Category: Minor Characters

If a character made between 2-4 appearances during the golden age, then their cartoons can be found in this category.

Posted on

Pigs in a Polka

“I’m the smart little pig. I build my house of bricks.”

How about another “Fantasia” parody? (Can’t ever have too many!) Set to Brahms “Hungarian Dances”, we see the familiar tale of the big, bad wolf, andthethreelittlepigs. The first pig has the most adorable voice. (Thank you, Sara Berner) He stretches out a wire frame and piles straw on it. Done. The second pig is less adorable and builds his house of matchsticks. It collapses. The third pig is not cute. (Sorry, Blanc) But he is worthy of the intelligence pigs possess. He works hard while his (siblings? friends? love interests?) play. Cue dancing wolf. To get closer without them running, he dons a gypsy disguise. The pigs follow. They fell for it.

PSYCHE! They take his costume and do the dance themselves. Now the chase is on. They run to the straw house. The wolf sets it on fire. They run to the still demolished (match) stick house, and rebuild it as fast as they can. The wolf adds one more and it crumbles. Brick house it is! The wolf tries to blow it down, and is only offered mouthwash for his troubles. He goes to run into the door to knock it down, but the pigs open it up and let him run through the house into the back door.

Later the pigs are happily dancing. (Except for the third one. Spoilsport. He needs a name. They all do. So in order… Crunchy, Pancake and Mel) The wolf is outside dressed as a homeless woman in a snowstorm. (A talcum powder dispenser hanging over his head.) Crunchy and Pancake ignore Mel’s warnings and let “her” in. Mel finds out that the wolf has a record in the dress to make it SOUND like he is playing a sad violin song. Flipping it over gets a new song that the wolf dances his disguise off to.

The pigs run up the stairs to the suddenly existing 2nd floor. They take the elevator back down. The wolf does the same, but instead of another lift, he travels down the shaft (passing by ten stories somehow) and lands hardly. (Mel’s full name is Mel C. Escher)

Personal Rating: 4

Posted on

Pigs is Pigs

“And please, could we have alots of ice cream, tonight?”

I remember when I first watched this. I had just got done killing off a case of the munchies, and decided to keep watching that Looney Tunes DVD set I got for my birthday. Turns out irony can be delicious too.

Our short shows a house full of happy piglets. For the most part. One piglet, Piggy (no relation to the other W.B. character named that,) doesn’t want to play. He’d rather obsess over food. Sniffing some pies his mother made, he grabs one, spins it on his finger and eats. He attempts to do this with the other, but is caught. She scolds, but her words fall on hungry ears and he just goes back to fantasizing.

Later, it is dinner time. Piggy’s favorite time. Mom says they must all say grace, but they pray instead. (Laugh. I’m funny.) During this, Piggy ties all the spaghetti strands together. As soon as the grace is over, he digs in and slurps down the rest of the family’s supper, to his mother’s anger. The next day, he is invited into the house of some creepy, yellow, hiccuping, bald guy with the voice of Billy Bletcher. (Pete the cat, Henrey Bear, etc.) He offers him a feast and Piggy happily sits down to eat. Oh no! It’s a trap! He is strapped into the chair, and a clamp clamps his snout. The mad man is going to give him all the food he can handle, and then some!

First course, soup. (Red pea soup? Oxtail soup?) A water wheel made of spoons, paddles into his forced open mouth. He has bananas shot down his throat and a gumball machine doling out olives as fast as he can be forced to swallow. Next, ice cream. Bellows puff air through the cone and launches the ice cream into his head. (What a waste of cones.) Time for the main course! A sandwich the size of a mattress! (First use of Freleng’s “Hold the onions” gag.) He is forced to chew it, and then for dessert he is fed pies (spun like the way he ate his mother’s) from a pie-a-trope.

After a montage of all this repeating, the piglet has become a ball of food inside a bag of skin. The man lets him go, but tells him he’s not half full. Piggy goes to leave, but can’t resist a turkey leg for the road. He takes a bite and blows up. Wow. That was morbid.

Okay okay, he wakes up. It was all a dream. And what does he do now that he’s safe at home? Eat breakfast of course.

And after I finished watching for the first time, I decided to go eat more too. I’m an American and therefore, I can eat pure fat like it’s carrot sticks.

Personal Rating: 5

Posted on

I Haven’t got a Hat

“Listen m-my-m-m-m-my children and you shall hear, of the m-m-mi-m-midnight r-ri-ride of P-P-Paul-P-P-Paul R-R-Revere.”

Hello children. You now may recite for your parents today.

(What the heck is wrong with that student in the lower right?)

Now for the birth of my favorite cartoon character ever: Porky Pig! And he’s not alone. This short starts off with a cast of characters. Also appearing is the school teacher: Mrs. Cud the teacher, Beans the cat, Oliver Owl, and the puppies, Ham and Ex. (They point at us and whisper. Am I the only one who wants to know what they’re saying? Because I love attention!)

At the local schoolhouse the students are performing for their parents. First up is a timid little guy, who had no idea he will become the worlds most famous pig. (I don’t care what ignorant children think.) This is Porky’s beginning. He tries to recite “The ride of Paul Revere.” (This is B.B. Before Blanc. Originally it was a man named Joe Doughtery, a REAL stutterer.) Porky has such a difficult time that the crowd gets tired and whistles a pack of dogs to chase Porky off. Jerks. (Yes there are dogs that are anthropomorphic and some that aren’t. Why question it?)

Next up is Kitty, and if you thought Porky was nervous, well, she is just downright petrified. Porky at least went on stage of his own free will. Kitty can’t even finish “Mary had a Little Lamb.” She’s so scared she bolts at the last verse. Next are the pups, who sing our title song. In the crowd Oliver gets out some candy to munch. Not only does he refuse to share with Beans, (Who for the record didn’t really ask) he sticks his tongue out at him. The next performance (in this line of characters that WB was pretty much using to figure out which would be a good replacement for Buddy) is Oliver himself. He takes his candy, turns his nose…beak up at Beans, and goes to play the piano.

To get his revenge, Beans sneaks around outside and puts a non-anthro cat in the piano. To add to the chaos he then adds a dog. Suddenly the piano starts playing “The Storm” by itself, to Oliver’s amazement. The audience can’t see him behind the instrument, so they think he is a musical prodigy. When the music ends, Oliver happily takes the credit. Just at that moment the animals leap out, and the cheers become jeers. Ollie sees Beans laughing and sprsys green ink at him. The force causes Beans to fall back and launch some red paint back at the bird. Caught in the same predicament, the two shake hands and share a truce.

Personal Rating: 3

(Seriously, what is wrong with that student in the bottom right?)

Posted on

What’s up, Doc? A salute to Bugs Bunny

Our documentary begins with Friz Freleng telling us of the first Looney Tunes character, Bosko. Bob Clampett tells us how they ended up in Termite Terrace and why they named it that. Tex Avery tells what it was like working for Leon Scheslinger. The narrator says that although the cartoons were great, they wouldn’t come close to touching Disney until they created our favorite bunny of all time, Bugs. It then plays “A Wild Hare.”

We are told about what inspired Bug’s habits of chewing on a carrot and declaring war. It’s also discussed that Proto-Bugs was very different from the one we know today. ( By that, I mean Classic Bugs) He was extremely hyper.  Pretty much Daffy Duck in a bunny suit. Mel Blanc explains how he came up with a voice for Bugs, and we are also told that it took a while to give Bugs his name. “A Corny Concerto” is talked about being a Fantasia parody, and how Tex was the anti-Disney. “The Heckling Hare” is shown next and we learn that Clampett took over Avery’s unit when he left for MGM. Seeing as how he would later leave himself, we’re shown Clampett’s last short with WB, “The Big Snooze.”

At this point in history, Bugs was now the #1 cartoon star in America. Chuck Jones says he was always concerned with his character. He established the fact that Bugs is a pretty easy going guy. Get him angry and it’s your funeral, however. Friz says that even with that, they still needed him to be fun to watch and listen to. After showing “Hair raising Hare” Friz tells about how he thought Elmer was an idiot. That’s why he created Yosemite Sam. We are then shown Sam’s debut cartoon “Hare Trigger.” We also are told that one thing that makes Looney Tunes so great is that they are fun to hear as well watch.

After mentioning the not talked about enough Treg Brown and Carl Stalling, we learn that many live action stars helped model for Bugs. It also sings praise to some of Treg’s greatest sound effects. From the *zrp* of a character running off, to the *fweefweefweefweefwee* of a character spinning, to the *hubbida hubbida* of something going up and down fast. No doubt that his most famous was the *bay-whoop* for irising in and out. We also learn that Mike Maltese, Tedd Pierce, and Warren Foster were the silhouettes that appeared in many shorts.

Then we learn of the man himself, Mel Blanc. His debut in “Picador Porky” and Clampett telling us of his supposed carrot allergy. They say that he was almost every main character. Except Elmer, played by Arthur Q. Brian. They even mention how Elmer was modeled after Bryan for a few shorts. (Not the only time that kinda thing happened. Remember “Wackiki Wabbit?” the castaways were caricatures of Mike and Tedd, the guys playing the two. Thanks to SuperJNG18 for this tidbit.)

Finally we are left to wonder Bug’s future. Personally, I think he will continue to be the king of cartoons. For as long as the human race shall live. (Even if people think otherwise.)

Personal Rating: If you’re a historian, (like me) it’s a 3. Otherwise, it’s a 2.

Posted on

The Honey-Mousers

“Whats wrong with mustard ice cream and kumquats?”

In our spoof of “The Honeymooners”, we find Ralph Kramden mouse surprising his wife, (Alice Kramden mouse) with their supper: a hunk of stale cheese. Alice, (who is probably a good contender for the hottest mouse ever award. It exists.) complains to Ralph how they need more food. Ralph would like to comply, but no one has moved into the place. (People = pestilence.)

Perfect timing. Ed Norton mouse comes in to tell that their prayers have been answered. So happy is everyone, that no one notices a cat has been brought as well. No one notices until Ralph and Ed both get mauled. Ralph’s can disguise is useless, so they set to work constructing a Trojan dog that Ed, Ralph and Ralph’s chameleon sweater will take to the fridge. They exit via a missing grate in the wall, (Good thing the cat was gone at the time.) and set to work loading up with goodies. Unbeknowest to them, the cat reappears and enters the dog. They notice once inside and in the ensuing chase, they lose all the food.

Alice suggests that they just get rid of the cat. Ralph tells her to put her money where he mouth is and do it. Alice tears off a whisker and yells at the cat who leaves. Angry with how lucky she was, Ralph assures her he still loves her.

Personal Rating: 3

Posted on

She was an Acrobat’s Daughter

“Why Daddy? Why did the man look at her like that, Daddy? Why Daddy? Did he like her Daddy? Did he like the lady?”

At the theater there are 15 acts. The audience keeps switching seats as soon as one is available and things start with a newsreel. Dole Promise tells us that the U.S. has built an ocean liner so long it barely has to move to reach across the Atlantic. The audience meanwhile, is annoyed by that one theater-goer who moves through the aisles and is fat. In this case he is an actual hippo.

Next the news tells us of a town, whose inhabitants all act like dogs. The hippo comes back just in time for the shorts namesake singalong! After the song, the feature presentation plays. (After the MGM lion crows like a rooster.) It is “The Petrified Florist”. During the show, a Donkey tries to sell some munchies to the patrons and is thrown out. The main character of the onscreen film tries to regale some poetry to a waitress but muddles it up.

Another typical theater goer we all know, (the kid who won’t shut up) is a duckling constantly asking his father numerous questions. The other patrons growl at him, and hit his father who tries to defend him. The youngster runs from his angry smacking father and comes across the projection room. He begins to play with the machine, speeding the film up and reversing it. He panics and tries to fix his mistake only to get pulled into the machine and tangled in the film.

Personal Rating: 3

Posted on

The Woods are full of Cuckoos

“Are you stirring?”

This short opens with Alexander Owlcott (Alcott) playing an announcer. We see our old friend Ben Birdie fighting with Walter Finchell (Winchell.) Milton Squirrel (Berle) introduces us to Wendell Howl (Hall) who tries to tell the audience which book page has the song they’re singing. He gives up and tells them to do the same, and they throw their books at him.

Billy Goat (Jones) and Ernie Bear (Hare) lead us in our featured song. Many others join in including: Eddie Gander (Cantor) W.C. Fieldmouse (Fields), Fats Swallow (Walker) Bing Crowsby (Crosby) and Al Goatson (Jolson). Grace Moose (Moore) and Lily Swans (Pons) each try to out do each other singing higher and higher notes. We also see some of our favorite radio stars like Joe Penguin, (Penner) Moutha Bray, (Martha Raye) and Tizzie Fish (Lish) who shows us how to make a ripple and get plenty of iron in our diets. After a quick skit which involves Jack Bunny, (Benny. Okay, that one was obvious.) Owlcott sends us on our way.

Personal Rating: Ditto with its precursor. 3 for the fans, 2 for the rest.

Posted on

The Coocoo nut Grove

“My, oh my. Just look at all the Celeb-reties.”

In the middle of a jungle is a trendy nightclub called the Coocoonut grove. Ben Birdie (Bernie) is our host, and he’s not the only one here. W.C. Fields the pig is there with Katherine Heartburn (Hepburn) the horse. Tarzan is there in a tree, and a lady is chased by Harpo as a… Bird? I think. He’s got a beak…

The music starts up and everyone dances. Laurel and Hardy (as a monkey and pig, respectively) share a coconut. Laurel must have drank a little too hard, as he sucks out all of Hardy’s body fat. Edna May Olliver does a dance to Clark Gable’s delight and the Dionne quintuplets perform. Tarzan is frighted by a mouse and Harpo finally catches the woman only to find it’s Groucho in drag. (That gag will never get old.) Helen Morgan sings, but her singing is so sad that even Edward G. Robbinson and George Raft cry. The combined tears of the singer and audience create a sea of tears, (eat your heart out Alice) which carries them all away.

Personal Rating: Depends on how acquainted you are with the parodies. If you know who is being spoofed, then 3. Otherwise, 2.

Posted on

Hollywood Capers

“Beans is the name! One of the Boston Beans!”

We open in Hollywood. (Did that guy who ran in front of the car just disappear?) Beans wants to get in to the W.B. lot. Much like the later “You ought to be in Pictures” the guard won’t let him in, despite the cat’s awesome resume. This doesn’t deter Beans, as he uses a Olliver Hardy disguise to get in. (Unlike Porky’s disguise, Bean’s actually works.) He goes in and sees director Oliver Owl directing a film starring Kitty. Beans enjoys his time until he accidentally disrupts the film. Oliver throws him out.

Beans accidentally activates a robot Frankenstein’s monster. It eats the camera, chases Kitty, and gets hit by his own reflection. Beans tries to stop it by wrapping it up in a pipe. The monster is so strong that it doesn’t slow him down. Beans finally destroys the menace by pushing a fan into him and shredding him to bits.

Personal Rating: 2

Posted on

Homeless Hare

“Well toodles, do I get my home back or do I have to get tough?”

Sorry for lack of updates last week. It was my birthday and I did not feel doing my mediocre, tiny blog posts that I call “working”. But now I’m back, and ready with a new short!

At a construction site, Bug’s house is accidentally dug up. Despite asking very politely to put his home back, the worker dumps ‘im into a pile. The worker (who Bugs dubs Hercules) laughs until Bugs drops a brick on his face with a note that declares war. Hercules hops in an elevator and tries to reach Bugs who is controlling the elevator and he ultimately sends Herc into a vat of wet cement.

Bugs dresses as a foreman and demands that Herc build a huge tower. At the top Hercules is balancing on a thin board balanced by a pile of bricks. Bugs takes great delight in removing them one by one. (Best scene of the picture, right there.) Herc gets his revenge by swinging an I beam into Bugs’ face, which sends him on a dazed walk where in the classic cartoon way, he is saved by various machinery before falling into a rain barrel.

Bugs devises a clever plan, and drops a red-hot rivet which travels along a complex path before landing on a rope, burning said rope, and dropping a huge piece of machinery on Hercules. He concedes defeat and agrees to give his home back. The building gets built still, but now it’s built around Bugs rabbit hole.

Personal Rating: 4