Category: Final Appearances

Cartoons that were the finale for recurring characters. I.E., those that appeared at least twice.

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A Cartoonist’s Nightmare

♫The tables are turned, and now you’re in, our clutches!♫

Supervision by Jack King; Animation by Don Williams and Paul Smith; Musical Score by Bernard Brown. A Looney Tune released on September 21, 1935.

Before we move on to today’s short, it’s time for another rendition of “Something that actually happened to me, that I didn’t make up and is still related to our source material.” I was at work, and a little boy saw my Marvin the Martian shirt. Somehow, he knew that I was someone who actually watches the source material of what he wears, and not only complimented my attire, but asked what Looney Tunes DVDs I had. He had several of the same ones and I sent him away with some ideas about what others he should get. I’m just glad that SOME parents are making sure their kids watch true art. Wouldn’t be great to have a little pal to watch cartoons with?

Yᴇᴀʜ! Tʜᴇɴ I ᴄᴏᴜʟᴅ ʜᴀᴠᴇ sᴏᴍᴇᴏɴᴇ ᴛᴏ ᴘʟᴀʏ ᴡɪᴛʜ!

Too bad that will never happen. Now leave! The adults are talking.

Today’s short is a creepy good time! Definitely one of the more underrated shorts. It begins at Animated Cartoon Studio. (A subsidiary of Generic Products United.) Another day of work is done, and everyone goes home. (Keep your eyes open, and you’ll find that Clampett works here.) The night watchman begins his rounds. This looks like a fun place to work. There’s a staircase that leads to a door too small for anyone to enter, and a sea star in a water cooler. Those rascally artists!

There seems to be a cartoonist still here. He’s working on the latest short for their newest star, Beans. (Making this the first “Looney Tune” to not feature Bosko or Buddy. Warner’s was just all about those B’s.) Yes, by this point Buddy had been abandoned, and I Haven’t got a Hat had come out, so it was time to see if this new character had what it took to be the star. (Porky won.) I will admit, it would have been cool if all this opeing stuff that happens in the short was in live action, but the technology wasn’t there yet, and even if it was, we don’t need another “Coolworld.”

I don’t know what part of the short the man (Name time! I’ll call him Bob McClampet.) is working on, but it is a part where Beans had just been threatened by a beast, but had bars put in front of him, keeping him safe. I guess the short is done, because even though he said he needed to finish, Bob decides to sleep. (Sleep is best often enjoyed at your work) Seeing his chance, the beast grabs Bob and yanks him into the world of cartoons. With Beans still safely locked away, no one can save Bob. Oops.

Bob is dragged down to a room where all the cartoon villains are kept. (Which is right next to where the cartoon heroes are kept. You know them, they are what they’re supposed to be. Illusions of your fantasy.) And in a brilliant move, some of these guys actually appeared in previous Warner shorts. The “Mad Doctor” was the “Mad Musician” from “Buddy the Detective,” “One-punch Otto” the octopus appeared in “Mr. and Mrs. is the name;” even the beast who pulled Bob in appeared once. (Naturally, in 1934’s “Beauty and the Beast.”) They’re are plenty of original faces there too. Including Battling Barney the gender confused kangaroo. (Males don’t have pouches. Females aren’t called “Barney”) And Spike the spider*. (Who doesn’t have the right number of legs. And has a beetle’s shell. And a nose. And… Oh wait! “Spike the spider” is probably just his wrestling name. Of course, that must be it.)

So why all the kidnapping? Seems they’re angry at Bob. In every picture he makes, they are the villains. Don’t get them wrong, they love doing what they do, but they don’t like how they are always the losers. So, they are going to make Bob kill himself. (Dang! A cartoonist’s nightmare indeed! Imagine being hated by your creations! Sure, this kind of situation would come back in “Fairly Odd Parents,” and the “Goosebumps” movie, but being forced to end your life? That’s harsh.) Seeing as how if he doesn’t comply, the rouges are probably just going to kill him themselves, Bob complies and begins drawing a pit.

Remember Beans? He is still in this short too. He’s just been given a loaf of bread by… somebody. Seriously, who is that? We never saw them! (I’m not using gender specific pronouns because I legit don’t know what gender they are.) They came from where Bob was taken. Are they one of the cartoon heroes? The ones who will last forever? I doubt it because we never see them again! Also, I guess Beans wasn’t too upset about his creator probably dying, as his face lights up at the thought of a snack. It’s a pretty comfy cell. As long as someone feeds him, he could stay there for years, no problem.

Okay, okay, back to the plot. Random character in a dress and bonnet hid a saw in the bread, and Beans begins to make his escape. Bob meanwhile, has drawn the pit, and is thrown in. And there is a crocodile in there, so he’s pretty much screwed. When Beans arrives, he finds the villains watching the action. They’re smart enough to make sure their plan works out. (Impressive!) Beans sends some boots to kick the beast, and the whole lot chases after the cat once he is spotted. (Well, at least they look evil. Brains don’t matter much.)

Beans sends the pencil down to Bob, who draws a ladder to get himself out. Then, with the use of a grease gun, Beans sends all four villains (no idea where all the rest went) sliding into their own trap. Bob then erases it. (Which is also pretty harsh. They’re trapped in a enclosed space with a dangerous reptile. Even if they manage to fight it off, they are going to starve. I hope the two heros are proud of themselves.)

Considering the smiles are their faces, I guess they are. They shake hands, which is really the night watchman shaking Bob awake. When the title said “nightmare” it meant it literally. Still, Bob is grateful for Beans’ help. To reward him, not only does he remove the beast and cell from the scene, but he draws him up a giant plate of dessert. (Ice Cream? Pudding? Custard? Maybe it’s all three.)

Personal Rating: 4

* Hi. It’s me from the future. I’ve since learned that Spike also came from an earlier short. But I’m leaving the post unedited, because I found that description I wrote about him hilarious.

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One More Time

“Oh, bologna!”

Animation by Isadore Freleng and Paul Smith; with Abe Lyman and His Brunswick Recording Orchestra. A Merrie Melody released on October 3, 1931.

Well, seems Walt wasn’t too fond of characters looking an awful lot like his own Mickey. Because of this, Foxy would only appear this “one more time.” Well, until he would appear decades later on Tiny Toons. By then people were extra careful to make him look different from a mouse. With pointier ears and snout. (But at least he wasn’t as blatant a rip off as Milton Mouse.)

(Disney may have killed him off rather quickly, but he’ll live forever in my nightmares)

For his last appearance, Foxy is a cop. And he patrols some pretty nasty streets. He is nearly killed several times. Either by being hit by car or just flat out being shot at. But he’s not unarmed. He has a gun that fires a mouse with a hammer at assailants. But even the non-criminal citizens are causing some trouble. Another hippo (this one speaks mostly in “wahs”) is having some road rage with another Mickey clone. (They are popping up everywhere today) Eventually, she accidentally runs over Foxy and he gives chase.

When she pulls over, she begs and pleads to not be given a ticket. Foxy doesn’t really buy her story, but he does forego on the ticket. (Instead, he just shoves her head in a trash can.) Roxy is making one more appearance too and her dog happily greets the scared vulpine. (Being several years before Disney would prove that a fox and a hound could get along, you can understand Foxy’s terror) The three take a break to enjoy some impromptu music.

Another hippo, meanwhile, has just been robbed. The cops give chase, with Foxy leading the pack. The criminal may seem pretty small, but after entering a pipe, he is not only larger, but accompanied by three other crooks. A grenade is hurled that takes care of the other officers. (I think it kills them. It at least knocked the flesh off their legs.) They also fox-nap Roxy which just gives Foxy even more reason to give chase. He takes a robot horse from a penny arcade and gets her back. With the criminals now chasing him, he tricks them into running into a prison. But he hasn’t completely won. The driver managed to escape and shoots Foxy in the butt. (What a way to make your final appearance!)

Personal Rating: 3

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Dog Gone South

“I’ll take care of ya.”

Directed by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam, Lloyd Vaughn, Ken Harris, Phil Monroe, and Emery Hawkins; Layouts by Robert Gribbroek; Backgrounds by Phil DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1950. Directed by Charles M. Jones; Story by Michael Maltese; Animation by Ben Washam, Lloyd Vaughn, Ken Harris, Phil Monroe, and Emery Hawkins; Layouts by Robert Gribbroek; Backgrounds by Phil DeGuard; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. A Merrie Melody released in 1950.

Another of the “100 greatest! (I’m talking about these a lot this year, huh? And I’m planning on doing it again next week.) This is Charlie Dog’s sole inclusion on this list, and I’m glad. I love this guy. And of his five appearances, this is probably his best. You probably thought I’d choose one of the his times with Porky huh? Speaking of Porky, this is the first time Charlie appeared without him. We see the hound being kicked off of a train. He is in the south as the title suggests. Acting like most dogs would, he sets about to finding himself an owner. Colonel Shuffle is a nice pick. Really, Colonel Shuffle from “Mississippi Hare” is also in this short. (Though never mentioned by name) He’s not interested in Charlie, not because Charlie is kind of annoying, (and I mean that in the best possible way) but because he already has a dog. Belvedere, a Marc Antony styled bulldog who is so top heavy, his hind legs raise in the air when he runs. That, and Shuffle is full of Southern pride. He is not too happy to hear Charlie sing “Yankee Doodle” on his property. Keeping quiet on the Northern front? That’s simple. Getting rid of Belvedere is the hard part. Charlie starts by dressing him up in a Yankee style hat, and giving him a “North Forever” banner. Shuffle chases after him in a Confederate outfit. Seeing his chance, Charlie does the same and acts wounded. Shuffle agrees to take him in, but Charlie ruins things by suggesting a meal of Yankee Pot Roast. I guess Belvedere is forgiven then. Seeing as the Colonel hasn’t beaten him to death yet. Charlie then dresses him up in a New York Yankee’s uniform. (Which looks cute on him) Belvedere notices this and grabs a club to hit Charlie with. He hits Shuffle. Seeing Belvedere coming for him still, Charlie gets Shuffle again, who is once more beaten. That does it, and Belvedere is kicked off the plantation. Seeing as he now has no dog, Shuffle agrees to take Charlie in. Just then, another man walks by. He would like a dog, and would treat him like a king. Charlie, (proving all he really wants is a home, and could care less about who owns it) takes him up on that offer and leaps into his arms. The man in turn throws him onto a leaving train. Turns out it was Belvedere. He happily goes back to Shuffle. (Poor Charlie. Guys named Charlie are always being rejected despite being really great guys. Charlie Brown just wants love. Charlie Tuna just wants people to eat his delicious flesh. Charlie Horse just wants plastic surgery so his face will stop giving me nightmares.)

(Okay, maybe not that last one.)

Personal Rating: 3

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Birth of a Notion

“I have no duck, Leopold.”

Directed by Robert McKimson; Story by Warren Foster. A Looney Tune released in 1947. Directed by Robert McKimson; Story by Warren Foster. A Looney Tune released in 1947.

During the Autumn, ducks tend to fly south to warmer temperatures. Daffy is not like most ducks, and instead has a plan to get himself a warm home for Winter. It all hinges on the bone he’s holding. He leaves it on a house’s porch and calls for the dog that lives there. (I suppose he’s been scouting to find a home with a dog. It’s needed for his plan) The dog prepares to feast on that bone, but Daffy stops him. He claims that the bone is poison and that he saved his life by keeping him from eating it. Leopold, (for that is the dog’s name) is grateful and tells Daffy that in return, he’ll get him anything he can. Daffy requests sharing the house. Leopold doesn’t think his master would like him doing that, but eventually gives in. His master is a familiar face: it’s that scientist that looks like Peter Lorre. (Who from this day forward, shall be known as Pete Lorry) He is working on some sort of experiment that is requiring something he does not have: a duck’s wishbone. Leopold, meanwhile, sticks Daffy in the closet promising to bring him food and water. If Daffy wasn’t Daffy, his plan would have definitely worked, but he’s not one to stay there and naturally leaves. Just in time to overhear Pete tell his dog about his duck loss. Daffy isn’t scared as one usually would be in this situation, but is instead angry. He tries to goad Leopold to join in on the Pete-killing, but the dog is loyal to his master and won’t partake. Daffy throws stuff at Pete’s head and succeeds in hitting him once with a bat, just as Leopold grabs it. Pete is very calm (while breaking the bat into many pieces) and tells Leopold that he will do horrible things to him, should he get hurt. Daffy is not through, and heads into this bedroom with a knife. He takes a stab at taking a stab, but Pete happens to sleep with a shield and is unharmed. But he is now very much aware that there is a duck on the premises. A chase ensures with trapdoors, a door that leads to a countryside speeding by, and arms coming out of the walls. (Intermixed with a shot of Leopold complaining about his “role” in the short. Best joke of the cartoon, right there.) After having many sharp objects thrown at him, Daffy goes for the obvious solution and just leaves. (Who knew it was that easy?) To Leopold’s horror, Pete begins wondering if a dog’s wishbone would work in whatever he’s working on. (Maybe he just wants a wish?) Why is Leopold scared when dogs don’t have wishbones, you ask? Well, clearly Pete won’t figure that out until he’s dug through Leopold’s neck. That’s how mad scientists work. Daffy meanwhile is preparing to try the bone scheme at a different house, but another bird has beaten him to the punch and kicks Daffy away into the sky. Well, it’s easier than flying yourself, so Daffy kicks back and enjoys the ride. (Leopold joining him with fan powered flight)

Personal Rating: 3

Don’t expect a post next week. While I can’t promise that I won’t have time to write one, I also can’t claim to have the time to do it. So for just once in your life, don’t expect the unexpected.

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The remaining Mr. Hook shorts

In my first year of doing this blog, I made a small post about one of this guy’s shorts. Since I barely said a dang thing about him, I’ll give you a quick rundown. Much like Snafu was made for the military, Hook was made for the navy. (Well, his first short was shown in theaters, but it was made by Walter Lantz studios, so we’re not talking about it.) Unfortunately, Hook wasn’t as interesting as Snafu. He was a goody-two shoes who was happy to follow the rules. And all three of his shorts were about buying war bonds. They’re still entertaining though. (Except for Hook’s annoying laugh. That’s his main character trait.) All three of them were released in 1945.

The Good Egg

“Now ain’t this cute!”

Hook is asleep on his ship. His bad side (personified in the classic cartoon way: a devil version of himself) finds his war bond. (He takes it to bed with him?) He tells the sailor to not waste his time with such things, but his good side disagrees. (What’s more, he flat out beats up the devilish side.) He then explains all the benefits of purchasing a bond. He even recommends purchasing more. After the war, he’ll have a nest egg that will make it possible for him to purchase new clothes and a nice house. A stork also pops up, but the good side says that it will come later.

Personal Rating: 1

Tokyo Woes

“I got a mess of hot platters for you today!”

This short begins with a Japanese radio show. Starring some of the most racist caricatures I’ve ever seen. Yeah, it was a different time, but they have way too many teeth! It creeps me out! Our hostess’ (whom we first see on a toilet) main focus is telling the world that bonds are useless. This angers our perfectly behaved protagonist. He’ll show her! He launches a missile her way, but surely someone as perfect as Hook would never actually kill anybody! (What do you think he’s in? A war?) The missile just unloads a sentient war bond. Good thing he has no moral compass! He hands her many bombs and hightails it out. The bombs explode and leave nothing but their hair, glasses, and grotesquely over-sized teeth.

Later, when the war is over, the same bond comes to Hook to make good of his promise. Granting him new clothes, a nice car, and a boob job. (I’m not joking.) The bond asks if there’s anything else he wants. Hook agrees that there is, but he can get it himself. We end with him being kissed by a woman. Money can’t buy love, you see.

Personal Rating: 1

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Wagon Heels

“Him, screwball.”

Directed by Robert Clampett; Animation by Rod Scribner, Manny Gould, I. Ellis, and C. Melendez; Layouts and Backgrounds by Thomas McKimson and Michael Sasanoff; Voice Characterization by Mel Blanc; Musical Direction by Carl Stalling. Released in 1945.

What’s going on? Why is this place updating a day early? Well, I’m working tomorrow so you’ll have to put up with me during your holiday. Happy Martin Luther King Jr. day! If you’re racist, the Martin Luther King snake will bite you!

This is a color remake of an earlier short by Clampett called “Injun Trouble.” This new title is much more friendly. If I was smart, I would have reviewed all the shorts in chronological order. (However, I amn’t smart.)

In 1849, the U.S. was a much smaller country. It was all relegated to the east coast and the rest of the land belonged to the red man, Injun Joe. (If he was born today, he’d be called Native American Joe.) But if you read your history books, (And I know you did. Kids love history!) you’ll know that the white men decided that the land was theirs and they would soon have it. A wagon train is headed to what is today known as California. (Back then, it was Joelifornia.) There are some familiar looking faces in those wagons. They look an awful lot like the gremlins from “Russian Rhapsody.”

Seeing as they’re entering enemy territory, (Containing such lovely locales as Joeklahoma, New Mexijoe, Minnejoeta, and Injunsaas.) they send out a scout to watch for trouble. Who better than my pal, Porky? Not too long after crossing the border, he finds the remnants of Joe’s last massacre. There’s only one survivor: Sloppy Moe. A blue-skinned runaway from Wackyland who may or may have clearly been driven insane by Joe’s wrath. He does admit to knowing something he won’t tell. Shouting that it’s a secret when Porky inquires. Porky shrugs him off as a lost cause.

Now why don’t we check in on this Joe character? How strong is he? And what of his age? Is the mighty Joe, young? Well, he’s certainly earned his title. He’s the original Joe Cool. He doesn’t walk around mountains, he walks through. Trees with what look like Tweety clones in his way? Them too, without pity. He reduces the most ferocious of bears into whimpering cubs, and bites bear traps into letting him go. Naturally, if you’re going to fight him, you’re going to have to send someone beyond cool, manly, and cunning. And I don’t see how you could disagree with me, but Porky fits that description. Unfortunately, Joe has found Porky’s wagon train and diverts them off course leaving them out in the open. You might think Joe loses coolness points for riding a stick horse, but that’s actually quite clever. What horse could hold his weight?

The train tries to fight back, but they don’t stand a chance. Joe uses whole trees as arrows and can make uses of bullets too. He crams them in his mouth and fires back cannon shells at them. Porky catches up and wrestles Joe’s tomahawk away from him and gives him a smack on the foot. At least he hurt Joe. That’s more than any of us could have done. The angry Injun causes Porky to jump out of his skin-colored pants, and chases him to a cliff. It looks bad. How could things get worse? Well, Moe comes back. He’s still singing about his secret, but Joe won’t put up with such tomfoolery and demands to know it. Turns out, he already did.

Moe’s secret is about Joe’s weakness: he’s ticklish. Using his beard Moe tickles the burly brave into submission and he falls off the cliff. The force of his impact causes all of his territory to be dragged down with him, stretching our country to it’s current size. Goodbye, U.S.J. and hello U.S.A. (Bet you didn’t know that the country was fully formed at that time. We just didn’t announce it until 1912.) It’s all thanks to our heroes: Porky the fearless and Sloppy Moe the brave. (Moe would appear years later on “Tiny Toons” when they did a parody of “The Great Piggy Bank Robbery.” There, he was called Ticklepuss.

Personal Rating: 4 Better than the original. (If I was smart, it’d be discussed by now.)

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Patient Porky

“Ohhh, my poor b-be-b-be-b-be- tummy!””

Supervision by Robert Clampett; Story by Warren Foster; Animation by Norman McCabe; Musical Direction by Carl W. Stalling. Released in 1940.

This short is based on the book “The Pains Came.”

At a hospital, we see that the floors are organized by the alphabet, leading me to believe there are 26 floors. We get some hospital gags including a paging for “Sir Jury” and a list of the days births. Not all surprisingly, the rabbits are winning with a total of 490. Proto-Bugs makes a cameo to correct the number to 750. What’s interesting is this came out after Bugs made his fully fleshed out debut in “A Wild Hare.” (But then, I’m sure both were being worked on at roughly the same time.)

One ward is under the care of Dr. Chris Chun. (No relation to the amazingly charismatic Dr. Foolio.) He checks on his patients. Poor little Olley Owl has to shout that he can’t talk above a whisper, whilst another patient gets some good news: his bones are literally knitting. Herbie the hippo is in because he swallowed a piano. Cartoon or not, why would he do that? Is this a mental ward? That would explain Crazy Cat in the next bed. (Note: Crazy with a “C”, I don’t need to be sued.) He delights in playing said piano and annoying Herbie. It can’t be good for his digestive system either.

Porky enters the scene asking for a doctor. Chun must be on lunch or something because that mentally unstable cat leaps at the chance. Introducing himself as Dr. Chilled Air, he asks the pig what’s wrong. Seems Porky ate too much at a birthday party: 3/4 of a cake with the candles still lit! (Cool!) Making like a horror film, the cat puts him in a hospital gown and happily sings about his first patient. He wheels my pal into surgery and gleefully sharpens some knives. Porky is getting rightfully freaked out, especially when the phony physician starts aiming to saw him open without any anesthesia. Making a break for it, Porky runs for home.

Unfortunately, Crazy McCutlery, is right behind. But Porky has a plan. When the maniac corners him in his bed he finds a sign on Porky’s gut: “Do not open until Christmas.” This doesn’t hold him for long though, as he hops in bed with him intending to wait. (I swear cat, if anything bad happens to my buddy, I will submit you to horrors so psychologically scarring, that you will turn sane with fear! Oh wait. This short is over seventy years old and Porky is still alive. My mistake.)

Personal Rating: 3

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Bacall to Arms

“Anybody got a light?”

Care to help a fellow American who’s down on her luck?

Directed by Robert Clampett (uncredited); Animation by Manny Gould, Don Williams, Rod Scribner and I. Ellis; Layouts and Backgrounds by Thomas McKimson and Philip DeGuard; Musical Direction by Carl W. Stalling. Released in 1946.

One of Clampett’s last shorts and it feels like his heart wasn’t really in it. Many scenes are reused from “She was an Acrobat’s Daughter,” including the crowd switching seats, the fat hippo, and the young goose annoying his father. A wolf is shown his seat by a female usher. (I swear that’s Porky sitting behind him.) He rushes off to flirt with her but is slapped. A news reel is shown that radar has a new purpose: alerting a family to the mother-in-law coming. The film then starts. A parody of the real picture “To have and have not” called “To have…To have…To have…” (etc.)

It stars parodies of the stars of the actual film, Humphrey Bogart and Lauren Bacall (to arms) played by thier Toontown counterparts: Bogey Gocart and Laurie Bee Cool. The rest of the cast’s names scroll on the screen. They’re not important. The movie itself says they are the “cast off characters.” The wolf (who shall hence forth be known as Winchell) starts to doze off. (After the cartoons, I would too) The Tex Avery hippo is told by Gocart to sit down and stop inconveniencing people as the film is starting.

When Laurie shows up on the screen, Winchell pays attention. She’s so hot, that she leaves little flame trails wherever she walks. As she kisses Gocart, the wolf is in heaven. (The whites of his eyes disappear at one point even.) Winchell continues to go nuts. Kissing the back of the head of the patron in front of him, whistling so hard someone’s wig flies off and jumping out of his clothes. (Apparently the audience left to go smoke at that point as the theater seems deserted.) When Laurie is finished with her cigarette, Winchell dives after it and takes a puff. Not amused, Gocart shoots the wolf and takes it for himself.

It blows up leaving him in blackface. (Yes, this part was cut for television.) He exclaims that he can work for Mr. Benny now. (It’s a little known fact that there were at least 12 Rochesters and that Gocart played the 3rd one)

Personal Rating: 3. There’s just barely enough new here to keep it a little interesting.

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The Turn-tale Wolf

“How I dread passing the houses of them three, mean, little pigs.”

Directed by Robert McKimson; Story by Tedd Pierce; Animation by Phil DeLara, Charles McKimson, Herman Cohen, and Rod Scribner; Layouts by Peter Alvarado; Backgrounds by Richard H. Thomas; Voice Characterization by Mel Blanc; Musical Direction by Carl W. Stalling. Released in 1952.

School is out for the day and a young wolf (Blanc doing his Sylvester Jr. voice,) heads home angrily. Once there, he calls his uncle out for blowing down the houses of pigs. Seems they learned all about him in school today. (His uncle also clearly has a picture of a topless woman pinned to his wall. I don’t like it when wolves are attracted to humans. It makes my brain throw up.) Uncle Big Bad claims he is innocent and the story is all backwards. He sets his nephew down to listen to his side of the tale. (Speaking of tails, why doesn’t his poke out of his pants? Isn’t that uncomfortable?)

When the wolf was a younger wolf (and now his tails clearly pokes out? Suspicious!) he loved to commune with nature. But he always had to pass the homes of three rude pigs. Look familiar? Those are the same guys who sold Bugs their houses to avoid wolf attacks. Only now they dress like Huey, Dewey and Louie, whereas the third one wore yellow before. (Which was actually those ducks original color set. I’m getting off topic. The bottom line is these pigs shall henceforth have the same names. I’m sure it’s obvious who gets which moniker, but I’ll spell it out for those of you who are uneducated in the tooniverse. Blue pig=Huey, Green pig=Dewey, and Red pig=Louie.)

He has every right to dislike them as the mean little pork chops slingshot him whenever he passes. But today, Louie suggests that they actually let the wolf play with them. (Giving his confused companions a wink.) They even let the wolf use their biggest slingshot and offer to load it for him. He gets a boulder in the face. According to Big Bad, he didn’t “moidalize” them for this joke, but actually cried. For being a good sport, the pigs decide he can play another game of theirs called “Surprise! Surprise!” All he had to do was put his hands behind his back where they will put an unknown gift. He can look when they tell him to. He gets a firecracker. (Well, he was surprised.)

As he goes on, he tells his nephew that he continued playing with the pigs. One day while playing a friendly game of “Swat the Fly” (Rule 1: All non-pigs get beaten with paddles by pigs. Rule 2: All non-pigs forfeit the game if they play by the rules.) they see a sign advertising a bounty on wolves. Specifically, their tails. He has a right to be nervous as his new pals are staring at his butt with dollar signs in their eyes. (At least they’re not horny?) They deny that they would have any desire to rip off his tail as he’s there friend. In fact, they want him to be the king for the day! They have a throne set up and everything! Sitting down, he pulls a bell rope at the pigs suggestion to let his proclamation ring. In actuality, it’s connected to a guillotine blade and the wolf just barely keeps his tail intact.

With the jig up, the pigs no longer bother hiding their blood lust and chase him back to his house. They blow down his house and with him knocked out under the rubble, they advance with a crazy look in their eyes. The nephew, upon hearing all this, doesn’t buy it. The wolf then shows that he was tailless all along! *Haunting laughter as lightning strikes*

(Before the short ends though, he confides to us that he lost it in a swinging door. Keep that ending away from the campfire, pal)

Personal Rating: 3

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Mouse and Garden

“We’re pals, aren’t we Sylvester?”

The best of chumps.

Directed by Friz Freleng. Released in 1960 Nominated for an Academy Award. Lost to the Noveltoon, “Munro”. Which was really good, so I’ll allow it.

Life is hard for Sylvester. If he’s not being anyone’s pet, he doesn’t get any food and is reduced to picking through the trash. At least he’s got a friend. Sam, (voiced by Daws Butler, the same person who voiced many of Hanna-Barbera’s characters, like Yogi Bear, Huckleberry Hound, and Quick Draw) who previously appeared with him in the short “Trick or Tweet” The two are the best of chums. And they’re always willing to share the other’s food. Sylvester takes note of a mouse. It’s small, but it’s got more nutrition than fish bones. Seeing his chance, he ditches Sam and chases the rodent into a boathouse. Unlike most mice in Looney Tunes, this one is not a clever trickster and Sylvester stops it by stepping on its tail.

Sam comes in and Sylvester hides his snack behind a pillar. Somehow, Sam knows about this and hammers Sylvester’s foot and replaces the mouse with a lit firecracker, which Sylvester eats. Sam hides the mouse in a bureau and when Sylvester asks what’s in it, Sam claims it’s nothing. Sylvester pokes his head in and comments that he’s right. Sam finds the mouse in his friend’s mouth. Now that they both know the other is aware, they decide to put the mouse in a jug  that they dangle from a rope, promising to share it in the morning. (Hope they don’t mind if he dies, there can’t be an air supply there.) The two sleep on a bed that’s there and Sam dreams of a mouse feast. (Sylvester dreams of hitting Sam for dreaming of said mouse.)

Sam attempts to get the mouse but is caught in the act. Since he can’t be trusted, Sam is tied to the bed. Sylvester attempts, but Sam mallets his head. (All while still tied to the bed.) Sam tries to reach the jug from the water below, using a pipe as a snorkel. Sylvester puts another firecracker down it. (Is he walking on water?) Sam spits it back up a few times, before Sylvester plugs it up. To finally stop this whole thing, the two agree to be tied together. But later, Sylvester ties more string on the line so he can get the mouse without Sam waking up. He ties Sam’s end to a motorboat, but Sam wakes up and catches him. He ties Sylvester’s tail to the boat and exposes him.

Unaware that he’s now the one tied up, Sylvester announces his plans to have Sam be taken away. Sam points out that he switched the lines and shakes Sylvester’s hand/paw in farewell. The boat takes off with Sylvester, Sam, and the jug all being taken along. They crash and the two cats make it to an offshore rock. As the mouse (somehow escaped) floats back to land in the jug, the two cats continuously kick each other as we iris out.

Personal Rating: 3