton and Robert McKimson; Music by Norman Spencer. A Merrie Melody released on June 30, 1934.

You mean the ones where I willingly choose to go to work stark nude and nobody notices? I think that’s me subconsciously admitting how invisible I feel, and how desperately I want to be noticed. And now for our featured attraction.

A disturbance of an occurrence is going down at the Van Winkle house. Rip and the dog are being thrown out by the Mrs. If you speak Chip/Dale, you can learn her reasons. Mine’s a bit rusty, but it sounds like not wiping his feet was the last straw. He’s also a lazy good-for-less-than-nothing, and his dog isn’t much better. They can go live in the forest for all she cares. And… she left her socks in the gerenuk? Well, that’s on you, lady.

Rip’s easy going. He just crosses his name off the property, takes his gun and color changing hat, and heads off to get whatever life gives him. His dog follows because dog’s are good and loyal and won’t stop being your friend even if your autistic brain made you not realize the severity of your words and now you’re not even able to apologize. And… so are the… children. … Are you on… uh, “good” terms with these children? I’m not allowed to see minors follow men with guns.

Ah. They were just seeing him off. *Relieved sigh* And it turns out his gun is only for decoration/is the only possession in his name. He’s really a fisherman; and he found a way to make that easier. He puts his bait on a mousetrap that’s tied to the pole. And I gotta know: do you think that would work? If I hadn’t taken a vow to never kill any of my animal friends, I’d go try it right now. Honest I would!

Fittingly enough for a Van Winkle, Rip falls asleep. The merry little dwarfs that didn’t get a callback from Walt are nearby. They’re just doing whatever fictional, non-human dwarfs do. Drink, dance, be merry and little, and drink. You’re not a true dwarf if you don’t have a beer gut. When they notice Rip, they all gather for a closer look/try to rob him. Unfortunately, I can’t find a good enough print of the short that clues me into the objects in his pocket that makes the little guys laugh. Are they receipts? A list of debt collectors? Porn? One of those candy wrappers that have “jokes” printed on them?

Screwing around with his gun fires it, and he wakes. They dart back home, but the damage is done: Rip is aware of their settlement. Good thing he doesn’t give a crap about learning about a secret society unknown by humankind. He’s just going to help himself to their kegs. At his scale, they’re little more than a pint. What they’re not is ‘meant for human consumption’. That drink makes dwarfs out of thin dwarfs, so it is for him.

His dog finds him, and is as loyal and good as I promised. Plus, Rip still smells like Rip, so it must be Rip. The problem is that the dog is so much more powerful in comparison now. You could drown in his tongue, and your spine would snap if he tried to leap on you. Rip escapes death by love by riding a realistically drawn grasshopper. Well, it was, until Rip got his Toon germs on it. Riding grasshoppers is nothing I’ve ever thought about, but now; can anyone loan me some dwarf ale?

The insect bucks him off into a spider’s web. And it’s not abandoned. And that’s not a spider, unless it’s back legs haven’t grown back yet. Either way, it’s hungry. But don’t worry, after the venom is injected, you won’t feel a thing. This dream was made possible by the fact that Rip’s been asleep for some time now, and spiders have built webs around him. Spider love being in close contact with human beings. More of you should be as happy to see them as I am. I’m banning you from returning until you do.

I can’t fathom the exact number of years he slept. Is that his dog? Or one of his dog’s descendants? Actually, those are them over there. Joke or not, why does Rip tell him off? For taking them away from their mother? Actually, maybe this is the mother. In which case… how dare she get knocked up? Don’t tell people that!

Favorite Part: The dog going back to old bag Winkle just to blow a raspberry. Loyal, good, friendly, cute, why would anyone need a wife? (Answer: Dog’s normally don’t last into your 80’s.)

Personal Rating: 1. Feels a bit scattered. It’s about Van Winkle. No, it’s about the dwarfs. Nah, it’s about Shrinkle Winkle! Actually, it’s about over.

Now, if you’ll excuse me/speaking of dreams, I’m going to go pretend I live in a world where “Coyote Vs Acme” will be released. *Learns what Ketchup Entertainment is going to be releasing next year* For the love of all that is holy: DON’T EVER WAKE ME UP FROM THIS DREAM!!!!!!!

September in the Rain

“Remember?”

Supervision by Isadore Freleng; Story by Tedd Pierce; Animation by Cal Dalton; Musical Direction by Carl W. Stalling. A Merrie Melody released on December 18, 1937.

How many times have I discussed cartoons about product mascots coming to life? More than you have, I’ll wager. If I want to keep my lead, I’ll have to do it again. But doing things you’ve already done is pointless if you have nothing new to say. Good thing I’ve never claimed my life as anything but pointless. That means I can reuse text from previous posts if I need to.

During night, when no living person is around, the mascots for products come to life and… just sing and dance really. A blueing bottles sings “Am I blue?”, a disgusting rubber glove inflates itself to bounce to the music, and even some of our real world mascots join in. Like Camel camels and the Morton’s salt girl. I gotta admit though, some of the mascots don’t make sense to me. What do weeds have to do with scotch? If you count thistles as weeds, that is.

It’s a real honor to see this kind of stuff. You really want to know how the icons react to those who find out their living secret? They’ll try to eat you alive. That’s what the chicks on the “My am I?” powder do.  That worm/larvae is lucky to escape into some genetically modified apples. You ever been digested in a 2-d body? It hurts. You ever try to eat an apple bigger than your head in one sitting? It’s filling, but not organic.

Our title song comes from the guy pictured on the “Dream of Wheat” box. He sounds a bit like Al Jolson, but it couldn’t be him. This guy is legitimately black. (Except for his sometimes white chin.) His mother is Aunt Emma of the pancake flour for crying out loud! The only other possibility would be her encouraging her son to paint his skin, and save her the embarrassment of admitting she had to adopt.  I don’t like that one as much. More feelings are liable to get hurt.

Two cigarette icons dance together, and I want to ship them, but if they procreate, then there would be more pro-smoking ads in the world. I can’t allow that. Smoking took my Walt’s life! I wouldn’t want anyone else to live through that trauma. I forbid you two from seeing each other after this short ends.

Now then, if you thought this short was getting away with reusing footage from the past, it will be punished by having the upbeat parts stolen from it and reused in a future short that’ll leave more of a legacy. The “Gold Rust twins”, Armstrong and Cats, I mean-… actually, let’s just stick with Cats, start up a lively musical number of “Nagasaki”. All the hep cat icons join in, from Aunt Emma to the guys on the “Yea Man” hams. And since we don’t really have a way to end this, we won’t. We’ll just stop and hope you won’t notice. Good night!

Favorite Part: A piper on a coffee can (again with the no sense make) charms some toothpaste out of its tube. I’ve never seen snake toothpaste before.

Personal Rating: 1. There’s hardly anything here you haven’t seen before, and won’t see again. You want grocery gags? That’s Goofy.

Pied Piper Porky

“Hot dog! I win!”

Your multiple siblings drive pickle wagons!

Supervision by Robert Clampett; Animation by John Carey and Dave Hoffman; Musical Direction by Carl W. Stalling. A Looney Tune released on November 4, 1939.

When you first start out at something, you suck at it. Very few exceptions to this rule. Maybe Mozart, and most likely Mel. Probably even more than I care to list, really. Much as I wish Porky could be included, the evidence of the the two piper films he starred in contradict him. Spoilers, I guess.

The cartoon starts with the legal disclaimer that all rats featuring will only coincidentally look like your cousin’s husband. (Yeah, as if any human ever was that cute.) The news of the day is how the Pied Piper rid the town of rats, and was nice enough to not kidnap any children. But you know what? Amusing as that paper and its puns were, it was false news. There is still at least one rodent running rampant. He’s clearly a mouse, despite what the short says. Are you really going to doubt me: a zoologist without a degree?

Porky lays on the music, and tries to lure (we’re calling him) Rochfort to a trap. He stops short at the last moment, calling us crazy to think he’d go there. Now, this could be another instance of a mouse, being unfairly and unexplainedly immune to the tunes. Or, you can believe what I want to believe: he snaps out of it because Porky stopped playing and he has awesome reaction speed. That’s the correct theory. He’s also smart enough to recognize the threat and break the pipe. Or is it an oboe? Actually, what exactly are the pipes that pipers pipe? Because gift or not, I’m not allowing BAGpipes in my twelve days of Christmas.

Things call for a better mousetrap, but you can’t build those anymore. Nature can supply though. Just select your favorite snake, hawk, weasel, owl, bullfrog, or scorpion to do the job for you. No takers? Good thing there’s no shortage of animals that eat mice! How about a cunning raccoon? Or a beautiful gila monster? A misunderstood tarantula? Or I guess you could choose a crummy cat. But wouldn’t you rather use anything else? As a zoologist without a degree I can’t imagine Felis catus is the best choice for anything other than a meal.

Wow. A whole paragraph about nothing. I’m improving. Porky’s feline, Slapsy Catsy, (no relation) isn’t really that great at catching mice. He’s afraid of the little things. A phobia I just could not understand, but I won’t mock him since he validated my claims of that not being a rat. In fact, that opening text promised me ratS, plural. Lying isn’t very nice. Neither is eating cats, but that’s what Porky said I get to do if Slapsy doesn’t put forth some effort.

A small chase unfolds. Did you know that cats have the weakest skulls of the animal kingdom? If it makes sudden impact with a wall, the cat dies nine times. Porky lends credence to my theory of him being Jesus, by forcing the cat to live by shoving his ninth soul back into its flesh prison. Then, it’s time for a dose of kat-nip. Put that away. No reward until the job is done right. (Unless it’s 4/20.) Wait, my mistake. I really thought I typed “cat nip” earlier. This stuff is steroids on steroids. Not only building the cat’s muscles, but returning every life back for round two. Someone is definitely gon’ die now!

And once the scuffle is over, Rochfort comes out wearing his new pelt of genuine ermine. Look pal, I put up with it when Elmo said that, on account of him being a moron. You should either admit you know better, or stop pretending like Slapsy only killed your roommate.

Favorite Part: Slapsy cowering in fear. Growing women legs turns to cringe to mirth.

Personal Rating: 2. If you couldn’t tell by the name I gave, Rochfort could be seen as offensive today. The jokes aren’t the funniest and there’s a shocking lack of Porky. Inexcusable.