Hyde and go Tweet

“You bad ol’ putty-tat!”

Directed by Friz Freleng; Animation by Art Davis, Gerry Chiniquy, and Virgil Ross; Layouts by Hawley Pratt; Backgrounds by Tom O’Loughlin; Film Editor: Treg Brown; Voice Characterization by Mel Blanc; Musical Direction by Milt Franklyn. (The credits have visual images with them that show something the different crew members would’ve used for their contributions. I think it’s neat.)

Third time now Freleng’s unit has done a “Hyde” story. They running out of ideas, or perfecting them? Well…

Sylvester sleeps outside the building where Dr. Jekyll works or lives. The doctor has grown more hair and lost more irises since he tried adopting Bugs. He also has no hang-ups about drinking his weird juice anymore. Sylvester misses the transformation, and Jekyll is leaving. Nobody around to explain, nobody around to hear you shriek. But the life of a cat isn’t all naps and more naps. Eating sometimes happens too.

Tweety enters the picture, struggling to fly. He comments on how flying isn’t perfect, which is a weak answer. How about the more logical “flying is exercise, and like any exercise, will eventually use all your energy”? If there’s one thing I watch cartoons for, its the scientific accuracy. Sylvester gives chase, and Tweety enters into the Doctor’s room to find a place to hide. That bottle says “Hyde” on it, and Tweety doesn’t understand homophones, so it will work as well.

Sylvester searches, but is found first. Tweety has gotten the juice, and its made for quite the memorable design. You may not have seen the short, but you might have seen Tweety-hyde. A perfect rep for Halloween decor. Sylvester collapses to pieces before pulling himself together to pull himself away from his pursuit. I don’t know how much of the original Tweety is still in there, but the creature knows its the predator now and starts the chase in reverse.

While Sylvester bangs on the nearest elevator, the beast almost gets him before the arbitrary yet funny timer kicks in. The chase resumes in reverse of reverse, until starting in reverse of reverse of reverse. Verse and repeat. But don’t think Tweety is helpless in his helplessly adorable form. He uses his brains to open and shut a door without entering, knowing that Sylvester’s mind will naturally assume he’s in there. Which he could’ve been, seeing as how his wings would allow him to be okay in an empty elevator shaft. (Why even bother putting a door up?)

Another kick in the juice gets Tweety juiced up once Sylvester returns. He opts for out the window. Cats land on their feet regardless of how hard gravity is pulling, which means in cartoons, cats don’t splat. And very large birds don’t fly. Especially the ones that are designed like a sausage. Except when they do, and Sylvester is grabbed by the tail by the bird. You know what would be funny, don’t you? If the juice wore off again!

Luckily for Sylvester, Tweety doesn’t take back his feathers this time, and Sylvester is able to slow his descent and prolong his inevitable death. With Tweety coming in from above, all Sylvester has to do is open his mouth. Comedy striketh! Sylvester is squished. Wearing off immediately gives Sylvester his chance. He grabs his prey, heads back inside and locks the door so lunch stays in, and threat stays out. Now, in the spirit of hospitality, Sylvester is going to make Tweety a sandwich.

Sylvester reprimands Tweety for being a poor loser, which really makes you think how hard it is for predators who just want a little sustenance. I don’t have to worry about such thoughts because as a scavenger, I only eat what someone else already killed. (I’ve made myself hungry.) When Sylvester turns his back for ketchup, Tweety juices up a final time and in the spirit of hospitality, has Sylvester for dinner. Fleeing once more, Sylvester realizes his fatal error in locking the only escape from the inside… does it not keep anyone out, then?

Luckily in this picture, the whole thing was like life: but a dream. Well, the Tweety parts anyhow. Hyde is still lurking around somewhere. Would’ve been cool to se the two monsters fight over the cat. Speaking of Tweety, he actually alights near Sylvester for real. Being awake and aware, Sylvester runs screaming for help from the “killer” making a couple of other cats berate him for his cowardice. Oh boys, if you only knew…

If you only knew…

Favorite Part: Sylvester threatens to jump then turns to us: “I’ve got a choithe?”

Personal Rating: 4. I really think this is the best Hyde short. It’s not a repeat rehash like “Jerkyll” and uses established characters unlike “Hare”. And I really dig Tweety’s monster form. With his limp wristed arms looking to grab, delightfully devious cackle, whiskers(?), and maniacal smile. He kinda reminds me of a Minion that won’t make you lose your animation historian cred by enjoying.

A Hick a Slick and a Chick

“No time like the present.”

Directed by Arthur Davis; Animation by J.C. Melendez, Don Williams, Emery Hawkins, and Basil Davidovich; Story by Lloyd Turner and William Scott; Layouts by Don Smith; Backgrounds by Philip DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released on December 27, 1948.

This post would not have been possible without contributions from readers like Carl Hunt. Thank You.

Elmo Mouse will be our titular “hick” this evening. He’s in a good mood as he’s off to visit the resident chick, Daisy Lou. Upon arriving at her place, he thinks he’s made a mistake of addresses as the doe inside is busy making out with someone who isn’t Elmo. Sadly, he’s at the right house. Her make out partner was the third part of our puzzle, Blackie the prick. The two at least have the decency to take a breath now that they’ve got company, and to be fair D.L. is polite enough to let both guys stay. Oh, yeah. I meant “slick” earlier. Honest mistake.

Elmo has some (mouse-scale) flowers and Daisy does seem happy to receive them, even if Blackie already bought out a florist shop for her. Elmo’s flowers are so embarrassed, they regress back into seeds. Elmo tries to play her a song on his mouth organ, but Blackie can play piano. Particularly, a familiar piano piece that leads me to believe Blackie’s father was the mouse in “Rhapsody Rabbit“. About the only other good trait Elmo has is muscles and to his credit, I agree that Blackie could not make his arm go limp like that. His biceps look too healthy. Feel healthy too, seeing as they knock Elmo out of the house.

When Elmo returns, he finds Uncle Blackie (as I think I’m allowed to call him) presenting Ms. Lou with a fur coat. Elmo isn’t impressed like she is, claiming that he could get her something better. As Uncle B. points out, the only thing that feasibly could be better is ermine. Elmo agrees but it’s only once he’s out of the hole that he reveals he’s dug himself into another; he doesn’t know what an ermine even is.

Searching the premises, he looks in a bottle of champagne which really doesn’t help much. What it does do is remove his common sense. Most creatures his size would try to avoid creatures like the dozing cat in the house, but he’s actually approaching. It might have something to do with the fact that the cat’s name is Merman, but he can only see the last five-sixth’s of the word. And yes, the cat’s name probably really is ‘Herman’ but it doesn’t look like it at first glance! (Does this mean Blackie’s real first name is ‘Katnip’? No wonder he changed it.)

The cat isn’t fazed by the punch drunk rodent, and tries to eat him. Elmo escapes and falls into the milk bowl, which is good news since milk is nature’s natural sobering agent. He flees, and the cat chases, taking a swing at him as he runs on a table. This makes the leaf smack him in the face, knocking himself out but good. Well, well. Just look at all that fur just practically begging to be taken! Good thing Elmo’s a furrier! He presents the goods to Daisy and he totally wins. She’s got no problem being a trophy, because she gets things out of it. What a good moral.

Hick and Chick leave together, leaving the Slick to wonder where he managed to get the stuff. The cat tells him to mind his own business, showing us Elmo used his @$$ hair to make the coat. (Why to the you to the sea and kay.) Even the iris-out is coat shaped. And when you get pancakes tomorrow, they’ll probably be coat shaped too.

Favorite Part: Jealousy running rampant in Elmo’s mind, he imagines certain instances of bad luck Blackie could befall. Like Elmo mounting his head over a fireplace.

Personal Rating: 3