The Sour Puss

“G-G-G-Guess what we’re gonna have for dinner t-t-tomorrow night?”

Directed by Robert Clampett. Released in 1940.

Before we begin, I’d like to say a few words before my words. I have mentioned the following before, but I don’t know how many people read my older posts, so I’ll reiterate here: I think suicide can be funny when it’s used as a joke in media. Now, in real life, suicide is never the answer. I’m not a psychiatrist or even really that good at being sensitive, so you probably shouldn’t take this opinion seriously, but to me, killing yourself proves you really don’t give a f*ck about the people in your life. They are the ones who really suffer in these situations. Forever wondering if it was their fault. If they could have helped. And since we have no proof of an afterlife, they don’t even have the guarantee they’ll see you again.

But in cartoons, it’s totally fine and often very funny. (To me.) Remember in “Rabbit Romeo” when Bugs forced a goldfish to kiss Millicent? It killed itself and that was funny. As long as you ensure that the situation the character is in isn’t too sad/serious, I’m not going to complain. I’m sorry for making you read all of this, but I don’t want you to get the wrong idea when I laugh at the suicide that takes place in this short.

One night at Porky’s place, he is reading his paper and sees that fishing season will begin tomorrow. He excitedly gets decked in his angling gear. (Personally, I find fishing one of the most boring and yet barbaric wastes of time.) He lets his cat know of tomorrow’s dinner by imitating a fish. To most, that is simply a humorous picture, but to someone with icthiophobia, that is the stuff of nightmares. (NotthatIwouldknow.) The cat is so excited he bounces around the house. (Why does Porky have an empty fish bowl?) He even kisses a mouse. This action makes the canary of the house pull a gun on himself, since he’s now seen everything. (Fun-ny. And I’ll thank all of you who have suicidal thoughts to stop ruining comedy for me.)

They head to bed. Porky counts sheep, but his cat (who is sleeping in a drawer, because there’s no point wasting money on a bed for an animal that won’t even use it.) counts fish. When you have an obsession, it’s near impossible to sleep while thinking about it. No surprise, the cat hits 1,000,000 and is still awake. He takes something for insomnia: A hammer to the head. The next day, pig and cat each have cast lines. (The cat’s line tied to his tail.) A flying fish approaches. That’s not a freshwater fish, but am I really complaining about that, while the fish is literally flying? Yes. I just don’t want people to go to a lake and expect flying fish. I know about fish.

The cat takes a swipe and the fish is down. Not really. This fish is like if Daffy had gills and fins. He jumps around laughing hysterically and talking with a weird vibrating voice. (I like him. He’s silly.) Porky seems to get him on his hook, but the fish just does a yo-yo imitation. (Why not try fly fishing? I know about fish.) The fish sticks one of his pectoral fins out of the water to imitate a shark. Porky falls for it, and warns the cat. The cat is a moron and doesn’t know that sharks have been found in freshwater. (I know about fish.) He calls the fish’s bluff only to find it really is a shark. (I don’t really get how that happened.) The cat runs off into the distance much to the shark’s confusion. “Pussycats is the cwaiziest peoples.”

Personal Rating: 3

Conrad the Sailor

“You’re a sthlovenly housthekeeper.”

Directed by Charles M. Jones. Released in 1942.

Who is Conrad? Well, you asked the right person. If you didn’t ask you are either: A) already quite knowledgeable about cartoons and just come here for my jokes, or B) you are a sad person who isn’t even looking at my blog. shame on you. Conrad the cat only appeared in 3 shorts. All of which were directed by Jones, all of which came out the same year. This is both the only one with his name in the title and the only one where he speaks. His one defining character trait is that he has a little shuffle walk but I like him. His appearance makes me smile. This short was his final appearance. It takes place on a ship. (No surprise.)

While most of the crew appear to be dogs, Conrad is not. Perhaps this is the reason he’s the only one swabbing the deck? Listen to his voice. Does he sound familiar? No, it’s not Mel. Please stop guessing him. Would I even bring it up if it was Mel? That my friends is Pinto Colvig. The original voice of Goofy. Even if he is being discriminated, Conrad cheerfully mops and sings. To his displeasure, he finds muddy duck prints all over. Daffy Duck prints to be precise. After mocking his singing, Daffy switches his bucket of water for red paint. Conrad doesn’t even notice until the duck points it out. Angered, the cat gives chase.

Despite Daffy thinking he gave him the slip, Conrad is right behind him and pulls him into a lifeboat and pounds him. Coming out they both salute the captain, before Daffy is tossed into the sea. That’s obviously not going to stop him. The chase continues when he gets in Conrad’s way of polishing a cannon. Before they can chase though, the captain comes by again and they salute once more. Daffy starts up a game of “Patty cake” using the lyrics to “Pease porridge” instead. Which is a really odd rhyme when I really think about it, why is it not spelled peas? Why are they in porridge? Do people really want to eat porridge that’s nine days old? What is porridge?

They chase, (salute the captain again) and Daffy hides in a gun. Conrad knows exactly where he’s hiding and loads it. When fired, the bullet continues to chase Daffy. Him running behind Conrad, means that the cat has to run too. But this doesn’t stop all three of them from saluting the captain again.

Personal Rating: 3

3 Private Snafu Shorts: The Goldbrick/The Home Front/Censored

And they’re all directed by Frank Tashlin! Hope you’re not sick of the guy yet. Don’t worry, we’ll be taking a break after this post.

The Goldbrick” Released in 1943

“I do believe I’m putting on weight.”

Snafu is sleeping when he is woken up. (What else would he be doing if he was woken up?) He is naturally unhappy about this, and wishes to not have to get up for drills. A sprite named Goldie shows up and he lets Snafu in on some secrets of avoiding work. If you fake an illness, you can spend a day in bed with a hot nurse by your side. (Who must suck at her job if she can’t tell he’s faking.) When digging a trench, Goldie advises him to dig just enough for his head, and he’s earned a well deserved nap. Instead of pushing a load up a hill, have someone help while you sit on the load and push.

Soon, Snafu is lazy and out of shape. This comes back to bite him when he’s actually on the field. Deciding to goldbrick since that’s all he knows, he limps towards a convenient hospital. It’s a trap of course, and he ends up smashed by a hammer. He’s okay though and gets out. More trouble is out there, as an enemy tank chases him down. He digs a trench, but as he only ever digs enough for his head, his rear sticks out and the tank crushes him. He’s dead. (Snafu dies quite a few times in his shorts.) Goldie then reveals that he was really Japanese the whole time. (Remember: we were enemies. Japanese people do not look or sound like that.) But Snafu will be remembered, thanks to his 22 karat goldbrick grave.

Personal Rating: 3

The Home Front” Released in 1943

“I didn’t know you cared.”

This short begins with Snafu in a very cold location. He complains because that’s what he does. He figures that all his loved ones are enjoying themselves back home. His dad is playing pool, his mom is playing bridge and gossiping, and his grandpa is being a pervert at a burlesque show. Worst of all, his sweet Sally Lou is no doubt dating someone else. (Isn’t that just how women are? If you leave them, they replace you.) Out pops good ole’ Technical Fairy First Class. He has a TV and lets Snafu see how much “fun” his family is having.

Turns out, that Snafu is the black sheep of the family, as the rest are working real hard. His dad’s building tanks, his mom’s planting a victory garden, and gramps is reinforcing battleships. And dear sweet Sally Lou? She joined the W.A.C.s. (I hope you feel like a dope, Snafu.) He tries to give her image a  kiss, but since she’s not really there, he kisses the fairy instead. (Hey, he lived this time. He’s coming home, Sally!)

Personal Rating: 3

Censored” Released in 1944

“Mail this for me!”

Snafu is trying to send the lovely Sally Lou a letter. (A wimpy, short, dumb, lazy, man gets a hot chick? It’s plausible, but not fair.) Only one thing is preventing him from getting to the postbox: The censor. He/She/It catches Snafu and shreds his letter to nothing but “Greetings” and “Farewell.” On a train, Snafu tries again and this time folds it into a paper airplane. Tossing it outside does not work, as the censor has a net. The note is returned to Snafu as paper dolls. On the ship to his next destination, he tries again with the help of a dove he has in his pants. (Not one word about that.) The assistant censor, (a hawk) catches the bird who points out it was not his plan. (He’s some sort of stool bird!) The letter is beaked this time.

Snafu is getting desperate to talk to M.L. and luckily for him, his pal Technical Fairy First Class agrees to send it after Snafu tells him it’s safe. He and his girl use a code when speaking. The note delivers and Mary gets itttttt… I never thought I’d see this much skin when I decided to start reviewing shorts. (Yes, I know these shorts were for the armed forces, but she’s not even wearing a bra!) Even though he’s asked her to keep quiet, she goes on to tell her mother who goes on to tell more people. Eventually, through use of the telephone game, the Japanese here of it too and prepare an ambush at Bingo Bango island, where the U.S. is heading to. Unaware of the dangers, Snafu and the others land only to get blown up. Turns out it was all a dream. (Three shorts today. 1 death, 1 live, and 1 both.) Turns out T.F.F.C never sent the letter. Having learned his lesson, Snafu censors it himself.

Personal Rating: 3

The Stupid Cupid

“Ahhh, I love you! I want to marry you!”

Directed by Frank Tashlin.  Released in 1944

It must be Valentines Day in this short, because Cupid is joyously spreading love. I bet you didn’t know Elmer was cupid, did you? (His laughs are not supplied by the usual Arthur Q. Bryan, but rather by a one Frank Graham.) But this cupid doesn’t really seem to care about matching the right creatures together. Sure, he has a bird immediately grab a mate, (and build a house) and gets a stallion to jump out of his shoes, for a mare but he also has a dog fall for the cat he was about to eat. (The cat proceeds to shoot his nine lives away.) So, I guess Cupid’s a mad shipper.

Either way, Daffy is next on his agenda. But Daffy is not happy to see Cupid again. Yes, they have a history. Apparently the year before, Daffy was shot by one of Cupid’s love darts, (And I don’t mean the kind used by snails.) and ended up being shot gun married and having some ducklings. Yes, one has two heads. (You didn’t think Duckman was completely original did you?) Daffy uses Cupid’s bow to launch him away, but Cupid just giggles it off. He prepares a monstrous arrow and manages to hit the duck. The first creature that Daffy spots is (9, 10) a big fat hen.

He happily starts trying to hit on her. Emily (that’s really her name, I didn’t have to make one up this time.) is no whore, and runs away. Eventually, Daffy finds her in a closet and begins smooching. This would be a terrible time for Emily’s husband to show up. Just then, Emily’s husband shows up, and pries them apart. (Emily looks a little too calm kissing Daffy.) The rooster (let’s call him…Rocko) gets ready to pummel the duck when Daffy comes to his senses. He explains that it was Cupid’s fault and apologizes stating he’s a family man as well. (Bringing his family in for a cameo to prove it) Rocko is a kind soul, and forgives the duck letting him go.

Daffy is grateful and doesn’t notice Cupid is still out there. One shot later, and he jumps in between the chicken’s make out session. And it fades out rather quickly. Apparently there was an original ending where Daffy said, “Don’t knock it till you try it!” (Sorry Daffy, that’s not what I think of when I picture a hot chick.)

Personal Rating: 4

Booby Hatched

“Who turned off the heat?”

Directed by Frank Tashlin.  Released in 1944

You know what this Sunday is? If you don’t then go look at a calendar.

Sorry. That was rude. (You may not even have a calendar.) It is Mother’s day. And one of the sweetest things to me, is the relationship between mother and child. How they are willing to die for them, and how the child sees the mother as essentially an almighty superhero, who can protect them from anything. I’m rambling. Let’s talk about a short dealing with such love.

It’s winter, and a duck (with teeth) is desperately trying to hatch some eggs. (She also has no name. I shall call her Ethel.) It is really cold, and the eggs have begun to turn blue. (The father was a smurf.) She holds them up to a light to see inside, and finds the soon to be ducklings sneezing, warming themselves by a stove, skating and skiing. (At least they’re not dead.) She does her best to keep them warm, but the poor things are below subzero! Time for drastic measures.

As much as it pains her, Ethel sticks her rump right up to a lantern. She’s in agony, but a true mother won’t let her children die, if she can help it. When she’s done, she goes over. The eggs hatch before she sits down. (“Don’t do it! We’ll come out.”) I guess it’s warmer outside than in an egg, so the new family heads down to the pond for a swim. Uh Oh! One egg didn’t hatch all the way. Craving warmth, the egg with legs goes off to find his mother. Ethel meanwhile, is doing a head count and finds that her little Robespierre (such a great name for any generation) is missing.

Finding his footprints, she follows them into the woods. Robespierre is nearly dead, but finds his mom wearing a fur coat. (A bear.) And he slips under “her.” The bear takes it rather well. (“So I laid an egg.”) But this was all seen by a hungry wolf. Wait, is that William? No, his mailbox says he is known as B. B. (So he’s a transvestite. Because Bebe? Forget it) He uses some TNT to blow the bear off, and happily takes his prize home. The bear takes it rather well. (“Dreams like this, worry me, ya know.”) B.B. runs into Ethel on his way back, and the two keep swiping Robespierre from the other. Eventually, Ethel gets home with a doorknob.

B.B. is preparing some egg drop soup, when Ethel returns and pokes his eyes through the key hole. She then rescues her son. Is he grateful? Heck no, he was finally getting warm. He dives back in.

Personal Rating: 3

I Got Plenty of Mutton

“Ohhh my precious…BAAA!”

Directed by Frank Tashlin.  Released in 1944

It’s a little late to say this, but it is the year of the sheep according to the lunar new year calendar. So let’s talk about a sheep short, shall we?

Due to an O.P.A. ruling, there is no meat for wolves. A crisis, seeing as how they are carnivores. One fellow, tries to make the best of his situation and sets some water to boil. This wolf (who I shall call William) makes sure no one watches as he grabs a very precious ingredient for his soup. A single, tiny bone. He dunks it a few times and puts it back in his hiding place. Alas! While his back was turned, mice sipped every drop. William has no choice to adapt to a herbivorous diet.

While eating his steamed pea, he glances at the paper. What luck! A local sheepdog has left his herd to join the army. Easy pickins! William tosses his precious bone away and heads out. Look at all the tasty morsels. He dives in and finds himself face to face with a ram. Pulling out the paper again, William sees that the article went on to explain that a ram named Killer-Diller. (No relation to any “Thugs with dirty Mugs“) is now guarding the flock. (It even helpfully points out that the ram in front of him is Killer) The ram butts William away.

William in turn gets a box that’s just labeled “Costume.” Said costume is a ewe. (I guess it’s supposed to be sexy, but it freaks me out. Maybe if I was fleecy.) He pretties himself up and readies some weapons to take Killer down. Killer likes what he sees. There’s no other word for it: he’s horny. His horns even uncurl, point straight out, and turn red! (I feel a little uncomfortable seeing that.) He rushes over to whisper sweet nothings into “her” ear. William tries to club him, but the shock knocks his costume off. By “shear” luck though, he manages to get it back on and lures Killer to follow him. He drops a safe on the ram, but he pops right out to continue his session. (His hooves turn white briefly.)

William tries to fire a cannon, but Killer is in there too and continues to smooch the poor creature. William makes a run for it with Killer in hot pursuit. Later that night, William is still on the “Lamb” but he is getting tired, while Killer still has plenty of steam. Deciding it’s not worth it, William breaks the charade and tears the costume off, revealing he’s a wolf. Killer doesn’t mind: He’s one too! Figuratively! Iris out on the chase going off into the moonlight.

Personal Rating: 3

Puss N’ Booty

“Have you any more canaries?”

Directed by Frank Tashlin.  Released in 1943

When Merrie Melodies first came out, the main difference between them and their Looney counterparts was that they did not have a main character. As time went by, Merrie Melodies became the shorts that were colored, and Looney Tunes were still black and white. This here is the last black and white one. After this, I have no idea what the difference was between the two, if there was any.

A lady (Bea Benedarret) comes home and finds her canary, Dickie, gone. Rudolph the cat hasn’t seen him, but seems genuinely worried, and helps search. (After he hiccups some feathers.) As soon as his owner leaves the room, he whistles like a bird and opens a window. She comes back to find the cat sobbing and waving goodbye. That makes 5 canaries gone in one month. Most people would give up and consider it a waste of money. But not (let’s call her) Megan. She calls the pet shop  up to see if they have any more of those birds. (Rudolph prays for a yes.)

Happy days! They will send another one right over. Rudolph obviously has a severe case of gluttony as he paces back and forth many times and gets excited at every passing truck. (Canaries must be really tasty. Anyone have a recipe?) Finally, the truck shows up with the newest addition to the family, Petey. Megan loves him very much and gives him plenty of seed, telling him to eat it all and grow up big and strong. (Rudolph agrees with that statement.) She also gives the cat a saucer of either milk or cream, (whatever one gives them) and leaves the room. Rudolph spits out the dairy and immediately enters vicious mode. He pounces, but Petey is quite the resourceful bird and flies up, lifting his cage to safety, and making Rudolph crash. (Forget the seed. I think he’s plenty strong already.)

Rudolph ties the cage down, (and I can’t help but think if he was able to do that, he could have already snatched Petey.) and pounces again. This time the bird opens both of the doors and Rudolph crashes again. That night, Rudolph gets into Petey’s cage and a huge fight ensues. Megan comes downstairs and finds Rudolph missing. She asks a sleeping Petey if he’s seen her, but he hasn’t. However, before the short ends, he does hiccup Rudolph’s ribbon. Don’t mess with a bird that makes the food chain his hen.

Personal Rating: 4

Plane Daffy

“You think I’m a Benedict Whoozits, or somethin’?”

Directed by Frank Tashlin.  Released in 1944

You know what is one of the most heroic birds? Carrier pigeons. Unintentional or not, these amazing birds were the mail carriers we needed during WW’s. But alas, they are not quite at the top of the food chain, and did fall prey to falcons. I mention this, because the short is based on these birds. In a parody of “Dawn Patrol” we see a bunch of pigeons worriedly puffing cigarettes dry in one puff. Seems Homer Pigeon is A.W.O.L. and indeed he is. He is the company of the falcon, Matta Hari! (I like to think she’s a falcon, because a traitor pigeon is tainting my image of these wonders.)

Much like in the Private Snafu short “Censored”, he is slowly led to leaking info to the axis. As dumb as he sounds though, he’s no stool pigeon and refuses to tell. Matta (voiced by Sara Berner. Who you might know as Beaky Buzzard’s mom.) in turn, makes him a drink and once it’s been drunk he can’t stop blabbing. Hitler hears it all and Homer, sadly shoots himself in shame. (Outside of course. Don’t want to make a mess.) What can be done? All the other pigeons can’t do it, because they will just as likely fall prey to her seducing. The answer lies not in a pigeon, but in a duck!

Daffy vows to deliver a secret document, and he won’t be sidetracked because he hates women. (Easy now ladies, I’m sure he didn’t mean it.) He takes off and neither wind, hail, rain or sleet can stop him. He even flies past Matta’s place without a second glance. Until she shows some gam. Then he’s reeled in. (See girls? He may hate your personality, but no straight man can resist your meat.) Daffy isn’t all lost though. Inside, he does his best to not play her games, but her kisses are literally electrifying! He melts away into a crack, but quicky un-melts as soon as she tries to see his paper. He gives her a kiss of his own and she sparks too. Daffy runs but can’t seem to escape her. So, why doesn’t he just leave? It’s scary outside.

Eventually, she has him pinned to the wall with a gun. Daffy shows her! He eats the paper so she can’t ever get it. (Although he regrets having only one secret he can swallow for his country.) Not to be deterred, Matta straps him into an x-ray and phones up the fuhrer to see it. (Wb was ahead of their times. The first skype!) Hitler, Hermann Göring and Joseph Goebbels eagerly look to see. What’s the message? “Hitler is a stinker!” (HAH!) Hitler is understandably mad, as that is no secret. His cronies agree as everyone knows that. (One of the best lines ever.) Embarrassed at their blunder, they shoot themselves. I think we have this war in the bag!

Personal Rating: 4

Mississippi Hare

♪Camptown races sing this song, doo-dah, doo-dah…♪

Directed by Charles M. Jones

This short gets censored a lot because of scenes that apparently scream racism. It starts in a cotton field where Bugs is napping. Apparently this is bad, because those are African Americans harvesting it. Well, we don’t see any definitive proof that they aren’t being paid, so it might be relatively harmless, but I digress. He gets packed with the cotton on a riverboat and he climbs out of the hold to see where he is.

He notices that this boat throws off stowaways. Dashing into a cabin, Bugs dresses as a gentleman and shows off the ticket, that I guess was in the room. Secure, he takes a look around. He comes across a gentleman named Colonel Shuffle. (Jone’s take at directing a Yosemite Sam character.) He is voiced by Billy Bletcher and demands for someone to try and beat him in poker. Bugs takes the challenge and bets $100.00 in chips. (Which is half a chip. Ha) Fade out.

Fade in, and see that Bugs has all the chips, and Shuffle has the half chip. With A’s in his eyes, he shows his hand, but Bugs’s is better and he wins it all. He flat out calls Shuffle a jack@$$, (Well, Shuffle did ask for it) and the colonel declares a duel. Bugs walks with him and misses the shots. He shoves an exploding cigar in his mouth, and gives him a banjo to play. (“Racist” part 2. That is apparently blackface on Shuffle. Or you know, ASHface.) Bugs has him dance off the boat and he comes back up with the wheel.

He tries to fire his gun but liquid comes out. It must be a *dons shades* water pistol. Anyways, Bugs disguises as a barker and gets him to enter a show, which is really just a one way trip back into the drink. When he aims again Bugs tells him it’s still full of water and Shuffle checks by shooting himself. Bugs tricks him into the boiler and Shuffle desperately tries to buy a cup of water to put out the fire. He asks Bugs for change and Bugs takes his sweet time. Finally giving it, Shuffle gets the water, and begins firing again immdiately. (Smart. Elmer would’ve walked off before remembering his task at hand.)

Bugs relies on his drag routine and beats Shuffle with a parasol. His wig briefly comes off and Shuffle chases again. Bugs pleads with a much taller man to help him, and Shuffle is tossed off the boat for good. The man comes back to flirt with Bugs and sees his tail. He throws himself off too.

Personal Rating: 3

Rabbit Hood

“Give my regards to da king, and da queen, and da jack, and da ten o diamonds.”

Directed by Charles M. Jones

In Sherwood forest, (which is apparently enclosed in a wall?) Bugs is attempting to take a carrot. Wouldn’t you know it, he had to choose the only carrot patch that has alarms. The sheriff arrives and points out that they are the king’s carrots. There’s even a little stamp to prove it. Bugs tries to run, but Little John appears and tells of Robin Hood’s coming. This doesn’t happen and the sheriff is ready to have Bugs murdered. Bug says he sees the king coming and clubs the sheriff when he bows.

Later, Bugs runs into the king’s royal rose garden. When the sheriff points out that it is royal ground, Bugs agrees and talks the plot up to local lawman, tricking him into buying the land. The sheriff doesn’t realize he’s been had until he’s about halfway done with his new house. (That must have taken him 6 months as least.) Bugs is still yet to escape and the sheriff catches him again. Little John is back, and Bugs constantly introduces each of them to each other, giving him another chance to bolt. When the sheriff finally gets away, Bugs says the king is coming, again.

The sheriff initially doesn’t believe him, but Bugs sounds so earnest, that he eventually gives in and looks. It is indeed the king. (Bugs in disguise.) We never see the real king in this picture, but something tells me he’d find all this hilarious. The “king” decides to knight the sheriff and repeatedly clubs him with his scepter. The sheriff takes so long to fall, that Bugs has time to bake a cake for him to land in. (The sweetest way to be unconscious.) Little John appears again, but Bugs has had enough and demands that if Robin Hood is here, then he should show himself. A live action Errol Flynn arrives but Bugs just can’t believe his eyes. (“It couldn’t be him.”)

Personal Rating: 4