Category: Beans

This cat was meant to be Warner Bros. star. Too bad the public preferred pigs. (As it should be.)

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Westward Whoa

“Th-Th-Th-Th-Those k-k-kids must think we’re pr-pretty dumb.”

Supervision by Jack King; Animation by Paul Smith and Ben Clopton; Music by Norman Spencer. A Looney Tune released on April 25, 1936.

This picture opens up eerily similar to the Mickey short “Pioneer Days”. But that’s explainable. Jack worked on that picture too. And Mickey was all color by this point in time, so they probably figured nobody would even remember his old work anymore. Give anything enough time, and you can claim credit as the first human to create it. I think I just need two more years before I debut my novel: “Anna Karenina”.

A wagon train crosses the land. Beans and Kitty are the leaders of this outfit, and they’ve got the most bad@$$ crew available. There’s Porky Pig.

That’s all. But they might as well bring more along for the trip. You can’t make a whole settlement with only three pioneers. The only other ones I could name though are Ham and Ex, making their final appearance. Good for them. Kitty decides they will make camp in this area that has tall shady trees, comfortable rocks, and essential for life water. Everything you need when taking over somebody else’s home.

This calls for a hootenanny! Let the music and dancing commence! Proto-Petunia dances with the last of Goopy’s lineage. They don’t really care for one another, but they are the closest match for the dog and pig dancers from Mickey’s party. Strangely enough, no Mickey clones show up. You’re telling me those guys have dignity? While the adults have their fun, Ham and Ex tell Beans that they will be off playing “Indians” in the woods. People die on these kind of trails all the time, so Beans just reminds them to be wary of the real deal.

Almost immediately, the two think they spot the feathered headdress of what could be a chief. Wild turkey surprise! They change games and start playing ‘Cry Indians’. That’s a serious threat, and the rest of the train gets their firearms ready to defend. Beans takes a shot and the bird loses his biggest fan. What a disgrace to natural art. The pups laugh themselves silly and don’t think to do so where Beans won’t see. I mean, for all he knows, you could have made a genuine mistake. But not now. Dummies.

He warns that a real “Indian” could very well remove your head. Remembering Ex exists, he tells him he too, could also fall victim. (And if you need help remembering “X” exists, follow this link.) This threat doesn’t bother the kids too much, and they start doing “Indian” impressions next. Once again, panic ensues. The adults waste more bullets, and the brats decide this time to hide, so Beans can’t fail to scare them again. Since he can’t find them, he might as well go back to chopping color-changing wood.

Aw, shucks! Looks like the real deal has shown up. The two are able to get him stuck in a log, and beat him a bit, but their cries for aid aren’t taken seriously anymore. I’m all for children learning, so I don’t feel too bad. There are reinforcements around. Some are human, some are canine, and some are frightening combinations thereof. But the chief almost looks like a dhole, so he might legit be Indian. It feels weird not feeling weird to call him that.

Porky is the first to spot the natives. Poor guy is so scared that even his normal speech pattern is a luxury. He finally shouts things out when an arrow gets him in the rear. Even if this land is rightfully theirs, they have a problem with me now. Whoever shot him, come forward! I promise your death will be swift. Excruciatingly painful, yes, but its the best deal you’re going to get. The pioneers fight back.

Ham and Ex are able to still do some good smacking, (that’s a humorous scream their pursuer has,) but he gets a hold of them anyway. The duo’s screams are heard by Beans who I guess was actually too cowardly to fight and was hiding in the woods. Or nature called. They’d be equally funny. He redeems himself by throwing a bear trap like a hammer and pinching the threat’s cheeks.

Not aware that Beans saved their hides, the twins watch the native flee. With their backs turned, Beans seizes the opportunity to give them a taste of their own medicine. You like that guys? Karma’s your mom!

Favorite Part: One settler is getting chased by a native, and saves some time by handing over his wig. Another joke from Disney, but made funnier here by the native happily cheering.

Personal Rating: 3. I do think Mickey’s was better. Mostly because the natives are all rat/wolves or something. Makes them less offensive today.

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The Day the Earth Blew Up: A Looney Tunes Movie (First Thoughts)

“Let’s get looney!”

Time to show some gumption!

No need to worry, this is a good movie. Very good. D*mn good! Though I didn’t think it great. Let’s discuss. (There’ll probably be a few spoilers.)

Plot: Porky and Daffy are farm boys. Well, farm animals. Found by a man named Farmer Jim, (who I swear is Tom’s father.) he raised the two to adulthood before leaving the movie. I’m sure he died, but the film doesn’t take it too seriously, so I don’t. Now on their own, the two are in danger of losing the house they’ve grown up in. After some trial and many errors, the two manage to get employment with the local gum factory. Unfortunately, an alien invader who has no name (almost like the creators were begging me to do the honors,) has a plan to control all life on the planet via chewing gum. What’s his ultimate goal? How will our heroes stop him? Is this a worthy successor to its source material? Even if I give you some answers, you better still go see it. It deserves your money and attention.

So, let me just address my biggest problem with the film. And it’s really a me problem. I find the whole story, kind of weak. Just in theatrical terms. While I’m happy to see some gorgeous hand-drawn animation on a big screen again, the story feels like a direct-to-streaming idea. But the animation really is top-notch stuff. As are the jokes. I couldn’t stop smiling. Not every joke landed a winner, but the majority did. Some of which I really didn’t see coming, so the humor hit even harder.

Examples: Farmer Jim looks like a photograph. They’re just remembering him that way? Possibly, but that means only his mouth and eyes move. When he has to walk, he reveals his South Park roots. When our two stars wake up and we see song birds in their house, it’s an homage to Disney, right? It’s more likely they just entered through the hole in the roof that was easily forgotten about earlier. These are well written, and well executed.

And the fan service is top-notch. Smartly, they limit it to stuff relating just to Porky and Daffy’s shorts. Porky reads a book about Gabby, there’s a coffee shop named after Beans, (clever) Duffy makes a cameo, Porky’s piggy bank got stolen once, they wear familiar hats, I caught a snippet of the 60’s Looney Tunes theme, Petunia has a picture of Fluffnums, and they eat a diner called Clampett’s. While there, they are served by a waitress that is screaming celebrity cameo inside. It got me wondering if she was voiced by Bob’s daughter, and lo and behold…

Funny and fun! Good combo! Let’s talk about the character one next.

The origin story gets the job done in a satisfactory way, essentially making the two brothers. I’m fine with that. It would have been cool if they had been adopted by a same-sex couple named Friz and Tex, but that could be seen as insulting. No big deal. Daffy is indirectly responsible for Porky’s stutter. I really prefer Mel’s take on it, but I can’t see that being conveyed unless Porky just told the audience point blank about Blanc’s point. Porky is the straight-laced responsible one, who offsets Daffy’s wacky screwiness. Worked wonders in the past, and wasn’t lost to time. Excellent!

Even some character development occurs. Porky learns to trust that Daffy can be competent, while Daffy realizes to ease up on the loony juice a bit. I think Porky’s more in the wrong there, but it doesn’t change Daffy as a character to learn something. I was a bit concerned that Daffy kept laying eggs, even if he has done that before, it wiggs me out. But they addressed that as a joke as well, so I’m satiated.

Let’s talk about Petunia next. I’m happy to say she is more than Porky’s object of desire, even if its love at first sight for him. (Making a literal cute joke about how Porky sees her most mundane actions as the most beautiful ones.) She has her own wants and goals, but becomes interested in Porky in an organic, if slightly fast way. They also forego any instances of Daffy getting jealous of her. Best of all, she’s got a real personality.

She’s a nerd. Not an over-the-top stereotype, but someone who is very smart and has a keen interest in he work. Great idea! We’ve had smart characters before, but this is a new twist. She’s also got this thing about hating the fact that the company she works for keeps giving the public the same thing with a different package instead of trying to take risky, but creative chances. Now, who was it that Clampett loved parodying? I couldn’t have been the only one who interpreted things like that.

Our antagonist, simply called The Invader by the credits, is a lot of fun. Whoever was animating him was having the time of their life. But we have to spoil a major plot point regarding him. Better skip to the next paragraph break if you haven’t seen the film. Maybe the one after that to be safe. As it turns out, he’s not evil. His plan is actually meant to benefit the planet. Problem is, that twist comes right out of nowhere. No clever hints to catch, and the film portrays him as evil as they possibly can.

Good thing that doesn’t bother me. His reasoning for why he’s doing this ends up being another funny joke, that is still a selfish reason, so it works. And the turnaround happens a good 7/10ths through, so there’s time to come to grips with things. And I really like his plan. Putting something into gum that makes chewers into mind-controlled slaves? As if the stuff wasn’t disgusting enough. There is a handful of gross-out jokes here, but they know to limit it. I can look past things.

And that animation! It looks great, it probably smells great, and they still had some other fun with it! When aping the original shorts, they change the aspect ratio. When there’s a Powerhouse number, the whole style changes to be more art-deco. When things are meant to be disturbing, they come through. I never realized how disturbing false teeth can be, but they’ve joined the uncanny rank that glass eyes now share. Prosthetic limbs are next!

Don’t forget the voice acting! Eric Bauza continues to be a worthy Mel successor, Peter Macnicol does a wonderful Charlie Adler impression, (I was sure it was him.) but the one I had the most concerns with was Candi Milo. She’s a great voice artist, but I’ve always felt her biggest strength was in playing elderly ladies. I needn’t have worried. Petunia sounds cute and intelligent in her capable vocal chords, and compliments Porky beautifully.

It’s an overall good film. And it deserves love. I’m displeased to say that apart from me and my brother who tagged along, there were only nine other theater-goers, who couldn’t even be bothered to look at the credits. Not to mention that the nearest theater playing the flick was the next county over! I warned you all that this film needs to succeed, lest the W.B. gets another reason to think nobody loves their oldest mascots. The ones who gave them a real fighting chance in the cutthroat film industry. Some of the most influential stars in movie history. You know me as the guy online who tries to let others know of their brilliance. That doesn’t mean you can’t help do the same.

Favorite Part: Well, the best is the return of a classic bit: the false theater attendant interacting with the characters on screen. We’ve reached a point where some people will have never seen that gag, and I can see it blowing some young minds. I wish I hadn’t already seen it in trailers. I’m lucky I have no shortage of great moments. I’m choosing the reveal that Petunia stutters when she’s nervous/shy. And this only seeming to happen when she talks to Porky. Awwwwwwww!

Personal Rating: For me, a 3. It’s a good start that could lead to better things. But I know the majority of people will think it even better than that. I’ve no doubt that it could inspire people to look into the original classics. Thus, it earns a 4. And I’m pleased to say so.

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Buddy Steps Out

“Blow your nosey.”

Supervision by Jack King; Animation by Charles Jones and Robert Clampett; Music by Bernard Brown. A Looney Tune released on July 20, 1935.

Well, somebody looks like they’re getting ready for a good time. It’s Cookie, looking way more like Betty Boop than Cookie Phudd. Definitely makes her look more grown up than usual, but she’s got that counterintuitive Bernice Hansen voice that just begs to belong to child characters. Speaking of children, Buddy looks way, way, (P.S. WAY) too young for her. She’s got a full head of height on him, and mixed with his baby face, he just looks like her little brother playing grown-up. (Whatever did happen to him?)

As the title suggests, they step out. And it would be really rude of us to follow along on their private time, so let’s stay behind. Cookie’s got a canary. What more do you need to be entertained? (I’m so boring, but I’m… happy?) Too bad Cookie couldn’t bother buying a better cage for the little guy. I don’t care how “great” a depression is, buying an animal is a commitment. If you can’t guarantee a comfortable, enjoyable, meaningful life, then you shouldn’t have a pet. (And yes, that’s why this animal lover doesn’t have a parrot, tortoise and rat.)

In other words, the bird slips out of his cage and out the open window. (Burglars love Cookie’s place. She even leaves out plates of her namesake for them.) He could potentially get back in, but its cold outside and the picture of Buddy on the desk can’t stand it. So, for the second time in the picture, Buddy steps out. With some extra muscle from an Atlas figurine, (or whatever you wanna call what a statue has) the house returns to warmer times. The poor canary realizes how good he had it by this point, but can’t enter a closed window! Buddy has moved on from torturing lower life forms, it seems.

Good thing the photo isn’t really the real Buddy. He brings the bird back in, and not a moment too soon. Little fella is frozen solid. Little Buddy solves this by placing the canary in an ash tray, and igniting a lighter underneath. Because he has all the evil thoughts of the original Buddy! Why should Cookie share her love with any other creature? I know this is killing the bird because its starting to hiccup. Just like everything does on deaths door.

Fine, it works. Sue me. (You do know how to contact me, right?) The bird is all better which means its party time. Original Buddy shouldn’t be the only one allowed to have a good time. Let’s have all the printed mascot characters in the house join in! Don’t you wish you could join in the joy of suddenly having a new dimension to move through? The girls on the soup can sing, and so does a Proto-Porky on a ham. Fittingly though, he does so in his native tongue: (say it with me) Pig Latin! Even an insect joins in the singing sesh. Quick, Henry, the Flik! It’ll teach him to join in things he wasn’t invited to.

Jiggers! The couple! Everybody had better get back to their places because Cookie is going to have a fit if she has to look after so many little ones. That means canary goes in cage, and Little Buddy gets back in his frame. Original Buddy has to see his girl off with nothing more than a kiss on the hand. Little Buddy, on the other one, gets way more action. Cookie plants four times the kisses on the photo version. On his face, yet. Being a photograph rocks. And we have Beans seeing us off. A subtle way of telling us that Buddy’s days are numbered. (Proto-Porky actually appearing in the story says the same thing about Beans.)

Favorite Part: The animals that “Flik” is said to kill include bugs, ants, slugs and snails. Oddly specific, but it’s like the animators were looking into the future saying: “Yes, Dr. Foolio, we DO know that ‘bugs’ ISN’T supposed to be a catch-all term for insects. Our made-up product won’t cause any lasting harm to beetles, roaches, flies or caterpillars. Just aphids, cicadas and water striders.”

Personal Rating: Well, I was going to give it a 3, for being fairly entertaining as far as Buddy cartoons go, but realized that it’s just another “products coming to life” picture that W.B. has no shortage of. Most if not all are better ones. If you only like the best in that category, then it’s a 2.

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The Country Mouse

“It looks bad for the challenger!”

Supervision by Isadore Freleng; Animation by Don Williams and Jack Carr; Musical Score by Bernard Brown. A Merrie Melody released on July 13, 1935.

Somewhere in the country, is a mouse named Elmer. He’s the local hero amongst his circle of friends, including Beans and Mickey Pig. He may be a mouse, but he’s quite muscular. (And his muzzle sometimes changes from beige to brown.) And he’s got a goal of someday going to the city and becoming a very successful fighter. But right now, his grandma has other plans: chores.

Muscular is probably the mice’s actual last name. Elmer doesn’t chop down trees, he uproots them. Then he slices them into boards as easily as a razor blade through crisco. Granny is not impressed. She’s the type of hard-working, hard-smoking, hard-chewing grandmother, and she doesn’t uproot trees, she punches them down. And when she hears what her grandson is planning to do with this life, she drags him home by the ear. If he can’t stand up against his kin, what chance would he have in the city?

But his mind is made up, and he leaves in the dead of night. He must have pretty good connections, because it looks like he’s been booked into the ring the very next day. (I suppose time could have passed, but I figure Grandma would have tracked him down by then.) This is a pretty important fight too. It’s the “championship of the world!”. And the announcer is a… desman, I think? (Look them up. You might agree with me.) Elmer is going by “The Hickville Threat.” (Which is either the wimpiest name I’ve ever heard, or just the worst.) His opponent is a bulldog that is known as “The Run-some Bulldog.”

The fight begins and Elmer isn’t as outclassed as some other guys I’ve seen. He manages to get in a few good punches. But you can’t beat the champ because he’s the champ, and Elmer gets himself a good beating. Back at home, Granny worriedly listens to his exploits on the radio. Deciding that she can’t stands no more, she makes like a biker mouse from Mars and bikes all the way to the city.

The crowd is loving the violence. (It’s the spastic monkey in the back and the drunk bonobo in the front that make it for me.) Just as it looks like Elmer has lost, Granny enters the ring. She takes the champ out with one punch, and is declared the winner. Nice crown. Elmer got something out of it too: a couple of black eyes. And I don’t mean what you’re thinking, his sclera is ebony! For running away from home, Granny punishes him in the most humiliating way she can: a spanking in front of a crowd of thousands. At least he’ll be famous now.

Favorite Part: Elmer is recovering in his corner, aided by a pig trying to bring him to. It works, but the pig wasn’t done playing the hero, and punches him back out.

Personal  Rating: 3

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Plane Dippy

“Get a load of this!”

Supervision by Fred Avery; Animation by Sid Sutherland and Virgil Ross; Musical Score by Bernard Brown. A Looney Tune released on April 30, 1936.

As my tribute to dads everywhere and my love of over complicating things, I choose this picture as today’s subject, because many people consider pigs as food, I.E., fodder. (And I’ll submit to that mentality when said food flys.)

Well, what’s Porky up to this time? Enlisting in the armed forces? A noble pursuit. What sounds like a good fit for my man? Infantry? Nah, too much walking. Navy? That’s for ducks. How about the air corp? That’s the ticket! Porky heads right on in, eager to join. Too bad this is back in the Dougherty days, so I hope you had nothing planned for the rest of your life. That’s about how long one conversation with the pig will last. (Don’t try and cheat by giving him some writing utensils. His stutter affects handwriting too)

Still, everyone deserves a fair shot at things, and Porky is given a uniform and tests. Beans makes a (last appearance) cameo to help set up a dizziness test. (I’m sure that’s the correct term too.) Porky spins all over the room, and when he is tested on firing a gun, he takes out the whole building before even scratching the plane. Looks like he’s ready to me! I don’t care if I’m looking at him through a fanboy’s eyes. If I could swap someone else’s eyes with mine, I would. And I’d still think how I do. Eyes aren’t brains. The guy in charge must want my fist in his gut, as he just gives Porky a feather duster. (Prick.)

Porky’s orders have him assisting a scientist by the name of Professor Blotz. He’s got something in the works that will revolutionize the airplane: a voice controlled robot plane! It’s very easy to operate. Just speak into the microphone, and tell the plane what you want it to do. No training required. (OH! So that’s why Porky was sent here! Now he can fight! It’s no different than my dream of having a self driving car in the Indy 500.) Porky even gets to give it a try. (If Mel was here, the plane wouldn’t be shaking so much. Must we really wait another ten months for his otherworldly skills?)

Porky sets to work cleaning off the plane, but Blotz doesn’t properly secure his command console, and just leaves it on the windowsill. Coincidentally, Kitty (also in her final appearance) has just noticed a dog belonging to that weird looking dog child I made fun of so many years ago. Wait… Kitty made at least five appearances, didn’t she? *sigh* Here we go again…

Kitty

Another character who was often used as a love interest. (Although, she sometimes was just a friend.) She was voiced by Bernice Hanson.

I don’t look forward to the day when I have to do that with Cookie…

Being the only anthropomorphic dog in the relationship, the bigger one gets to force the smaller one into doing various tricks for his amusement. Even worse, since the voice command module is still on, it picks up the children’s voices and transmits them to the plane. Poor Porky. He picked the wrong time to be cleaning the inside of it. He gets taken along for the ride, doing hundreds if not thousands of dollars in property damages to the rest of the countryside. Demolishing buildings, destroying shipments of hay, and even sending the clouds into a panic. (And even then the children aren’t innocent! The bigger dog actually sics his smaller counterpart on some non-anthropomorphic cat. Kitty is oddly okay with this.)

Things get worse before getting better, as the amusing pup attracts a whole throng of children. All of them act as inconsiderate as children usually are, and all yell out countless tricks for the innocent animal to do. Poor thing! (Never give most children a pet. They’ll abuse it.) At least large dog (who I should’ve just called Rover this whole time) decides the exhausted creature has had enough and tells him that they are going home. Luckily for Porky, the plane follows suit. (And it still looks like mint condition! Blotz, you ARE impressive.) Still, this whole experience has been quite harrowing, so Porky immediately calls it quits and reconsiders joining the infantry. (Being able to admit you can’t do something. Another very adult mindset! I’m prouder still!)

Favorite Part: We get to learn Porky’s full name in this picture! Bet you didn’t know it was “Porky Cornelius Washington Otis Lincoln Abner Eleanor Aloysius Casper Jefferson Filbert Horatius Narcissus Pig” *Sniff* So… beautiful.

Personal Rating: 3

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A Cartoonist’s Nightmare

♫The tables are turned, and now you’re in, our clutches!♫

Supervision by Jack King; Animation by Don Williams and Paul Smith; Musical Score by Bernard Brown. A Looney Tune released on September 21, 1935.

Before we move on to today’s short, it’s time for another rendition of “Something that actually happened to me, that I didn’t make up and is still related to our source material.” I was at work, and a little boy saw my Marvin the Martian shirt. Somehow, he knew that I was someone who actually watches the source material of what he wears, and not only complimented my attire, but asked what Looney Tunes DVDs I had. He had several of the same ones and I sent him away with some ideas about what others he should get. I’m just glad that SOME parents are making sure their kids watch true art. Wouldn’t be great to have a little pal to watch cartoons with?

Yᴇᴀʜ! Tʜᴇɴ I ᴄᴏᴜʟᴅ ʜᴀᴠᴇ sᴏᴍᴇᴏɴᴇ ᴛᴏ ᴘʟᴀʏ ᴡɪᴛʜ!

Too bad that will never happen. Now leave! The adults are talking.

Today’s short is a creepy good time! Definitely one of the more underrated shorts. It begins at Animated Cartoon Studio. (A subsidiary of Generic Products United.) Another day of work is done, and everyone goes home. (Keep your eyes open, and you’ll find that Clampett works here.) The night watchman begins his rounds. This looks like a fun place to work. There’s a staircase that leads to a door too small for anyone to enter, and a sea star in a water cooler. Those rascally artists!

There seems to be a cartoonist still here. He’s working on the latest short for their newest star, Beans. (Making this the first “Looney Tune” to not feature Bosko or Buddy. Warner’s was just all about those B’s.) Yes, by this point Buddy had been abandoned, and I Haven’t got a Hat had come out, so it was time to see if this new character had what it took to be the star. (Porky won.) I will admit, it would have been cool if all this opeing stuff that happens in the short was in live action, but the technology wasn’t there yet, and even if it was, we don’t need another “Coolworld.”

I don’t know what part of the short the man (Name time! I’ll call him Bob McClampet.) is working on, but it is a part where Beans had just been threatened by a beast, but had bars put in front of him, keeping him safe. I guess the short is done, because even though he said he needed to finish, Bob decides to sleep. (Sleep is best often enjoyed at your work) Seeing his chance, the beast grabs Bob and yanks him into the world of cartoons. With Beans still safely locked away, no one can save Bob. Oops.

Bob is dragged down to a room where all the cartoon villains are kept. (Which is right next to where the cartoon heroes are kept. You know them, they are what they’re supposed to be. Illusions of your fantasy.) And in a brilliant move, some of these guys actually appeared in previous Warner shorts. The “Mad Doctor” was the “Mad Musician” from “Buddy the Detective,” “One-punch Otto” the octopus appeared in “Mr. and Mrs. is the name;” even the beast who pulled Bob in appeared once. (Naturally, in 1934’s “Beauty and the Beast.”) They’re are plenty of original faces there too. Including Battling Barney the gender confused kangaroo. (Males don’t have pouches. Females aren’t called “Barney”) And Spike the spider*. (Who doesn’t have the right number of legs. And has a beetle’s shell. And a nose. And… Oh wait! “Spike the spider” is probably just his wrestling name. Of course, that must be it.)

So why all the kidnapping? Seems they’re angry at Bob. In every picture he makes, they are the villains. Don’t get them wrong, they love doing what they do, but they don’t like how they are always the losers. So, they are going to make Bob kill himself. (Dang! A cartoonist’s nightmare indeed! Imagine being hated by your creations! Sure, this kind of situation would come back in “Fairly Odd Parents,” and the “Goosebumps” movie, but being forced to end your life? That’s harsh.) Seeing as how if he doesn’t comply, the rouges are probably just going to kill him themselves, Bob complies and begins drawing a pit.

Remember Beans? He is still in this short too. He’s just been given a loaf of bread by… somebody. Seriously, who is that? We never saw them! (I’m not using gender specific pronouns because I legit don’t know what gender they are.) They came from where Bob was taken. Are they one of the cartoon heroes? The ones who will last forever? I doubt it because we never see them again! Also, I guess Beans wasn’t too upset about his creator probably dying, as his face lights up at the thought of a snack. It’s a pretty comfy cell. As long as someone feeds him, he could stay there for years, no problem.

Okay, okay, back to the plot. Random character in a dress and bonnet hid a saw in the bread, and Beans begins to make his escape. Bob meanwhile, has drawn the pit, and is thrown in. And there is a crocodile in there, so he’s pretty much screwed. When Beans arrives, he finds the villains watching the action. They’re smart enough to make sure their plan works out. (Impressive!) Beans sends some boots to kick the beast, and the whole lot chases after the cat once he is spotted. (Well, at least they look evil. Brains don’t matter much.)

Beans sends the pencil down to Bob, who draws a ladder to get himself out. Then, with the use of a grease gun, Beans sends all four villains (no idea where all the rest went) sliding into their own trap. Bob then erases it. (Which is also pretty harsh. They’re trapped in a enclosed space with a dangerous reptile. Even if they manage to fight it off, they are going to starve. I hope the two heros are proud of themselves.)

Considering the smiles are their faces, I guess they are. They shake hands, which is really the night watchman shaking Bob awake. When the title said “nightmare” it meant it literally. Still, Bob is grateful for Beans’ help. To reward him, not only does he remove the beast and cell from the scene, but he draws him up a giant plate of dessert. (Ice Cream? Pudding? Custard? Maybe it’s all three.)

Personal Rating: 4

* Hi. It’s me from the future. I’ve since learned that Spike also came from an earlier short. But I’m leaving the post unedited, because I found that description I wrote about him hilarious.

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Gold Diggers of ’49

“YEEOOWHOOPEE!”

Supervision by Fred Avery; (His directorial debut in fact) Animation by Bob Clampett and Charles Jones; Musical Direction by Carl W. Stalling. A Looney Tune released in 1936. Supervision by Fred Avery; (His directorial debut in fact) Animation by Bob Clampett and Charles Jones; Musical Direction by Carl W. Stalling. A Looney Tune released in 1936.

In the year that the title names, we see a town so poor they have crossed the “Gold” part out of their name, leaving the place known as Ville. But one brave youth dares to go out and dig for the stuff to rebuild their economy: Beans the Cat! His girlfriend, Kitty believes in him and rushes home to tell her father the news. Her father is Porky. (This is still Beans’ short, I wasn’t lying last week) Being so early in Porky’s career, he is really fat. And his voice isn’t sped up. Also, I can’t tell if he’s wearing pants or not. His legs are a different color than his arms here. Plus there’s the fact that he is somehow Kitty’s father. (I guess he adopted) But let’s check in on Beans and see how he is doing, shall we? Well, he finds the stuff and alerts the whole town. Porky may love his food, but that won’t stop him from joining in the fun and he joins everyone for a day of digging. (I love the cars the people had in 1849. So retro) At their digging spot, we get some pretty dang good gags. (Thank you, Avery) Porky finds a nugget fast, and puts it in his pocket. Reaching into the hole again, he keeps grabbing the same nugget. Beans meanwhile has found a chest. It only contains a book though, titled “How to find gold.” (Which comprises of one sentence: “Dig for it!” Brilliant!) While everyone digs the honest way, the Billy Bletcher Bandit spies a bag of Porky’s and takes it for his own. Porky must have that bag back and promises Beans Kitty’s hand in marriage if he succeeds. Porky will stay behind and go with him in spirit. (Plus, this is a great time to convince Warner Bros. that he is more star material than Beans is. I mean…he’s too distraught to go!) Beans likes the idea and drives off after the thief. His guns don’t have much effect though, as the crook is wearing an armored butt cover. (“Also known as a “Steel Seat.”) To make matters worse, Bean’s car runs out of fuel. What’s a feline to do? Pour some firewater in the tank! Properly juiced up, the car is now fast enough to catch up to the burglar and grab him and the bag, turning back to get Porky and heading to his home. He is true to his word and lets Beans get his hands on that pus…actually, I’m above that joke. Beans in return gives Porky his bag of gold. Gold? Nah, Porky loves his daughter more than that, to give her up for a sack of rocks. That was his lunch bag that was stolen.

Personal Rating: 4

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Alpine Antics

“I’ll show that big stiff!”

Supervision by Jack King; Animation by Riley Thompson and Jack Carr; Music by Norman Spencer. Released in 1936.

Tomorrow is my sixth anniversary of starting this blog! And that means another update that any competent blogger would have started doing on day one! I think from next time onward, I’ll start listing whether or not the short discussed was a “Looney Tune” or “Merrie Melody”. That’ll make people want to visit!

Our short begins with a shot of many characters having winter fun. (If they’re having any fun outside at all, they’re not doing it right.) Skiers ski on the horizon, and some snowmen sing to us. Unfortunately for them, they dance in front of a campfire and melt to death. (Dying snowmen always make me feel warm inside.) One guy takes some boiling water and pours it in a hole in a lake to make his own hot tub. He freezes solid.

Beans the cat is having a good time with his girlfriend, Kitty. He sees a sign telling of a downhill skiing race with $100,000 in cash prizes. Or a cool $2.00. (It was the depression.) But a big bully with a Billy Bletcher laugh. (Hereafter known as Bully Bletcher) breaks Bean’s skis so there will be one less competitor. But little did he know that Beans is the kind of guy who would dismantle his girlfriend’s sled to get more skis. (In his defense, she seems okay with it.)

They take their places at the starting line. Bully is not happy to see Beans again and attaches a firecracker to the cat’s skis. Lighting it, causes Beans to fly backwards and give everyone else a head start. The other competitors are: Porky on a rocking horse, a guy whose skis are pedal powered, (cheater) someone who has a sail and bellows, and a duck on a dachshund. Bully takes the lead and holds out a trip wire. This gets rid of nearly everyone. (Don’t worry Porky, you’re a winner to me.) When Beans crosses it, he doesn’t trip, but instead the wire wraps around Bully. This doesn’t hold him for long though. He continues on with the Double D team, (the dog and duck, remember?) behind him.

Beans jumps a gap, but doesn’t quite make it, getting himself stuck in the cliff side. Bully makes it, no problem. The other two go down the slope and back up, knocking Beans loose and getting him back in the race and bumping themselves to second. They soon go on to take first, but don’t look where they’re going and crash. This just leaves the two B’s. (Bully and Beans remember?) It looks like Bully is going to win, but he crashes into the ground and ends up underwater. (The finish line is on a frozen lake then?) This gives Beans the advantage and he wins! Before he can celebrate too much though, Bully pokes his head through the ice, tripping Beans, and causing him to fall into the drink too.

Personal Rating: 2

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I Haven’t got a Hat

“Listen m-my-m-m-m-my children and you shall hear, of the m-m-mi-m-midnight r-ri-ride of P-P-Paul-P-P-Paul R-R-Revere.”

(What the heck is wrong with that student in the lower right?)

Now for the birth of my favorite cartoon character ever: Porky Pig! And he’s not alone. This short starts off with a cast of characters. Also appearing is the school teacher: Mrs. Cud the teacher, Beans the cat, Oliver Owl, and the puppies, Ham and Ex. (They point at us and whisper. Am I the only one who wants to know what they’re saying? Because I love attention!)

At the local schoolhouse the students are performing for their parents. First up is a timid little guy, who had no idea he will become the worlds most famous pig. (I don’t care what ignorant children think.) This is Porky’s beginning. He tries to recite “The ride of Paul Revere.” (This is B.B. Before Blanc. Originally it was a man named Joe Doughtery, a REAL stutterer.) Porky has such a difficult time that the crowd gets tired and whistles a pack of dogs to chase Porky off. Jerks. (Yes there are dogs that are anthropomorphic and some that aren’t. Why question it?)

Next up is Kitty, and if you thought Porky was nervous, well, she is just downright petrified. Porky at least went on stage of his own free will. Kitty can’t even finish “Mary had a Little Lamb.” She’s so scared she bolts at the last verse. Next are the pups, who sing our title song. In the crowd Oliver gets out some candy to munch. Not only does he refuse to share with Beans, (Who for the record didn’t really ask) he sticks his tongue out at him. The next performance (in this line of characters that WB was pretty much using to figure out which would be a good replacement for Buddy) is Oliver himself. He takes his candy, turns his nose…beak up at Beans, and goes to play the piano.

To get his revenge, Beans sneaks around outside and puts a non-anthro cat in the piano. To add to the chaos he then adds a dog. Suddenly the piano starts playing “The Storm” by itself, to Oliver’s amazement. The audience can’t see him behind the instrument, so they think he is a musical prodigy. When the music ends, Oliver happily takes the credit. Just at that moment the animals leap out, and the cheers become jeers. Ollie sees Beans laughing and sprsys green ink at him. The force causes Beans to fall back and launch some red paint back at the bird. Caught in the same predicament, the two shake hands and share a truce.

Personal Rating: 3

(Seriously, what is wrong with that student in the bottom right?)

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Hollywood Capers

“Beans is the name! One of the Boston Beans!”

We open in Hollywood. (Did that guy who ran in front of the car just disappear?) Beans wants to get in to the W.B. lot. Much like the later “You ought to be in Pictures” the guard won’t let him in, despite the cat’s awesome resume. This doesn’t deter Beans, as he uses a Olliver Hardy disguise to get in. (Unlike Porky’s disguise, Bean’s actually works.) He goes in and sees director Oliver Owl directing a film starring Kitty. Beans enjoys his time until he accidentally disrupts the film. Oliver throws him out.

Beans accidentally activates a robot Frankenstein’s monster. It eats the camera, chases Kitty, and gets hit by his own reflection. Beans tries to stop it by wrapping it up in a pipe. The monster is so strong that it doesn’t slow him down. Beans finally destroys the menace by pushing a fan into him and shredding him to bits.

Personal Rating: 2