Bosko the Drawback

“Are you listening?”

Animation by Isadore Freleng and Bob McKimson. A Looney Tune released in 1933.

Tomorrow is July 4th. That day is pretty important to my country. And to celebrate that, what could be more patriotic than football? American football. The one where hands are involved. (Everyone knows we are a dumb country. It’s okay to say it.)

Game day! The crowds are eager to get inside and see some action! That includes Mickey clones 213, 514, 726, 556, and 715. (Only 751 before I’ve named them all!) As the title suggests, our hero that we should be rooting for is Bosko himself. Never again will you see the very epitome of athletic superstardom. And he’s getting one heck of rubdown. Kinda makes me uncomfortable. Actually, him too. He starts out enjoying it, but his handler really goes all in with his work.

Time for the kickoff! (I think that’s what the beginning of the game is called. Why would you think I’d know anything about any sport?) Bosko gets the ball and makes some good distance. All thanks to their dachshund play. You know the one. That play where you have a German wiener dog running in front of you in a pointed shape, thus knocking your opponents away. (Well, as long as there isn’t a pile-up of them.) Such an exciting game, that even Mortimer Mouse clone number one can’t help but cheer. (Which is hard to do with a broken foot.)

Just to remind you this is American, (I guess) we get an eagle perched atop ole stars ‘n stripes. (These were the good days, when there was only sixteen states. Let’s be real, the rest are just filler.) On the field, a caterpillar who I thought was just a member of the band, runs, despite getting tackled apart, slowly, segment by segment. And what about that crowd? Making an image of a talking head? Complete with raspberry action? Why are we paying the athletes millions of dollars?

Bosko’s got some real competition now. The hunchback of Notre Dame! (He’s may be an ape, but he earned that title.) And a random title card introduces us to the four horsemen, Boris, Morris, Loris and Porous. (Why couldn’t you announce them, Bosko? Your millions not paying enough? Entitled little…!) Bosko runs away, then in the next shot he’s running in the opposite direction. Because he’s about to pull the other classic dachshund maneuver! Using the dog to launch yourself over the goal! I think that means the game is over and Bosko’s team won. If only all sports games could finish in under seven minutes.

Favorite Part: I like the look on Bosko’s face when his masseuse (for lack of whatever the real term would be) snaps his neck. (He’s a toon! He’s fine!)

Personal Rating: 2

Bosko at the Zoo

“GET IN THERE!”

Animation by Isadore Freleng and Larry Martin. A Looney Tune released on January 9, 1932.

As someone who has loved animals from the moment he exited the womb, I’ve also always been a fan of zoos. Granted, as an adult I now know that not every one of them is on the up and up, but I still think they get a bad rap. Many of them are really trying these days, people! What I’m trying to say is, I’m envious that Bosko would rather take his girlfriend on a zoological outing rather than me. (Even if that does mean I’d have to ride on his handlebars.)

For the time being, it looks rather nice. The habitats are spacious enough, and it looks sanitary. Bosko’s nose even turns white. (That means it’s a good’un.) Honey’s a wee bit scared of the lion, (Wimp.) but she is fairly interested in the aquarium section. (Oh!… um… I… I’ll just wait for you over by the exit. I’m sorry I intruded on your alone time!) The fish inside the tank have lots of fun, playing leap-frogfish, and using an octopus as a maypole, but the sad reality is that they are just the fodder for the larger fish in the tank. (Nice touch making Bosko and Honey all wiggly. Really adds to the illusion of bent light.)

By this point, an ostrich gets a hold of Bosko’s hat. Since there isn’t any employees around, Bosko is free to chase the bird into the enclosure. He actually manages to keep pace with the bird, and grabs it. In turn, his hat is swallowed. Bosko ain’t having none of that, and forces the bird to lay an egg. Even though the black coloring suggests this ostrich is male, it manages to get an egg out, and Bosko’s hat is within.

The ostrich is upset, and probably humiliated by this, so Bosko plays a pipe to cheer it up. (Honey is just gone by this point. Either walked home, or was thrown to the bears.) This really gets the place jumping. The beavers beat their tails and the kangaroos in the same habitat, dance. (Is Bosko just in a zoo? Oh, yeah. He really is this time.) Some monkey’s scratch themselves to the beat, but they get serious when one of them really needs his friends help to remove his itch.

The friend pulls out whatever it was, and puts it on a plate. But he only pretends to eat it. So when the other monkey tries to help himself, he gets a fork in his hand. This really pisses Bosko off for some reason, and he marches into their enclosure to spank the monkey. (I still mean that literally after four years! Sheesh.) Just like the last time he did that, he angers a gorilla who shares the space. He ain’t happy and chases Bosko through the suddenly much larger area. (Watch the teleporting monkey!)

Even though I could have sworn this was on level ground, Bosko has to jump out of the enclosure, (Which just has an exit. That’s dangerous on so many levels, including ground and where we are now.) and he lands on a lion. No clue if this is the one from earlier, but it gives chase. Bosko runs along with the ostrich and walrus also in the habitat. (More fodder. On another note, that pinniped is keeping remarkable pace with the bird.) They have no choice but to stop at a wall. As zoo animals, they have no proof that anything even exists beyond it!

Bosko leaps atop the wall, and the lion crashes into the other two. In turn, the three animals are combined into some kind of horrifying chimaera that must live whatever short life it has left in bitter agony. And Bosko is quite cheery if his smile is any indication.

Favorite Part: The whole cartoon went by, and not once did they make the stupid joke about ostriches burying their heads in fright! It’s an animated miracle!

Personal Rating: 2

Goopy Geer

“Oh, goofy, goofy, Goopy!”

Animation by Isadore Freleng and Rollin Hamilton; Music by Frank Marsales. A Merrie Melody released on April 16, 1932.

You enjoyed “Lady Play Your Mandolin,” didn’t you?

What do you mean ‘it was light on story’? What more were you expecting? Leave this classroom. Everyone else is allowed to mock you on your way out.

For those of us who don’t mistake short films for novels, I’m happy to say that there is a lot of reused animation for this picture. (I’m happy to say that because I took my Zoloft.) It leads me to believe that this short is taking place in the same cantina as L.P.Y.M. was. And if you are listening to the crowd correctly, you’ll find that they are demanding Goopy Geer. He’s been the entertainment ever since Foxy got called out for ripping off a rodents style and took his girlfriend with him. Don’t worry. The three are friends.

Only close friends skip

Goopy must be a pretty talented pianuh player. Even Mickey Clone 277 wants to see him perform. You know, Goopy doesn’t do any sort of practicing. That’s how you know he’s talented. You could say he plays by ear. (They make that joke, and when the G-dog appeared on Tiny Toons, he’d make it again. It’s his favorite.) He’s also quite friendly with the clientele. He’s more than happy to accompany a trio of kittens as they sup on soup.

Never mind. Those are not any felines I’m aware of. They share a digestive tract! The first places a cracker in his mouth, the second chews, and the third swallows. It defies nature! Oh wait. I forgot that cartoons do that on a minute-ly basis, as opposed to a daily one. Another diner is a bull who is eating the world’s toughest pasta. I’ve never seen anyone need to chew spaghetti so much. (Unless it’s just a reference to how bulls normally eat?)

No meal for me, thanks. I’ve seen what goes on in that kitchen. They’ve got a naked chicken swimming in broth to make soup. I can’t believe its got its cloaca clenched tight all the time! And now that I’ve more than likely ruined the rest of your week with that image, let’s get our singer on stage! I’m guessing that it’s the character that I once named “Gigi,” so there’s no need for another one of my awesomely picked names this week. Shame, as Warner Bros. pays me a nickel for every unnamed character of theirs I christen.*

Her signing is also enjoyed by the crowd. Just look at Clone  441 applaud! (He never misses a show you know.) With singing and piano-ing combined, everyone (and a couple coat racks as well) get their groove on. Even Foxy’s horse stops by to get tanked once again. He nearly has the exact same hallucination as last time, but now he sees himself as Gandhi at the end. (Wouldn’t that be reason to cheer? If what Charlie Brown’s been telling me is true, girls are naturally attracted to zero hair. Explains my lack of love life.)

Well, as the saying goes, alcoholic horses and pianos don’t mix, and the equines explosive expectorations soon reduce Goopy’s piano to shambles. A crime punishable by limit to three cartoons max. Nice knowing you, Goop.

Favorite Part: Gigi arriving on stage with a bad pun for Mr. Geer. His reaction is quite humorous. Quite indeed.

Personal Rating: 2. It could’ve done better if a good chunk of it hadn’t been seen already.

*This is a lie. I have never even been approached. I didn’t think I needed to tell you this, but I’ve been surprised at how seriously people take me before.

Wake Up the Gypsy in Me

“The fools!”

https://www.dailymotion.com/video/x7uafcm

Animation by Isadore Freleng and Larry Silverman; Music by Frank Marsales. A Merrie Melody released on May 13, 1933.

I don’t know much about anything that isn’t related to zoology, so that means I don’t know an awful lot about Russia. But I do know that at the time of this short’s release, the country being portrayed here was known as the Soviet Union. With that said, I’ll still be referring to it as “Russia.”

It’s time for fun! Who likes dancing? And singing? And having a good time with their neighbors? I don’t, so I’m not sure how authentic this get together is. But everyone seems to be enjoying themselves, which is what I always thought happened in situations like this. But the festivities can’t really get started until an actual Gypsy joins the fun. Here she comes now. I’ll call her Kurabie. (Nobody else seems happy to see her. Rather they’re shocked and or appalled? Or just hungry? I’ve seen young blue tits make the same face.)

Look guys! It’s Kurabie!

While they continue to enjoy themselves, let’s follow what looks to be three kids in a trench coat, but is actually a little person and four bombs. They’re on their way to the residence of Rice Puddin’ AKA The Mad Monk. Clever name. Kids aren’t one to pick up on it, so they won’t know we’re making fun of someone who really existed. And here I thought the ire towards the guy didn’t start until 1997.

R.P. is just doing a jigsaw puzzle. A great way to spend one’s time. (And the bomb guy disappears after he gets inside. He was a waste of story if not animation.) Rice spies Kurabie and wants her. Despite the fact she looks to be about 8. These old shorts just suck at portraying age. Rice isn’t going to get her himself, though. He’s not very popular around these parts. He sends a guard to go and get the girl, while he stays behind and enjoys a cigar. (Helpfully lit by Mickey Clone number 551.)

When the girl is brought back by a completely different person, (Unless he stopped to shave off the rest of his stubble hair.) Rice sends him away (via trapdoor) so he can enjoy her “company.” If you know what I mean. Yet, she doesn’t appear into him. But why? He’s got a nice position of power. Well, I think it’s because of his run cycle. The animators really wanted to make him look like a Bauk. Lumbering, slobbering, and cackling. Such turnoffs.

But Kurabie’s calls for help were heard and a revolution was quickly formed. Rice tries to make an escape via donkey-copter, but the revolutionists were able to get at least one bomb in his attire. The resulting explosion makes him look a lot like that Indian guy, Candi. (No disrespect intended, but if Rasputin’s real name isn’t going to be used, then I don’t see why Gandhi shouldn’t get similar treatment.)

Favorite Part: Not only does Rice Puddin’ cheat at his jigsaw puzzles by cutting out the shapes he needs, but he isn’t shy of where he gets the material from. So we end up with a picture of a horse with the czar’s head on it’s butt. Political commentary!

Personal Rating:2

Moonlight for Two

“Stand back, villain!”

Animation by Isadore Freleng and Larry Martin. A Merrie Melody released on June 11, 1932.

You ever heard of Goopy Geer? There’s no shame if you haven’t. He’s one of the WB’s most minor of minor characters. He’s your basic run-of-the-mill anthro-dog. He sings, he dances, he plays musical instruments. He was another attempt to make a recurring character for Merrie Melodies. And I know what you are thinking now: that name and species? It’s another blatant Disney ripoff! Yet, Goopy came first. He predates the dippy dog by a couple of weeks. And, yet, (again) one went on to have his own movie in the 90’s, while the other got a cameo on Tiny Toons. (There are no losers, but some won more than others.)

Late at night, in some Ozarks-ish area, a girl dog heads out with her boyfriend/ormaybehusbandbrotherorjustdancepartner for some dancing fun. Even the birds sing in excitement. (Probably on the other side of the globe. It’s clearly day where they are.) The guy is Goopy and the gal is just Goopy’s gal. (So, it is once more up to me to supply a name. Gigi sounds appropriate) They sing our title song, jump onto a cart, (not sure if that was intentional) and they crash. They end up going to the dance in a wheelbarrow.

Random transition to the dance! We’re just there, man. It kind of feels like we got a different carton shoved in here. Everyone is having such a wonderful time! Look at those asses wiggle! No, really. They have long ears, and are clearly equines. (And yes, their posteriors are moving too.) Goopy and Gigi are ready to cut a rug. Bust a move. Shimmy a shake. Even the stove gets in on the action. (The animators clearly wanted to make him the star. He’s so much more lively.)

You want some conflict? We’ve got a surplus of generic Ozark villains on standby. Have an a-hole Amos on the house! He doesn’t do much more than make a kiss face at Gigi, but that’s enough for Goopy to fight him off. He’s not too good at it, though. The stove ends up chasing the rogue away with his burning embers. (Coming next month: Pot Billy Stove in, “Some like it not!”)

Favorite Part: Two dachshunds dance. One chugs some firewater, and burns most of his flesh away. His partner doesn’t mind how vertically challenged he has become, and continues to dance with him without hesitation. That’s adorable.

Personal Rating: 2

The Tree’s Knees

“Ain’t that cute?”

Animation by Isadore Freleng and Rollin Hmilton. A Looney Tune released in August, 1931.

The occupation of the day is lumberjack. Bosko makes a fine lumberjack. He has an axe, and that’s all that is necessary. He locates a fine group of trees and prepares to kill them all. (He’ll probably make them into paper! Or firewood! Or mulch! Isn’t it fun to imagine what a living thing’s demise will lead to?) Before Bosko can make even one chop, the trees reveal theri sentience. It seems to be a family, as the smaller ones plead with Bosko to cease his upcoming violence.

They call him “Big Hearted Bosko” for a reason. He spares the family of trees. In fact, to show that he’s truly sorry, he pulls out his harmonica. What a treat! Bosko is willing to share his musical prowess with those less fortunate than him! Such gaiety! Too bad one of the tree’s is still a prick. Even after Bosko decided to let them keep on living, it has the balls (or knees, I suppose) to blow a razz berry. Bosko chases the color-changing tree, and actually manages to tear the brat’s bark off. Turns out, it’s the human equivalent of clothes, not skin. So the little monster is just cold and embarrassed, rather than bleeding sap profusely.

They call him “Big Hearted…” oh, you know what I mean! Bosko returns the plant’s hide, and it still is an a-hole, giving Bosko a kick in his own knees. (The little son of a beech.) At least there are nicer trees in this forest. Some of them actually act as a nanny for the nests of bird chicks that rest in their branches. (They tend to get a little too carried away rocking them, but it’s a far cry from what I’ve seen thus far today.) Bosko also forgets the number one rule of the woods, which is: don’t stand under a bird without an umbrella. Oops. Too late.

Don’t worry. It’s not what you think. Even though it IS white, it was just bird tobacco. (Why does a creature with no teeth partake in the act of chaw? The real question is: why does he need pants?) Perhaps it would be wiser for Bosko to interact with less salivary animals. Like a beautiful butterfly! Bosko happily gives chase, and finds something else amazing to his music loving soul. Apparently, if trees are thin enough, and close enough to each other, they can be used exactly like a harp! (They also don’t move around. Different breed)

Heck, why doesn’t nature join in Bosko’s merrymaking? One tree uses the vines on his body as a makeshift violin. It sounds rather nice to me, but the obligatory weeping willow joke seems to disagree. (And if you needed at least two willow puns, we also get an appearance of the pussy variety.) Some more Mickey clones are even here, enjoying this lovely day while playing with a discarded saw. (That’s numbers 516 and 729, for you. They laugh in the face of Disney lawsuits. I mean, danger.)

Realizing there’s more fun to be had with a (see) saw than that, the two of them cut out a wood disc and find it works just like a record; their bodies working like a phonograph. The music is so wonderful, that even a tree wouldn’t be able to keep itself from dancing. (Which would have been more surprising if we HADN’T spent the last six minutes seeing mobile shrubbery.) I can only guess that Bosko is going to need a change of career after this. I doubt he’ll ever be able to look at a credenza the same way again.)

Favorite Part: Clone 516 falls in a puddle and begins to drown. 729 jumps in to save his pal, but finds the water is as shallow as a puddle. At least, the left side is.

Personal Rating: 3

Big Man from the North

“Get your man!”

Animation by Isadore Freleng and Robert Edmunds. A Looney Tune released in February of 1931.

No, the title isn’t referring to someone like Santa or Michael Moore. We mean “big” in the figurative sense. Bosko is a member of the “Mounted Police.” He may be small, but he’s also timid. (Which makes him braver than I.) Who might the villain of this picture be, anyway? Some fellow who looks a little like a cross between Peg-leg Pete and a homeless ursine. (What do you want from me? I’m “creative clever”, not “funny clever.”)

Snow time like the present! (I’m ashamed I said that.) Bosko heads out to serch with his mismatched dog sled team. Yuppy, Yoppy, and Yahoopy. They may not be the best dogs around, but they don’t give up. Don’t matter how bad the weather gets! They stay on their course, despite all the contortioning their bodies go through. Even getting smushed against a building and becoming one single, horrendous, abomination creature doesn’t faze them all that much. (I’m so proud and nauseous.)

Said building is a saloon. Seems like there’s people inside it too. Looks like Bosko will have to suck in his fear, and check to see if his adversary has chosen such a place to hide out. Why! This place isn’t scary! In fact, I’d say it’s downright merry! Everybody is smiling, dancing, and enjoying the entertainment that Honey is providing. And since Bosko IS dating her, he has every right to hop up next to her and perform a little as well. (You’ll never find a better hand-blower-player in the world. I’ll see to it.)

Unfortunately, all that did was whet Bosko’s appetite for applause. Time for some ivory tickling! (He even has some backup provided by the angriest beavers this side of Nickelodeon.) Either nobody wanted to hear Bosko play, or they just knew his music would attract an antagonist. Either way, they leave just in time for Leg’s a peg Zeke to waltz in like he owns the place, and fire every which way. This looks like a job for the Mounted Police! Bosko has a gun at the ready, and a hand that can change from black to white. (I wish I could do that. Ladies can’t resist such a cute trick) Too bad his gun is a pop gun. Things look bad.

BLACKOUT! It really is Bosko’s only option. Dousing the lights gives him a bit of advantage, as his chromatically challenged skin blends in perfectly with the absence of light. (Zeke however, is a rather bright shade of black, so he is always visible. Can’t you see him?) With the thug disoriented, Bosko is able to get a hold of a machine gun and unload it into the big guy’s posterior. Then, all it takes is a little action with a sword, and a rifle to reveal that under his fur, he was as naked as the rest of us. With his source of power gone, the brute flees into the distance as everyone conveniently comes out of hiding to cheer Bosko on. (Including Mickey clones 540 and 176. They might be my favorites.)

Favorite Part: That sword I mentioned? Bosko doesn’t just poke the guy. He freakin’ impales him with it! Seriously, I don’t think it could go in any further without sticking out the other end! The Mounted Police don’t f*ck around.)

Personal Rating: 2

I Wish I had Wings

“Hi, Pop!”

Animation by Rollin Hamilton and Paul Smith; Music by Frank Marsales. A Merrie Melody released on October 15, 1932.

Well, yeah, I guess I do.A little snack would be just the fuel I need to make an amusing blog post. Whoops. That was just a title. (You were laughing though, right?) It’s morning at Bird Farm U.S.A. and the rooster wakes all the birds up. (It takes a bit of rousing.) He’s not content with just his hens being up, he wakes the water fowl too. (And he sends them off goose stepping. I knew him learning German wasn’t a waste of money.)

Now that the birds are up, it’s time for some breakfast. One hen has located a very healthy looking worm, and calls her children. Only now does she realize the problem. One worm. Eleven chicks. You do the math. (I’m not your tutor.) She has a brilliant, if rather inhumane idea: (good thing they’re birds) put the meat in a grinder! (Holy hell!) Good thing this is a cartoon. It follows this popular myth: When one cuts a worm into pieces, each piece becomes it’s own new animal. (Only here they eventually grow faces and limbs. What was in that grinder, exactly?)

Ready for a bit of plot? Chicken couple number 412 are expecting! (And if you think you’re suffering from Deja Vu, it’s probably because you saw this exact sequence in “Wise Quacks.” Only with ducks instead of chickens) The father to be is ecstatic, and calls the stork to come do his thing. (What weird farm is this? Is that stork livestock? Are stork nuggets any good?) The blessed event goes smoothly, and the rooster meets his many chicks. 29 white, (yes, I bothered to count) and one black. He is called: Otis. (Because I said)

As all new life can attest, being born is hungry work. (You got all that egg breaking, womb squeezing, budding, etc.)Otis is ready for some grub. (But he’ll settle for corn.) Being the youngest though, he is always last to the feeder and any stray cobs. He stares longingly at a garden just on the other side of a fence, and whines/sings about wishing he had wings to get him over to the edibles. (Poor guy was born with arms instead. What an awful fate for a bird to befall)

His wish is fulfilled with the corset the farmer’s wife just left on the ground. (What a b*tch. Always expecting the animals to pick up after her.) Otis uses the clothing as makeshift wings, and once up, makes a parachute out of what I presume is the same person’s panties. (She deserves it.) Ah, to be in your very own all you can eat buffet. Otis has got to be the happiest bird in the world! But I guess this garden is in Oz, because the nearby scarecrow comes to life, and threatens to…actually, what would he do besides scaring the bird? Scarecrows really aren’t all that threatening.

Otis does indeed run, but he takes care of the dummy. Not only slamming a well crank into it, (why would that hurt him?) but lighting him on fire. Defeated, (even if he’s not dead) the strawman flees.

Favorite Part: Honestly, that scarecrow. He’s a unique one in that, he doesn’t even have a face. (Makes him all the more terrifying.)

Personal Rating: 2

One Step Ahead of my Shadow

“Me show you Melican way!”

Animation by Isadore Freleng and Max Maxwell; Music by Frank Marsales. A Merrie Melody released on February 4, 1933.

With a title like that, I’d assume our picture would take place in the land of the rising sun. I guess China is a close enough choice. We dumb Americans think all Asian cultures are one and the same. Considering the time period it’s coming from, should we expect plenty of stereotype jokes? Yes, but luckily most of them seem pretty subdued. Seems the animators were more focused on “the Chinese have long braids of hair” jokes, over the classic “they have freakishly large teeth!” ones. (Though there is one of those in here.)

Although, really, we shouldn’t make fun. The people there are not that different than you or me. They have traffic, folks who quote “Amos N Andy,” and Mickey clones, just like we do! (Numbers 704 and 251, to be precise.) And who is our hero of the day? It’s a young oriental boy named…I won’t lie. I’m afraid to supply him with a name, in case I somehow choose something offensive. I’ll just go with Craig.

Craig sings the title song, while on his way to pick up his girlfriend for a date. If it isn’t Fortune Cookie! (And if it isn’t, it must be her sister, Fortune Wafer.) The two enjoy some swinging. (That’s not a music joke. They use a literal swing. Do couples still do this sort of thing?) Let’s step away from the two for minute and look at another character. Some fat guy who you’d probably expect to be the antagonist, at first glance. Not only does he treat his rickshaw driver as a horse, (but then, he IS neighing. Why do they keep doing that?) but he also has claws, and takes joy in finding the meter go down to zero after hitting a bump. (Actually, that one is rather relatable.)

He heads into a building, and they start swinging. (That’s not a literal description. They play some music) The building in question is right next to where Craig and his gal pal are playing, so they go inside and have more fun. Now we’ll meet the antagonist. A dragon that is in captivity. (It’s easier to worship something when it doesn’t run away.) It has fire breath, (which these type of dragons don’t normally do, so maybe this one IS just a zoo exhibit.) and it is able to melt the bars of its cage and escape. It begins terrorizing everyone, but Craig has the rather brilliant idea of shoving some fireworks down its throat. This doesn’t kill it, but it does succeed in blowing off all the skin and organs within.

Favorite Part: While Craig paddles his boat along the Yangtze (I’m sure there are other rivers in China, but its the one I’m declaring canon) he sees a quacking goose eat some fish. The last fish is big enough to turn the tables.

Personal Rating: 2

Big Hearted Bosko

“Bruno, where are you?”

Animation by Isadore Freleng and Rollin Hamilton. A Looney Tune released on March 5, 1932.

Really, that doesn’t sound too healthy. Is it like a tumor? Or maybe he just has bad cholesterol or-OH! It’s meant figuratively! And here I thought it might be a clue as to why we don’t see Bosko much anymore.

As I’ve stated many times before, I don’t get the love for the cold. So I really can’t fathom why Bosko would want to be outside in it. (I guess it really doesn’t bother him any. He’s not wearing anything different than his usual get-up.) Bruno has tagged along for this trip, and the two spend some time skating on ice. (They have the whole pond to themselves as nobody else seems to want to skate on ice that has large holes in it. Cowards.)

Okay, sure. Bruno nearly falls in a couple of times, but that doesn’t mean he will-oh, d*mn it. Bruno! How are we to enjoy your escapades if you end up in the death water? I suppose you best be saving him, Bosko.

Bosko is afraid he is too late, as his dog doesn’t surface. He’s fine, though. He comes out via a frozen log. Angry that his dog could have actually died, Bosko throws a stick in frustration. A stick? Bruno loves those! He goes to retrieve it. The stick landed next to a basket, and there must be something inside because noise is coming from within. (It’s a little known fact, but baskets don’t make noises.) This is clearly a job for a man! Or better yet, a talk-ink kid! We’ve got one of those! Bosko is hesitant, but he takes a peek. Why, it’s a baby! Whoever left it out here to die is long gone, but Bosko won’t be viewed any better if he just leaves it. Better adopt the child. It’s what Jesus would do.

At home, the baby continues to wail despite Bosko’s violin playing. (Yeah, I’m not surprised this kid was left to freeze.) The only thing that seems to cheer it up ever so slightly, is a frustrated Bruno being unaware that the seat he is taking is a hot stove. (Clever way of dousing the flames. Pouring the water IN his body. Haven’t seen that method. I should try it on this spare cat I have.) Obviously, burning dogs is something even Satan wouldn’t stoop to, so we need an alternative plan. Music didn’t work before, maybe we should try it again.

Hey, what do you know, that seems to be working! (I guess the child just hates violins and flutes. All the cool babies listen to piano music.) Bruno even decides to keep being entertaining, and puts a lamp shade on like a skirt. Even Bosko’s dinner squawks a note. (Chop the freaking head off, man. What’s the matter with you?) Yes, I think this family just might work out after all. Even if Bosko’s dancing has ended with him getting his head stuck in the fish bowl.

Favorite Part: When Bosko asks the kid what the matter is. Surprisingly, the kid responds. It’s “Crying for the Carolines.”

Personal Rating: 3