The Pied Piper of Guadalupe (And a summary of my vacation)

“Don’t go Armando! No! Don’t go!”

Directed by Friz Freleng. Released in 1961

Hello again one and all! I, Dr. Foolio, have returned from my trip. Normally I wouldn’t bother telling you about it on a blog that is focused on Warner Brothers animation, but a fan requested I speak. I’m still getting used to the fact I have a fan(s), so I figure a quick summary couldn’t hurt. I just went to southern Utah. Nice place. Very Warm. Pretty Dry. Hotel was okay. It had a bed, that’s all I needed. I don’t watch tv. Although “Cloudy with a chance of meatballs” was on, but I can’t watch that anymore. It reminds me of someone who I worry about every day. My family and I had either Ice cream or frozen custard every day. We saw “Shaun the sheep” Nice movie. Funny, heartwarming, for lack of a better term, cute. We ate at my favorite place, Olive garden. (That same person really loves their chicken and gnocchi soup…) We hiked and found a pool of tadpole shrimp. (To be fair, my dad found it and said they were tadpoles. I believed him. Some frogs live in deserts. But after awhile I looked closer and saw they were crustaceans. Back at home I showed my dad a picture in one of my books proving that when it comes to animals I’m always right.) We also saw a musical. It was called “When you wish” The plot was simple. A girl goes to bed and dreams about various Disney songs. They had songs from movies you’d expect. The little mermaid, Beauty and the beast, Aladdin, and Marry Poppins. And some from less known films. (Tarzan, Pochahontas, Hercules, Newsies) They did not sing the entirety of “Be our guest”, “I’ll make a man out of you”, or “zero to hero” which are my favorite songs from their respective films, and for whatever reason, Baloo was dressed as Uncle Remus. (?) But it was enjoyable over all. (Although, is it racist to have African Americans play gorillas?) Okay, that’s enough. Let’s get this blog back to the topic it’s meant to be about.

Another Academy nominee? Speedy sure got a few of those didn’t he? So what did it lose to? (google search) A Croatian short where everything is infalatable? At least that sounds creative. I should view it sometime. Sylvester it seems, has really lost his touch. He can’t catch any mice. They’re fast and they carry demeaning signs and smack him with planks. Thinking in front of a book sale, (one of which is apparently written by storyman Warren Foster) he spies a copy of the Pied Piper. Surely the same thing would work on mice as well as rats. After taking some lessons from J.C. Mendelez, (animator who worked on Fantasia. cool. also voiced snoopy. I hate that excuse for a dog. But you probably knew that already) he gets dressed up to play the part and begins to play his flute. The mice laugh at his attemps, but soon stop when it works. They can’t help but dance over to him, where he knocks them out and places them in his jug. Even tying their tails to a stake can’t hold them back and soon they’re all captured. Save one. Speedy is still there. (Did he not hear the music?) He asks for the gato to release his friends or Speedy will rescue them. Underestimating him again, (Sylvester! You have to stop doing that.) he opens the jug and Speedy makes good of his word. Sylvester plays the flute and Speedy dances over onoly to smack him with a mallet. (Why is Speedy immune? That’s not fair) Sylvester ditches his cute outfit and hides in a barrel with some dyanmite. Speedy rolls the barrel along which ends up trapping Sylvester in the container with a lit explosive and a dog. He gets a motorcycle and chases the mouse, who stops short at a cliff and lets the cat careen over the edge. Sylvester eventually gets out, but Speedy next leads him into a collision with a bus. Sylvester has no choice but to go to the “El Gato Infirmary” and get some casts on his broken bones. Speedy points out he dropped his flute. (“Don’t you want heem?” No, I don’t want “heem”.”) He tells Speedy he can have it. The mouse plays and Sylvester is forced to dance after him on his broken foot. (That’s harsh.)

Personal Rating: 3

Cannery Woe

“I don’t he like us also, too.”

Directed by Robert McKimson. (Not. One. Word.) Released in 1961

In what I think is the mouse version of the slums, two mice wake up. As is typical of Speedy shorts, (is that a spoiler?) they have the names of Manuel and Jose. They are hungry, and I guess there either is no food for them, or they are just lazy; because they list off a bunch of people who don’t like them anymore instead of deciding on where/what to eat. But it appears to be their lucky day! Mayor Raton, (Spanish for mouse) is holding a fiesta to encourage others to reelect him. He’s even giving away free cheese for everyone. Except our main characters. They are kicked out. (Hypocrite) Despite the fact they are unwelcome, they watch from atop a wall and show their support anyway. The mayor calls for the cheese committee to bring out the goods. They look like they’ve been to war. It turns out there is a new addition to the store where they have always gotten cheese. Namely a cat. All is lost! (American mice would go on anyway. And then be eaten. Patriotic pride is no match for Mother Nature.) Jose and Manuel somehow get in without being thrown out and offer to help. Seems they know of a very fast mouse who left Jose with a whistle to blow if he is ever needed. (Speedy would turn 8 this year. He’s still not more well known in his country?) They will call him if they are granted their demands. (Which are whispered.) The mayor (and his nose that turned tan for a slight second) agrees and Speedy is summoned. Speedy goes to the store where Sylvester once again, underestimates him. Speedy runs through his legs and tears some fur off. (“Speedy was here!”) And again on his way out. (“Also here!”) Sylvester lays some tacks down. Speedy goes around and the cat runs through them after him. (Twice.) He gets stuck lighting a cannon, but Speedy helps by pulling the cord. The cannonball somehow doesn’t hit Sylvester as it is fired but lands on his head. Sylvester sets up many mousetraps inside, but ends up cornering himself. Speedy tosses a ping-pong ball at them which sets them all off. Having brought back enough cheese, the Mayor is true to his word and grants Jose and Manuel their request. To be the official cheese judges. As for Speedy? He gets to be the chick inspector. (What does that even mean? Does he judge the females on how attractive they are and refuses the ugly ones the right to stay? Who knows. Men. For the third time)

Personal Rating: 3

We regret to inform those who come by, that there will not be a new update next week. I’ll be going on a trip. We will resume afterwards. Stay Looney.

West of the Pesos

“Meo Speedito is muy loco.”

Directed by Robert McKimson. (I get it! You don’t need to keep telling me that McKimson did more than one Speedy short!) Released in 1960

I just want to say that this place has been getting fairly popular lately. I want to thank everyone who stops by. Especially those leaving comments. They really make my day. Now on with the show. Our story takes place in a village called “Veelage.” (That is probably the best name ever) In a nearby lab a one Sylvester J. Pussycat is guarding the entrance. Inside several mice await their doom. (Anyone notice that animal labs are like concentration camps? Well, this one is okay. It says “Expieramento Scienteefic” on the front. That’s reasonable) The other mice in town are worried and have set up a sign that lists the missing mice. (Two of which include Pablo Picasso and animator Manuel Perez, who ironically didn’t work on this short.) They would like to go save everyone, but they are not fast enough. Why not Speedy? Well, he’s in Guadalajara at the moment. He’d need a pretty good reason to come down. A mouse-ette named Carmella might do the trick. She gives him a call and he’s there in no time. (Men.) He agrees to help and walks up to the gate. He tells “El Poosygato” about how he plans to come in and resuce his people. Chuckling, Sylvester opens up the gate. Speedy runs, and slips right through Sylvester’s paws. (Leaving a bad case of mouse-burn I might add) Slyvester works fast and quickly sets up a snare trap. Speedy ends up dragging him through the little knot hole it’s threaded through. He brings the mouse back where he is immdiately hugged by his… wife? Maybe? (Whoever she is, it’s nice not to have all the females lusting after Speedy anymore) Sylvester waits with a rock, but Speedy surprises him and he drops it on himself. After getting more mice, they run out under a can. They hide by two more. Sylvester checks them all. The last one contains a dynamite stick. (The second one had the mice.) On the next run out, the mice dress as a dog to keep the kitty away. It works until one trips out exposing the jig. Sylvester chases but still crashes into the wall. Speedy sets some train tracks that lead into the building, and runs out pulling the mice in cars. (Speedy uses a cigar to imitate smoke) Sylvester hides behind a tunnel with his mouse open, but the train comes out through his tail. That’s the lot then. Carmella thanks him with a kiss, that sends him rocketing into the sky. (Men.)

Personal Rating: 3

Here Today, Gone Tamale

“Shut up, your cheese trap!”

Directed by Friz Freleng.  Relaeased in 1959.

At the Mexican docks, all the mice are having a hard time surviving. There’s no cheese and they are starving. (Gee, it’s a shame. Considering, that mice can eat just about everything that is edible.) It’s gotten so bad, that they are even dreaming about the stuff. But wait! It’s not a dream! An honest to goodness, boat full of cheese is docking. The run up happily and run back down scared. There’s a one Sylvester the cat on board guarding it all. It’s hopeless. One mouse prepares to do himself in. (It works as a joke, because of his companion’s blatant lack of respect for him.) Well, hold that trigger, compadre! Speedy Gonzales has agreed to help out with the situation. Sylvester is shocked to see the mouse is fast enough to run right by and back. He actually gets Speedy in a net, but is dragged around the ship. Speedy also locks him in a room full of Limburger. Good thing there was a coat hanger in there, or he would have died. Then in a surprising move, Sylvester agrees to share with the mice. (And he actually refers to Speedy by name. I’m pretty sure that never happened again.) Actually, he’s hiding a hammer behind his back. Speedy is too fast though, and Sylvester mallets his hand. He sets up a guillotine for Speedy, but the mouse enters another way. The cat chases him under the blade. (He forgot all about it.) Blocking the way onto the ship, he leaves a pipe that leads to his mouth. Speedy drags him around again, this time in a rather painful looking way. He eventually rips right through Sylvester’s tail. Having saved the mice, they all have a grand time dancing. Sylvester reckons that since he couldn’t beat them, he should join them, and he joins in wearing a big pair of mouse ears. The mice are nice enough to accept him. (Or maybe they don’t but the short ends here anyway)

Personal Rating: 3

Bugs Bunny Superstar Part 1

A 1975 documentary, narrated by Orson Welles of all people. It begins by showing us many of our country’s greatest landmarks. (The U.S.A. for anyone foreign visiting) One of which, is the studio that we know as Termite Terrace. The birthplace of the greatest cartoon character ever, (Porky may be my favorite, but based on greatness I can’t argue) Bugs Bunny. After showing us the short “What’s Cookin Doc?” Clampett tells us that the cartoons were made primarily for adults. (And yet, Watch mojo didn’t know this, putting Looney Tunes as the number one cartoon series made for kids that adults watch. morons) We see alot of awesome merchandise too. I want most of it. Okay, I want all of it. We learn that they were the only animation studio in the WB lot and as such, they were close to the greats. Clampett actually recalls seeing Jolson put on his make-up for the Jazz Singer. (Isn’t it a shame that the first talking film had racsism in it?) Being so close, meant that the stars would freqeuntly poke their heads in, to see what was being drawn. Doing this so often, of course meant that they would be caricatured. Clampett was teamed up with Tex Avery and they named their new HQ Termite Terrace. (So named, because of the dilapidated state of the place) They had good times as Tex and Friz Freleng tell us that they basically did waht they wanted. We’re then shown the short “A wild hare.” (Which for some reason is called THE wild hare here.) From the mid depression to the end of WWII was what they considered their golden age. A time when most of their characters were born. Back then, they had to be their own models for their drawings, so they could sketch the faces just right. We’re also told, tht despite the fact Bug’s carrot looks like Groucho’s cigar, the bit is actually based on Clark Gable eating a carrot in “It happened one night.” Saying that watching that scene, they didn’t see Gable, only a giant rabbit. They also acted out the scenes too, as we see Avery pretend to be a scarecrow. Mentioning Carl Stalling, we actually see some of his scores. But it’s more fun to listen to, and we are shown “A Corny Concerto.” (Finally. A short I talked about) But of course, Bugs wasn’t the only star there, as Clampett explains that Tweety was based on his own nude baby photos. He also mentions that the censors complained about Tweety being naked, and yet, they never noticed that Porky had no pants. (Porky is too cool for that) To end off part 1, we are shown the short, “I taw a putty tat.”

Part two will come someday. If you’re reading this in the futrure, then it may already be here. Go check it out.

Looney Tunes: Back in Action! (Part 5)

Back at Acme, Mr. Chariman is gloating over the success of getting the phone. Damian still believes that D.J. will foil his plans. Mr. Chairman has the Peter Lorre scientist keep using a machine that makes Damien hit himself. Looking at the map photo, they see that Daffy got himself in the shot, making it useless. They decide to go face our heroes and bring their most dangerous operative: The Tasmanian Devil. (When the Vice President of “Never Learning” points out that he’s kinda dumb, Taz is allowed to eat him.)

In Africa, our heroes are making slow progress when who should appear? No not Inki. (That would’ve been an awesome but probably problematic cameo.) It’s Granny, Sylvester, and Tweety on an geographically incorrect elephant. (Yes, I know why they’re not using the African variety.) They offer them a ride. Bugs points out how they came at just the right time, and Granny and Sylvester share a evil look. Could THEY be Acme agents? The group take a safari and end up at the temple. Granny bids them farewell. (Phew. I guess they were all right.)

When they enter, Daffy sets off a booby trap by taking a small monkey-like object off a pedestal. Kate figures out that it’s a puzzle piece and quickly puts it into its spot. It reveals the path to the Blue Monkey as well as the gem itself. D.J. accidentally turns himself into a Capuchin monkey and Daffy tries to make off with the gem, but Bugs convinces him to change D.J. back. Then Granny and Co. show up and demand the diamond. Oh No! They were evil! Except not really. These were disguises! Granny and Sylvester reveal themselves to be Mr. Chairman and Bob. Tweety is Taz and he farts. (*sigh* I hate this part. Warner Bros. never had to reduce themselves to such immature humor in their heyday. If not for this blemish, the film would have been perfect.)

Mr. Chairman also reveals that he is really Damien! No wait, he’s Michael Jordan! No wait, he’s really MR. CHAIRMAN! (Funny.) Bob takes out a device that transports them all to Acme. Bob then reveals to Taz that he is really the Tasmanian She Devil. (Yeah, Taz was kind of wasted in this movie. Shame) At Acme, the transporting caused everyone to get spliced with one another. While we laugh, Mr. Chairman fixes everything, and finally gets the TV to work right. He shows that if D.J. does not give up the diamond, Damien will die by a train, exploding dynamite and an anvil. (But not the pendulum of doom. That’s overkill.) Wile E. overseeing all of this.

D.J. stupidly relents and Mr. Chairman does not release Damian. (Did you really expect him to?) He calls Marvin and tells him to go into space with the diamond. Marvin takes off and Daffy runs after him taking another ship that was being worked on by an Instant Martian. (I didn’t know they could talk.) To his dismay, Bugs is along for the ride. Back on the Earth, Mr. Chairman tells his prisoners that the gem will loaded onto a satellite that will turn everyone on earth into monkeys. (You gotta have really dedicated henchmen to go along with this.) Well not everyone. Mr. Chairman is going to be in a safe room with Mary as company. Told you she’d come back. (She doesn’t look too thrilled with her fate.)

Bugs and Daffy try get rid of Marvin by tricking him into rolling down his window so they can ask for directions. He is sucked out into space. (Daffy: Well whatya know, he fell for it. I guess I owe you 5 bucks.”) But Marvin is not gone yet, he’s clinging to the underside of their ship. They arrive at the satellite and Daffy volunteers Bugs to go get the diamond out of the other ship. Meanwhile, D.J. and Kate have been tied up and left hanging by a rope near Damian. D.J. easily breaks free before realizing that there was a reason it was so easy to escape. Releasing themselves also releases an Acme robo-dog. (He kinda looks like Chester.)

Bugs runs into Marvin again, and takes on his bubble gun with his carrot light saber. Daffy is cowering and wondering what to do? What would Duck Dodgers do? Realizing he IS Duck Dodgers, Daffy grabs a jetpack that blows up before he can say his name. (It happens four more times.) D.J. and Kate are barely able to escape the dog by hooking his collar onto a hook. D.J. just barely rescues his dad, and Wile (who was piloting the train) blows up with the dynamite. In space again, Marvin traps Bugs in one of the bubbles, and the satellite is about ready to fire!

Daffy gets caught between two of the pylons and his beak detaches again. Using his skills he has learned from this happening all the time over his career, he throws his bill, (ignoring the fact there’s no gravity,) and it lands on the laser, blocking it. The laser begins to backfire. Bugs escapes and dispatches Marvin with his own gun and the satellite begins to explode. Only two shots of the laser escape Daffy’s bill. One flies off into space never to be seen again. The other flies down to Earth and hits Mr. Chairman who was checking to see if everyone was monkeys yet. (Yeah, how was he supposed to know? Were the simians going to tell him?)

Daffy saves Bugs from floating away and they return to the ship. The others find a sobbing Mary with the monkey Chairman. (I guess she really did love him.) He is arrested and Damian and D.J. hug. They quickly leave when they see the rocket coming towards them, and in the chaos, Mr. Chairmonkey runs away. (Perfect for a sequel methinks!) Daffy and D.J. congratulate each other on each proving how awesome they are. Kate admits that she likes D.J. and Bugs congratulates Daffy on finally getting to be the hero. Daffy gloats that Bugs never got him into is movie when the entire building gets taken away.

Yes, this whole story WAS the movie and Daffy was not aware of it. (Ma bear  returns to bring Bugs a towel. Cute that she still has feeling for him.) D.J. punches out Brenden Fraser, (Laugh) and Bugs admits that Daffy and him should be equal from now on. (While he is being given a cavalcade of carrots by cameo characters including: Charlie Dog, Heathcliff the cat from “Dough Ray Me-ow”, the squirrel from “Much Ado about Nutting”, Marc Antony and Pussyfoot, Egghead, Mr. Gruesome Gorilla, and Hippety Hopper.) Daffy barely avoids a falling stage light, and comments that his luck is already improving. He is then crushed by the Looney Tunes rings. My man Porky comes out to say his famous closing line but his stutter is worse than usual, and everyone in the cast leaves. Porky: “Go home, folks.” Not until I’ve seen the credits!

We get a rockin’ song matched with some animation. (Some of which I’m guessing is from deleted scenes.) At the end of all this, we get a post-credits joke. Daffy is running form Nasty Canasta and Cottontail Smith in the casino and pulls a slot machine. It stops on three cherries. The thugs happily hold out their hats, but the cherries are really bombs and they blow up!

What a great movie! My favorite film of all time.

Looney Tunes: Back in Action! (Part 1)

“It’s a little adventure I call: “Daffy Duck’s quest for the Blue Monkey!””

Great to be back. I’ve been waiting forever to blog about this. So let’s begin.

First: the plot. (I’m going to go into a lot of detail here.) Our film starts with magic: Elmer hunting for “wabbits.” Daffy, is of course changing the duck season signs to rabbit season. When Elmer shows up, Bugs does the classic switch line, and a quick montage of Daffy’s beak being blow off ensues. Daffy suddenly interrupts the cartoon. (But it was just getting to the good part!) He is reading a script, the script for this movie. He tells the Warner Brothers that this is a terrible idea for a film.

Bugs appears; he drops a few names. (I’m pretty sure it’s a tribute to Bob Clampett, Chuck Jones, and Mel Blanc.) He agrees to stay out of the movie, per Daffy’s request, but the vice president of comdey, Kate Hottan, (Jenna Elfman) says it can’t work without him. Daffy tells the studio heads to choose between the two of them, and he is promptly fired. (Look in the background. Poster’s for “Rabbit of Seville“, “Hair Raising Hare“, and “Baseball Bugs“.)

Elsewhere at the studio, (see this is already an improvement of “Space Jam“. It goes the “Roger Rabbit” route and makes toons real citizens. I love “Space Jam“, but even I can tell it’s not perfect. Confusing setting for starters.) A man named D.J. (Brendan Fraser) is auditioning for the role of a stuntman. (The Crusher is one of two people judging his performance.) He doesn’t get the job. We learn that his father, Damien, is the most popular star at the studio. D.J.’s main job is a security guard, but mainly because he doesn’t want to get any roles based on nepotism.

While washing a car, he sees Kate, escorting Daffy out. Bugs is following close behind. She tells D.J. to get rid of Daffy. While they chat Bugs switches places with Daffy because it’s funny, and Daffy escapes. D.J. goes after him in an amusing chase sequence. Daffy runs onto the set of a Batman movie and tries to steal the Batmobile. D.J. gets him but Daffy already turned the car on and it crashes into the water tower and floods the studio. (Hope the Warner siblings weren’t home.) D.J. is fired. (Sure it wasn’t his fault, but Daffy certainly isn’t going to vouch for him.) Kate and Bugs meanwhile, are at lunch.

Interesting cameos here. Porky and Speedy are currently out of work due to political correctness. Speedy I can begrudgingly understand. Not Porky. And unfunny? HOW DARE YOU! Heads will roll. Shaggy and Scooby are also there, telling Matthew Lillard they weren’t impressed with his live action role. One of my few problems with the movie. It’s an awesome joke that can only be pulled off in a movie like this, but why are they here at all? It’s called “Looney Tunes Back in Action”. I know that WB owns them, but they are not part of the title group! If you have to do this, go all out. Put in other Warner owned characters. Animaniacs. Teen Titans. The possibilities aren’t endless, but they’re tons of fun!

Bugs and Kate are discussing the movie. Behind them, Ralph and Sam are eating lunch together. Sam beats Ralph up for attempting to eat a sheep. Kate tells Bugs that he needs a female co-star. (Background images: pictures of Hugo the abominable snowman (“The Abominable Snow Rabbit”) Buddy, the Gremlin, (“Falling Hare“) and I think Chuck Jones. There’s also a poster for “Singing in the Rain” starring Bugs, Daffy, and Lola. Her only appearance in the film. And a missed opportunity for a special feature!) Bugs tells her that he plays females, as he demonstrates. This causes Michigan J. Frog behind him to start singing. Kate says that nowadays it’s creepy, and no longer funny. Wrong, woman. Bugs is one of the few guys who can do that and never look gay. (The demolition worker takes Michigan again. Probably going to try and sell yet another froggy evening.)

D.J. gets home and it turns out he lives next door to Granny, Tweety, and Sylvester. (Yes, she’s still played by June Foray.) Going inside, D.J. finds that Daffy followed him home. Daffy briefly bemoans the fact he was fired, but instantly perks up when he learns who D.J.’s father is. Even believing he’s a real spy. D.J. hears a ringing from his remote and turns on a recording of his father telling him to go looking for a diamond called the Blue Monkey, because Daffy was spot on: the acting was an act! He IS spy!. He also tells his son to locate someone named Dusty Tails in Las Vegas. Naturally, a promise of a diamond has Daffy volunteering to come along. They take a gremlin car that Daffy is convinced is a spy car. (The “Gremlins” theme plays. Brilliant easter egg.) They drive off, and with the space claer, the real spy car reveals itself.

At the studio, it’s pretty clear that the movie needs Daffy to work. Elmer actually ends up shooting Bugs! (And the rabbit is milking it for he’s worth.) Despite the fact that the heads were the ones who fired Daffy, they blame Kate. If she wants to keep her job, she needs to get him back by Monday. But that might be a mite difficult… After D.J. finally gets sick of throwing him out of the gremlin, Daffy mocks D.J. for being a security guard and D.J. tells him he’s really a stunt man, and did most of Brendan Fraser’s stunts. (Laugh, d*mn it!)

Bugs calls Daffy, saying that he can get his job back, but Daffy is not interested, telling of his plans to go to Vegas. Their conversation is being eavesdropped on by a company known Acme Corp. A man named Bob Smith tells the chairman of this news. The chairman (that’s his name, BTW,) has many Vice Presidents. Including ones for Rhetorical question, Child Labor, and Bad Ideas. (Steve Martin is hysterical here. You won’t convince me otherwise.) It’s revealed that he is the one who captured Damian and shows his people proof via camera. (After accidentally getting “I Love to Singa“.) He explains that soon he will be in total control of the world. (He also hits on one of his employees, Mary. Yes this is important.) He also tells his men to kill anyone who dares get in the way.

DUN DUN DUUUUUUUUN! Cliffhanger! If you don’t know the plot, please don’t go look it up elsewhere. I plan to continue tomorrow, I promise! (If you are reading this at a later time, then just read the next post. It’s finished, I promise!)

Gonzales’ Tamales

“All the pretty girls in love with Speedy Gonzales. What’s left are chihuahuas.”

Directed by Friz Freleng

In Mexico, two mice named Pedro and Manuel are chatting. They’d like to go out and have fun with the ladies but they only have eyes for Speedy. Even the few who are willing to give the men a chance are seduced by Speedy. (Which I have to say is a dick move. Can’t he let the others have some fun? Some of us can’t afford to lose anymore self esteem.) So yeah, Speedy’s the villain in this short.

They hold a meeting to discuss what to do, and eventually decide that they will get the “greengo poosycat” to chase Speedy out of town. (Or just keep him busy.) They send a phony threat to Sylvester that proclaims Speedy will tear his tail out. Livid, Sylvester goes and dares him to do it. Speedy easily accomplishes the task, and Sylvester declares war. He ties to lure him with cheese. (Speedy is well aware of the lure.) Using his speed, Speedy easily gets the (surprisingly shrunk) cheese. Sylvester tries a gun, and Speedy dismantles it piece by piece, leaving a bullet in midair. Shocked, Sylvester pulls the “trigger” and it blows up in his face.

After losing a game of “Hot Potato: Grenade Edition!”, he sends in a wind-up female mouse. Speedy apparently buys it, as when Sylvester comes out chasing, Speedy takes “her” with him. He hides behind a box of chili peppers and tells Sylvester he’s hiding in one of them. Sylvester (rather moronically) buys this story and begins to eat. They are extremely spicy but he’s able to chug some water to keep cool. (Hey, in 1957, they probably didn’t know water does nothing to help.) The second time he tries it, he finds that Speedy switched the water with tobacco sauce. Sylvester launches into the air and we see P. and M. again. (I guess they’re done with the girls. Or they never tried. Maybe they never went to the meeting?) They don’t seem too surprised to see the “gringo poosycat” flying by.

Personal Rating: 3

Birds Anonymous

“If you really want to beat this, look us up. We can help you.”

Directed by Friz Freleng

It’s another Oscar Winner! It’s the third time Sylvester’s been in one of those! This was Blanc’s favorite short he did voices for! (And if my research is correct, it was originally supposed to be called “Tweety-Totaler”. A more clever title, but a bit harder to take seriously.)

Inside a house, Sylvester carefully closes all the window blinds so there are no witnesses for what’s about to happen. He grabs Tweety quite easily. (Granny’s not in this short. Neither are any guard dogs.) He doesn’t eat him, as another cat (who would later be named Clarence) warns of the perils. Apparently, Birds are a cats alcohol and they have a group that can help break the habit. Sylvester attends a meeting and vows to do the same.

He returns home and cheerfully greets Tweety with a friendly pat on the head. (“Deaw Diawy, I know you won’t bewieve this but…”) Sylvester turns on the television. Surprise! It’s a cooking show describing how to make delicious poultry. (It never specifies WHAT bird it is. It could be a hoatzin.) Sylvester fights his urges and tries the radio. Of course, it’s only playing alliterative avian albums. (“Bye Bye Blackbird”, “Red Red Robin”, No, Hungry Hungry Heorn, unfortunately.)

He handcuffs himself to a radiator, (why were those cuffs in the kitchen?) but manages to break free after Tweety asks if he likes him anymore. Clarence arrives to shoot a plunger in his face. (“I was afraid you might be weakening.”) At night, Sylvester can’t sleep and runs to Tweety, planning to quit after just one more. Clarence pours alum into his mouth, thus making it impossible for him to shove Tweety in.. He breaks down, and Clarence tells him that it’s really easy to get along with your prey. He kisses Tweety and manages to get a taste of him as well. Clarence is now trying to eat the canary while Sylvester tries to stop him.

Personal Rating: 5 (For Mel’s godly voice acting.)

Claws for Alarm

“Tell me Sylvester; I-is there in-insanity in your family?”

Directed by Chuck Jones

Porky and pet, (Sylvester) come to a run down ghost town. Most people would call the place “creepy” or “unsettling” but not Porky. He calls it “Peaceful.” He decides they’ll spend the night at an inn. Whilst entering, there are evil eyes watching them. Sylvester is spooked by these and the shadow of a spider. (Porky doesn’t notice the eyes, but he makes me love him even more for saying arachnophobia is silly. I LIKE spiders!) Inside, there appears to be no one awake. Porky just decides to sign in himself. He fails to notice the moose with the noose above him. Sylvester shoves him out of harm’s way. Porky, not having noticed the danger, scolds him.

He leaves to go upstairs unaware that the noose moose has upgraded to a gun moose and takes aim. Sylvester saves him yet again by stealing the gun that fired. Porky assumes Sylvester is still to blame. While trying to sleep Porky doesn’t notice the Wile E. Coyote-esque mouse who tries to kill him. Sylvester does, and keeps saving his owner’s hide, despite the anger the oblivious Porky shoots at him. Sylvester eventually gets ahold of a gun the mice were using and guards Porky all night. Come morning, Porky declares that he feels so rested, they’ll stay at least a week more. Sylvester knocks him out, carries him to the car, and drives off. Not noticing the killer eyes behind the dashboard. (What is those mice’s problem?)

Personal Rating: 3